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Xanadu

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A young album-painter learns a lesson about daring to dream when he is kissed by a magical muse. Throwing caution to the wind, he partners up with a wealthy former jazz musician to start-up a roller disco nightclub, but finds that one of his dreams might be too lofty--even for the powers that be. A modern musical featuring the musical talents of Olivia Newton-John, Electric Light Orchestra, the Tubes, and Cliff Richard, with a touch of cartoon from animator Don Bluth.
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A young album-painter learns a lesson about daring to dream when he is kissed by a magical muse. Throwing caution to the wind, he partners up with a wealthy former jazz musician to start-up a roller disco nightclub, but finds that one of his dreams might be too lofty--even for the powers that be. A modern musical featuring the musical talents of Olivia Newton-John, Electric Light Orchestra, the Tubes, and Cliff Richard, with a touch of cartoon from animator Don Bluth.

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A young album-painter learns a lesson about daring to dream when he is kissed by a magical muse. Throwing caution to the wind, he partners up with a wealthy former jazz musician to start-up a roller disco nightclub, but finds that one of his dreams might be too lofty--even for the powers that be. A modern musical featuring the musical talents of Olivia Newton-John, Electric Light Orchestra, the Tubes, and Cliff Richard, with a touch of cartoon from animator Don Bluth.

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A young album-painter learns a lesson about daring to dream when he is kissed by a magical muse. Throwing caution to the wind, he partners up with a wealthy former jazz musician to start-up a roller disco nightclub, but finds that one of his dreams might be too lofty--even for the powers that be. A modern musical featuring the musical talents of Olivia Newton-John, Electric Light Orchestra, the Tubes, and Cliff Richard, with a touch of cartoon from animator Don Bluth.

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Store Search in titles descriptions Categories Accessories Alarm Systems Amplifiers Capacitors Changers Crossovers Equalizers Extended Warranty Head Units Marine Components Multimedia Systems Radar Detectors Satellite Radio Speakers Subwoofers Other...
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Supercharged

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"Supercharged" (11/01/2002) Rock & Pop F?xa, Mind Expansion RecordsFuxa: Stephen Laurie, Jo Doran (vocals); Randall Nieman (various instruments); Drew Peters (drums). Recorded at Ann Arbor, Michigan. Supercharged is another fragile, shimmering slice of chillout ambient post-rock from F?xa. Mainman Randall Nieman gets some help from the Telescopes' Stephen Lawrie and Joanna Doran, but the album sounds more like a single artist's vision than Nieman's earlier releases with Ryan Anderson. Though Nieman embraces the space rock label, especially since he was once nearly the king of the Detroit space rock scene, Supercharged sounds almost too organic over a majority of its tracks to be part of the genre. "420" and "It Was You" introduce trademark ethereal sci-fi sound effects, but for the most part Nieman is comfortable painting emotional moods with an acoustic guitar, quiet shuffling drums, and a throbbing bass. When his friends from the Telescopes come front and center on "Hide Away," wobbly electronic effects punctuate the moody, psychedelic drone of the players rather than dominating the mix. Nieman's music on Supercharged seems primarily geared toward giving a listener a pleasurable, gentle base with which to relax, and he consistently succeeds with the task. Optimistic, sweet songs like "The Formula" and "In Your Dreams" suggest a mingling of jazzy post-rock and trippy psychedelia, but there's nothing forced or cheesy as with the music of so many artists who fuse the genres together with too much prog pretension. Fans of F?xa's early releases will find Supercharged wholly endearing, and listeners who might have found Nieman's earlier work too spacy or ambient will be happy to find out that there's a sprightly bounce and kick swirled into Nieman's mood experimentations. ~ Tim DiGravina

