James bond dvds in Action & Adventure DVDs & Videos

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This collection includes DIE ANOTHER DAY, LICENSE TO KILL, THE SPY WHO LOVED ME, THUNDERBALL, and A VIEW TO KILL. See individual titles for details.

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Designed for the true fanatic, this enormous box set contains volumes one through four of the ULTIMATE COLLECTION releases as well as the film CASINO ROYALE. See individual titles for descriptions.

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This collection of 007 features includes DR. NO, YOU ONLY LIVE TWICE, MOONRAKER, OCTOPUSSY, and TOMORROW NEVER DIES. See individual titles for details.

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This collection includes GOLDFINGER, THE MAN WITH THE GOLDEN GUN, DIAMONDS ARE FOREVER, THE LIVING DAYLIGHTS, and THE WORLD IS NOT ENOUGH. See individual titles for details.

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This collection includes FROM RUSSIA WITH LOVE, FOR YOUR EYES ONLY, ON HER MAJESTY'S SECRET SERVICE, LIVE AND LET DIE, and GOLDENEYE. See individual titles for details.

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This collection of seven James Bond pictures combines Special Edition DVDs of every film enclosed. Titles in this boxed set are FROM RUSSIA WITH LOVE, YOU ONLY LIVE TWICE, DIAMONDS ARE FOREVER, MOONRAKER, FOR YOUR EYES ONLY, THE LIVING DAYLIGHTS, and THE WORLD IS NOT ENOUGH. Please see individual titles for further details.

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This 6-pack of classic 007 films includes DIAMONDS ARE FOREVER (1971), FROM RUSSIA WITH LOVE (1963), THE LIVING DAYLIGHTS (1987), OCTOPUSSY (1983), A VIEW TO A KILL (1985), and YOU ONLY LIVE TWICE (1967). See individual titles for further details.

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Contains the special edition releases of FOR YOUR EYES ONLY, GOLDENEYE, GOLDFINGER, LICENCE TO KILL, LIVE AND LET DIE, THUNDERBALL, and TOMORROW NEVER DIES. See individual titles for contributors and notes.

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In 1953, Ian Fleming wrote CASINO ROYALE, the first novel featuring fictional super-spy James Bond. Fleming based Bond's exploits on knowledge he obtained while working with British naval intelligence during WWII. Nine years later, the first Bond film adaptation, DR. NO (based on the sixth Bond novel), appeared. Introducing Sean Connery as the ultra-suave secret agent, the film became an instant international success, setting a new standard for cinematic action, production design, and high-tech gadgetry. After forty years, five actors have portrayed Bond--Connery, Roger Moore, Pierce Brosnan, Timothy Dalton, and George Lazenby--and the series has adapted with the times, with the action getting faster and the dialogue both racier and wittier. MGM's JAMES BOND COLLECTION Vol. 1 includes seven titles, featuring four of the five different Bonds (Lazenby who appeared only in 1969's ON HER MAJESTY'S SECRET SERVICE, is not represented). The Connery years are covered by DR. NO (1962) and GOLDFINGER (1964). Moore, who appeared in the series during the '70s and '80s, is represented by THE MAN WITH THE GOLDEN GUN (1974) and THE SPY WHO LOVED ME (1977). Dalton, who portrayed Bond twice, appears here in LICENCE TO KILL (1989), and Brosnan's Bond appears in GOLDENEYE (1995) and TOMORROW NEVER DIES (1997). The discs come encased in a handsome cardboard slip sleeve, with each individual title loaded with audio commentaries, featurettes, and other assorted extras.

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Billy Wilder's loving biographical portrait of Charles Lindbergh focuses on the flying legend's courageous crossing of the Atlantic in a single-engine plane. Flashbacks show Lindbergh (James Stewart) learning his craft in the air force, barnstorming, and carrying mail in dangerously rickety early airplanes.

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Hard-drinking private eye Sam Spade (Humphrey Bogart) sleuths the backyard of San Francisco in search of an elusive black bird statuette while evading the setups of three disparate miscreants: the duplicitous Brigid, the perfumed Mr. Cairo, and the scheming Fat Man. John Huston's brilliant directorial debut is aided by first-rate performances, excellent camera work, as well as the director's acute attention to detail while shooting the film. Based on the crime novel by Dashiell Hammett. Academy Award Nominations: 3, including Best Picture, Best Supporting Actor (Sydney Greenstreet), and Best Screenplay. Previous versions of the story were filmed in 1931 (a.k.a. DANGEROUS FEMALE) and in 1936 (as SATAN MET A LADY, starring Bette Davis), and poorly redone in 1975 (THE BLACK BIRD).

