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20 MILLION MILES TO EARTH: The first space flight to Venus returns to Earth carrying a specimen of Venusian life called the Ymir. When the ship crashes into the sea upon its re-entry into Earth's atmosphere, the small, reptilian creature escapes, growing to an enormous size, eventually terrorizing the city of Rome. The always beautiful and impressive creature animations of the great Ray Harryhausen elevate the film above the level of ordinary 1950's monster sci-fi. The Ymir is one of the best-known creations in his long, distinguished career. IT CAME FROM BENEATH THE SEA: An atomic submarine cruising the Pacific discovers a gargantuan octopus concealed in the ocean depths. By the time they figure out that the monster is the nasty by-product of a hydrogen bomb experiment gone awry, the creature is already well on its way to destroying San Francisco. The sea creature is yet another fantastic example of masterful stop-motion animation from the technique's master, Ray Harryhausen. EARTH VS. THE FLYING SAUCERS: Space scientist Dr. Russell Marvin (Hugh Marlowe) and his wife Carol (Joan Taylor) are working on a secret missile project, but every time their rockets are launched, they are intercepted and destroyed by the more advanced technology of mysterious flying saucers hovering near the Earth. The alien race has completely surrounded the planet, giving Earth the sixty days to surrender. The enemy spacecraft appear indestructible, and Marvin sets out to find a weapon that can defeat them. The special effects of stop-motion animator Ray Harryhausen are legendary, most notably in the scene in which flying saucers attack the Capitol building in Washington, D.C.

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ALIEN VS. PREDATOR relegated its intergalactic grudge match to Antarctica, keeping most of humankind gleefully ignorant. This time around, though, the destruction takes place in suburban America, and those who have been waiting for it finally get to witness facehuggers, alien hybrids, and the dreadlocked Predator wreak some homeland havoc. Directors Colin and Greg Strause (billed as "The Brothers Strause") don't seem concerned with achieving the tension of the original ALIEN and PREDATOR films, instead using their visual effects backgrounds to create a steady stream of monsters, gore, and goo. Picking up where AVP ended, REQUIEM sees Predator on a homebound spacecraft when a baby alien/Predator hybrid bursts from his chest, causing the ship to crash in the Colorado woods. Several facehugger specimens escape, planting eggs down the throats of a hunter and his son. Soon, baby aliens emerge from their bodies and head for town, where ex-con Dallas (Steven Pasquale), Iraq War vet Kelly (Reiko Aylesworth), pizza delivery boy Ricky (Johnny Lewis), high school heartthrob Jesse (Kristen Hager), and sheriff Morales (John Ortiz) have their own separate encounters with the creatures. The dead Predator's home planet receives a transmission of the alien outbreak, and a fellow denizen of his world is dispatched to clean up the multiplying aliens, eventually causing enough death and destruction for government intervention. This is essentially a slasher film (or FREDDY VS. JASON with aliens), and the characters in REQUIEM are secondary to the creature effects. Fans of the comic books and videogames will appreciate the Strauses? adherence to the lore of the series, but others will probably just find thrills in the copious special effects, which are frequent and well-done (if often occurring in darkness). There is also a significant amount of indiscriminant gore in this rightfully R-rated film. A government conspiracy plot thread and an ambiguous ending ensure that this battle isn't over yet.

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When audiences caught a glimpse of an alien skull mounted in the trophy cabinet of a Predator in the 1990 film PREDATOR 2, it seemed a franchise was about to be born. Sure enough, comic book artists immediately seized on the possibilities suggested by the brief scene, and a number of skirmishes between the deadly foes were played out on the printed page. Fans have had to endure a lengthy wait for a cinematic match-up, but writer-director Paul W.S. Anderson (EVENT HORIZON) has finally delivered the blood-splattered goods in ALIEN VS. PREDATOR. Set in the near future, a team of archaeologists lead by Charles Wiedland (Lance Henriksen, returning for more ALIEN action after appearances in the second and third films) ventures towards an inexplicable "hot zone" detected in Antarctica. Joined by Alexa Woods (Sanaa Lathan) and the requisite amount of human fodder for the otherworldly creatures to feast on, Wiedland and his cohorts discover a sizeable underground pyramid. Chaos ensues as they awake the Queen alien from her blissful slumber, causing face-hugging and chest-bursting scenes aplenty. But the ailing crew has a further quandary to grapple with in the shape of some fearsome Predators, who are using the aliens as bait for their offspring to brawl with in an ancient initiation ritual. With the human team trapped in the labyrinth-like pyramid, the battle evolves into a nail-biting three-way tussle between the archaeologists and their extraterrestrial adversaries. Fans of both the ALIEN and PREDATOR movies should find much to satiate their appetites here, and with an ending suggesting further hostilities between the pernicious coupling, this one looks set to run and run.