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Accretion

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"Accretion" (05/11/1998) Rock & Pop F?xa, Mind Expansion RecordsPersonnel: Randall Nieman (guitar, drums); Eric Moorison (drums, congas, bongos). Photographer: Matt Martin. Fuxa's Ryan Anderson and Randall Nieman represent both the best and worst of Michigan's space-rock scene; their lo-fi jams are as apt to stumble across sublime stretches of pastoral psychedelia as they are to dissolve into disjointed noises. For this reason, they're best served by the seven-inch format, whose short sides force them to curb their more excessive tendencies. ACCRETION is the second CD collection of Fuxa's seven-inch output. It's a joy to have gems like "Standing Under U" and "Karmaloop," each a perfect parcel of chiming bliss, on disc, as well as the Neu!-styled "City" and "Tonality." "Spruce" could stand to be 10 times longer, but it couldn't be lovelier. There's not a bad track here. "Landings," Eric Morrison's peppy percussive jam, is better integrated than his usual third-party contributions to Fuxa proper. And, at just under four minutes, even the Moog meanderings of "Second Abductions," "Metro," and "Some Soviet Station" don't outstay their welcome.
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Very Well Organized

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"Very Well Organized" (09/09/1996) Rock & Pop F?xa, Mind Expansion RecordsPersonnel: Randall Nieman (guitar, organ, Moog synthesizer); Ryan Anderson (organ, Moog synthesizer, drums). Unknown Contributor Role: Randall Nieman. Randall Nieman and Ryan Anderson of space-rockers Windy and Carl and Asha Vida, respectively, created the duo project Fuxa to explore their love of electronic music without the rock band trappings. VERY WELL ORGANIZED is a collection of synth-and-organ-based instrumentals that borrow from the classic Krautrock sounds of the '70s. Kraftwerk and Neu's application of synths to pop melodies is represented in equal measure with the spacey, textural musings of Tangerine Dream. In accordance with Fuxa's influences, their sound is based on vintage analog synthesizers and a heavily processed organ. Anderson provides drums and bass as well, so things don't get too canned-sounding when Fuxa moves into a rhythm-based mode. While the minimalist space-out quotient here is fairly high, there's plenty of melody (one is reminded sometimes of Stereolab) and juicy electronic timbres to tickle the ear.
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"Fuxa 2000 *" (n/a) Rock & Pop F?xa, RocketgirlFuxa includes: Randall Nieman. Additional personnel includes: Stephen Lawrie (vocals, guitar); Jo Doran (vocals); Glen Johnson, Gabe Mcdonough, Willie B. Carruthers. Personnel: Stephen Lawrie (vocals, E-bow); Sonic Boom (vocals, keyboards, synthesizer); Joanna Doran (vocals); Randall Nieman (guitar, kora, keyboards, mini-Moog synthesizer, sampler, sound effects, Theremin); Gabe McDonough (guitar); Erik Kassab (mini-Moog synthesizer); Drew Peters, Eric Morrison (drums).

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Accretion

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"Accretion" (05/11/1998) Rock & Pop F?xa, Mind Expansion RecordsPersonnel: Randall Nieman (guitar, drums); Eric Moorison (drums, congas, bongos). Photographer: Matt Martin. Fuxa's Ryan Anderson and Randall Nieman represent both the best and worst of Michigan's space-rock scene; their lo-fi jams are as apt to stumble across sublime stretches of pastoral psychedelia as they are to dissolve into disjointed noises. For this reason, they're best served by the seven-inch format, whose short sides force them to curb their more excessive tendencies. ACCRETION is the second CD collection of Fuxa's seven-inch output. It's a joy to have gems like "Standing Under U" and "Karmaloop," each a perfect parcel of chiming bliss, on disc, as well as the Neu!-styled "City" and "Tonality." "Spruce" could stand to be 10 times longer, but it couldn't be lovelier. There's not a bad track here. "Landings," Eric Morrison's peppy percussive jam, is better integrated than his usual third-party contributions to Fuxa proper. And, at just under four minutes, even the Moog meanderings of "Second Abductions," "Metro," and "Some Soviet Station" don't outstay their welcome.

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Very Well Organized

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"Very Well Organized" (09/09/1996) Rock & Pop F?xa, Mind Expansion RecordsPersonnel: Randall Nieman (guitar, organ, Moog synthesizer); Ryan Anderson (organ, Moog synthesizer, drums). Unknown Contributor Role: Randall Nieman. Randall Nieman and Ryan Anderson of space-rockers Windy and Carl and Asha Vida, respectively, created the duo project Fuxa to explore their love of electronic music without the rock band trappings. VERY WELL ORGANIZED is a collection of synth-and-organ-based instrumentals that borrow from the classic Krautrock sounds of the '70s. Kraftwerk and Neu's application of synths to pop melodies is represented in equal measure with the spacey, textural musings of Tangerine Dream. In accordance with Fuxa's influences, their sound is based on vintage analog synthesizers and a heavily processed organ. Anderson provides drums and bass as well, so things don't get too canned-sounding when Fuxa moves into a rhythm-based mode. While the minimalist space-out quotient here is fairly high, there's plenty of melody (one is reminded sometimes of Stereolab) and juicy electronic timbres to tickle the ear.

