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Twilight Tattoo [Advance] * by John Brannen (CD - 06/27/2006)
 

Twilight Tattoo [Advance] * by John Bran...

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Twilight Tattoo [Advance] * by John Brannen (CD - 06/27/2006)
"Twilight Tattoo [Advance] *" (06/27/2006) Country Brannen, John, Sly Dog RecordsPersonnel: John Brannen (vocals, acoustic guitar); Lucinda Williams (vocals); Duane Jarvis, Jack Holder (electric guitar); Giles Reaves (keyboards, percussion); David Smith (bass guitar); Tom Hambridge (drums, percussion). Audio Mixer: David Z. . Recording information: East Iris Studios, Nashville, TN; Hot Sheets Studios, Studio City, CA; Ocean Way Studios, Nashville, TN. Photographer: Alex Cooper. Country singer-songwriter John Brannen is the antithesis of slick Nashville superstars, as this rocking collection attests. It's full of the kind of down-to-earth songs that'll be familiar to John Cougar Mellencamp fans, though Brannen's production is far from big-budget and his voice is capable of far more range than the average country singer. "Just Restless" is typical of his blue-collar style, while "A Cut So Deep," with guest vocals from Lucinda Williams, shows his sensitive side, and the authentic-sounding "Heartbreak Ridge" lays bare his '50s rock & roll roots.

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New Tatoo [6/13]
 

New Tatoo [6/13]

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New Tatoo [6/13]
"New Tattoo" (06/13/2006) Country Cowan, John, PinecastleJohn Cowan: John Cowan (vocals, acoustic guitar, electric guitar, 6-string bass); Jeff Autry (guitar, bouzouki, background vocals); Noam Pikelny (banjo); Luke Bulla (mandolin, fiddle, background vocals); Wayne Benson (mandolin, background vocals); Shad Cobb (fiddle, background vocals). Additional personnel: Patty Griffin (vocals); Jay Joyce (electric guitar, keyboards); Bryn Bright (cello); Mickey Raphael (harmonica); Darrell Scott (piano); Giles Reaves (percussion). While John Cowan gained his rep in New Grass Revival during the '70s and '80s, his vocal style has always owed more to Robert Plant than Bill Monroe. That makes him much more expressive than the average bluegrass singer, and along with Tim O'Brien, one of the genre's most exciting vocalists. As a soloist, however, his career has never quite taken off. Perhaps that's because albums like 2000's John Cowan and 2002's Always Take Me Back proved too bombastic for even the progressive bluegrass crowd and still too traditionally tinged for the rock crowd. With 2006's New Tattoo, the John Cowan Band have taken a step back, first jumping to a more conservative label (Pinecastle) and secondly sticking closer to acoustic instruments. The results place Cowan closer to New Grass Revival material than he's been since the band broke up, and will be a welcome change for old fans. On the downside, the material -- most of it written by other writers -- lacks the spunk and edge that made John Cowan and Always Take Me Back intense (though perhaps over-produced). Even on a jewel like Darrell and Wayne Scott's "With a Memory Like Mine," Cowan's version lacks emotional depth when compared to Darrell Scott's take on 2000's Real Time with Tim O'Brien. New Tattoo nonetheless has much to recommend it, with excellent vocals and instrumental work, and will receive a warm welcome by longtime Cowan fans. ~ Ronnie D. Lankford, Jr.

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Tattoo/Family Album
 

Tattoo/Family Album

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Tattoo/Family Album
"Tattoo/Family Album" (04/14/1995) Rock & Pop Coe, David Allan, Bear Family (Germany)2 LPs on 1 CD: TATTOO (1977)/FAMILY ALBUM (1978). Producers: Ron Bledsoe, David Allan Coe, Billy Sherrill. Reissue producer: Richard Weize. Tattoo and Family Album mark singer/songwriter David Allan Coe's fifth and sixth albums for Columbia, respectively, issued in 1977 and 1978. They also make up the third volume of Bear Family's Columbia Records retrospective covering the years 1974-1981. The issue of Tattoo marked the third album Coe issued in 1977. First there was the often-angry Rides Again, where the "Mysterious Rhinestone Cowboy" made his final recorded appearance; then the self-released Texas Moon, recorded on the road; and finally Tattoo. Tattoo also marks the beginning of Coe's association with Billy Sherrill (though Ron Bledsoe would remain with him until 1980's Invictus Means Unconcquered). Tattoo and Family Album mark a far more sensitive side of Coe. Tattoo features more love songs than most Coe records, and there are some fine ones, such as "Just to Prove My Love for You," "Face to Face," "You'll Always Live Inside of Me," and "Just in Time (To Watch Love Die)." Family Album centers more on the connection to one's roots and connections not only between Coe and his family of origin (raised a Mormon, he was the son of polygamy), but his progeny and the concept of family as a universal concept. Inexplicably, in keeping with his contradictory nature, Family Album also contains the classic "Take This Job and Shove It," which Johnny Paycheck took to number one, and the tasteless "Divers Do It Deeper," which sounds more like Jimmy Buffett than Coe. These albums are generally overlooked in Coe's catalog and shouldn't be; they are consistent, literate, and represent the other side of the outlaw persona Coe worked so hard to create. ~ Thom Jurek

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Coal Tattoo
 

Coal Tattoo

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Coal Tattoo
"Coal Tattoo *" (06/13/2002) Country Southern Rail, Railway Records

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Tattoos & Scars by Montgomery Gentry (Cassette - 04/06/1999)
 

Tattoos & Scars by Montgomery Gentry...

