Vhs in Blues Music

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"Live: The Real Deal" (04/30/1996) Blues Guy, Buddy, Silvertone Records (USA)Personnel includes: Buddy Guy, G.E. Smith, The Saturday Night Live Band. As close as Buddy Guy's ever likely to come to recapturing the long-lost Chess sound. Cut live at his popular Chicago nightspot, Buddy Guy's Legends, with guitarist G.E. Smith's horn-leavened Saturday Night Live Band and pianist Johnnie Johnson in lush support, Guy revisits his roots on sumptuous readings of "I've Got My Eyes on You," "Ain't That Lovin' You," "My Time After Awhile," and "First Time I Met the Blues." No outrageous rock-based solos or Cream/Hendrix/Stevie Ray homages; this is the Buddy Guy album that purists have salivated for the last quarter century or so. ~ Bill Dahl

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"Jazz Casual: Jimmy Witherspoon & Ben Webster" (08/15/2000) Blues Witherspoon, Jimmy, Rhino Records (USA)RALPH J. GLEASON'S JAZZ CASUAL was a program created and aired between 1960-1968 on National Educational Television. This video contains a complete original installment of one program, as well as an original Rhino-produced short on the life and times of Ralph J. Gleason. Also available in a 3-pack with B.B. King's RALPH J. GLEASON'S JAZZ CASUAL and Dave Brubeck's RALPH J. GLEASON'S JAZZ CASUAL.
 
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"Pride and Joy" (07/01/1991) Blues Vaughan, Stevie Ray, Sony Music Distribution (USA)Personnel: Stevie Ray Vaughan (vocals, guitar). Recording information: 1983-1989. Photographer: Alan Messer.
 
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"Live at the El Mocambo" (11/19/1991) Blues Vaughan, Stevie Ray, Sony Music Distribution (USA)It has to be exciting to watch a star being born, and that's how the people who saw Stevie Ray Vaughan and Double Trouble's stunning show in 1983 at Toronto's tiny El Mocambo club must have felt. Live at the El Mocambo captures the majesty of muscular, sweaty blues-rock in an intimate setting -- in the way that, some might say, God intended. Live in Austin, Texas is a strong compilation of the band's two Austin City Limits performances, but Live at the El Mocambo blows it away in terms of hunger and raw power. Vaughan, bassist Tommy Shannon, and drummer Chris Layton open with the fine instrumentals "Testify" and "So Excited." Then Vaughan really hits his stride and uncorks a perfect cover of Jimi Hendrix's "Voodoo Chile (Slight Return)." "Pride and Joy" remains the best example of Vaughan's talent for combining a catchy melody with snappy licks. The fierce "Texas Flood" is truly mind-blowing -- Vaughan's playing is splendid, but he also tosses in some fancy showmanship by playing his guitar behind his back. "Hug You Squeeze You" is a playful tune that should have been lifted and placed on an album, perhaps on one of the "greatest hits" collections. Vaughan pays tribute to Hendrix again with "Third Stone from the Sun"; he thrashes on his famously mangled sunburst Stratocaster and coaxes unholy noises out of it. It's as if Pete Townshend took possession of him in that moment. During the first encore, "Lenny," Vaughan demonstrates his capacity for subtlety, foreshadowing the In Step favorite "Riviera Paradise." The DVD includes interviews with Shannon and Layton. One anecdote relates how Vaughan once became terribly upset when he learned he was headlining a concert instead of opener B.B. King. ~ Bret Adams
 
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"The Boogie Assault: Live in Australia" (n/a) Blues Canned Heat, Video Music Inc.Canned Heat: Mike "The Mouth" Halbey, Walter Trout (vocals, guitar); Rick "Cherry Red" Kellogg (vocals, harmonica); Paul Ernie Rodriguez (vocals, bass); Fito De La Parra (drums). "We'd like to take you back to Woodstock," Bob Hite peremptorily announces on the opening of this live set, whisking listeners back in time to Canned Heat's heyday. A dozen years had since passed, and the world was about to be inundated by new wave, but down under in Australia in 1981, the '60s still reigned supreme. Beyond drummer Fito de la Parra, who joined the group back in 1970, the rest of Heat's members were recent arrivals -- Michael Halby, Rick Kellogg, Ernie Rodriguez and Walter Trout -- the latter would take over lead vocals in a few months' time after Hite's fatal heart attack. Here, however, he sounds fit as a fiddle, and the band is raring to go on and on. And they do just that on "Refried Hockey Boogie" which, at 23-plus minutes sprawled gloriously across the entire second side of the original vinyl album, which was released in 1981 by the Bedrock label (the 1984 date listed in myriad discographies refers to the CD reissue). Side one comprised enthusiastic run-throughs of Heat's three hits, an exhilarating take on the title track of their recently released Kings of the Boogie studio set, and a stomping version of "Amphetamine Annie," like "Refried" from Heat's 1968 Boogie with Canned Heat album. This modern reissue adds three more numbers performed that day, "Hell's on Down the Line" and "Chicken Shack Boogie" both from the Kings set, and the apt curtain closer, the bluesy "So Long." It was one heck of a show, which is why the album has remained on the shelves in so many parts of the world. Their glory days were long gone, but the band boogied on like the '60s never ended. ~ Jo-Ann Greene
 
