Allen robert duvall

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After being squeezed out of his church by his ex-wife, a Texas fundamentalist preacher's alcohol-fueled rage sends him off the deep end. After beating her new beau into a coma, he flees to Louisiana and seizes the chance to reinvent himself as a devout "Apostle," founding a new church and captivating the citizenry while keeping his sins buried. Duvall, who also wrote and produced, is riveting in the title role. Academy Award Nominations: 1--Best Actor (Duvall).

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After being squeezed out of his church by his ex-wife, a Texas fundamentalist preacher's alcohol-fueled rage sends him off the deep end. After beating her new beau into a coma, he flees to Louisiana and seizes the chance to reinvent himself as a devout "Apostle," founding a new church and captivating the citizenry while keeping his sins buried. Duvall, who also wrote and produced, is riveting in the title role. Academy Award Nominations: 1--Best Actor (Duvall).

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After being squeezed out of his church by his ex-wife, a Texas fundamentalist preacher's alcohol-fueled rage sends him off the deep end. After beating her new beau into a coma, he flees to Louisiana and seizes the chance to reinvent himself as a devout "Apostle," founding a new church and captivating the citizenry while keeping his sins buried. Duvall, who also wrote and produced, is riveting in the title role. Academy Award Nominations: 1--Best Actor (Duvall).

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After being squeezed out of his church by his ex-wife, a Texas fundamentalist preacher's alcohol-fueled rage sends him off the deep end. After beating her new beau into a coma, he flees to Louisiana and seizes the chance to reinvent himself as a devout "Apostle," founding a new church and captivating the citizenry while keeping his sins buried. Duvall, who also wrote and produced, is riveting in the title role. Academy Award Nominations: 1--Best Actor (Duvall).

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Robert Altman's brilliant, sprawling masterpiece paints a detailed portrait of the people and music industry of Nashville, Tennessee. Made in 1975, one year before the celebration of the American Bicentennial, the film can also be viewed as a metaphor for the state of American politics and culture of the time. Altman's roaming camera follows a group of disparate individuals as the city prepares for an upcoming political rally for "Replacement" party candidate Hal Philip Walker. They include a ditzy Californian who's visiting her dying aunt and downtrodden uncle, a philandering rock star and his bandmates, a country singer on the verge of a nervous breakdown, a tone-deaf waitress with dreams of superstardom, a mother with two deaf children, and a British journalist who is out to capture the "true" Nashville. The characters intersect at the beginning of the film after a highway accident, and again at the end when an act of violence tarnishes the political rally. Altman's improvisational approach lends itself perfectly to the film's subject matter, which allows the actors to freely develop their personas. Another bold decision was to incorporate songs written by the actors themselves (Keith Carradine's "I'm Easy" won an Oscar for Best Song). This unorthodox style adds a satirical humor and brave honesty to NASHVILLE, making it one of American cinema's crowning achievements.

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After being squeezed out of his church by his ex-wife, a Texas fundamentalist preacher's alcohol-fueled rage sends him off the deep end. After beating her new beau into a coma, he flees to Louisiana and seizes the chance to reinvent himself as a devout "Apostle," founding a new church and captivating the citizenry while keeping his sins buried. Duvall, who also wrote and produced, is riveting in the title role. Academy Award Nominations: 1--Best Actor (Duvall).

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Francis Ford Coppola's THE CONVERSATION is a towering achievement, a masterfully constructed portrait of one man's descent into madness. Gene Hackman delivers a devastating performance as Harry Caul, a surveillance expert who gets paid to invade the privacy of strangers. The film's classic opening shot is a long, slow zoom into Union Square in San Francisco, as a young couple, Mark (Frederic Forrest) and Ann (Cindy Williams), are having what seems like an otherwise mundane conversation. However, when it is revealed that Harry and his assistant Stanley (John Cazale) are eavesdropping from a nearby van, it becomes clear that something more serious is happening. Later, after Harry painstakingly reconstructs the conversation from several different audio sources, he uncovers a snippet of dialogue that unsettles him. Suspicious of his client's motives for wanting the tape, Harry becomes uncharacteristically worried about the people he may have endangered, sending him into a dangerous mental tailspin. With Harry Caul, Coppola and Hackman have managed to create one of cinema's most unforgettable characters, a man who appears to be in control on the outside but who is, in fact, crumbling on the inside. Though Teri Garr, Harrison Ford, and Allen Garfield deliver standout supporting turns, THE CONVERSATION is Hackman's show. Inspired by Michelangelo Antonioni's BLOW UP (1966), THE CONVERSATION in turn went on to influence Brian De Palma's own surveillance thriller, BLOW OUT (1981).