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The first two cinematic installments in the ALIEN VS. PREDATOR series are featured on this program. ALIEN VS. PREDATOR (2004) sets the scene for the explosive battles between the two creatures, and is followed by ALIEN VS. PREDATOR: REQUIEM (2007), which transports the action from Antarctica to the American suburbs. Please see individual titles for synopsis information.

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Muscleman Arnold Schwarzenegger will be action fans' guide through most of this tour from the battle-ravaged jungles of Latin America to an alien-infested Antarctic temple. With the preternaturally capacitating effect of a Rae Dawn Chong at his side, Schwarzenegger is an ex-Army Special Forces soldier who will stop at nothing to rescue his kidnapped daughter from a deposed South American dictator in COMMANDO. Schwarzenegger then takes his COMMANDO co-star Bill Duke along for the ride as he high-tails it to the wilds of Central America, where an elite fighting squad encounters an out-of-this world adversary in PREDATOR. The S-Man gets off here, but the predator stays--and is joined by some of the xenomorphs that gave Ellen Ripley such a hard time in space--for the sci-fi horror romp AVP: ALIEN VS. PREDATOR. See individual titles for complete information.

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ALIEN VS. PREDATOR relegated its intergalactic grudge match to Antarctica, keeping most of humankind gleefully ignorant. This time around, though, the destruction takes place in suburban America, and those who have been waiting for it finally get to witness facehuggers, alien hybrids, and the dreadlocked Predator wreak some homeland havoc. Directors Colin and Greg Strause (billed as "The Brothers Strause") don't seem concerned with achieving the tension of the original ALIEN and PREDATOR films, instead using their visual effects backgrounds to create a steady stream of monsters, gore, and goo. Picking up where AVP ended, REQUIEM sees Predator on a homebound spacecraft when a baby alien/Predator hybrid bursts from his chest, causing the ship to crash in the Colorado woods. Several facehugger specimens escape, planting eggs down the throats of a hunter and his son. Soon, baby aliens emerge from their bodies and head for town, where ex-con Dallas (Steven Pasquale), Iraq War vet Kelly (Reiko Aylesworth), pizza delivery boy Ricky (Johnny Lewis), high school heartthrob Jesse (Kristen Hager), and sheriff Morales (John Ortiz) have their own separate encounters with the creatures. The dead Predator's home planet receives a transmission of the alien outbreak, and a fellow denizen of his world is dispatched to clean up the multiplying aliens, eventually causing enough death and destruction for government intervention. This is essentially a slasher film (or FREDDY VS. JASON with aliens), and the characters in REQUIEM are secondary to the creature effects. Fans of the comic books and videogames will appreciate the Strauses? adherence to the lore of the series, but others will probably just find thrills in the copious special effects, which are frequent and well-done (if often occurring in darkness). There is also a significant amount of indiscriminant gore in this rightfully R-rated film. A government conspiracy plot thread and an ambiguous ending ensure that this battle isn't over yet.

