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"George Carlin on Comedy" (05/01/2005) Spoken Word Carlin, George, Laugh.comFor this exclusive interview, the legendary standup recounts his early days and discusses some of the methods behind his madly successful comedy career. Recommended for would-be comedians as well as casual Carlin fans interested in learning a bit about the man behind the mic. ~ Brian Beatty

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"Life Is Worth Losing [PA]" (01/10/2006) Comedy Carlin, George, Atlantic (USA)Personnel: George Carlin (spoken vocals). Recording information: Beacon Theater, New York, NY. Editor: Greg Calbi. That George Carlin has been slinging his outrageous brand of biting social commentary and edgy humor since the early 1970s is amazing enough, but that he has even more ire, outrage, and incisiveness to sling in 2006 than when he started is all the more impressive. Like much of Carlin's work from the '80s and '90s, LIFE IS WORTH LOSING is the album companion to an HBO concert special, but Carlin is, fortunately, just as much fun to listen to as he is to watch. Topics covered on LIFE IS WORTH LOSING include such unfit-for-dinner fare as suicide, yeast infections, and the general stupidity of the American public. While the iconoclastic jester hasn't lost his penchant for schoolyard humor (he engages in a lengthy meditation on the word "cornhole"), his razor-sharp intelligence cuts even more precisely into the political and existential morass of early-21st-century life. In fact, America probably needs Carlin more than ever, and this release proves he's still around fighting the good fight. Within the first four minutes of Life Is Worth Losing, George Carlin reminds everyone why he is one of the all-time greatest standup comedians. The juxtapositions of his modern-jargon exercise "A Modern Man" leave no doubt that -- while he has slowed down his usually vigorous schedule of touring, TV specials, and other appearances -- he hasn't lost a step. Celebrating over half a century in entertainment, Carlin brings to the performance some of his most caustic, most morbid (including a good ten minutes on suicide alone), and yet somehow most witty material to date, especially when taking on the plight of the human condition in America, circa 2005. ~ Rob Theakston

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"The Little David Years: 1971-1977 [Box]" (10/19/1999) Comedy Carlin, George, Atlantic (USA)THE LITTLE DAVID YEARS 1971-1977 contains: FM & AM (1972)/CLASS CLOWN (1972)/OCCUPATION: FOOLE (1973)/TOLEDO WINDOW BOX (1974)/AN EVENING WITH WALLY LONDO FEATURING BILL SLASZO (1975)/ON THE ROAD (1977) plus a bonus CD of previously unreleased material. Includes liner notes by Michael Krugman. During the early '70s, few comedians were as influential, controversial, or funny as George Carlin. Picking up where Lenny Bruce left off, Carlin became the counterculture comedian, vigorously pushing the limits of good taste while making pointed political and social commentaries. He did this in concert, but also did it on wax -- for the label Little David. Prior to signing with Little David, he cut an album in 1967, but that was before his transformation to radical joke-maker. With 1971's FM & AM, he debuted his new routine, and the results were as scintillating and hysterical on vinyl as they were in concert. Over the next six years, he cut five other records for the label, including the classic Class Clown, which contained the first recording of his notorious "Seven Dirty Words" routine. As the decade progressed, he became a bigger star, turning out nearly a record a year. Carlin's last album for Little David, 1977's On the Road, suggested that he was entering a bit of a slump, due to both hard work and various addictions. He took a full four years off from recording, re-emerging in 1981 with A Place for My Stuff!, his first album for Atlantic. That was a very good record, but the core of Carlin's legacy was in his six albums for Little David. All those albums, plus a disc of non-LP highlights, are reissued on the seven-disc box set The Little David Years: 1971-1977. While it's possible to hear some decline on the last two (maybe three) LPs, this is all prime Carlin. He never lost it -- indeed, some routines, like "Baseball vs. Football," were even improved over the years -- but it's still great to hear the original versions of these seminal bits. Amazingly, some of this still sounds controversial, even dangerous (although it is true that "Seven Dirty Words" has lost some of its bite over the years). It's a big, expensive, exhaustive box set, but for the serious Carlin fan or comedy listener, it's an essential purchase. ~ Stephen Thomas Erlewine "Stand-up is not an art form that anyone aspires to as a career." George Carlin may have said that in a fit of pique, but no other comedian save Lenny Bruce has so supremely elevated the business of stand-up. This eight-disc box set collects all of Carlin's classic Little David/Atlantic recordings in one linguistically damaging package, punctuated by historical liner notes and (natch) a 3-D cover. Everything you always wanted to know about the man who once proclaimed "What am I doing in New Jersey?" found its way onto these eight sides of wax. Now it has been permanently preserved on anodized plastic for your enjoyment, enlightenment, and elucidation. Albums such as OCCUPATION FOOLE, FM/AM, and the groundbreaking TOLEDO WINDOW BOX virtually defined a generation. The famous "Seven Words You Can't Say on Television" can be found here, among many others. Carlin has persistently stated that the English language is his ultimate foil. Through his own pungent prism and sardonic wit, he eviscerates, re-examines, and allows us to revisit phraseology, clichTs, and sayings. His sage ruminations on marijuana, bodily functions, and our political affiliations are here, too. It just wouldn't be Carlinesque without them.

