Christie widescreen

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MURDER AHOY!: There's something fishy aboard the HMS Battledore, a training ship designed to give young hoodlums a chance at new lives. When Miss Jane Marple comes aboard to investigate, she discovers that someone is training the delinquents to be better thieves instead of good citizens. MURDER MOST FOUL: Miss Marple joins a theatrical troupe whose specialty is death scenes. Convinced that one of her fellow actors is playing the part of murderer for real, Miss Marple sets out to pinpoint the killer and set a trap. MURDER AT THE GALLOP: MURDER AT THE GALLOP is based on Agatha Christie's AFTER THE FUNERAL. When wealthy old Mr. Enderby dies, his not-so-bereaved relatives gather for the reading of the will. There, Aunt Cora inquires as to the cause of Mr. Enderby's death, only to be silenced in the same fashion. MURDER SHE SAID: Dozing in her train seat, the English gentlewoman Miss Jane Marple awakens in time to witness a dreadful strangulation aboard a passing train. When she cries "Murder!" to the police, they tell her that she was only dreaming. Undaunted, she sets out to find the truth, even if it means uncovering an extra body or two.

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AGATHA CHRISTIE'S MARPLE is a British murder-mystery TV show starring Geraldine McEwan (THE MAGDALENE SISTERS, VANITY FAIR) and a stellar supporting cast including Jane Seymour (SMALLVILLE, WEDDING CRASHERS), Julian Sands (24, OCEAN'S THIRTEEN), and Vincent Regan (TROY, 300). This compilation offers four new episodes from the show's third season: "Nemesis," "Towards Zero," "At Bertram's Hotel," and "Ordeal by Innocence."

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Garbo talks! Greta Garbo's unforgettable throaty and seductive voice burst onto the screen in this daring production of Eugene O'Neill's dark drama. Garbo stars as Anna Christie, a bitter and disillusioned former prostitute who returns home to her father (George F. Marion), a New York barge captain, looking for a safe haven to repair her damaged psyche. Anna is desperate to forget her past and hides her sordid life from her father, letting him believe that she is an innocent young woman. But when Anna falls in love with Matt (Charles Bickford), an Irish sailor, it becomes more difficult to keep her dark secret. Finally, when Matt proposes, Anna must accept the consequences of her shameful past. This realistic and dark story of one woman's search for redemption is portrayed with gritty honesty by the great Greta Garbo, bringing a powerful sensuality and iron will to the screen. This legendary production ushered in a new era in film and made Garbo a star of of both silent and sound pictures. Clarence Brown's stunning film features an outstanding supporting cast, including Marie Dressler as Marthy, a down-and-out warf rat who sympathizes with the threadbare and downtrodden Anna.

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This fascinating made-for-television movie explores the life of Agatha Christie (Olivia Williams), one of the best and most popular mystery writers of all time. In 1926, Christie vanished; after a frantic 10-day search by her husband (Raymond Coulthard) and the entire English nation, she turned up at a Yorkshire hotel, claiming to have absolutely no memory of what had taken place. In an attempt to recover her missing memories, Christie saw a hypnotist, and proceeded to relive some formative and enlightening experiences from her youth.

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This collection of excellent Agatha Christie dramatizations features several takes on romantic crime solving duos, including James Warwick and Francesca Annis in both TOMMY & TUPPENCE: PARTNERS IN CRIME and WHY DIDN'T THEY ASK EVANS?, as well as Cheryl Campbell and Warwick in SEVEN DIALS MYSTERY. Also included here is AGATHA CHRISTIE: A LIFE IN PICTURES, a documentary on Christie's own deliberately mysterious life.

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Canadian actress Sarah Polley makes an impressive directorial debut with AWAY FROM HER, a film adapted from the Alice Munro story "The Bear Came Over The Mountain." The plot concerns the way in which the 50-year marriage of Grant (Gordon Pinsent) and Fiona (Julie Christie) deteriorates with the progression of Fiona's Alzheimer's disease. Rich scenery, intimate cinematography, and familiar songs like Neil Young's "Helpless" create a private world of two people enviably in love. Fiona and Grant have carved out a piece of the world for themselves, and have lived together happily in their later years until Fiona's memory started to wane. The harmony in their lives is lost when Fiona decides she's reached the point of no return and enters a retirement home in order to take the burden off Grant, though he can think of nothing worse than being away from her. After dropping Fiona off, Grant is forced to not visit for 30 days, which, as he fears, ends up feeling much longer in the mind of a person who is losing her memory. AWAY FROM HER features stunning performances from its leads as well as from Michael Murphy as Aubrey (a patient Fiona forms a close bond with), Olympia Dukakis as Aubrey's wife, and Kristen Thomson as a nurse at the facility. Instead of treating old age as the winding down of life, this film portrays it as a potentially rich, enjoyable period. Grant and Fiona never yearn for the days of their youth, but rather for the later years when their intimacy had reached a higher peak. While so many films portray older characters in a one-dimensional way, Polley's film portrays its characters as multifaceted people filled with wisdom and true beauty, thanks to their age and not in spite of it.