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Tattoos & Scars by Montgomery Gentry (Cassette - 04/06/1999)
"Tattoos & Scars" (04/06/1999) Country Montgomery Gentry, Columbia (USA)Montgomery Gentry: Eddie Montgomery, Troy Gentry (vocals). Additional personnel: Charlie Daniels (vocals); Biff Watson (acoustic guitar); Brent Rowan, Chris Leuzinger (electric guitar); Dan Dugmore (steel guitar, electric dobro); Glen Duncan (mandolin, fiddle); Steve Nathan (piano, organ, synthesizer); Gary Lunn (fretted & fretless basses); Paul Leim (drums, percussion); Anthony Martin, Joe Scaife, Jim Cotton, Steve Marcantonio, Steve Fox (background vocals). Principally recorded at Ocean Way Nashville, Nashville, Tennessee. Montgomery Gentry won the 2000 CMA Award for Vocal Duo Of The Year. Personnel: Biff Watson (acoustic guitar); Brent Rowan (electric guitar); Dan Dugmore (steel guitar); Glen Duncan (mandolin, fiddle); Steve Nathan (piano, organ, synthesizer); Gary Lunn (fretless bass); Paul Liem (drums, percussion); Steve Fox, Jim Cotton , Joe Scaife, Anthony Martin (background vocals). Recording information: Dark Horse Recording; Ocean Way, "The Neve Room", Nashville, TN; The Sound Kitchen, Nashville, TN. Male duos--from the Louvin Brothers to the Bellamy Brothers to Brooks & Dunn--have always been popular in country music. With their excellent debut album, Montgomery Gentry have carved out their own place in that diverse duo category. On TATTOOS & SCARS, Eddie Montgomery (John Michael Montgomery's brother) and Troy Gentry have come up with a winning formula of well-written, melodic songs mixed with some Southern rock attitude. The duo share lead vocal duties, and their gruff style works well on rowdy songs like "Hillbilly Shoes." Montgomery Gentry are tough-yet-sensitive guys who can admit to their romantic shortcomings ("Self-Made Man"), mourn a lost lover ("Trouble Is"), deliver a cautionary tale (the title track) and suffer the pain of busted relationships ("If A Broken Heart Could Kill"). The duo's vocal delivery and the muscular arrangements keep songs like "Lonely & Gone" and "Daddy Won't Sell the Farm" from becoming maudlin or mushy. The CD ends with an old-fashioned Southern rock rave-up, "All Night Long," complete with a guest appearance by Charlie Daniels. Like its title, TATOOS & SCARS makes an indelible impression.

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Tattoos & Scars by Montgomery Gentry (Cassette - 04/06/1999)
 

Tattoos & Scars by Montgomery Gentry...

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Tattoos & Scars by Montgomery Gentry (Cassette - 04/06/1999)
"Tattoos & Scars" (04/06/1999) Country Montgomery Gentry, Columbia (USA)Montgomery Gentry: Eddie Montgomery, Troy Gentry (vocals). Additional personnel: Charlie Daniels (vocals); Biff Watson (acoustic guitar); Brent Rowan, Chris Leuzinger (electric guitar); Dan Dugmore (steel guitar, electric dobro); Glen Duncan (mandolin, fiddle); Steve Nathan (piano, organ, synthesizer); Gary Lunn (fretted & fretless basses); Paul Leim (drums, percussion); Anthony Martin, Joe Scaife, Jim Cotton, Steve Marcantonio, Steve Fox (background vocals). Principally recorded at Ocean Way Nashville, Nashville, Tennessee. Montgomery Gentry won the 2000 CMA Award for Vocal Duo Of The Year. Personnel: Biff Watson (acoustic guitar); Brent Rowan (electric guitar); Dan Dugmore (steel guitar); Glen Duncan (mandolin, fiddle); Steve Nathan (piano, organ, synthesizer); Gary Lunn (fretless bass); Paul Liem (drums, percussion); Steve Fox, Jim Cotton , Joe Scaife, Anthony Martin (background vocals). Recording information: Dark Horse Recording; Ocean Way, "The Neve Room", Nashville, TN; The Sound Kitchen, Nashville, TN. Male duos--from the Louvin Brothers to the Bellamy Brothers to Brooks & Dunn--have always been popular in country music. With their excellent debut album, Montgomery Gentry have carved out their own place in that diverse duo category. On TATTOOS & SCARS, Eddie Montgomery (John Michael Montgomery's brother) and Troy Gentry have come up with a winning formula of well-written, melodic songs mixed with some Southern rock attitude. The duo share lead vocal duties, and their gruff style works well on rowdy songs like "Hillbilly Shoes." Montgomery Gentry are tough-yet-sensitive guys who can admit to their romantic shortcomings ("Self-Made Man"), mourn a lost lover ("Trouble Is"), deliver a cautionary tale (the title track) and suffer the pain of busted relationships ("If A Broken Heart Could Kill"). The duo's vocal delivery and the muscular arrangements keep songs like "Lonely & Gone" and "Daddy Won't Sell the Farm" from becoming maudlin or mushy. The CD ends with an old-fashioned Southern rock rave-up, "All Night Long," complete with a guest appearance by Charlie Daniels. Like its title, TATOOS & SCARS makes an indelible impression.
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