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"Toledo Window Box [PA]" (10/10/2000) Comedy Carlin, George, Atlantic (USA)Audio Remixer: Hank McGill. Editor: Hank McGill. Illustrator: Drew Struzan. Photographer: Gary Sloan. The cover on this one tells you pretty much all you need to know about the dominant subject material here -- drugs. The beginning of the album dwells fairly directly on the subject (you'll never look at the Seven Dwarves the same way again), but much of the rest of the album's material draws heavily from stoner culture; it's hard to imagine someone straight and sober spending as much time thinking or talking about snot or farts as Carlin has here. That's not all there is to the album, though. There's a lot of Carlin's trademark wordplay and some insightful social commentary, so as with other early Carlin records, you don't have to be part of the drug culture to find it devastatingly funny. ~ Sean Carruthers

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"Classic Gold" (11/24/1992) Comedy Carlin, George, Eardrum RecordsProducers: Monte Kay, Jack Lewis. Compilation producers: George Carlin, Yves Beauvais. Recorded at The Cellar Door, Washington D.C. Originally released as FM & AM on Little David (7214) in January 1972; The Celebrity Theatre, San Carlos, California. Originally released as OCCUPATION: FOOLE on Little David (1005) in October 1973; Santa Monica Civic Auditorium, Santa Monica, California. Originally released as CLASS CLOWN on Little Daivd (1004) in September 1972. Includes liner notes by Tony Hendra. All tracks have been digitally remastered. A box set version of George Carlin's first three albums in his (then new) guise as a young Lenny Bruce retooled for the counter-culture. Considering how topical some of Carlin's routines are (references to boxer Carmine Basilio, for example, are certain to baffle younger listeners), it's astonishing how funny most of this stuff remains, particularly when he's reminiscing about his Catholic childhood (an encounter with Sister Mary Discipline; wondering if anybody ever went to Purgatory for eating beef jerky). Other bits include a meditation on the effect of Scope mouthwash on borderline psychotics, and a hilarious imitation of other comics imitating TV host Ed Sullivan. There's also a comparison of Black and Irish consciousness--of the latter he remarks, "When they're conscious, they're great..."

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"FM & AM [PA]" (09/12/2000) Comedy Carlin, George, AtlanticPersonnel: George Carlin (spoken vocals). Recording information: Cellar Door, Washington D.C; Live-The Collar Door, Washinton D.C. Photographers: Tom Wilkes; Barry Feinstein. While FM & AM was reissued on compact disc as part of the George Carlin box set The Little David Years 1971-1977, it's important to have this early groundbreaking release available again, individually, at an affordable price. FM & AM found Carlin officially poking fun at, while incorporating, his early material performed in the lounges of America and on The Ed Sullivan Show. It also marked Carlin's metamorphosis from straight-laced to hippie, intentionally embracing the growing counterculture. The record is divided into two separate manifestations of humor, making it a sort of comedy concept album. One section focused on references geared toward the more wholesome commercial oriented AM radio audience: "Son of Wino," "Ed Sullivan Self Taught," and "Let's Make a Deal," while the remaining material was intended for the "hipper" FM audience: "Drugs," "Birth Control," and "Sex in Commercials." Carlin's unabashed wit, irony, and cynicism appealed to both audiences as FM & AM won a Grammy award in 1973 for best comedy album. ~ Al Campbell Although George Carlin had recorded albums prior to FM & AM, including one with his original comedy partner Jack Burns, this 1972 release was the comedian's career-defining effort. While the second part of the record compiles (and puts to rest) the last of Carlin's mainstream lounge-act material, the first part consists of edgier counter-culture riffs like "Birth Control" and "Drugs." It also features the first of Carlin's language-based pieces, "Shoot," which sounds like a dry run for the epic "Seven Dirty Words You Can Never Say on Television" sketch that was soon to follow. Ironically, the older material, leading off with "Son of Wino," a lengthy revisit to Carlin's popular early routine, riffing on the cliches of manic AM-radio disc jockeys, is largely funnier and sharper than the less-rehearsed, meandering routines on the first side. Carlin had been doing this sort of semi-hip mainstream comedy, skewering the voyeuristic game show THE NEWLYWED GAME and local TV news, for years, and he reels off set-ups and punch lines with the timing and elan of a master. Soon he would be equally at ease with his new FM-oriented style; his next album, CLASS CLOWN, is probably his masterpiece, but FM & AM is a significant transitional effort.