starting at

$11
 

starting at

$7
  • product
ALIEN VS. PREDATOR relegated its intergalactic grudge match to Antarctica, keeping most of humankind gleefully ignorant. This time around, though, the destruction takes place in suburban America, and those who have been waiting for it finally get to witness facehuggers, alien hybrids, and the dreadlocked Predator wreak some homeland havoc. Directors Colin and Greg Strause (billed as "The Brothers Strause") don't seem concerned with achieving the tension of the original ALIEN and PREDATOR films, instead using their visual effects backgrounds to create a steady stream of monsters, gore, and goo. Picking up where AVP ended, REQUIEM sees Predator on a homebound spacecraft when a baby alien/Predator hybrid bursts from his chest, causing the ship to crash in the Colorado woods. Several facehugger specimens escape, planting eggs down the throats of a hunter and his son. Soon, baby aliens emerge from their bodies and head for town, where ex-con Dallas (Steven Pasquale), Iraq War vet Kelly (Reiko Aylesworth), pizza delivery boy Ricky (Johnny Lewis), high school heartthrob Jesse (Kristen Hager), and sheriff Morales (John Ortiz) have their own separate encounters with the creatures. The dead Predator's home planet receives a transmission of the alien outbreak, and a fellow denizen of his world is dispatched to clean up the multiplying aliens, eventually causing enough death and destruction for government intervention. This is essentially a slasher film (or FREDDY VS. JASON with aliens), and the characters in REQUIEM are secondary to the creature effects. Fans of the comic books and videogames will appreciate the Strauses? adherence to the lore of the series, but others will probably just find thrills in the copious special effects, which are frequent and well-done (if often occurring in darkness). There is also a significant amount of indiscriminant gore in this rightfully R-rated film. A government conspiracy plot thread and an ambiguous ending ensure that this battle isn't over yet.

starting at

$7
 

starting at

$12
  • product
Space scientist Dr. Russell Marvin (Hugh Marlowe) and his wife Carol (Joan Taylor) are working on a secret missile project, but every time their rockets are launched, they are intercepted and destroyed by the more advanced technology of mysterious flying saucers hovering near the Earth. The alien race has completely surrounded the planet, giving Earth the sixty days to surrender. The enemy spacecraft appear indestructible, and Marvin sets out to find a weapon that can defeat them. The special effects of stop-motion animator Ray Harryhausen are legendary, most notably in the scene in which flying saucers attack the Capitol building in Washington, D.C.

starting at

$12
 

starting at

$4
  • product
When audiences caught a glimpse of an alien skull mounted in the trophy cabinet of a Predator in the 1990 film PREDATOR 2, it seemed a franchise was about to be born. Sure enough, comic book artists immediately seized on the possibilities suggested by the brief scene, and a number of skirmishes between the deadly foes were played out on the printed page. Fans have had to endure a lengthy wait for a cinematic match-up, but writer-director Paul W.S. Anderson (EVENT HORIZON) has finally delivered the blood-splattered goods in ALIEN VS. PREDATOR. Set in the near future, a team of archaeologists lead by Charles Wiedland (Lance Henriksen, returning for more ALIEN action after appearances in the second and third films) ventures towards an inexplicable "hot zone" detected in Antarctica. Joined by Alexa Woods (Sanaa Lathan) and the requisite amount of human fodder for the otherworldly creatures to feast on, Wiedland and his cohorts discover a sizeable underground pyramid. Chaos ensues as they awake the Queen alien from her blissful slumber, causing face-hugging and chest-bursting scenes aplenty. But the ailing crew has a further quandary to grapple with in the shape of some fearsome Predators, who are using the aliens as bait for their offspring to brawl with in an ancient initiation ritual. With the human team trapped in the labyrinth-like pyramid, the battle evolves into a nail-biting three-way tussle between the archaeologists and their extraterrestrial adversaries. Fans of both the ALIEN and PREDATOR movies should find much to satiate their appetites here, and with an ending suggesting further hostilities between the pernicious coupling, this one looks set to run and run.