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Francis Ford Coppola's THE CONVERSATION is a towering achievement, a masterfully constructed portrait of one man's descent into madness. Gene Hackman delivers a devastating performance as Harry Caul, a surveillance expert who gets paid to invade the privacy of strangers. The film's classic opening shot is a long, slow zoom into Union Square in San Francisco, as a young couple, Mark (Frederic Forrest) and Ann (Cindy Williams), are having what seems like an otherwise mundane conversation. However, when it is revealed that Harry and his assistant Stanley (John Cazale) are eavesdropping from a nearby van, it becomes clear that something more serious is happening. Later, after Harry painstakingly reconstructs the conversation from several different audio sources, he uncovers a snippet of dialogue that unsettles him. Suspicious of his client's motives for wanting the tape, Harry becomes uncharacteristically worried about the people he may have endangered, sending him into a dangerous mental tailspin. With Harry Caul, Coppola and Hackman have managed to create one of cinema's most unforgettable characters, a man who appears to be in control on the outside but who is, in fact, crumbling on the inside. Though Teri Garr, Harrison Ford, and Allen Garfield deliver standout supporting turns, THE CONVERSATION is Hackman's show. Inspired by Michelangelo Antonioni's BLOW UP (1966), THE CONVERSATION in turn went on to influence Brian De Palma's own surveillance thriller, BLOW OUT (1981).

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Robert Altman's brilliant, sprawling masterpiece paints a detailed portrait of the people and music industry of Nashville, Tennessee. Made in 1975, one year before the celebration of the American Bicentennial, the film can also be viewed as a metaphor for the state of American politics and culture of the time. Altman's roaming camera follows a group of disparate individuals as the city prepares for an upcoming political rally for "Replacement" party candidate Hal Philip Walker. They include a ditzy Californian who's visiting her dying aunt and downtrodden uncle, a philandering rock star and his bandmates, a country singer on the verge of a nervous breakdown, a tone-deaf waitress with dreams of superstardom, a mother with two deaf children, and a British journalist who is out to capture the "true" Nashville. The characters intersect at the beginning of the film after a highway accident, and again at the end when an act of violence tarnishes the political rally. Altman's improvisational approach lends itself perfectly to the film's subject matter, which allows the actors to freely develop their personas. Another bold decision was to incorporate songs written by the actors themselves (Keith Carradine's "I'm Easy" won an Oscar for Best Song). This unorthodox style adds a satirical humor and brave honesty to NASHVILLE, making it one of American cinema's crowning achievements.

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After being squeezed out of his church by his ex-wife, a Texas fundamentalist preacher's alcohol-fueled rage sends him off the deep end. After beating her new beau into a coma, he flees to Louisiana and seizes the chance to reinvent himself as a devout "Apostle," founding a new church and captivating the citizenry while keeping his sins buried. Duvall, who also wrote and produced, is riveting in the title role. Academy Award Nominations: 1--Best Actor (Duvall).

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Francis Ford Coppola's THE CONVERSATION is a towering achievement, a masterfully constructed portrait of one man's descent into madness. Gene Hackman delivers a devastating performance as Harry Caul, a surveillance expert who gets paid to invade the privacy of strangers. The film's classic opening shot is a long, slow zoom into Union Square in San Francisco, as a young couple, Mark (Frederic Forrest) and Ann (Cindy Williams), are having what seems like an otherwise mundane conversation. However, when it is revealed that Harry and his assistant Stanley (John Cazale) are eavesdropping from a nearby van, it becomes clear that something more serious is happening. Later, after Harry painstakingly reconstructs the conversation from several different audio sources, he uncovers a snippet of dialogue that unsettles him. Suspicious of his client's motives for wanting the tape, Harry becomes uncharacteristically worried about the people he may have endangered, sending him into a dangerous mental tailspin. With Harry Caul, Coppola and Hackman have managed to create one of cinema's most unforgettable characters, a man who appears to be in control on the outside but who is, in fact, crumbling on the inside. Though Teri Garr, Harrison Ford, and Allen Garfield deliver standout supporting turns, THE CONVERSATION is Hackman's show. Inspired by Michelangelo Antonioni's BLOW UP (1966), THE CONVERSATION in turn went on to influence Brian De Palma's own surveillance thriller, BLOW OUT (1981).