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This set features John Wayne in action from an arid Japanese island to verdant Ireland. The first volume of the JOHN WAYNE COLLECTION features FLYING TIGERS, THE QUIET MAN, SANDS OF IWO JIMA, and WAKE OF THE RED WITCH. Please see individual titles for synopsis information.

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Daniel Craig returns as 007 in this electrifying follow-up to the critically acclaimed CASINO ROYALE. The film opens with two gripping, back-to-back chases, as James Bond (Daniel Craig) tries to heed the orders of M (Judi Dench) and, at the same time, track down the people who blackmailed his love, Vesper. Bond is still struggling with Vesper's death, displaying a new, ferocious violence in his work, and a recklessness that M would very much like to get under control. When Bond discovers a massive, secret organization called Quantum, he believes it might have been a part of the scheme that killed Vesper. He follows the clues to Haiti, where he meets Camille (Olga Kurylenko), a mysterious, driven woman, whose motives seem unclear. Camille leads Bond to Dominic Greene (Mathieu Almalric), a cold-blooded businessman who appears to be working within Quantum. Greene wants control of a valuable piece of land in Latin America, and is part of a massive plan to overthrow the government. Bond knifes, shoots, and kick-boxes his way to the center of the sinister scheme, and discovers that the plot reaches even higher than he imagined, forcing him to abandon M's orders and step out on his own. Director Marc Forster (STRANGER THAN FICTION) has crafted some truly memorable fight scenes, setting them in the most elegant of locales. Everything is beautifully shot, from Bond racing across the rooftops of Italy, to his showdown at an Austrian opera house. As for Craig, he is once again all cold precision and steely blue eyes. His 007 is positively riveting. He struts determinedly into every scene, ready to display his near superhuman fight moves, or bed a bombshell with merely a glance. Yet, just as in CASINO ROYALE, Craig never lets us forget Bond's humanity. He may fight like a ninja and smirk like Steve McQueen, but beneath his impeccable Tom Ford wardrobe, Bond is still but an ordinary man, wearily battling his own inner demons.

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Based on Ian Fleming's 1961 novel, THUNDERBALL is 007 at his best. The fourth film in the Bond series finds the super spy (Sean Connery) battling a powerful organization named S.P.E.C.T.R.E. and its nefarious Number Two, Emilio Largo (Adolfo Celi), who has threatened to destroy Miami with an atomic weapon unless a huge ransom is paid. Of course, James Bond has something else in mind: a full-on infiltration of Largo's boat, the Disco Volante. With double the Bond girls (with Claudine Auger as the luscious Domino and Luciana Paluzzi as the villainous Fiona Volpe), this favored Bond outing features captivating underwater action sequences that hold up to this day. THUNDERBALL was nominated for a Best Special Effects Academy Award in 1965 and is not be confused with the "unofficial" 1983 James Bond film NEVER SAY NEVER AGAIN, which also stars Connery and is based on the same novel.

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In DIE ANOTHER DAY, the 20th James Bond adventure, 007 (Pierce Brosnan) gets off to a rough start when he is captured and subsequently tortured during an assignment in North Korea. When the suave secret agent is eventually liberated, he embarks on a dangerous mission to Cuba that involves tracking a terrorist named Zao (Rick Yune). There, 007 encounters Jinx (Halle Berry), a formidable and alluring fellow spy. Soon Bond is back in England following a mysterious trail that leads to Gustav Graves (Toby Stephens), a flamboyant diamond mogul. After a rather bloody introduction, Graves invites 007 to Iceland, where he plans to unveil his enigmatic Icarus project. Before long, Bond and Jinx are reunited and battling Graves, Zao, and other villains bent on world domination. With this Bond installment, directed by Lee Tamahori, 007 catches up with the 21st century, and the results are grittier and more explosive than ever before. Although it begins as one of the darkest and most violent Bond films, the intense mood of DIE ANOTHER DAY is counterbalanced by typically clever and funny moments. Brosnan is in fine form as the iconic hero, while Berry shines as the immediately likeable Jinx. Stephens and Yune make excellent bad guys, and the rest of the cast--including Judi Dench, John Cleese, Rosamund Pike, and Michael Madsen--provide key supporting roles. With its hi-tech gadgets and special-effects-laden set pieces, DIE ANOTHER DAY clearly has its eye on the future, but in numerous scenes it also lovingly embraces the past, placing the film in the upper tier of Bond movies.

