Comedy music in Comedy

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"Comedy in Music [Collectables]" (03/14/2006) Comedy Borge, Victor, Collectables RecordsSolo performer: Victor Borge (vocals, piano). Includes liner notes by Mark Marymont. Liner Note Author: Mark Marymont. Arranger: Victor Borge.

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"Spiked!: The Music of Spike Jones" (04/12/1994) Comedy Jones, Spike, CatalystSPIKED! is a compilation of various Spike Jones recordings--some previously unreleased--with His City Slickers and with His Other Orchestra. Spike Jones & His City Slickers includes: Spike Jones (drums, percussion); Judie Manners, Red Ingle, Doodles Weaver, Sir Frederick Gas, George Rock, Freddy Morgan, Dick Morgan, The Four Fifths, Jimmy Cassidy, Dr. Horaio Q Birdbath, Gil Bert, Del Porter, The Rhythmaires, Paul Frees, Carl Grayson, The Barefooted Pennsylvanians, Susan Scott (vocals). Additional personnel includes: Homer & Jethro; Spike Jones & His Other Orchestra. Recorded between 1941 and 1961. Includes liner notes by Thomas Pynchon and Tim Page. Spike Jones & His City Slickers were accomplished musicians who could incorporate sneezes, belches, and all kinds of oddball percussion such as gunshots and bells into their arrangements of all kinds of music; "Dark Eyes" and "Holiday for Strings" with its cackle chorus are two of the best examples within this anthology. The musical comedy duo Homer & Jethro sing a zany lyric to the opera Pagliacci, retitled "Pal-YatChee," while Paul Frees (the man of a thousand voices, best known as the original voice of the Pillsbury Doughboy) spoofs the popular baritones of the 1940s in "Dark Eyes." Two previously unreleased tracks from 1961, including Raymond Scott's "Powerhouse" and the rumba "Frantic Freeway," sound over-produced to the point where they would have been difficult to perform on-stage, unlike most of the material that Spike Jones recorded earlier in his career. Since a lot of this material is extremely hard to find elsewhere, this compilation is highly recommended. ~ Ken Dryden Spike Jones, probably the only band leader who ever conducted with a starter pistol, was an aural Dadaist years ahead of his time. He brought the art of pop and classical music parody to its absolute apogee. Along with his crack band, the City Slickers, Jones also bequeathed several new instruments to the traditional orchestra, among them the latrineophone (a toilet seat strung with catgut). This Jones anthology, released (oddly or appropriately enough) by BMG's avant-garde classical label, is interestingly programmed, with just a few of Jones' big hits ("Pal-Yat-Chee," "Laura," "Holiday For Strings") surrounded by more obscure sides. But just about everything here is either hysterical or musically brilliant--or both. As a bonus, SPIKED also includes an insightful liner note appreciation of Jones by the normally elusive Thomas Pynchon.

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"Sweet Potato Queens' Big-Ass Box of Music" (10/07/2003) Comedy Jones, Kacey, IGO RecordsRecording information: Country Q Studios; Dog Den Studios, Nashville, TN. Photographer: Bill Thorup. Arranger: Kacey Jones.

