Anthony trollope

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A fine country house set in rolling acres, a handsome young master and his beautiful sweetheart. A timeless, idyllic English scene. Yet something is wrong with this perfect picture. With all its pleasing vistas, Frank Gresham's vast estate is a landscape of debt, every last piece mortgaged by a feckless father. And the only birthright of Mary Thorne, the beloved niece of the village's respected doctor, is the stigma of illegitimacy.

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Roderick Random was published in 1748 to immediate acclaim, and established Smollett among the most popular of eighteenth-century novelists. Narrated by an unheroic, apparently rudderless hero named Random, Smollett's wildly energetic and entertaining novel is held together not least by the narrator's outrage and dismay. Although Roderick Random was first published anonymously, the secret of Smollett's authorship was soon discovered, with the result that many readers thought they recognized similarities between the life of the hero and that of his creator. Certainly Roderick Random's early years - disinherited and without wealth and influence - and his university career, apprenticeship and service as a naval surgeon, vividly reflect the experiences of the author. How Random learns to survive the fickle hand of fortune, recovers his long-lost father, marries his beloved Narcissa, and dispatches his enemies is the stuff, not of autobiography but of a novel which profoundly satirizes the moral chaos of its times. Dickens and Thackeray, among other great Victorians, applauded Smollett for his wit and invention, and in Roderick Random we enjoy the novel of a pioneer opening up the frontiers of fiction.

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The Barsetshire Novels, are as a group one of the great works of the 19th -century English fiction. These novels-the first serial fiction in English literature-follow the intrigues of ambition and love in the cathedral town of Barsetshire.

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The Barsetshire Novels, are as a group one of the great works of the 19th -century English fiction. These novels-the first serial fiction in English literature-follow the intrigues of ambition and love in the cathedral town of Barsetshire.

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This book centres on Mr. Harding, a clergyman of great personal integrity who is nevertheless in possession of an income from a charity far in excess of the sum devoted to the purposes of the foundation. On discovering this, young John Bold turns his reforming zeal to exposing what he regards as an abuse of privilege, despite the fact that he is in love with Mr. Harding's daughter Eleanor.

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Roderick Random was published in 1748 to immediate acclaim, and established Smollett among the most popular of eighteenth-century novelists. Narrated by an unheroic, apparently rudderless hero named Random, Smollett's wildly energetic and entertaining novel is held together not least by the narrator's outrage and dismay. Although Roderick Random was first published anonymously, the secret of Smollett's authorship was soon discovered, with the result that many readers thought they recognized similarities between the life of the hero and that of his creator. Certainly Roderick Random's early years - disinherited and without wealth and influence - and his university career, apprenticeship and service as a naval surgeon, vividly reflect the experiences of the author. How Random learns to survive the fickle hand of fortune, recovers his long-lost father, marries his beloved Narcissa, and dispatches his enemies is the stuff, not of autobiography but of a novel which profoundly satirizes the moral chaos of its times. Dickens and Thackeray, among other great Victorians, applauded Smollett for his wit and invention, and in Roderick Random we enjoy the novel of a pioneer opening up the frontiers of fiction.

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The second of the six 'Barsetshire Novels, ' is Trollope's most popular work and one of the classics of English fiction. Here Trollope continues the story of Mr. Harding and his daughter Eleanor, adding to his cast of characters that oily symbol of progress Mr. Slope, the hen-pecked Dr. Proudie, and the amiable and breezy Stanhope family. The central questions of this moral comedy-Who will be warden? Who will be dean? Who will marry Eleanor? - are skillfully handled with the subtlety of ironic observation that had won Trollope such an appreciative readership.

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'Trollope did not write for posterity,' observed Henry James. 'He wrote for the day, the moment; but these are just the writers whom posterity is apt to put into its pocket.' Considered by contemporary critics to be Trollope's greatest novel, The Way We Live Now is a satire of the literary world of London in the 1870s and a bold indictment of the new power of speculative finance in English life. 'I was instigated by what I conceived to be the commercial profligacy of the age,' Trollope said.

His story concerns Augustus Melmotte, a French swindler and scoundrel, and his daughter, to whom Felix Carbury, adored son of the authoress Lady Carbury, is induced to propose marriage for the sake of securing a fortune. Trollope knew well the difficulties of dealing with editors, publishers, reviewers, and the public; his portrait of Lady Carbury, impetuous, unprincipled, and unswervingly devoted to her own self-promotion, is one of his finest satirical achievements.

His picture of late-nineteenth-century England is a portrait of a society on the verge of moral bankruptcy. In The Way We Live Now Trollope combines his talents as a portraitist and his skills as a storyteller to give us life as it was lived more than a hundred years ago.

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