starting at

$4
 

starting at

$5
  • product
ALIEN VS. PREDATOR relegated its intergalactic grudge match to Antarctica, keeping most of humankind gleefully ignorant. This time around, though, the destruction takes place in suburban America, and those who have been waiting for it finally get to witness facehuggers, alien hybrids, and the dreadlocked Predator wreak some homeland havoc. Directors Colin and Greg Strause (billed as "The Brothers Strause") don't seem concerned with achieving the tension of the original ALIEN and PREDATOR films, instead using their visual effects backgrounds to create a steady stream of monsters, gore, and goo. Picking up where AVP ended, REQUIEM sees Predator on a homebound spacecraft when a baby alien/Predator hybrid bursts from his chest, causing the ship to crash in the Colorado woods. Several facehugger specimens escape, planting eggs down the throats of a hunter and his son. Soon, baby aliens emerge from their bodies and head for town, where ex-con Dallas (Steven Pasquale), Iraq War vet Kelly (Reiko Aylesworth), pizza delivery boy Ricky (Johnny Lewis), high school heartthrob Jesse (Kristen Hager), and sheriff Morales (John Ortiz) have their own separate encounters with the creatures. The dead Predator's home planet receives a transmission of the alien outbreak, and a fellow denizen of his world is dispatched to clean up the multiplying aliens, eventually causing enough death and destruction for government intervention. This is essentially a slasher film (or FREDDY VS. JASON with aliens), and the characters in REQUIEM are secondary to the creature effects. Fans of the comic books and videogames will appreciate the Strauses? adherence to the lore of the series, but others will probably just find thrills in the copious special effects, which are frequent and well-done (if often occurring in darkness). There is also a significant amount of indiscriminant gore in this rightfully R-rated film. A government conspiracy plot thread and an ambiguous ending ensure that this battle isn't over yet.

starting at

$5
 

starting at

$3
  • product
When audiences caught a glimpse of an alien skull mounted in the trophy cabinet of a Predator in the 1990 film PREDATOR 2, it seemed a franchise was about to be born. Sure enough, comic book artists immediately seized on the possibilities suggested by the brief scene, and a number of skirmishes between the deadly foes were played out on the printed page. Fans have had to endure a lengthy wait for a cinematic match-up, but writer-director Paul W.S. Anderson (EVENT HORIZON) has finally delivered the blood-splattered goods in ALIEN VS. PREDATOR. Set in the near future, a team of archaeologists lead by Charles Wiedland (Lance Henriksen, returning for more ALIEN action after appearances in the second and third films) ventures towards an inexplicable "hot zone" detected in Antarctica. Joined by Alexa Woods (Sanaa Lathan) and the requisite amount of human fodder for the otherworldly creatures to feast on, Wiedland and his cohorts discover a sizeable underground pyramid. Chaos ensues as they awake the Queen alien from her blissful slumber, causing face-hugging and chest-bursting scenes aplenty. But the ailing crew has a further quandary to grapple with in the shape of some fearsome Predators, who are using the aliens as bait for their offspring to brawl with in an ancient initiation ritual. With the human team trapped in the labyrinth-like pyramid, the battle evolves into a nail-biting three-way tussle between the archaeologists and their extraterrestrial adversaries. Fans of both the ALIEN and PREDATOR movies should find much to satiate their appetites here, and with an ending suggesting further hostilities between the pernicious coupling, this one looks set to run and run.

starting at

$3
 

starting at

$4
  • product
When audiences caught a glimpse of an alien skull mounted in the trophy cabinet of a Predator in the 1990 film PREDATOR 2, it seemed a franchise was about to be born. Sure enough, comic book artists immediately seized on the possibilities suggested by the brief scene, and a number of skirmishes between the deadly foes were played out on the printed page. Fans have had to endure a lengthy wait for a cinematic match-up, but writer-director Paul W.S. Anderson (EVENT HORIZON) has finally delivered the blood-splattered goods in ALIEN VS. PREDATOR. Set in the near future, a team of archaeologists lead by Charles Wiedland (Lance Henriksen, returning for more ALIEN action after appearances in the second and third films) ventures towards an inexplicable "hot zone" detected in Antarctica. Joined by Alexa Woods (Sanaa Lathan) and the requisite amount of human fodder for the otherworldly creatures to feast on, Wiedland and his cohorts discover a sizeable underground pyramid. Chaos ensues as they awake the Queen alien from her blissful slumber, causing face-hugging and chest-bursting scenes aplenty. But the ailing crew has a further quandary to grapple with in the shape of some fearsome Predators, who are using the aliens as bait for their offspring to brawl with in an ancient initiation ritual. With the human team trapped in the labyrinth-like pyramid, the battle evolves into a nail-biting three-way tussle between the archaeologists and their extraterrestrial adversaries. Fans of both the ALIEN and PREDATOR movies should find much to satiate their appetites here, and with an ending suggesting further hostilities between the pernicious coupling, this one looks set to run and run.