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"Blues Alive" (n/a) Blues Various Artists, PioneerFilmed in June, 1982 at New Jersey's Capitol Theater.
 
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"Blues of Henry Gray [Video]" (02/05/2002) Blues Gray, Henry, StoryvilleSolo performer: Henry Gray (vocals, piano). Recorded live in New Orleans, Louisiana in 1984.
 
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"Blues of Boogie Bill Webb *" (02/05/2002) Blues Webb, Boogie Bill, StoryvillePersonnel includes: Bill Webb (vocals, guitar); Harmonica Slim (vocals, harmonica). Recorded live in New Orleans in 1984.
 
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"The Blues of Champion Jack Dupree [Video]" (01/09/2001) Blues Dupree, Champion Jack, StoryvillePersonnel includes: Champion Jack Dupree (vocals); Louisiana Red, The Kenn Lending Blues Band. Recorded in 1986.
 
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"Got My Mojo Working [Shanachie DVD]" (09/12/2000) Blues Waters, Muddy, Shanachie Video
 
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"The Blues [Storyville]" (09/12/2000) Blues Various Artists, StoryvillePersonnel includes: Bessie Smith, Mamie Smith, Ida Cox (vocals); W.C. Handy (arranger); Big Bill Broonzy (guitar); Sonny Boy Williamson, Slure Nordin (banjo); James P. Johnson (piano).
 
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"Jazz Casual: B.B. King" (08/15/2000) Blues King, B.B., Rhino Records (USA)RALPH J. GLEASON'S JAZZ CASUAL was a program created and aired between 1960-1968 on National Educational Television. This video contains a complete original installment of one program, as well as an original Rhino-produced short on the life and times of Ralph J. Gleason. Also available in a 3-pack with Ben Webster & Jimmy Witherspoon's RALPH J. GLEASON'S JAZZ CASUALS and Dave Brubeck's RALPH J. GLEASON'S JAZZ CASUALS.
 
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"Live at the Fillmore [Video]" (02/22/2000) Blues Castro, Tommy, Blind Pig RecordsPersonnel includes: Tommy Castro (vocals, guitar); Keith Crossan (saxophone); Tom Poole (trumpet); Jimmy Pugh (keyboards); Randy MacDonald (bass); Billy Lee Lewis (drums). Recorded in March, 1999.
 
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"Rhythm & Blues at the Apollo" (03/14/2000) Blues Various Artists, StoryvillePerformers include: Amos Milburn, Martha Davis, The Paul Williams Band, Jimmy Brown, Joe Turner, Ruth Brown, Faye Adams, The Clovers, Dinah Washington, The Larks, Willie Bryant. Recorded live at the Appollo Theatre, New York, New York.
 
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"Rare Performances 1960-1979" (01/27/1995) Blues Hopkins, Lightnin', Vestapol VideoRunning 58 minutes, this shows Lightnin' Hopkins in a variety of settings: public television spots, 1967 folklorist-supervised footage with no-frills camerawork, and at a Texas bar in 1960. Those 1960 clips (the first known film of Hopkins, taken by German filmmaker Dietrich Wawzyn) are especially interesting in that they find the bluesman in a Houston bar, playing to the casual approval of patrons from the neighborhood. This compilation isn't, to be frank, the most mesmerizing of blues videos, due to the pretty homogenous quality of Hopkins' tunes, which include both originals and some surprising covers, such as "Baby, Scratch My Back" and "What'd I Say." You do get to admire his dexterous fingerwork and hear him comment (not too succinctly) on the origins and motivations behind some of his songs, in the 1970 clips especially. The concluding four songs, taped for Austin City Limits in 1979, are the only electric full-band setups on the video, highlighted by his unexpectedly hard-hitting use of wah-wah guitar on occasion. ~ Richie Unterberger
 
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"The Blues of Clarence Gatemouth Brown" (11/09/1999) Blues Brown, Clarence "Gatemouth", StoryvilleRecorded at the Maple Leaf Saloon, New Orleans, Louisiana in February, 1984.
 