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Accretion

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"Accretion" (05/11/1998) Rock & Pop F?xa, Mind Expansion RecordsPersonnel: Randall Nieman (guitar, drums); Eric Moorison (drums, congas, bongos). Photographer: Matt Martin. Fuxa's Ryan Anderson and Randall Nieman represent both the best and worst of Michigan's space-rock scene; their lo-fi jams are as apt to stumble across sublime stretches of pastoral psychedelia as they are to dissolve into disjointed noises. For this reason, they're best served by the seven-inch format, whose short sides force them to curb their more excessive tendencies. ACCRETION is the second CD collection of Fuxa's seven-inch output. It's a joy to have gems like "Standing Under U" and "Karmaloop," each a perfect parcel of chiming bliss, on disc, as well as the Neu!-styled "City" and "Tonality." "Spruce" could stand to be 10 times longer, but it couldn't be lovelier. There's not a bad track here. "Landings," Eric Morrison's peppy percussive jam, is better integrated than his usual third-party contributions to Fuxa proper. And, at just under four minutes, even the Moog meanderings of "Second Abductions," "Metro," and "Some Soviet Station" don't outstay their welcome.
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Very Well Organized

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"Very Well Organized" (09/09/1996) Rock & Pop F?xa, Mind Expansion RecordsPersonnel: Randall Nieman (guitar, organ, Moog synthesizer); Ryan Anderson (organ, Moog synthesizer, drums). Unknown Contributor Role: Randall Nieman. Randall Nieman and Ryan Anderson of space-rockers Windy and Carl and Asha Vida, respectively, created the duo project Fuxa to explore their love of electronic music without the rock band trappings. VERY WELL ORGANIZED is a collection of synth-and-organ-based instrumentals that borrow from the classic Krautrock sounds of the '70s. Kraftwerk and Neu's application of synths to pop melodies is represented in equal measure with the spacey, textural musings of Tangerine Dream. In accordance with Fuxa's influences, their sound is based on vintage analog synthesizers and a heavily processed organ. Anderson provides drums and bass as well, so things don't get too canned-sounding when Fuxa moves into a rhythm-based mode. While the minimalist space-out quotient here is fairly high, there's plenty of melody (one is reminded sometimes of Stereolab) and juicy electronic timbres to tickle the ear.
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15% off select Beech-Nut products at Amazon

Expiration:  01/30/10   |   Code:  BECH6428

20% off select Mrs. May's products at Amazon

Expiration:  01/30/10   |   Code:  MAYS7438

15% off select Jolly Time products at Amazon

Expiration:  01/30/10   |   Code:  JOLY2O47

25% off select Arora Creations products at Amazon

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15% off select Emerald Nuts products at Amazon

Expiration:  01/30/10   |   Code:  EMRL9516

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(c) 2004 fourniersean CLICK HERE if you want an incredible 1 GB of internal RAM for your Roland Fantom X or G Series! CLICK HERE if you want 1 GB of permanent flash memory with this! CLICK HERE if you want 2 GB of permanent flash memory with this!...
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"Cantoria 1" (09/12/1998) International Elomar, KuarupIn January, 1984, Elomar and other important proponents of the Northeastern culture (Xangai, Geraldo Azevedo and Vital Farias) performed at Teatro Castro Alves, Salvador, for a full house. The enthusiastically acclaimed show made it to the heading news and brought fame and recognition to their music, less-known even to non-Northeastern Brazilians. Differently from the expected Northeastern music, which is heavily rhythmic and richly percussive, the four musicians play their violoes with no other support, revealing a delicate face of their music, haunting and mysterious in its medieval modalism, humorous in its folkloric lyrics. ~ Alvaro Neder

