Christian & Gospel Music

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"Toddler Songs" (03/01/1996) Gospel Cedarmont Kids, Benson Records

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"Still Here" (10/21/2003) Gospel The Williams Brothers, Blackberry RecordsRecorded live in Morton, Mississippi on April 5 & 6, 2003. The Williams Brothers: Doug Williams , Henry Green, Melvin Williams (vocals); Billy Voss (organ, background vocals); Timothy Hudson (keyboards); Terrell Midge Gatlin (bass guitar, background vocals); Stan Jones (drums). "Man looks at the outside, God looks at the heart, and he wants you to come as you are." With that chorus as an all-embracing message, the legendary Williams Brothers step upon a stage in their home state of Mississippi and open their 2003 live record, STILL HERE. It's a sentiment which exemplifies the trio of Melvin and Doug Williams and their cousin Henry Green, who were originally gathered together as children in the late 1950s by the brothers' father, Leonard "Pops" Williams. Their sweet, comforting, soulful sound was patterned after the Dixie Hummingbirds, and five decades later, it still harbors echoes of that revered group. However, the Williams Brothers' smooth groove on STILL HERE is timeless. When the threesome beckons the faithful on classics "Walk with Me" and "I Don't Know Why," the warmth is palpable and unquestionable. The trio has been trading vocals for so long, the interplay and harmony is completely natural. Doug Williams's original tunes, including the title track and the elated "Heaven Is Waiting," abound with a spirit of joy and grace. STILL HERE showcases gospel legends still at the top of their game.

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"A Piece of My Passion" (01/17/2006) Gospel Bynum, Juanita, Flow RecordsPersonnel: Juanita Bynum (vocals); Myron Williams (vocals); Dave Cleveland (guitar); Craig Neilsen (bass guitar); Scott Williamson (drums). Gospel vocalist Juanita Bynum is committed to praising the Lord, and her unrestrained energy comes through wonderfully on 2006's A PIECE OF MY PASSION. Although she adds the occasional unusual flourish to her music (see the touches of Vocoder on the opening track, "Break Forth"), Bynum expresses her faith with fairly straightforward, though formidable, gospel fervor. And, naturally, the inclusion of a bold backing choir perfectly enhances tracks like "You Are Great," "Jesus, What a Wonder," and other celebratory songs.

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"M£sica Cristiana Tropical, Vol. 1" (2005) International Various Artists, Vida PublishersPersonnel: Omar Salas (guitar, piano, keyboards); Francisco Ordo?ez, Benjamin G., El Chacal, Juan Francisco Ordo?es, Tony Rijos (guitar); Manuel Tejada (bajo sexto, piano, keyboards); Carlos "Cholito" Mart¡nez, Jos? Nicolas, Edwin Morales, Mario Alvares, Sammy Zone Lopez, Hector Santana, Johnny Torres, Isaias Leclerc, Roberto Perez, Jerem¡as King, Junior Alvarado (bajo sexto); Juan "Chocolate" DeLaCruz (tamboura, bongos, maracas); Junny Brito (tamboura, bongos); Hector "Perucho" Rivera (accordion, keyboards, programming); Jes£s "El Gury" Abreu, Ricardo , Gerardo "Lalo" Rojas, Jos? Luis D¡az (saxophone); Jesus Abreu, Luis¡n del Rosario (alto saxophone, tenor saxophone); Gury, Gury Abreu (alto saxophone); Furito Rios, Luis Corpor n (tenor saxophone); Raky Ruiz, Miguel, Herm n Uma?a, Rodhen Sanots, Fermin Cr£z, Carlos Velez, Luis Aquino, Guillermo Calder¢n, Randy de la Cruz (trumpet); Cuto Soto, Italiano, Jose "Reymundi" Berrios, Jose Flete, Danny Fuentes (trombone); Pedro Miguel, Bonny Cepeda, Andy Guzman (piano, keyboards); Nelson Gasu Jaime, Manolo Navarro, Luis Marin, Richard Cepeda, Ceferino Caban (piano); Ramon B. Sanchez, P.M. Morales (keyboards); Sammy Garcia (congas, bongos); Eddy Montalvo, Edwin B ez, Jonathan Vel zquez, Jos? Chac¢n, Angel Rodr¡guez, Okil "Fito" Medrano (congas); Charlie Sierra (bongos, maracas, timbales, percussion); Alberto Machuca (bongos, timbales); Ray Colon (bongos); Chago Mart¡nez (maracas, timbales, percussion); Frito Oril, Johnny Chocolate, Joel "Joelito" Ram¡rez, R mses Araya (percussion). Recording information: Blessing Recording; Blessings Recordings, NY; Caguas Musical; CCM; CCM Studios; DR5; E 1212; Enlace Recording Studios; F+F Recordings; FM Recordings (Secuencias); FM Studios; Francisco "Kiko" Hurtado; Jorge Duvall; Midlab S. A.. Sto. Domingo; Ocha Recordings; Ochoa Recording Studio; Perumusik Recording Studio, Ceiba, Puerto Rico; Play Records; Power Light Recordings. Translator: Danny Berr¡os. Arrangers: Hector "Perucho" Rivera; Mike Colon; Pedro Miguel Morales; P.M. Morales; Bonny Cepeda.