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"Back in Town [PA]" (09/17/1996) Comedy Carlin, George, AtlanticPersonnel: George Carlin (spoken vocals); Klem Klimeck (saxophone). Recorded live at the Beacon Theater, New York, New York on March 30, 1996. Includes liner notes by George Carlin. Personnel: Klem Klimeck (saxophone). Editor: Mike "Clay" Stone . Photographers: Mike Albans; Patrick Harbron. George Carlin fluctuates between two polar extremes of intellect on Back in Town. The album is mostly plagued by this single problem, which prevents it form reaching the heights it might have otherwise. Carlin's material is consistent in that it all takes the form of societal criticism, but whereas at times his caustic gaze can intelligently deconstruct an issue as complicated as abortion, elsewhere his routine devolves into mere profane insults and gross-out humor. The aforementioned abortion bit joins a discussion of familiar expressions as the disc's highlights, and most of the parodies of modern phenomena in "Free-Floating Hostility" are on the mark. This meditation on capital punishment and state prison farms drags on with jokes taken so far that it is difficult to remember that Carlin is parodying these issues. Also, skip over "Farting in Public" -- the title speaks for itself. ~ Brian Egan This 1996 concert set is archetypal George Carlin; a comic barrage that alternates between increasingly cheesed-off rants about various aspects of American culture, and bemused observations about language. Among other subjects, he tackles abortion ("How come most people who are against abortion are people you wouldn't want to *!*@? in the first place?"), public flatulence (don't ask), the drug wars (his solution: execute the white Republican bankers who launder the drug money). The shallowness of the phrase "bad hair day" ("Put on a hat and go to work!") and capital punishment (he advocates a return to crucifixion, on the theory that it's a method that both American Jews and Christians can really relate to) are also dissected. Typically scabrous and extremely funny stuff.

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"Jammin' in New York [PA]" (12/08/1992) Comedy Carlin, George, AtlanticSolo performer: George Carlin (spoken vocals). Recorded at The Paramount Theater, New York on April 25, 1992. JAMMIN' IN NEW YORK won the 1994 Grammy Award for "Spoken Comedy Album." Recording information: Paramount Theater, Madison Square Garden, New York, NY (04/25/1992). Editor: Mike "Clay" Stone . Photographer: Patrick Harbron. Originally released in 1992, JAMMIN' IN NEW YORK is the audio companion to the George Carlin HBO special of the same name. Featuring routines on Operation Desert Storm, the homeless, and the future of the planet, this collection showcases Carlin as fearless social commentator, guising his moral outrage in witty observations and cutting satire. Insightful and hilarious, JAMMIN' IN NEW YORK is one of Carlin's best works from the `90s. An older, angrier George Carlin riffs on the sexuality of Operation Desert Storm, the inanity of airline announcements, sporting solutions for the nation's homeless, and the likely future of the planet in yet another virtuoso comedy performance first televised as an HBO special. Whatever his topic (or should that be target?), Carlin's jokes hinge upon keen-eyed and reasoned social commentary. This is poisonous satire disguised as mass entertainment. Fans of the comedian's earlier work may not appreciate this curious new George Carlin. ~ Brian Beatty

