Family in Comedy

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"Inside the First Family" (07/07/1998) Comedy Shafer, Ross, JerdenRecording information: Paramount Recording Studios, Hollywood, CA.

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"The First Family, Vols. 1 & 2 *" (03/14/2006) Comedy Vaughn Meader, Collectables Records2 LPs on 1 CD: THE FIRST FAMILY VOL. 1 (1962)/THE FIRST FAMILY VOL. 2 (1963). Personnel: Vaughan Meader, Naomi Brossart, Norma McMillan, Bob Booker, George Foster, Earle Doud, Linda Siegel, Barry Newman, Joe Silver, Edwin Bruce, Bradley Bolke, Jim Lehner, Stanley Myron Handleman. Adapters: Earle Doud; Bob Booker. Personnel: Ralph Curtiss, Bob Prescott (sound effects). Recording information: Columbia Recording Studios, New York, NY (10/22/1962/03/18/1963); Fine Recording Studios, New York, NY (10/22/1962/03/18/1963). Unknown Contributor Roles: Naomi Brossart; Sara Dolley; Zahma Cunningham; Stanley Myron Handelman; Freda Holloway; Linda Siegel; Edwin Bruce; Jim Lehner; Chuck McCann; Bradley Bolke; Joe Silver; Bob MacFadden; Barry Newman; Norma MacMillan; Mark Hunter; Vaughn Meader. Legend has it that in his first public performance following the JFK assassination, Lenny Bruce defused a potentially volatile backlash without avoiding a subject he was eagerly expected to comment upon. Bruce walked onstage, shook his head sadly, and said only two words: "Vaughn Meader." The audience laughed uproariously, for Bruce had broken the tension by pointing out a truth that mattered far less in the grand scheme of things, but had a certain human poignancy nonetheless: the career of comedian Meader, whose uncanny JFK impression had made him a star, was over. Much of Meader's reputation rested on The First Family, an album of comedy sketches that good-naturedly lampooned the Kennedys' family life and the Cold War hostilities that threatened to boil over during his term. The First Family was a substantial hit, going gold and topping the charts for three months; moreover, it won the 1962 Grammy Award for Album of the Year. The First Family, Vol. 2 was hastily assembled the following year to capitalize on the success of its predecessor, but Kennedy's death only a few months after its release put an end to the grieving nation's demand for Meader's talents. This 1999 Collectables two-fer reissues both First Family albums on one CD. The first volume is a classic among comedy recordings, and for a project so potentially indebted to its time period, it's surprising how well the material holds up. Producers Earle Doud and Bob Booker co-wrote the record with George Foster, and their well-crafted gags are intelligent and gently satirical, poking good-natured fun without turning the record into a fawning tribute. Naomi Brossart does an excellent job as Jackie, and there are great bits involving Caroline, John-John, Castro, and Khrushchev, but Meader's performance is amazing, and his accent absolutely dead-on; Rose Kennedy once said that she could close her eyes while listening to the record and think it was her son. Vol. 2 isn't quite as good -- the script was somewhat rushed, and simply not as sharp as The First Family, although it still had moments. With the work of Mort Sahl and Lenny Bruce paving the way for edgier satire, and with the Vietnam War undermining public faith in the government, The First Family's style of political comedy disappeared in a few short years (witness the much less forgiving Nixon impressions of David Frye just a few years later). But even though it came from a more innocent era, its impeccable writing and performances don't really feel dated -- just flat-out funny. ~ Steve Huey

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"Let It Rain" (03/28/2003) Comedy The Family Carr, The Family Carr

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"Dysfunctional Family Comedy" (01/23/2001) Comedy Various Artists, Laughing Hyena