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"CCM Top 100: Greatest Songs In Christian Music, Vol. 1" (09/28/2004) Gospel Various Artists, Creative Trust WorkshopPersonnel: Warren Barfield, Tom Collier, Gary Burnett, Justin York (guitar); Phil Madeira (Mellotron); Garth Justice (drums); Jim Cooper (programming, background vocals). Audio Mixer: Tony Palacios. Recording information: Lake Dog Studios, Franklin, TN; The Sound Kitchen, Franklin, TN. Illustrator: Benji Peck.

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"Southern Gospel Karaoke, Vol. 2" (05/11/2004) Gospel Karaoke, CMH Records

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"WOW Gospel 2006" (01/31/2006) Gospel Various Artists, VerityAudio Remasterer: Chaz Harper. Arranger: Keith Thomas . The 2006 installment of WOW GOSPEL presents an impressive two-disc, 32-track collection of passionate, soulful Christian music with a contemporary R&B sensibility. In addition to boasting tracks by both Kierra Kiki Sheard (the funky, frenetic "Let Go [The Godson Concept]") and her mother, Karen Clark Sheard (the rousing sing-along "Authority"), this set features veteran performers (Donnie McClurkin) and relative newcomers (Smokie Norful), giving an excellent overview of the year's gospel landscape.

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"Top 25 Praise Songs for 2005" (08/24/2004) Gospel Various Artists, Maranatha MusicPersonnel: Aaron Gayden (vocals, background vocals); Joshua Chavez, Eddie Espinosa, Scott Reed, Jeremy Riddle, Peter Shambrook, Phil Wickham, Victor Perez, Dan Smith, Terry Timmons, Lyndsey Wallace, Brent Helming (vocals); Smitty Price (keyboards, loops); Steve DiStanislao (drums); Vangie Gunn, Linda McCrary (background vocals). Audio Mixer: Steve Hughes. Recording information: A to Z Studios, La Verne, CA; Barking Bird Recorders; BeachCityStudios.com. Arranger: Smitty Price.