starting at

$4
 

starting at

$10
  • product
The first two cinematic installments in the ALIEN VS. PREDATOR series are featured on this program. ALIEN VS. PREDATOR (2004) sets the scene for the explosive battles between the two creatures, and is followed by ALIEN VS. PREDATOR: REQUIEM (2007), which transports the action from Antarctica to the American suburbs. Please see individual titles for synopsis information.

starting at

$10
 

starting at

$9
  • product
Space scientist Dr. Russell Marvin (Hugh Marlowe) and his wife Carol (Joan Taylor) are working on a secret missile project, but every time their rockets are launched, they are intercepted and destroyed by the more advanced technology of mysterious flying saucers hovering near the Earth. The alien race has completely surrounded the planet, giving Earth the sixty days to surrender. The enemy spacecraft appear indestructible, and Marvin sets out to find a weapon that can defeat them. The special effects of stop-motion animator Ray Harryhausen are legendary, most notably in the scene in which flying saucers attack the Capitol building in Washington, D.C.

starting at

$9
 

starting at

$2
  • product
Veteran slashers Freddy Krueger and Jason Voorhees join forces in this combination sequel to the NIGHTMARE ON ELM STREET and FRIDAY THE 13TH series. The film begins with a quick recap of both Freddy and Jason's "lives," underscoring their respective motivations to kill and their distinct weaknesses. Freddy (Robert Englund) explains that the present children of Elm St. (including Monica Keena, Jason Ritter, Katherine Isabelle, and Kelly Rowland of Destiny's Child) have no memory of him, and if they don't know he exists, he can't enter their dreams to kill them. Ingeniously, he reaches out to Jason (Ken Kirzinger), the brutish death machine from Camp Crystal Lake, to go on an Elm Street killing spree, hoping a lot of gory murder will jog the town's memory. Jason is up to the task, quickly dispensing with teenager after teenager in suburban homes, cornfields, medical labs and, of course, the forest. Freddy grows jealous over Jason's body count, and so must intervene, setting off a battle royale between the two highly adored slasher heroes across dreamworlds and realities. In another post-modern twist, a character seemingly modeled after Jay from Kevin Smith's films appears in the movie, adding both a comedic element and another level of reality vs. fiction. FREDDY VS. JASON employs a variety of special effects to update these undying series, not the least of which is uniting their once disparate stories.

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$2
 

starting at

$13
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When audiences caught a glimpse of an alien skull mounted in the trophy cabinet of a Predator in the 1990 film PREDATOR 2, it seemed a franchise was about to be born. Sure enough, comic book artists immediately seized on the possibilities suggested by the brief scene, and a number of skirmishes between the deadly foes were played out on the printed page. Fans have had to endure a lengthy wait for a cinematic match-up, but writer-director Paul W.S. Anderson (EVENT HORIZON) has finally delivered the blood-splattered goods in ALIEN VS. PREDATOR. Set in the near future, a team of archaeologists lead by Charles Wiedland (Lance Henriksen, returning for more ALIEN action after appearances in the second and third films) ventures towards an inexplicable "hot zone" detected in Antarctica. Joined by Alexa Woods (Sanaa Lathan) and the requisite amount of human fodder for the otherworldly creatures to feast on, Wiedland and his cohorts discover a sizeable underground pyramid. Chaos ensues as they awake the Queen alien from her blissful slumber, causing face-hugging and chest-bursting scenes aplenty. But the ailing crew has a further quandary to grapple with in the shape of some fearsome Predators, who are using the aliens as bait for their offspring to brawl with in an ancient initiation ritual. With the human team trapped in the labyrinth-like pyramid, the battle evolves into a nail-biting three-way tussle between the archaeologists and their extraterrestrial adversaries. Fans of both the ALIEN and PREDATOR movies should find much to satiate their appetites here, and with an ending suggesting further hostilities between the pernicious coupling, this one looks set to run and run.