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"The Purple People Eater [Bear Family]" (09/24/1997) Comedy Wooley, Sheb, Bear Family (Germany)Personnel: Sheb Wooley (vocals, guitar); Robert F. Bain, Alton Hendrickson, William Pitman, Howard Leslie Heitmeyer, James O. "Jimmy" Wyble, Howard Roberts , Irving Ashby, Ivy J. "Jimmy" Bryant, Jack Marshall, Joseph R. Gibbons, Joe Maphis, Allan Reuss, Rene Hall, Roy Lanham, Tony Rizzi, Billy Strange (guitar); Wesley Webb West (steel guitar); Robert Barene, George Kast, Marvin Limonick, Erno Neufeld, Benny Gill, Kurt Dieterle, Murray Kellner, Joe Stepansky, Joseph Livoti, Eudice Shapiro (violin); Paul Robyn, Virginia Majewski (viola); Victor Gottlieb, Ray Kramer (cello); Hillard G. Adler (harmonica); Jewell L. Grant, Ernest Romersa, William Green (saxophone); Walter P. "Pete" Candoli, Shorty Sherock (trumpet); Richard Nash, Si Zentner (trombone); Donald E. Ralke, Gerald Wiggins, William Edward "Billy" Liebert, Geoff Clarkson, John Williams (piano); William V. Douglas, Earl Palmer , Irv Kluger, Jack Sperling, Alvin Stoller, Roy Harte (drums); Gloria Wood (background vocals). Audio Mixer: Chris Herles. Liner Note Author: Kevin Coffey. Recording information: Columbia Studio, Nashville, TN (07/19/1955-04/12/1967); Nashville, TN (07/19/1955-04/12/1967); Radio Recorders, Hollywood, CA (07/19/1955-04/12/1967). Illustrator: R.A. Andreas. Photographer: R.A. Andreas. Inspired by the success of David Seville's "Witch Doctor," Sheb Wooley decided to work up his own tape-manipulation novelty and created "The Purple People Eater," a huge number one hit in 1958. This CD is a companion to Bear Family's That's My Pa box set and two other single discs which, in combination, account for most of Wooley's recordings. The Purple People Eater concentrates on novelty songs, including the instrumental EP The Purple People Eater Plays Earth Music, a couple of sequels to "The Purple People Eater," and the unbelievable "Pygmy Love." Other recordings are merely pop-oriented (Wooley's first hit from 1955, "Are You Satisfied") or up-tempo country, but for the most part, this is the wackiest music in Wooley's catalog. Bear Family usually organizes its reissues in a more sensible manner than Sheb Wooley received with his haphazard thematic packages, but lovers of novelty music will appreciate this one. ~ Greg Adams

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"Family Secrets" (11/30/2003) Spoken Word Canadian Studmuffin, Canadian Studmuffin
 
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"The Family Album" (07/30/2002) Comedy Mercer, Roy D., Liberty (USA)Recorded at 97-5 KMOD Studios, Tulsa, Oklahomo. With ten Roy D. Mercer albums in the racks, plus a line of T-shirts and other merchandise mentioned in the CD booklet and even a website, it's hard to believe that anyone in the intended audience for the fictional prank-call creation of Tulsa, OK, radio comedians Brent Douglas and Phil Stone doesn't already know about him, which would make them impervious to the calls themselves. Simply put, the duo, primed by a family member or fellow worker, call up some unsuspecting person and adopt the persona of the belligerent country hick Roy D. Mercer, who is always waxing wroth about some absurd wrong that has been done to him (or, in the present case, a member of his family or a pet). Mercer demands money and then threatens to go over and beat up the listener. The fun comes in seeing how long he can fool his victim into thinking the call is serious. From the sound of The Family Album, the answer these days is, not very long. Almost from the start, the people on the other end of the phone seem to be giggling, and you can't help thinking that they're really all in on the joke at the outset, much as they claim to be outraged later on. To say that the concept is getting thin is to imply that it ever had any thickness. But it is becoming more fictional than ever. ~ William Ruhlmann With ten Roy D. Mercer albums in the racks, plus a line of T-shirts and other merchandise mentioned in the CD booklet and even a website, it's hard to believe that anyone in the intended audience for the fictional prank-call creation of Tulsa, OK, radio comedians Brent Douglas and Phil Stone doesn't already know about him, which would make them impervious to the calls themselves. Simply put, the duo, primed by a family member or fellow worker, call up some unsuspecting person and adopt the persona of the belligerent country hick Roy D. Mercer, who is always waxing wroth about some absurd wrong that has been done to him (or, in the present case, a member of his family or a pet). Mercer demands money and then threatens to go over and beat up the listener. The fun comes in seeing how long he can fool his victim into thinking the call is serious. ~ William Ruhlmann
 