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Roger Moore makes his fifth appearance as 007 in this, the twelfth Bond film. In this outing, the renowned British double agent must locate a weapons system known as ATAC, which controls Great Britain's submarines, after it is sunk on a ship in the Ionian Sea. While he must contend with a formidable foe in the villain known as Kristatos (Julian Glover), he does have the lovely and talented Melina (Carole Bouquet), the daughter of a scientist killed by Kristatos, on his side. For fans craving their old favorites, Blofeld, Moneypenny and Q all put in appearances. The stunts come fast and furious, most notably a breathtaking race down a ski slope at the film's opening. Academy Award Nominations: Best Original Song ("For Your Eyes Only").

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In the 11th installment of the 007 series, director Lewis Gilbert delivers a visually thrilling progression in filmmaking. Roger Moore returns as dashing secret service agent James Bond. This time around Bond must investigate the theft of a space shuttle with help from beautiful CIA agent Dr. Holly Goodhead (Lois Chiles) and sexy Euro supermodel Corrine (Corrine Clery). Agent 007 discovers that genocidal maniac-millionaire Hugo Drax (Michel Lonsdale) plans to poison all of humanity from outer space and repopulate earth with only the most perfectly bred humans. A variety of traps and villains awaits Bond, including the recurring character Jaws (Richard Kiel, also featured in THE SPY WHO LOVED ME). Filmed in such exotic locations as Southern California, Venice, and the Amazon, Gilbert delivers the formula Bond packet of girls, gadgets, and guns. However, he also goes further, sending Agent 007 into space. MOONRAKER takes great risks in blending the spy and science fiction genres. In spite of such an unruly coupling, the film rewards viewers with its finale of climactic plot twists and stellar special effects.

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Secret agent James Bond battles the all-enveloping tentacles of an international crime syndicate called SPECTRE. The organization's mad plan for world supremacy unfolds with the icy efficiency of a chessmaster's complex strategy, and if they succeed, the antagonism of the cold war will be pushed from deep-freeze to the supernova of atomic oblivion. But our man Bond dispatches sultry spies, madmen, and double agents with the same coolness he displays while downing martinis and making love to beautiful blondes. In this, the second of the series, Bond travels to Turkey to meet a mysterious Russian woman who claims to have fallen in love with his photograph. She offers him a secret translating device if he will join her, although he does not know that she has been put up to the task by Rosa Klebb, formerly of the KGB, who has gone to work for SPECTRE. It's Bond's assignment to get the girl and the machine back to England--and to do it, of course, in style.

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Complete with ski chases, casino hijinks, high-tech gadgetry, and sultry women, the 19th installment in the James Bond franchise features the increasingly at-ease Pierce Brosnan in his third appearance as 007, in a race to save the world's oil supply. Sophie Marceau (BRAVEHEART) stars as Elektra King, the daughter of a murdered oil tycoon, while Robert Carlyle (THE FULL MONTY) plays one of the most unusual Bond villains ever: Renard, who is unable to feel pain because of a bullet lodged in his brain. Director Michael Apted, known for such films as COAL MINER'S DAUGHTER, was brought in to make the story more dramatic and facilitate the addition of more complex female characters. One of the fruits of Apted's involvement is that M (Judi Dench) gets to move from behind her desk, while curvy Denise Richards (WILD THINGS) gets to show off more than her figure. Dangerous stunt work, exhilarating action sequences, and a rousing theme song from alternative rock band Garbage make this a worthy addition to the 007 series. The film also marks the 17th and final appearance of Desmond Llewelyn as Q; John Cleese is introduced as Q's successor, R.

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In this remake and updated version of the 1965 THUNDERBALL, James Bond, who has been primarily teaching for the last few years, is quite happily yanked out of semiretirement to deal with the deadly SPECTRE organization's newest plan for the destruction of the planet. (The Bond story line mimics Sean Connery's semiretirement from the role, which he had last played in 1971's DIAMONDS ARE FOREVER.) Agent Number 2, also known as Maximilian Largo (Klaus Maria Brandauer), has managed to steal two cruise missiles armed with nuclear warheads, and Agent Number 1, Blofeld (Max von Sydow), has threatened to explode them in areas with large populations if a huge, and almost impossible, ransom demand from the NATO countries is not met. The film features an excellent gaming battle between Largo and Bond, as well as stunning turns by Barbara Carrera and Kim Basinger.