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THE SECRET LIFE OF WORDS, written and directed by Isabel Coixet, follows Hanna (Sarah Polley), a factory worker who lives alone in a barren apartment, wears a hearing-aid, and keeps to herself with a rigorous daily routine of identical meals, a fresh bar of soap every day, and needlepoint work at night.  While on an extended holiday in Northern Ireland, she volunteers as a nurse, tending to a burn victim Josef (Tim Robbins) stationed on an oil rig.  While Hanna coaxes him back to health, Josef, who has suffered temporary blindness, reaches out to her urgently, wanting to connect. As his brutish and passionate demeanor contrasts sharply with Hanna's solemn and quiet manner, Hanna initially refuses to reveal anything about herself, even her real name. But she soon she starts to recognize parallels between her own isolation and that of the others on the oil rig. She eventually grows to care for Josef and shares with him a painfully severe secret from her past that opens wounds, and doors, for the two strangers from different worlds to come together and help heal one another. With the shaky-camera technique, absence of a film score, and the backdrop of a lone oil rig, writer and director Coixet (who also wrote and directed Polley in the 2003 critically-acclaimed MY LIFE WITHOUT ME), emphasizes the vulnerability and seclusion of the characters. Robbins and Polley turn in compelling performances; and a strong supporting cast that includes Javier Camara (TALK TO HER) and Eddie Marsan (THE ILLUSIONIST).

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Most people know the story of Peter Pan, the boy who refused to grow up. Director Marc Forster's (MONSTER'S BALL) FINDING NEVERLAND delves deeper, depicting a fictionalized account of the family and events that inspired the classic tale. At the turn of the 20th Century, Scottish playwright J.M. Barrie's (Johnny Depp) latest play in London has flopped almost as badly as his marriage to stature-seeking Mary (Radha Mitchell). During one of his frequent excursions to the park with his dog, Barrie meets four young boys and their recently widowed mother, Sylvia Llewelyn Davies (Kate Winslet). Soon Barrie becomes a frequent playmate to the children, using the boys' imagination to take them on fanciful adventures. He also becomes a friend and confidante to the overwhelmed Sylvia, much to the dismay of her overbearing mother (Julie Christie). Barrie's active imagination and interaction with the family inspires "Peter Pan," a play that celebrates the child in everyone and the importance of believing in fantasies and miracles. A droll and amusing Dustin Hoffman appears as American Charles Frohman, Barrie's producer. The film also features young Freddie Highmore as Peter Llewelyn Davies, the inspiration for Barrie's title character.

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During the height of the swinging 1960s, John Schlesinger's DARLING was one of the rare critiques of the frivolous behavior that characterized British films of the time. This black-and-white movie features a terrific cast led by Julie Christie in perhaps her greatest performance. The superficiality of her character makes a satirical statement about the vapid qualities of the era's youth audience. DARLING is a stern satire that depicts the social climb of Diana Scott (Christie), a young woman who drifts from man to man on her way to stardom in the worlds of modeling and acting. First, as her teenage marriage crumbles, Diana falls hard for television interviewer Robert (Dirk Bogarde). She leaves her husband and moves in with him only to meet the smooth Miles (Laurence Harvey), who knows all the right people in the film industry. But Miles is merely another stepping stone as Diana climbs in and out of bed on her way to the top, creating a life that bores her even more than the existence she originally sought to escape.

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Director Kenneth Branagh returns to Shakespeare following his ground-breaking HENRY V and whimsical production of MUCH ADO ABOUT NOTHING. This classic tale tells the story of Hamlet (Kenneth Branagh), the prince of Denmark, a man suffering from grief at the death of his father, the king. His mother (Julie Christie) has quickly married Claudius (Derek Jacobi), Hamlet's uncle, who now reigns as the new king. Late one night Hamlet is visited by his father's ghost, who comes to tell him that Claudius poisoned him in his garden to win the crown, and that Hamlet, as his son, must now avenge his death. The prince's course of action sets the wheels of this great tragedy in motion, as the corruption of the Danish court begins to engulf everyone around it, including, finally, Hamlet himself. Branagh has assembled a stellar cast (including Kate Winslet, Billy Crystal, and Robin Williams) for this titanic enterprise, which presents HAMLET in its four hour entirety. Shot in 70-millimeter film, Branagh's HAMLET takes on the epic sweep associated with the films of Cecil B. DeMille or David Lean. By restoring Shakespeare's tragedy to its full length, Branagh has created a film of striking size and scope.

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BILLY LIAR was an immediate sensation as first a novel, then a hit play--both written by Keith Waterhouse, who also served as screenwriter on the film. Director John Schlesinger's screen version was a British landmark in the fertile cinema of the late 1950s and early '60s, and launched the career of Julie Christie, who plays Liz, one of Billy's flames. A young Englishman named Billy Fisher (Tom Courtenay) dreams of escaping from his dull working-class family and his dead-end job as an undertaker's assistant. In constant conflict with his parents and with the many women with whom he is romantically involved (he is engaged to two), Billy regularly escapes into a rich fantasy world. Sometimes he imagines himself to be the powerful dictator of a small country. In another fantasy, he wants to become the scriptwriter for a popular comedian on television. Unfortunately, he often blurs the line between fantasy and reality, which is exactly the reason that everybody calls him "Billy Liar."