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"The Family Album" (07/30/2002) Comedy Mercer, Roy D., Liberty (USA)Recorded at 97-5 KMOD Studios, Tulsa, Oklahomo. With ten Roy D. Mercer albums in the racks, plus a line of T-shirts and other merchandise mentioned in the CD booklet and even a website, it's hard to believe that anyone in the intended audience for the fictional prank-call creation of Tulsa, OK, radio comedians Brent Douglas and Phil Stone doesn't already know about him, which would make them impervious to the calls themselves. Simply put, the duo, primed by a family member or fellow worker, call up some unsuspecting person and adopt the persona of the belligerent country hick Roy D. Mercer, who is always waxing wroth about some absurd wrong that has been done to him (or, in the present case, a member of his family or a pet). Mercer demands money and then threatens to go over and beat up the listener. The fun comes in seeing how long he can fool his victim into thinking the call is serious. From the sound of The Family Album, the answer these days is, not very long. Almost from the start, the people on the other end of the phone seem to be giggling, and you can't help thinking that they're really all in on the joke at the outset, much as they claim to be outraged later on. To say that the concept is getting thin is to imply that it ever had any thickness. But it is becoming more fictional than ever. ~ William Ruhlmann With ten Roy D. Mercer albums in the racks, plus a line of T-shirts and other merchandise mentioned in the CD booklet and even a website, it's hard to believe that anyone in the intended audience for the fictional prank-call creation of Tulsa, OK, radio comedians Brent Douglas and Phil Stone doesn't already know about him, which would make them impervious to the calls themselves. Simply put, the duo, primed by a family member or fellow worker, call up some unsuspecting person and adopt the persona of the belligerent country hick Roy D. Mercer, who is always waxing wroth about some absurd wrong that has been done to him (or, in the present case, a member of his family or a pet). Mercer demands money and then threatens to go over and beat up the listener. The fun comes in seeing how long he can fool his victim into thinking the call is serious. ~ William Ruhlmann
 
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"The First Family" (10/17/1990) Comedy Vaughn Meader, GNP/CrescendoPersonnel includes: Vaughan Meader, Earle Doud, Naomi Brossart, Bob Booker, Norma Macmillan. Recording information: 10/22/1962. Veteran comedians and writers Earl Doud and Bob Booker introduced impressionist Vaughn Meader to the record buying public with this brilliant production covering imagined scenes from the Kennedy family's 1000 days in the White House. Meader's dead-on take of JFK's voice and mannerisms is complemented by Naomi Brossart's recording debut as Jackie Kennedy and a first rate script by George Foster, Booker, and Doud. The top tracks include the priceless "Economy Lunch," featuring a meeting of world leaders over deli sandwiches; "The Party," which points out how much in good humor how much more cultured Jackie was than her husband; and the portrayal of a bored first couple looking for something to do in "Saturday Night, Sunday Morning." This memorable release is one of the best comedy release of all time. ~ Ken Dryden
 
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"Dysfunctional Family Comedy" (09/23/1997) Comedy Various Artists, Laughing Hyena
 
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"The First Family" (10/17/1990) Comedy Vaughn Meader, GNP/CrescendoPersonnel includes: Vaughan Meader, Earle Doud, Naomi Brossart, Bob Booker, Norma Macmillan. Veteran comedians and writers Earl Doud and Bob Booker introduced impressionist Vaughn Meader to the record buying public with this brilliant production covering imagined scenes from the Kennedy family's 1000 days in the White House. Meader's dead-on take of JFK's voice and mannerisms is complemented by Naomi Brossart's recording debut as Jackie Kennedy and a first rate script by George Foster, Booker, and Doud. The top tracks include the priceless "Economy Lunch," featuring a meeting of world leaders over deli sandwiches; "The Party," which points out how much in good humor how much more cultured Jackie was than her husband; and the portrayal of a bored first couple looking for something to do in "Saturday Night, Sunday Morning." This memorable release is one of the best comedy release of all time. ~ Ken Dryden
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