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"Simcha Time: Mickey Katz Plays Music for Weddings, Bar Mitzvahs and Brisses" (11/15/1994) Comedy Katz, Mickey, Blue Note Records (USA)Personnel includes: Mickey Katz (clarinet, vocals), Jack Hilliard (vocals), Jack Rose, Bob Bain (guitar), Lou Raderman, Ben Gill (violin), George W. Smith, Morris Bercov, Jules Jacob, Terry Howard, Champ Webb (woodwinds), Frank Messina (accordion), Mannie Klein, Rafael Mendez, Ziggy Elman (trumpet), Vince DeRosa (French horn), Sy Zentner, Harold Diner (trombone), Harry Frohman, Nat Farber, Ray Sherman (piano), Ralph Hansell, Lou Singer (xylophone), Larry Breen, Earle Gaines (bass), Sam Weiss, Louis Singer (drums). Compilation producer: Will Friedwald. Principally recorded in Hollywood, California. Includes liner notes by Will Friedwald. SIMCHA TIME is a reissue of the album MICKEY KATZ PLAYS MUSIC FOR WEDDINGS, BAR MITZVAHS AND BRISSES (Capitol 1021) with several additional tracks. Composers: Nat Farber; Mickey Katz. Personnel: Mickey Katz (vocals, clarinet); Jack Hilliard (vocals); Jack Rose, Bob Bain (guitar); Gill, Benny Gill, Lou Baderman, Lou Raderman (violin); Frank Messina (accordion); Morris Bercov (reeds, woodwinds); George W. Smith (reeds); Jules Jacob, Champ Webb, Terry Howard (woodwinds); Manny Klein, Rafael Mendez, Ziggy Elman (trumpet); Vincent DeRosa (French horn); Harold Diner, Si Zentner (trombone); Nat Farber, Harry Frohman, Sherman, Ray Sherman (piano); Lou Singer (synthesizer, xylophone, drums); Ralph Hansell (xylophone); Sam Weiss (drums). Liner Note Author: Will Friedwald. Recording information: Hollywood, CA (12/20/1950-??/??/1966). Unknown Contributor Role: Vincent DeRosa. Arrangers: Nat Farber; Billy May. Though he was perhaps the greatest exponent of klezmer in his day, or "Jewish jazz" as he called it, Mickey Katz was too modest to suggest such a thing. Most contemporary practitioners of the genre (including Don Byron, who has done much to revive the bandleader's work in recent years) sound anemic by comparison with the full-bodied sound of Mickey Katz & His Kosher Jammers, who can be heard in all their glory on this compilation album. If the joyous, high-spirited sessions preserved here sound like a group of top-notch musicians having the time of their lives, it is no accident. The recording studio was very much a party atmosphere, complete with Jewish soul food courtesy of the nearest kosher deli. And the sidemen -- including Benny Goodman's legendary trumpet player Ziggy Elman; trumpeter Manny Klein, one of the busiest sidemen on the West Coast; trombonist Si Zentner; pianist/arranger Nat Farber; and drummer Sam Weiss, who brought the klezmer sound to the Artie Shaw Orchestra -- were urged to pull out all the stops. Five previously unreleased tracks are included here, not to mention three selections from Katz's Broadway revue, Hello, Solly! That none of Katz's celebrated English-Yiddish parodies of 1950s pop songs appear on this Will Friedwald-produced compilation may be a blessing in disguise. The bandleader could be so wickedly funny -- machine-gunning the listener with wacky lyrics, outrageous bilingual puns, and vocal effects left over from his days with Spike Jones -- that the comedy sometimes obscured the brilliant musicianship on his now sought-after LPs. ~ Jordan R. Young

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"Music 4 Mommies, Vol. 1: Songs to Make You Laugh *" (03/21/2006) Country Fabisch, Sue, Brown Bear MusicThis is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.

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"Omnibust/60 Years of "Music America Hates Best"" (11/19/2002) Comedy Jones, Spike, Taragon Records2 LPs on 1 CD: OMNIBUST (1960)/60 YEARS OF MUSIC AMERICA HATES BEST (1960). Liner Note Author: Spike Jones. Arranger: Carl Brandt. Omnibust/60 Years of Music America Hates Best pairs two of Spike Jones' Liberty albums from 1960 on one disc. Omnibust is a largely spoken word parody of television programming that takes a swipe at Lawrence Welk, children's programming, commercials, soap operas, and the then-popularity of detective show theme music. "I Search for Golden Adventure (In My Seven Leaky Boots)" manages to parody adventure shows and Martin Denny's "The Quiet Village" at the same time, while "The Wonderful World of Hari Kari" revisits the Asian stereotypes that Jones employed a decade earlier with his hit "Chinese Mule Train." Although recorded after the breakup of Jones' City Slickers, his old cohort Doodles Weaver returns to reprise his performance of the "William Tell Overture" in "A Mudder's Day Sport Spectacular." 60 Years of Music America Hates Best is a more pointedly musical effort on which Jones and his studio crew lampoon a variety of 20th century popular songs and styles, replete with his trademark horns and whistles. Much of this music would sound like something from an earlier era if not for the sparkling stereo sound. "Three Little Fishies" and "Hut Sut Song" are naturals for Jones' wit, and "Mairzy Doats" is so disorienting it could provoke flashbacks in a reformed LSD user. Turning toward rock & roll, Jones turns "Kookie, Kookie, Lend Me Your Comb" into a Halloween song, and spoofs "Tequila"-style instrumentals with "Pimples and Braces." In a strange move, Collectables reissued this two-fer in 2006 while the Taragon edition was still available. ~ Greg Adams

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"Music Videos Auditions [EP]" (03/01/2005) Spoken Word Music Videos Wannabe, Steven Cravis Music

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"Paroles de Gueules Noires: Testimonies of French Music" (n/a) Comedy Various Artists, Fremeaux

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"Comedy in Music [Prism]" (05/08/2000) Comedy Borge, Victor, Prism Entertainment

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Deals on Comedy music in Comedy. Visit BizRate to find the best deals on Comedy. See which Music stores have the Comedy music that you want. Read reviews on Music merchants and buy with confidence. Find savings on Comedy in Music [Collectables] by Victor Borge (CD - 03/14/2006) - The Best of the Red Peters Comedy Music Hour, Vol. 1 [PA] by Various Artists/Red Peters (Comedy) (CD.