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In James Bond's third cinematic adventure, the dangerously suave spy (Sean Connery) must stop the criminal capitalist Auric Goldfinger (Gert Frobe) from contaminating Fort Knox's gold with atomic radiation. Aiding the villain is the alluring Pussy Galore (Honor Blackman) and the imposing Oddjob (Harold Sakata). Bond, on the other hand, is armed with his trademark charm and, of course, a slew of gadgets, courtesy of Q (Desmond Llewelyn). Encountering the usual bevy of beautiful women and perilous traps, 007 sets out for America to foil Goldfinger's financial fiasco. Based on Ian Fleming's 1959 novel, GOLDFINGER marks the appearance of a more carefree, wisecracking Bond and is widely considered to be one of the best films in the series. In fact, with stylized elements such as the gold-painted girl, the wince-inducing laser beam, Oddjob's razor-sharp bowler hat, and Bond's modified Aston Martin car, the film is quite possibly the most memorable Bond outing, and would be famously parodied decades later in the AUSTIN POWERS series, particularly GOLDMEMBER.

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Get a smattering of some of the most beloved Bond incarnations in all their high-definition glory. First up, the super spy is played by Sean Connery in his inaugural outing, DR. NO (1962). Also included here is LIVE AND LET DIE (1973), the first 007 adventure in which Roger Moore takes over as an adequate shoe-filler, as well as Pierce Brosnan's final appearance in DIE ANOTHER DAY (2002).

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Get a smattering of some classic Bond incarnations in all their high-definition glory. First up, Sean Connery delivers the goods in what is arguably the favored Bond?s most beloved outing, GOLDFINGER (1964). Then, skip ahead to the late 1970s for Roger Moore?s trip to outer space in MOONRAKER (1979). Finally, it?s warp-speed to 20 years later for Pierce Brosnan?s third Bond outing, THE WORLD IS NOT ENOUGH (1999). See individual titles for further plot synopses.

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James Bond (Timothy Dalton) returns with a vengeance in LICENCE TO KILL. Having just witnessed his best friend's wedding, Bond is shocked when he learns that ruthless drug runner Franz Sanchez (Robert Davi) has assaulted the couple on their honeymoon, killing the bride. Assisted by the twiggy Drug Enforcement Agent Pam Bouvier (Carey Lowell) and the gadget wizard Q (Patrick Llewelyn), Bond resigns from Her Majesty's Secret Service and pursues justice on his own. Perhaps the darkest of the 007 films, LICENCE TO KILL, exhibits a previously unseen side of James Bond. Maniacal at times, ex-agent 007 detonates everything in his way on the road to avenging his friend's bride. The 16th installment of the James Bond series, LICENCE TO KILL, veers away from the pick-up artistry and light interlocution of former 007 films. Instead, director John Glen, gives the audience a crystal clear view of the man behind the martini glass.

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With DR. NO, the first of the James Bond films, director Terence Young and leading man Sean Connery set the precedent for what would become one of the most popular, influential, and long-lasting series ever made. Bond makes his first famous introduction, "Bond, James Bond," in an upscale casino, to a saucy brunette named Slyvia Trench (Eunice Gayson), who he promptly coaxes into a dinner date. Back at Secret Service Headquarters, M (Bernard Lee) assigns Bond to a mission in Jamaica. An agent who was investigating strange activity with nuclear weapons in Cape Canaveral has disappeared, and Bond is to take up where he left off. His contact, CIA operative Felix Leiter (Jack Lord) reminds Bond that his title, "007," means he has license to kill, not be killed. This advice comes in handy in Jamaica as assassins relentlessly emerge from the woodwork, desperately trying to bring Bond down. Bond makes his way to Crab Key Island to find evil scientist Dr. No (Joseph Wiseman), the primary suspect. There he is met with the obstacle of Honey Ryder (Ursula Andress), a deadly beauty who emerges from the sea in a tiny bikini with a knife holster slung about her hips, in one of the most seductive Bond-girl moments of all time. With a striking lack of gadgets, DR. NO is a heartier mystery than subsequent films in the series, providing for some excellent adventures in which Bond must rely on his own clever spy skills to get out of sticky situations.

