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Stop and Listen by Mississippi Sheiks (CD - 1992)
 

Stop and Listen by Mississippi Sheiks (C...

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Stop and Listen by Mississippi Sheiks (CD - 1992)
"Stop and Listen" (1992) Blues Mississippi Sheiks, YazooMississippi Sheiks: Lonnie Chatmon (fiddle), Walter Vinson (guitar, vocals). Producers: Don Kent, Stefan Grossman, Richard Nevins. Includes liner notes by Stephen Calt, Don Kent and Michael Stewart. Audio Remasterer: Richard Nevins. Liner Note Authors: Don Kent; Michael Stewart; Stephen Calt. Unknown Contributor Role: Walter Vinson. Stop and Listen collects 20 tracks the Mississippi Sheiks recorded in the early '30s, gathering together most of their best-known material (including "Sitting on Top of the World"), plus the previously unreleased "Livin' in a Strain." These records are of significant historical importance and this is the definitive compilation of this groundbreaking -- and popular -- string band. ~ Thom Owens

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Listen At Me Good *
 

Listen At Me Good *

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Listen At Me Good *
"Listen at Me Good" (04/18/2006) Blues Shah, Harmonica, Electro-FiPersonnel: Harmonica Shah (vocals, harmonica); Bob Vespaziani (drums); Mel Brown (guitar); Jack de Keyzer (electric guitar); Julian Fauth (piano); Alec Fraser (acoustic bass, electric bass); Willie "Big Eyes" Smith (drums). Audio Mixer: Alec Fraser. Liner Note Author: Andrew Galloway. Recording information: Liquid, Toronto, Ontario, Canada (10/24/2005/10/25/2005).

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Just Listen!
 

Just Listen!

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Just Listen!
"Just Listen!" (09/08/2003) Blues Bud Duncan, jr., Puppa Publishing

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Complete Goin' to Chicago and Listen to the Blues by Jimmy Rushing (CD - 04/04/2006)
 

Complete Goin' to Chicago and Listen to ...

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Complete Goin' to Chicago and Listen to the Blues by Jimmy Rushing (CD - 04/04/2006)
"Complete Goin' to Chicago and Listen to the Blues" (04/04/2006) Blues Rushing, Jimmy, LonehillNearly as wide as he was tall, Jimmy Rushing had a voice that could boom, and he more than held his own against the horn section during his long association with Count Basie's orchestra, and that Basie period (from the late '30s to the early '50s) has to be considered the peak of Rushing's recorded output. But that shouldn't stop anyone from checking out Rushing's later work, and this set, drawn from sessions held in New York in 1954, 1955, and 1957, is a perfect example of this fine singer's assured vocal style, which bridged the gaps between the blues, swing jazz, and R&B with seemingly effortless ease. Working with an all-star swing band that included Buddy Tate, Emmett Berry, Lawrence Brown, Vic Dickenson, Sammy Price, Freddie Green, Walter Page, and Jo Jones, Rushing rolls through a classic set featuring impressive versions of Leroy Carr's "How Long," his signature tune, "Goin' to Chicago," a tender "See See Rider" (where most singers would belt this chestnut out, Rushing gives it a veneer of sweetness), and the lovely ballad "Don't Cry Baby." The band itself plays it all swing, with just a touch of jump blues and R&B attitude, but it is Rushing's singing that holds it all together, his vocals again sitting at the juncture of all these different musical streams as effortlessly as a cork rides out a rainstorm. ~ Steve Leggett
Complete Goin' To Chicago & Listen To The Blues
 

Complete Goin' To Chicago & Listen T...

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Complete Goin' To Chicago & Listen To The Blues
"Complete Goin' to Chicago and Listen to the Blues" (02/28/2006) Blues Rushing, Jimmy, Lone Hill Jazz (Spain)Contains the complete albums: GOIN' TO CHICAGO (1955) / LISTEN TO THE BLUES (1957). Nearly as wide as he was tall, Jimmy Rushing had a voice that could boom, and he more than held his own against the horn section during his long association with Count Basie's orchestra, and that Basie period (from the late '30s to the early '50s) has to be considered the peak of Rushing's recorded output. But that shouldn't stop anyone from checking out Rushing's later work, and this set, drawn from sessions held in New York in 1954, 1955, and 1957, is a perfect example of this fine singer's assured vocal style, which bridged the gaps between the blues, swing jazz, and R&B with seemingly effortless ease. Working with an all-star swing band that included Buddy Tate, Emmett Berry, Lawrence Brown, Vic Dickenson, Sammy Price, Freddie Green, Walter Page, and Jo Jones, Rushing rolls through a classic set featuring impressive versions of Leroy Carr's "How Long," his signature tune, "Goin' to Chicago," a tender "See See Rider" (where most singers would belt this chestnut out, Rushing gives it a veneer of sweetness), and the lovely ballad "Don't Cry Baby." The band itself plays it all swing, with just a touch of jump blues and R&B attitude, but it is Rushing's singing that holds it all together, his vocals again sitting at the juncture of all these different musical streams as effortlessly as a cork rides out a rainstorm. ~ Steve Leggett
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Listen Up by Johnny Dyer (Cassette - 12/15/1993)
 

Listen Up by Johnny Dyer (Cassette - 12/...

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Listen Up by Johnny Dyer (Cassette - 12/15/1993)
"Listen Up" (12/15/1993) Blues Dyer, Johnny, Black Top (USA)Personnel includes: Johnny Dyer (harmonica); Rick Holmstrom (guitar). Johnny Dyer, partner Rick "L.A. Holmes" Holmstrom and the rest of the corps kickstart with hard, swinging West Coast blues, and even the slower numbers never lose their edge. Dyer shows blues as a truly living art form, integrating his Mississippi roots with steamy urbanite ramblings as a longtime Angeleno. Although 20-something at the time of recording, Holmstrom displays a light-years-ahead maturity on guitar, balancing brilliant playing and sharing space with Dyer and the bandmates. While raving over Dyer and Holmstrom, listen for Mighty Flyer Jimi Bott's puncuated drum patterns, which equally deserve praise. ~ Char Ham
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Listen Up by Johnny Dyer (Cassette - 12/15/1993)
 

Listen Up by Johnny Dyer (Cassette - 12/...

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Listen Up by Johnny Dyer (Cassette - 12/15/1993)
"Listen Up" (12/15/1993) Blues Dyer, Johnny, Black Top (USA)Personnel includes: Johnny Dyer (harmonica); Rick Holmstrom (guitar). Johnny Dyer, partner Rick "L.A. Holmes" Holmstrom and the rest of the corps kickstart with hard, swinging West Coast blues, and even the slower numbers never lose their edge. Dyer shows blues as a truly living art form, integrating his Mississippi roots with steamy urbanite ramblings as a longtime Angeleno. Although 20-something at the time of recording, Holmstrom displays a light-years-ahead maturity on guitar, balancing brilliant playing and sharing space with Dyer and the bandmates. While raving over Dyer and Holmstrom, listen for Mighty Flyer Jimi Bott's puncuated drum patterns, which equally deserve praise. ~ Char Ham
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