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"A Place for My Stuff!" (03/20/2001) Comedy Carlin, George, Atlantic (USA)Released after his first flush of 1970s fame had died down but before his revival as curmudgeonly elder statesman, George Carlin's ingenious 1981 LP, A PLACE FOR MY STUFF, plays like a demented television program. Carlin's standup is broken up by bizarre and hilarious parodies of commercials, PSAs, game shows, and interviews. The title rant may be one of the noted diatribe artist's most genteel speeches, but its increasing delirium as he dissects our odd attachments to things elevates it into Carlin classic territory. The rest of the record switches off from delightfully mundane ("Fussy Eater") to rapid-fire absurd (see "Join the Book Club"). After taking some time off to get his life together, George Carlin came back with A Place for My Stuff!, a combination of live material and some that had been recorded in the studio (fake announcements, commercials, and interviews). The live standup bits are among the best he's done, though there is a definite nasty edge to some of it (notably the short track "Abortion," which is little more than a cheap shot followed by crowd reaction). Still, the majority of the release shows Carlin revitalized and firing on all cylinders. ~ Sean Carruthers

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"What Am I Doing in New Jersey?" (1988) Comedy Carlin, George, Atlantic (USA)Solo performer: George Carlin (spoken vocals). Editor: Mike "Clay" Stone . Photographer: Marty Umans. What Am I Doing in New Jersey was recorded in 1988, so naturally it tackles some of the events of the late Reagan administration. George Carlin sums up his essence on the track "Reagan's Gang, Church People, and American Values": "I'm the first to say its a great country, but its a strange culture!" He rants about preventative detainment, censorship, and the paradoxes of the Right to Life movement -- all of which is biting, but not very funny. Then, about seven minutes in, he gets started. Carlin protects no sacred cows, and quickly moves through cracks on bulimia, banning artificial sweeteners but not tobacco ("because a rat died!"), and other peculiar American quirks. George Carlin is at his best when assailing a culture that prioritizes corporate interests over the public good (for example, gun store owners getting lists of bad creditors but not convicted criminals) and consistently misuses the English language (the word civil in "Civil War," etc.). What Am I Doing in New Jersey has some great moments, but drags through "Keeping People Alert" and "People I Can Do Without," where he looks at society through an annoyed lens more than a bitterly funny one. "More Stuff on Cars and Driving" ends the record. Fans of Carlin's humor will not be surprised that bad drivers and driving culture bother him more than any sort of corporate crime or social insanity. The main weakness of What Am I Doing in New Jersey is that it doesn't have any choice takes on the "Garden State" at all. What a missed opportunity. Overall, a light and entertaining comedy album, but not a groundbreaking or challenging one. ~ JT Griffith

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"Complaints and Grievances [PA]" (12/11/2001) Comedy Carlin, George, Atlantic (USA)Solo performer: George Carlin (spoken vocals). Recorded live at The Beacon Theatre, New York, New York on November 17, 2001. COMPLAINTS AND GRIEVANCES was nominated for the 2003 Grammy Awards for Best Spoken Comedy Album. Recording information: Beacon Theater, New York, NY (11/17/2001). Editor: Greg Calbi. Illustrator: Winston Smith. George Carlin's post-hippie standup boils down to two formulas: Either he is providing biting cynicism about sociopolitical demagoguery or he is making urbane, possibly even mundane observations about everyday life and pointing out the bizarre inconsistencies of it all. On Complaints and Grievances, the audio version of Carlin's HBO special of November 2001, he is hitting on all cylinders on both counts. Some might wonder why Carlin, as a native of the area and performing in New York City so soon after the World Trade Center attacks, didn't do more than a couple of cursory minutes about it, but that is his MO. Even when being topical, the comedian always seems to realize that good comedy needs to be timeless, and even the few remarks about the ridiculousness of statements like "Don't let the terrorists win" can be listened to years later without needing a sense of nostalgia to appreciate it. Some of the routine gets a bit too silly, such as "You & Me (Things That Come off of Your Body)," which is Carlin's way to root out the squeamish, a ploy of his going back to the Class Clown days. However, like any good George Carlin performance, it contains one certifiable classic where he manages to roll all of his best observations into an irreverent, yet thoughtful monologue, and that would be disc-closer "Why We Don't Need the Ten Commandments," seven minutes of Carlin at his caustic best. ~ Brian O'Neill
 
