Acoustic guitar microphones

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The KM 184 is known as the acoustic guitar microphone, but dont pigeon-hole it. This microphone also works well for overheads, speech applications, and spot mics. An industry standard that began with the KM 84 is continued by the more modern, quiet,...
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The PG57 Instrument Microphone is a versatile mic for amplified or acoustic instruments such as guitar amps, brass, or saxophone.
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$90
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A sensitive, flat response mic ideal for acoustic instruments. Perfect for Acoustic Guitar, Cymbals, Piano, Strings, Woodwinds, Ensembles. Specifications: Cardioid, Condenser, Flat Response, 40 Hz to 18 kHz. Comes with 15' XLR to XLR cable.

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$90
 
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The GHS external mount Soundhole Mic preamp system can amplify the natural sound of your acoustic instruments. Electrify your acoustic guitar using the unique attached microphone that preserves tone while amplifying the natural ambiance of the guitar....
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starting at

$50
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The ECM8000's linear frequency response and omnidirectional polar pattern allows you to carry out measurement and alignment tasks with minimum hassle and maximum precision, making it a perfect complement for the ULTRA-CURVE PRO DSP8024 or any other real-time analyzer. Its rugged construction ensures years of trouble-free use.

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$50
 
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The PG57 Instrument Microphone is a versatile mic for amplified or acoustic instruments such as guitar amps, brass, or saxophone.
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starting at

$36
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Unidirectional Cardioid - Includes stand clamp, threaded adapter, and protective pouch

starting at

$36
 

starting at

$299
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The Shure SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. Its wide frequency response, low noise characteristics, and low RF susceptibility have made it the standard for applications involving acoustic instruments, especially guitar, piano, and cymbals. Ruggedly constructed, it operates on phantom power and performs over a wide range of temperatures and humidity conditions. It is furnished with a swivel adapter, attenuator-switch lock, foam windscreen, and case for carrying and storage. Specifications: Low RF susceptibility Selectable low-frequency response - flat, 6 or 18 dB/octave rolloff 0 dB/10 dB lockable attenuator switch Phantom powering (DIN 45 596 voltages of 12 to 48 Vdc) Rugged steel construction for durability

starting at

$299
 

starting at

$44
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The Nady CM 90 classic small-diaphragm condenser superior microphone is perfect for recording and stage reinforcement of acoustic guitar, drum overheads, hi-hats, snares, piano and horns. Powerful and versatile, the CM 90 meets the stringent requirements of even the most demanding digital recording and live sound applications.

starting at

$44
 

starting at

$250
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Included: Equitek e60 Cardioid Condenser Microphone and e70 Modular Dual Capsule Condenser Microphone

starting at

$250
 
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he GHS external mount Soundhole Mic preamp system can amplify the natural sound of your acoustic instruments. Electrify your acoustic guitar using the unique attached microphone to preserves tone while amplifying the guitar's natural ambiance. May also...
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starting at

$185
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The ultimate bass drum microphone! This microphone was developed for clean kick drum and bass guitar performance with a powerful, punchy sound. Absolutely free of distortion even at high sound pressure levels, very low diaphragm resonance, a relativ...

starting at

$185
 

starting at

$169
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The Electro-Voice N/D468, part of a new generation of N/DYM microphones, is specifically designed to accurately capture the sound of horns, acoustic and electric guitars, and the percussive energy of drums in both live performance and studio recording.

starting at

$169
 

starting at

$549
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The genuine 1-inch dual-diaphragm condenser transducer with selectable cardioid, omnidirectional, and hypercardioid polar patterns will enchant you with its unique state-of-the-art sound.Designed for miking up vocals, brass, acoustic and electric guitar, and kick drum, the C 4000 B can handle every recording situation. Exceptionally high headroom and extremely low self noise put the C 4000 B among the condenser microphones with the widest dynamic range available today and it will give equally excellent results in the studio and on stage.A switchable 10-dB preattenuation pad allows the C 4000 B to be used for close-in miking of instruments producing extremely high sound pressure levels such as guitar amps etc. A switchable bass cut filter eliminates low-frequency noise.

starting at

$549
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Easy Payment Plan Available! From vocals to percussion, acoustic instruments and everything in between, the CAD Equitek E100S will prove to be one of the most versatile tools in your microphone locker, in the studio or on stage. Engineered and built in...
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The Nacy SCM 900 with CM 90 microphone package combines a pair of very affordable and useful studio microphones. The SCM 900 is a large diaphragm cardioid mic perfect for recording studio vocals, acoustic instruments, orchestras, choral groups, ambient...
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This tiny, handmade dynamic mic is designed for the harp player seeking huge, fat tone without the bulk and feedback of traditional mics. It cups easily in your hand so that you can produce cool acoustic effects normally limited to players who use a...
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The AMT S25B-TP is an electret-condenser microphone system that has been designed for acoustic bass. The system has exactly the same sound characteristics and functions as the famed S25B, however the "TP "(tail piece) systems includes the ability to...
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[Special Order - allow extra time] Audio-Technica Acoustic Guitar Microphone Mount Microphone Instrument Adapter AT8444
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