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External Microphone XAMC10

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Designed for use with the MEX-BT3700U Xpl?d Bluetooth CD receiver, the XA-MC10 external microphone is perfect for making handsfree calls while driving. The included 13.1 ft (4m) cable and mounting clip allow for optimal placement. Car & Marine Audio...
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Supercharged

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"Supercharged" (11/01/2002) Rock & Pop F?xa, Mind Expansion RecordsFuxa: Stephen Laurie, Jo Doran (vocals); Randall Nieman (various instruments); Drew Peters (drums). Recorded at Ann Arbor, Michigan. Supercharged is another fragile, shimmering slice of chillout ambient post-rock from F?xa. Mainman Randall Nieman gets some help from the Telescopes' Stephen Lawrie and Joanna Doran, but the album sounds more like a single artist's vision than Nieman's earlier releases with Ryan Anderson. Though Nieman embraces the space rock label, especially since he was once nearly the king of the Detroit space rock scene, Supercharged sounds almost too organic over a majority of its tracks to be part of the genre. "420" and "It Was You" introduce trademark ethereal sci-fi sound effects, but for the most part Nieman is comfortable painting emotional moods with an acoustic guitar, quiet shuffling drums, and a throbbing bass. When his friends from the Telescopes come front and center on "Hide Away," wobbly electronic effects punctuate the moody, psychedelic drone of the players rather than dominating the mix. Nieman's music on Supercharged seems primarily geared toward giving a listener a pleasurable, gentle base with which to relax, and he consistently succeeds with the task. Optimistic, sweet songs like "The Formula" and "In Your Dreams" suggest a mingling of jazzy post-rock and trippy psychedelia, but there's nothing forced or cheesy as with the music of so many artists who fuse the genres together with too much prog pretension. Fans of F?xa's early releases will find Supercharged wholly endearing, and listeners who might have found Nieman's earlier work too spacy or ambient will be happy to find out that there's a sprightly bounce and kick swirled into Nieman's mood experimentations. ~ Tim DiGravina
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33% off 1 item for members at Borders

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Venoy

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"Venoy" (06/01/2005) Rock & Pop F?xa, Darla Distribution

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Venoy

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"Venoy" (06/01/2005) Rock & Pop F?xa, Darla Distribution
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Expiration:  01/30/10   |   Code:  BECH6428

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Expiration:  01/30/10   |   Code:  MAYS7438

15% off select Jolly Time products at Amazon

Expiration:  01/30/10   |   Code:  JOLY2O47

25% off select Arora Creations products at Amazon

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Supercharged

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"Supercharged" (11/01/2002) Rock & Pop F?xa, Mind Expansion RecordsFuxa: Stephen Laurie, Jo Doran (vocals); Randall Nieman (various instruments); Drew Peters (drums). Recorded at Ann Arbor, Michigan. Supercharged is another fragile, shimmering slice of chillout ambient post-rock from F?xa. Mainman Randall Nieman gets some help from the Telescopes' Stephen Lawrie and Joanna Doran, but the album sounds more like a single artist's vision than Nieman's earlier releases with Ryan Anderson. Though Nieman embraces the space rock label, especially since he was once nearly the king of the Detroit space rock scene, Supercharged sounds almost too organic over a majority of its tracks to be part of the genre. "420" and "It Was You" introduce trademark ethereal sci-fi sound effects, but for the most part Nieman is comfortable painting emotional moods with an acoustic guitar, quiet shuffling drums, and a throbbing bass. When his friends from the Telescopes come front and center on "Hide Away," wobbly electronic effects punctuate the moody, psychedelic drone of the players rather than dominating the mix. Nieman's music on Supercharged seems primarily geared toward giving a listener a pleasurable, gentle base with which to relax, and he consistently succeeds with the task. Optimistic, sweet songs like "The Formula" and "In Your Dreams" suggest a mingling of jazzy post-rock and trippy psychedelia, but there's nothing forced or cheesy as with the music of so many artists who fuse the genres together with too much prog pretension. Fans of F?xa's early releases will find Supercharged wholly endearing, and listeners who might have found Nieman's earlier work too spacy or ambient will be happy to find out that there's a sprightly bounce and kick swirled into Nieman's mood experimentations. ~ Tim DiGravina

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