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"You Are All Diseased [PA]" (05/18/1999) Comedy Carlin, George, Atlantic (USA)Solo performer: George Carlin. Recorded live at the Beacon Theatre, New York, New York on February 6, 1999. YOU ARE ALL DISEASED was nominated for the 2000 Grammy Award for Best Spoken Comedy Album. As the years progress, George Carlin only gets angrier -- and, considering that the world is just getting more ridiculous, that may be the only response. Fortunately, his anger keeps him sharp, and that's why he's still fascinating and funny in 1999, when most of his peers have dried up. The key to his success is that he doesn't continue to recycle his routines -- he writes new material which illustrates that he's not just a comedian, he's a commentator. He tackles a number of subjects on You Are All Diseased, from familiar items like "Airport Security" to the silly cigar boom of the late '90s, television, religion, and "American Bullshit." Some of this is dead-on and some of it suffers from a delivery that is a bit too reminiscent of past routines, but it's all entertaining and the best of it ranks with the best of his past work. Not many comedians could claim that their latter-day work is as good as the stuff that made their name, and that's a strong testament to Carlin's skills, talent and wit. ~ Stephen Thomas Erlewine Throughout the '70s, George Carlin reigned supreme as the hip comedian's comedian, skewering the inanity of modern life with detachment and stoned, articulate wit. Carlin's take has changed a bit over the years. Instead of slying sending up the little absurdities of life and language, the older Carlin has largely substituted rage for bemusement. This certainly changes the flavor of his comedy. But Carlin is still never less than feverishly inspired, and he's often extremely funny. Carlin is utterly unfettered by notions of political corrections. His humor is profane, scatological, and insulting to nearly everyone at some point or another. YOU'RE ALL DISEASED is a live recording of a 1998 cable TV special, and the disc captures Carlin at his apoplectic best. Whether he's decrying the idiocy of swabbing off prisoners' arms before they receive a lethal injection, bemoaning the popularity of angels, or lambasting parents for thinking their kids are cuter than they are, Carlin deftly mines the landscape of human annoyance.
 
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"Killer Carlin" (04/28/1995) Comedy Carlin, George, Uproar EntertainmentRecording information: 05/1960.
 
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"Playin' with Your Head [PA]" (03/20/2001) Comedy Carlin, George, Atlantic (USA)Recorded at Beverly Theatre, Beverly Hills, California. Composer: George Carlin. Audio Mixer: Bob Merritt. Recording information: Beverly Theatre, Beverly Hills CA. Editor: Bob Merritt. Playin' With Your Head turned out to be a landmark outing for George Carlin -- the last truly funny album he made before attempting to become his old mentor, Lenny Bruce, and spent the '90s railing against right-wingers in most unamusing fashion. The less-topical, more lighthearted routines here are complemented by Carlin's devastating sense of timing, which had never been sharper (newly sober, he'd completely ditched the stoner voice and meandering riffs that sometimes marred his '70s work) and makes even the corny and mean-spirited material work. But most of these segments, culled from a performance recorded at the Beverly Theatre in Los Angeles, are much better than that; overall, this is a fine companion piece to his 1981 classic, A Place for My Stuff, with "Losing Things" and "You're Lost" offering the same hilarious examination of a mundane and universal experience ("That's the first thing that happens when you get to heaven -- they give you back everything you ever lost. That's the whole meaning of heaven!") that Carlin perfected on that album's title track. Other gems in the same vein include "Love and Regards" and "Sports," which posits baseball, football, and basketball as the only real sports and takes down all the pretenders ("Swimming isn't a sport -- it's a way to keep from drowning! That's common sense!"). The disappointment of hearing Carlin at the top of his game here is that it didn't last past this recording, but at a time when comedy albums were beginning to pop up by the dozen, this one stood -- and still stands -- as one of the best of its era. ~ Dan LeRoy
 
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"Parental Advisory: Explicit Lyrics" (11/20/1990) Comedy Carlin, George, Atlantic (USA)With Parental Advisory: Explicit Lyrics, George Carlin turns in a typically entertaining of politically charged comedy album punctuated by a couple of cutting routines about personal habits and social quirks. While his humor hasn't changed dramatically since the '70s, he is still consistently funny and, occasionally, thought-provoking. ~ Stephen Thomas Erlewine George Carlin in a 1990 performance, angrier and funnier than ever. Here he takes on subjects as diverse as the idea that broccoli will somehow prevent you from getting cancer; concludes, more in sorrow than in anger, that some people are stupid; and wonders why we don't have a diet salad dressing called 500 Islands. He also imagines things we'll never hear, such as "Honey, let's sell the children, move to Zanzibar, and start taking opium rectally." As always, however, one of his most important subjects is language, whether it be the so-called "offensive" variety that got him in trouble with the FCC, or the culture's seemingly innocuous yet far more pernicious tendency toward euphemism, as, for instance, when the descriptive "shell shock" eventually morphed into the less honest "battle fatigue."
 