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"The Gospel According to Jazz: Chapter 2" (10/29/2002) Gospel Whalum, Kirk, Warner Bros. Records (Record Label)Personnel: Kirk Whalum (spoken vocals, soprano saxophone, alto saxophone, tenor saxophone, programming); Jonathan Butler (vocals, acoustic guitar); Tata Vega, Kevin Whalum, Kim Burrelll (vocals); Rod McGaha (trumpet); George Duke (piano, keyboards); Tyrone Dickerson (organ, keyboards, synthesizer, programming); Paul Jackson, Jr. (acoustic & electric guitars); Michael manson (acoustic & electric basses); Kyle Whalum (electric bass); Sean McCurley (drums); Luis Conte (percussion); Alfie Silas-Durio, Lynn Linsey, Fred White (background vocals). Producers: Kirk Whalum, Tyrone Dickerson, Hal Sacks. Recorded live at West Angeles Cathedral, Los Angeles, California; Peace In The Valley, Arleta, California and Dark Horse Studios, Franklin, Tennessee. Includes liner notes by Kirk Whalum. THE GOSPEL ACCORDING TO JAZZ CHAPTER 2 was nominated for the 2004 Grammy Award for Best Contemporary Soul Gospel Album. Personnel includes: Kirk Whalum, Jonathan Butler, Kim Burrell, George Duke, Paul Jackson, Jr., Tata Vega. Producers: Kirk Whalum, Tyrone Dickerson, Hal Sacks. Flanked by an impressive cadre of musicians and gospel vocalists, saxophonist Kirk Whalum offers an extended jazz paean to Jesus in this follow up to 1998's CHAPTER I of THE GOSPEL ACCORDING TO JAZZ. Recorded before a live audience in a cathedral in Los Angeles, Whalum's concert has the feel of a contemporary religious service, with applause and shouts from the audience. The numerous vocal spots ("El Todopoderoso" by Tata Vega; "Falling in Love With Jesus" by Jonathan Butler) give the impression of personal testimony. The music sustains Whalum's reputation as a master of the crossover jazz sound; he streamlines the idiom into a palatable amalgam of traditional jazz, urban R&B, groove-based motifs, world rhythms, soft, lyrical passages, and down-home gospel. Electric guitars, synthesizers, and vocals ensure that pop fans won't feel alienated, while Whalum's gentle tenor lines are unassailable in their technical expertise. A performance that succeeds as both a musical and Christian event, THE GOSPEL ACCORDING TO JAZZ CHAPTER II is solid fare for the hungry of ear and spirit.

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"Try" (08/24/2004) Gospel Norman, Bebo, Brentwood RecordsPersonnel: Bebo Norman (acoustic guitar); Bebo Norman (vocals); Paul Moak (guitar); Mitch Dane (acoustic guitar, electric guitar, piano, Fender Rhodes piano, Wurlitzer piano, Wurlitzer organ, vibraslap, percussion, drum programming); Brandon Heath (acoustic guitar, background vocals); Bruce Gaitsch (acoustic guitar); Steve Mason (electric guitar, pedal steel guitar, background vocals); Matt Bronleewe (electric guitar, Wurlitzer organ, Mellotron, keyboards); Chris Graffagnino (electric guitar); Ryan Booth (electric 12-string guitar); David Davidson , David Angell (violin); Kris Wilkinson (viola); John Catchings, Matt Slocum, Anthony LaMarchina (cello); Prague Philharmonic Orchestra (strings); Cason Cooley (piano); Jamie Kenney (keyboards); Aaron Sands (bass instrument); Eric Darken, Dan Needham (drums); Paul Eckberg (bass drum); Ellie Bannister, Michael Mellett (background vocals); Kenny Meeks (acoustic guitar, nylon-string guitar, dobro, mandolin); Andy Hubbard (drums, percussion); Charlie Lowell (background vocals). Audio Mixers: Richard Dodd; Steve Bishir. Recording information: Alex The Great Studios, Nashville, TN; Dark Horse Recording; Oxford Sound; Pentavarit; Sputnik Sound. Photographer: Jeremy Cowart. Like a John Mayer or Jack Johnson for the Contemporary Christian set, Bebo Norman plays earthy, soulful, acoustic-based music honed though hard touring. As with the aforementioned artists, he tempers his classic sensitive singer/songwriter fare with a keen ear for pop melody and passionate delivery. Blessed with wonderfully sandpaper-like pipes, Norman is at his best on stripped-down tracks that showcase his subtle vocal inflections. TRY's title song is just such a piece, and finds the singer combining an accessible, Bryan Adams-like pop/rock appeal with a world-weary melancholy reminiscent of Tom Rush. The Columbus, Georgia native's talent for penning catchy tunes shines throughout, especially on the anthemic "Borrow Mine," and the hip-hop-flavored "Other Side of Day." A sure candidate for a CCM/pop crossover, Norman reveals himself as an artist primed and ready for the mainstream on TRY.

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