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Robert Altman's brilliant, sprawling masterpiece paints a detailed portrait of the people and music industry of Nashville, Tennessee. Made in 1975, one year before the celebration of the American Bicentennial, the film can also be viewed as a metaphor for the state of American politics and culture of the time. Altman's roaming camera follows a group of disparate individuals as the city prepares for an upcoming political rally for "Replacement" party candidate Hal Philip Walker. They include a ditzy Californian who's visiting her dying aunt and downtrodden uncle, a philandering rock star and his bandmates, a country singer on the verge of a nervous breakdown, a tone-deaf waitress with dreams of superstardom, a mother with two deaf children, and a British journalist who is out to capture the "true" Nashville. The characters intersect at the beginning of the film after a highway accident, and again at the end when an act of violence tarnishes the political rally. Altman's improvisational approach lends itself perfectly to the film's subject matter, which allows the actors to freely develop their personas. Another bold decision was to incorporate songs written by the actors themselves (Keith Carradine's "I'm Easy" won an Oscar for Best Song). This unorthodox style adds a satirical humor and brave honesty to NASHVILLE, making it one of American cinema's crowning achievements.

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After being squeezed out of his church by his ex-wife, a Texas fundamentalist preacher's alcohol-fueled rage sends him off the deep end. After beating her new beau into a coma, he flees to Louisiana and seizes the chance to reinvent himself as a devout "Apostle," founding a new church and captivating the citizenry while keeping his sins buried. Duvall, who also wrote and produced, is riveting in the title role. Academy Award Nominations: 1--Best Actor (Duvall).

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Robert Altman's brilliant, sprawling masterpiece paints a detailed portrait of the people and music industry of Nashville, Tennessee. Made in 1975, one year before the celebration of the American Bicentennial, the film can also be viewed as a metaphor for the state of American politics and culture of the time. Altman's roaming camera follows a group of disparate individuals as the city prepares for an upcoming political rally for "Replacement" party candidate Hal Philip Walker. They include a ditzy Californian who's visiting her dying aunt and downtrodden uncle, a philandering rock star and his bandmates, a country singer on the verge of a nervous breakdown, a tone-deaf waitress with dreams of superstardom, a mother with two deaf children, and a British journalist who is out to capture the "true" Nashville. The characters intersect at the beginning of the film after a highway accident, and again at the end when an act of violence tarnishes the political rally. Altman's improvisational approach lends itself perfectly to the film's subject matter, which allows the actors to freely develop their personas. Another bold decision was to incorporate songs written by the actors themselves (Keith Carradine's "I'm Easy" won an Oscar for Best Song). This unorthodox style adds a satirical humor and brave honesty to NASHVILLE, making it one of American cinema's crowning achievements.

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Francis Ford Coppola's THE CONVERSATION is a towering achievement, a masterfully constructed portrait of one man's descent into madness. Gene Hackman delivers a devastating performance as Harry Caul, a surveillance expert who gets paid to invade the privacy of strangers. The film's classic opening shot is a long, slow zoom into Union Square in San Francisco, as a young couple, Mark (Frederic Forrest) and Ann (Cindy Williams), are having what seems like an otherwise mundane conversation. However, when it is revealed that Harry and his assistant Stanley (John Cazale) are eavesdropping from a nearby van, it becomes clear that something more serious is happening. Later, after Harry painstakingly reconstructs the conversation from several different audio sources, he uncovers a snippet of dialogue that unsettles him. Suspicious of his client's motives for wanting the tape, Harry becomes uncharacteristically worried about the people he may have endangered, sending him into a dangerous mental tailspin. With Harry Caul, Coppola and Hackman have managed to create one of cinema's most unforgettable characters, a man who appears to be in control on the outside but who is, in fact, crumbling on the inside. Though Teri Garr, Harrison Ford, and Allen Garfield deliver standout supporting turns, THE CONVERSATION is Hackman's show. Inspired by Michelangelo Antonioni's BLOW UP (1966), THE CONVERSATION in turn went on to influence Brian De Palma's own surveillance thriller, BLOW OUT (1981).

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Robert Altman's brilliant, sprawling masterpiece paints a detailed portrait of the people and music industry of Nashville, Tennessee. Made in 1975, one year before the celebration of the American Bicentennial, the film can also be viewed as a metaphor for the state of American politics and culture of the time. Altman's roaming camera follows a group of disparate individuals as the city prepares for an upcoming political rally for "Replacement" party candidate Hal Philip Walker. They include a ditzy Californian who's visiting her dying aunt and downtrodden uncle, a philandering rock star and his bandmates, a country singer on the verge of a nervous breakdown, a tone-deaf waitress with dreams of superstardom, a mother with two deaf children, and a British journalist who is out to capture the "true" Nashville. The characters intersect at the beginning of the film after a highway accident, and again at the end when an act of violence tarnishes the political rally. Altman's improvisational approach lends itself perfectly to the film's subject matter, which allows the actors to freely develop their personas. Another bold decision was to incorporate songs written by the actors themselves (Keith Carradine's "I'm Easy" won an Oscar for Best Song). This unorthodox style adds a satirical humor and brave honesty to NASHVILLE, making it one of American cinema's crowning achievements.