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"On the Road [PA]" (10/10/2000) Comedy Carlin, George, Atlantic (USA)On the last of the classic records released by Little David, Carlin is sporting a touch of grey on the cover of this one, and with that telltale sign of aging comes a more mature perspective in the material. First off, his volume level seems very restrained throughout, and this lack of shouting makes the insightful observations sink in much more effectively than when he was shouting. There's also less reliance on the infamous seven words on television or the toilet jokes of old, replaced instead with more thoughtful ponderings on death, youth, and society's rules and absurdities. He seems to be fighting a bad sound system throughout, with feedback from the PA occasionally creeping into the mix (possibly one of the reasons he avoids shouting throughout). The biggest problem with the record, though, is that he sounds a bit tired here -- indeed, he even recycles a bit from a previous record -- showing the wear and tear that would cause him to take a few years off. ~ Sean Carruthers
 
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"Occupation: Foole [PA]" (09/12/2000) Comedy Carlin, George, Atlantic/WEARecorded live at Circle Star Theatre, San Carlos, California in 1973. Composer: George Carlin. Audio Remixer: Richie Schmitt. Recording information: Live-Circle Star Theater-San Carlos, CA. Editor: Richie Schmitt. Occupation Foole was comedian George Carlin's third release for the Little David label in 1973 and the follow up to Class Clown. While this disc as a whole lives up to Carlin's insightful brilliance, it's the least powerful of his early releases. Some of these bits, especially the revamped "Seven Dirty Words" routine, "Filthy Words," come across like after thoughts that haven't been fully developed. While many of these routines employ Carlin's universal ironic observations, some have become dated ("Raisin Rhetoric," "Black Consciousness") because of the topical nature of the subject matter. Despite these minor setbacks, Occupation Foole remains an enjoyable Carlin reissue never failing to deliver some laugh out loud observations. ~ Al Campbell
 
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"FM & AM [PA]" (09/12/2000) Comedy Carlin, George, AtlanticPersonnel: George Carlin (spoken vocals). Recording information: Cellar Door, Washington D.C; Live-The Collar Door, Washinton D.C. Photographers: Tom Wilkes; Barry Feinstein. While FM & AM was reissued on compact disc as part of the George Carlin box set The Little David Years 1971-1977, it's important to have this early groundbreaking release available again, individually, at an affordable price. FM & AM found Carlin officially poking fun at, while incorporating, his early material performed in the lounges of America and on The Ed Sullivan Show. It also marked Carlin's metamorphosis from straight-laced to hippie, intentionally embracing the growing counterculture. The record is divided into two separate manifestations of humor, making it a sort of comedy concept album. One section focused on references geared toward the more wholesome commercial oriented AM radio audience: "Son of Wino," "Ed Sullivan Self Taught," and "Let's Make a Deal," while the remaining material was intended for the "hipper" FM audience: "Drugs," "Birth Control," and "Sex in Commercials." Carlin's unabashed wit, irony, and cynicism appealed to both audiences as FM & AM won a Grammy award in 1973 for best comedy album. ~ Al Campbell Although George Carlin had recorded albums prior to FM & AM, including one with his original comedy partner Jack Burns, this 1972 release was the comedian's career-defining effort. While the second part of the record compiles (and puts to rest) the last of Carlin's mainstream lounge-act material, the first part consists of edgier counter-culture riffs like "Birth Control" and "Drugs." It also features the first of Carlin's language-based pieces, "Shoot," which sounds like a dry run for the epic "Seven Dirty Words You Can Never Say on Television" sketch that was soon to follow. Ironically, the older material, leading off with "Son of Wino," a lengthy revisit to Carlin's popular early routine, riffing on the cliches of manic AM-radio disc jockeys, is largely funnier and sharper than the less-rehearsed, meandering routines on the first side. Carlin had been doing this sort of semi-hip mainstream comedy, skewering the voyeuristic game show THE NEWLYWED GAME and local TV news, for years, and he reels off set-ups and punch lines with the timing and elan of a master. Soon he would be equally at ease with his new FM-oriented style; his next album, CLASS CLOWN, is probably his masterpiece, but FM & AM is a significant transitional effort.
Deals on George carlin cd in Comedy. Visit BizRate to find the best deals on Comedy. See which Music stores have the George carlin cd that you want. Read reviews on Music merchants and buy with confidence. Find savings on George Carlin on Comedy by George Carlin (CD - 05/01/2005) - Life Is Worth Losing [PA] by George Carlin (CD - 01/10/2006).