starting at

$13
 

starting at

$8
  • product
When a radioactive meteor hurtles into Susan Murphy (voiced by Reese Witherspoon) on her wedding day, she is transformed into a towering, platinum-haired giant. Taken away by the government and dubbed "Ginormica," Susan is introduced to other scientific oddities, including the amphibious Missing Link (Will Arnett), the dim blob B.O.B. (Seth Rogen), and the brilliant, bug-headed Dr. Cockroach (Hugh Laurie). These "monsters" are released from captivity when a massive alien robot sent by the scheming Gallaxhar (Rainn Wilson) appears in San Francisco and clearly does not come in peace. With little time to adjust to her new stature, Susan must learn to work with her strange allies to avoid an all-out extraterrestrial invasion. Co-directed by Rob Letterman (SHARK TALE) and Conrad Vernon (SHREK 2) for DreamWorks Studios, this enjoyable animated production riffs on 1950s sci-fi movies while also playfully referencing everything from DR. STRANGELOVE to CLOSE ENCOUNTERS OF THE THIRD KIND. The vocal talent, which also includes Stephen Colbert as a daft, keyboard-playing American president, is top-notch, adding plenty of personality to the super-sized visuals and eye-popping effects. Conveying an easy-going sense of humor that will delight kids and amuse adults, MONSTERS VS. ALIENS is fun family fare that is sure to leave everyone thoroughly entertained.

starting at

$8
 

starting at

$13
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When a radioactive meteor hurtles into Susan Murphy (voiced by Reese Witherspoon) on her wedding day, she is transformed into a towering, platinum-haired giant. Taken away by the government and dubbed "Ginormica," Susan is introduced to other scientific oddities, including the amphibious Missing Link (Will Arnett), the dim blob B.O.B. (Seth Rogen), and the brilliant, bug-headed Dr. Cockroach (Hugh Laurie). These "monsters" are released from captivity when a massive alien robot sent by the scheming Gallaxhar (Rainn Wilson) appears in San Francisco and clearly does not come in peace. With little time to adjust to her new stature, Susan must learn to work with her strange allies to avoid an all-out extraterrestrial invasion. Co-directed by Rob Letterman (SHARK TALE) and Conrad Vernon (SHREK 2) for DreamWorks Studios, this enjoyable animated production riffs on 1950s sci-fi movies while also playfully referencing everything from DR. STRANGELOVE to CLOSE ENCOUNTERS OF THE THIRD KIND. The vocal talent, which also includes Stephen Colbert as a daft, keyboard-playing American president, is top-notch, adding plenty of personality to the super-sized visuals and eye-popping effects. Conveying an easy-going sense of humor that will delight kids and amuse adults, MONSTERS VS. ALIENS is fun family fare that is sure to leave everyone thoroughly entertained.

starting at

$13
 

starting at

$57
  • product
GUNBUSTER: First released in 1988, Hideaki Anno's first directorial triumph focuses on the adventures of Noriko Takaya, a young girl who enrolls in a school for space pilots and finds herself responsible for the fate of the world--a futuristic, anime world full of giant robots, elite naval fighting forces, and interstellar space monsters. All six episodes of the OVA series are combined to form one 95-minute feature. DIEBUSTER: Set in the future, this 2006 release (also known as GUNBUSTER 2) follows a young girl named Nono as she departs her home of Mars with dreams of becoming a space pilot like her hero Nono-Riri. But when an unexpected attack by a space monster occurs, Nono finds herself aligned with the Topless, a band of teenagers with specially manipulated powers strong enough to pilot Buster machines in an effort to defeat the space monsters. Does Nono have what it takes to step in and impress her more experienced peers or will she be sent back to Mars in shame and defeat?

starting at

$57
 

starting at

$13
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Relive the thrills and heartbreaks of the epic 2008 showdown between the Philadelphia Phillies and the Tampa Bay Rays in this World Series compilation. The exciting release includes in-depth interviews with the players, exclusive off-the-field access to the teams, and full coverage of those adrenaline-pumping, game-deciding final outs.

starting at

$13