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"On the Road Again: Down Home Blues Jazz Gospel" (10/19/1999) Blues Various Artists, YazooPerformers include: Lowell Fulsom, Mance Lipscomb, Lightnin' Hopkins, George Lewis, The Preservation Hall Band, J.E. Mainer's Family Band, Whistlin' Alex Moore, Hop Wilson, Sweet Emma Barrett, Black Ace, The Blind James Campbell String Band. Filmed in 1963 in New Orleans, Louisiana; San Francisco, California; Oakland, California; Houston, Texas; Dallas, Texas; Nashville, Tennessee; Tuscon, Arizona, and other locations.
 
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"A Tribute to Muddy Waters: King of the Blues" (05/18/1999) Blues Various Artists, Hybrid RecordingsFilmed at the Kennedy Center, Washington, D.C. Muddy Waters: King of the Blues may be the least historically oriented of the three DVD tributes devoted to the late blues legend, but it also may be the most fun of any of them. Taped at the Kennedy Center for the Performing Arts in Washington, D.C., in 1997, it does have a historical segment recounting his inspiration to play the blues, his life on Stovall's Plantation, and his move to Chicago. And there are interviews with musicians, including Keb' Mo', Keith Richards, Bob Dylan, Koko Taylor, et al., as well as priceless vintage television with a close-up of Muddy playing a slide solo, but mostly this is made up of performances: Keb' Mo' doing "I Can't Be Satisfied," Koko Taylor doing "I'm Ready" and "Long Distance Call," Phoebe Snow performing "Just to Be With You," Big Bill Morganfield (Muddy's son) on a thunderous "Hoochie Coochie Man," Buddy Guy doing "She's Nineteen Years Old," Charlie Musselwhite performing "I Got a Rich Man's Woman," Robert Junior Lockwood on "Mean Red Spider," and Nick Gravenites doing "Forty Days and Forty Nights." The tribute band, incidentally, includes Musselwhite, Johnnie Johnson, Bob Margolin, and Barry Goldberg, who also served as music director. The only flaw in the 115-minute program is that the makers were unable to get clearances to show the segments by Bo Diddley and by Gregg Allman on the DVD. They're mentioned and shown in the opening credits, but that's as far as they go in showing up musically. The disc comes with the choice of PCM stereo or Dolby 5.1 Surround, and each performance gets a chapter marker. The only bonus on the DVD itself is a live clip from 1968 of Muddy doing "Got My Mojo Working" in loud, vivid, pounding sound -- it's the perfect capper to the performances that are in the main program. The DVD also comes with the CD version of the event as a bonus feature, although it's a little unclear as to which is the bonus feature -- the CD includes the insert that one would get with the jewel case if it were purchased separately, while the DVD gets no insert, and the whole package isn't that much more expensive than the CD would be. ~ Bruce Eder A Tribute to Muddy Waters: King of the Blues is the soundtrack to the PBS television special of the same name. The bulk of the show and the soundtrack are devoted to a tribute concert held at the Kennedy Center on October 11, 1997. As is typical with any Kennedy Center concert, the show was filled with American music legends, and even if the featured artists may occasionally seem a little odd -- Phoebe Snow may be a great singer, but she's never truly been associated with the blues -- they all turn in solid performances. Problem is, they're undone a little bit by the bookend contributions from Muddy himself. "Trouble No More" and "Got My Mojo Workin'" are undisputed classics and they hammer home the fact that even if other musicians can deliver enjoyable versions of Waters' songs, nobody can sing them like Muddy himself. Still, selections from Keb' Mo' ("I Can't Be Satisfied"), Koko Taylor ("Long Distance Call"), Charlie Musselwhite ("I Got a Rich Man's Woman"), John Hiatt ("The Same Thing"), Robert Jr. Lockwood ("Mean Red Spider"), and (especially) Peter Wolf ("Rollin' & Tumblin," plus the affectionate liner notes), make this worthwhile for Muddy devotees wanting to hear a loving new spin on classic tunes. ~ Stephen Thomas Erlewine
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