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MENACE II SOCIETY - Vivid documentary-like anecdotes focusing on a homeboy who is a sociopathic killer and another who tells the story of how their parents' lives also fed the cycle of drug use, casual homicide and monstrous, mind-numbing violence. JOHN Q - John Q. Archibald (Denzel Washington) is struggling through a recession trying to provide for his son Mikey (Daniel E. Smith) and his waitress wife (Kimberly Elise). Mikey collapses at a Little League game and is rushed to a hospital. The situation is bleak. Only a heart transplant will save Mikey's life. John's HMO refuses to cover the expensive surgery. With the hospital and his insurance provider unwilling to help and his wife pleading with John to act, he takes matters into his own hands, holding the hospital's renowned heart surgeon (James Woods) and several others hostage in an emergency care wing until the surgery will be performed. Nick Cassavetes directed this attack on the American health care system. Like his previous feature, SHE'S SO LOVELY, Cassavetes proves adept at mining the political ramifications out of human drama. The film criticizes hospitals and health care providers for working in collusion against the working class. This moving drama is propelled by the intense lead performance by Washington as one man against an unjust system.

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Robert Altman's brilliant, sprawling masterpiece paints a detailed portrait of the people and music industry of Nashville, Tennessee. Made in 1975, one year before the celebration of the American Bicentennial, the film can also be viewed as a metaphor for the state of American politics and culture of the time. Altman's roaming camera follows a group of disparate individuals as the city prepares for an upcoming political rally for "Replacement" party candidate Hal Philip Walker. They include a ditzy Californian who's visiting her dying aunt and downtrodden uncle, a philandering rock star and his bandmates, a country singer on the verge of a nervous breakdown, a tone-deaf waitress with dreams of superstardom, a mother with two deaf children, and a British journalist who is out to capture the "true" Nashville. The characters intersect at the beginning of the film after a highway accident, and again at the end when an act of violence tarnishes the political rally. Altman's improvisational approach lends itself perfectly to the film's subject matter, which allows the actors to freely develop their personas. Another bold decision was to incorporate songs written by the actors themselves (Keith Carradine's "I'm Easy" won an Oscar for Best Song). This unorthodox style adds a satirical humor and brave honesty to NASHVILLE, making it one of American cinema's crowning achievements.

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After being squeezed out of his church by his ex-wife, a Texas fundamentalist preacher's alcohol-fueled rage sends him off the deep end. After beating her new beau into a coma, he flees to Louisiana and seizes the chance to reinvent himself as a devout "Apostle," founding a new church and captivating the citizenry while keeping his sins buried. Duvall, who also wrote and produced, is riveting in the title role. Academy Award Nominations: 1--Best Actor (Duvall).

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seemorelike this

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Francis Ford Coppola's THE CONVERSATION is a towering achievement, a masterfully constructed portrait of one man's descent into madness. Gene Hackman delivers a devastating performance as Harry Caul, a surveillance expert who gets paid to invade the privacy of strangers. The film's classic opening shot is a long, slow zoom into Union Square in San Francisco, as a young couple, Mark (Frederic Forrest) and Ann (Cindy Williams), are having what seems like an otherwise mundane conversation. However, when it is revealed that Harry and his assistant Stanley (John Cazale) are eavesdropping from a nearby van, it becomes clear that something more serious is happening. Later, after Harry painstakingly reconstructs the conversation from several different audio sources, he uncovers a snippet of dialogue that unsettles him. Suspicious of his client's motives for wanting the tape, Harry becomes uncharacteristically worried about the people he may have endangered, sending him into a dangerous mental tailspin. With Harry Caul, Coppola and Hackman have managed to create one of cinema's most unforgettable characters, a man who appears to be in control on the outside but who is, in fact, crumbling on the inside. Though Teri Garr, Harrison Ford, and Allen Garfield deliver standout supporting turns, THE CONVERSATION is Hackman's show. Inspired by Michelangelo Antonioni's BLOW UP (1966), THE CONVERSATION in turn went on to influence Brian De Palma's own surveillance thriller, BLOW OUT (1981).

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