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Hard-drinking private eye Sam Spade (Humphrey Bogart) sleuths the backyard of San Francisco in search of an elusive black bird statuette while evading the setups of three disparate miscreants: the duplicitous Brigid, the perfumed Mr. Cairo, and the scheming Fat Man. John Huston's brilliant directorial debut is aided by first-rate performances, excellent camera work, as well as the director's acute attention to detail while shooting the film. Based on the crime novel by Dashiell Hammett. Academy Award Nominations: 3, including Best Picture, Best Supporting Actor (Sydney Greenstreet), and Best Screenplay. Previous versions of the story were filmed in 1931 (a.k.a. DANGEROUS FEMALE) and in 1936 (as SATAN MET A LADY, starring Bette Davis), and poorly redone in 1975 (THE BLACK BIRD).

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In this installment of the James Bond series, Agent 007 (Timothy Dalton) is assigned to protect a Russian defector (Maryam d'Abo) from the KGB. When the defection proves to be an elaborate ploy, Bond woos her anyway, and together they follow a trail to a crooked American arms dealer supplying weapons to Afghanistan. Dalton finally assumes the role of Bond after refusing it 16 years earlier with DIAMONDS ARE FOREVER. The film is loosely based on Ian Fleming's short story, with Dalton's heavier Bond closer in spirit to that of Fleming's original creation.

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George Lazenby takes over Sean Connery's iconic role and delivers a darker Bond.

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Daniel Craig returns as 007 in this electrifying follow-up to the critically acclaimed CASINO ROYALE. The film opens with two gripping, back-to-back chases, as James Bond (Daniel Craig) tries to heed the orders of M (Judi Dench) and, at the same time, track down the people who blackmailed his love, Vesper. Bond is still struggling with Vesper's death, displaying a new, ferocious violence in his work, and a recklessness that M would very much like to get under control. When Bond discovers a massive, secret organization called Quantum, he believes it might have been a part of the scheme that killed Vesper. He follows the clues to Haiti, where he meets Camille (Olga Kurylenko), a mysterious, driven woman, whose motives seem unclear. Camille leads Bond to Dominic Greene (Mathieu Almalric), a cold-blooded businessman who appears to be working within Quantum. Greene wants control of a valuable piece of land in Latin America, and is part of a massive plan to overthrow the government. Bond knifes, shoots, and kick-boxes his way to the center of the sinister scheme, and discovers that the plot reaches even higher than he imagined, forcing him to abandon M's orders and step out on his own. Director Marc Forster (STRANGER THAN FICTION) has crafted some truly memorable fight scenes, setting them in the most elegant of locales. Everything is beautifully shot, from Bond racing across the rooftops of Italy, to his showdown at an Austrian opera house. As for Craig, he is once again all cold precision and steely blue eyes. His 007 is positively riveting. He struts determinedly into every scene, ready to display his near superhuman fight moves, or bed a bombshell with merely a glance. Yet, just as in CASINO ROYALE, Craig never lets us forget Bond's humanity. He may fight like a ninja and smirk like Steve McQueen, but beneath his impeccable Tom Ford wardrobe, Bond is still but an ordinary man, wearily battling his own inner demons.

Description:

In DIE ANOTHER DAY, the 20th James Bond adventure, 007 (Pierce Brosnan) gets off to a rough start when he is captured and subsequently tortured during an assignment in North Korea. When the suave secret agent is eventually liberated, he embarks on a dangerous mission to Cuba that involves tracking a terrorist named Zao (Rick Yune). There, 007 encounters Jinx (Halle Berry), a formidable and alluring fellow spy. Soon Bond is back in England following a mysterious trail that leads to Gustav Graves (Toby Stephens), a flamboyant diamond mogul. After a rather bloody introduction, Graves invites 007 to Iceland, where he plans to unveil his enigmatic Icarus project. Before long, Bond and Jinx are reunited and battling Graves, Zao, and other villains bent on world domination. With this Bond installment, directed by Lee Tamahori, 007 catches up with the 21st century, and the results are grittier and more explosive than ever before. Although it begins as one of the darkest and most violent Bond films, the intense mood of DIE ANOTHER DAY is counterbalanced by typically clever and funny moments. Brosnan is in fine form as the iconic hero, while Berry shines as the immediately likeable Jinx. Stephens and Yune make excellent bad guys, and the rest of the cast--including Judi Dench, John Cleese, Rosamund Pike, and Michael Madsen--provide key supporting roles. With its hi-tech gadgets and special-effects-laden set pieces, DIE ANOTHER DAY clearly has its eye on the future, but in numerous scenes it also lovingly embraces the past, placing the film in the upper tier of Bond movies.