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A shell-shocked World War I veteran returns home from the war, only to discover that several years of his past have been erased from his memory. This drama accurately depicts the psychological terrors of warfare.

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Hal Hartley's NO SUCH THING takes place in a near-future dystopia where domestic terrorism is common and Lower Manhattan has become a giant movie studio. Meanwhile, far removed from civilization, an immortal monster (Robert John Burke), prone to insomnia and binge drinking, occasionally torments a remote Icelandic village out of sheer boredom and frustration. When Beatrice (Sarah Polley), a good-natured reporter from New York City travels to Iceland to investigate the disappearance of her fiancé, she encounters a bizarre accident, a kind doctor (Julie Christie), and, eventually, the monster himself. When Beatrice brings the misanthropic creature back to New York, her ruthless boss (Helen Mirren) is more than eager to exploit them both. Social satire in the guise of BEAUTY AND THE BEAST, Hartley's NO SUCH THING essentially utilizes Burke's excellent performance as the tough-talking monster to provide a mouthpiece for society's ills, particularly the media. Polley, as the monster's only friend, exudes a charming air of innocence, while the ever-beautiful Christie makes the most out of her relatively small role as a kindhearted physician. The movie is typical Hartley quirkiness on a larger scale, allowing for amazing creature make-up (courtesy of Mark Rappaport) and gorgeous cinematography of the Icelandic coast (by longtime Hartley collaborator Michael Spiller). Hartley's own music, by far his best score yet, adds even more atmosphere to this unusual film.

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Two young lovers find their awakening sensuality in conflict with both their own moral values and those of the small town in which they live. This intense, tragic film marked the screen debut of Warren Beatty. Academy Award Nominations: 2, including Best Actress--Natalie Wood. Academy Awards: Best (Original) Story and Screenplay.

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Most people know the story of Peter Pan, the boy who refused to grow up. Director Marc Forster's (MONSTER'S BALL) FINDING NEVERLAND delves deeper, depicting a fictionalized account of the family and events that inspired the classic tale. At the turn of the 20th Century, Scottish playwright J.M. Barrie's (Johnny Depp) latest play in London has flopped almost as badly as his marriage to stature-seeking Mary (Radha Mitchell). During one of his frequent excursions to the park with his dog, Barrie meets four young boys and their recently widowed mother, Sylvia Llewelyn Davies (Kate Winslet). Soon Barrie becomes a frequent playmate to the children, using the boys' imagination to take them on fanciful adventures. He also becomes a friend and confidante to the overwhelmed Sylvia, much to the dismay of her overbearing mother (Julie Christie). Barrie's active imagination and interaction with the family inspires "Peter Pan," a play that celebrates the child in everyone and the importance of believing in fantasies and miracles. A droll and amusing Dustin Hoffman appears as American Charles Frohman, Barrie's producer. The film also features young Freddie Highmore as Peter Llewelyn Davies, the inspiration for Barrie's title character.

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A film very much of its time -- the swinging '60s -- "Petulia" is also a timeless study of romantic relationships in a consumer society. It is filmed in a fragmented, jumpy style, that is nonetheless powerful and effective. A prominent San Francisco surgeon's life is turned upside down when he falls in love with an eccentric young woman caught in an unhappy marriage with a sadistic man. Can this odd couple's love transcend the conventions of their upper-class world?

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Director James Ivory's HEAT AND DUST tells two parallel stories set in India, one in the present and the other in the days of British rule. In 1920s India, a young English bride, Olivia (Greta Scacchi), finds herself in a passionate, forbidden affair with the local Nawab (Shashi Kapoor). In the second story, Olivia's great niece, Anne (Julie Christie), travels to India and there learns of her great aunt's affair with the Nawab, her subsequent pregnancy, and her exile from the British community. Anne's life begins to roughly imitate that of Olivia's when she has an affair with a local Indian administrator (Zakir Hussain) and also becomes pregnant. Merchant Ivory screenwriter Ruth Prawer Jhabvala based the film's screenplay on her own acclaimed novel of the same name. Jhabvala was raised in England but after meeting her husband, an Indian architect, moved to India, where she lived for 24 years. Her screenplays AUTOBIOGRAPHY OF A PRINCESS, HULLABALOO OVER GEORGIE AND BONNIE'S PICTURES, and HEAT AND DUST reflect her own experiences as a British citizen living in a foreign land. At the time the film was released in 1983, HEAT AND DUST was Merchant Ivory's biggest commercial success.

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This time out, the Griswolds test their oft-ill-fated vacation luck in America's newest family playground, fabulous Las Vegas, Nevada! Slapstick hilarity ensues.

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Four love stories intertwine in this second opera from Jean-Philippe Rameau starring Valérie Gabail, Nicolas Rivenq, and Paul Agnew. Each tale touches on common themes of romance and betrayal. The acclaimed Les Arts Florissants provide vocal and musical accompaniment throughout.

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