Drama DVDs & Videos

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What happens when a group of co-workers from the adult entertainment industry get together for a relaxing after hours party? Naturally the conversation soon turns to sex, but quite a few personal revelations unfold as the evening progresses, making for an entertaining and sometimes startling feature film.

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LONDON: When his former girlfriend leaves for New York City to live with her new boyfriend, Syd (Chris Evans) decides to rudely interrupt her going-away party by turning up with a small mountain of cocaine and his drug dealer in tow. Most of the movie takes place in the bathroom at the party--where Syd entertains the guests and shares his drug stash with them. LONDON is a stark look at the effect love can have on a man. But there are a few twists and turns in store as the movie lurches toward a surprising conclusion. SPUN: Ross (Jason Schwartzman) is an addict badly in need of some speed. He pays a visit to his dealer, Spider Mike (John Leguizamo), where he encounters fellow "tweakers" Nikki (Brittany Murphy), a stripper named Frisbee (Patrick Fugit), a metalhead, and Cookie (Mena Suvari), Mike's girlfriend. But the trip turns into an odyssey when Mike can't find his stash. Nikki tells Ross that her boyfriend, a crazed cowboy known as the Cook (Mickey Rourke), can supply whatever he needs. The two of them visit the Cook at his motel lab, and Ross quickly gets his fix. Ross, however, is put into service as The Cook's errand boy and chauffeur, with only brief periods of freedom to check up on the stripper girlfriend he left tied to his bed back at his apartment. Ross's three days without sleep reach a feverish head when it becomes evident that two cops (Peter Stormare and Alexis Arquette) have raided Spider Mike's pad in search of the Cook. This relentlessly crude and graphic feature from Swedish music video director Jonas Ackerlund is not for the faint-of-heart. Lightening-fast edits, sexually explicit animation, Farrelly-Brothers-level rudeness, and a pervasive sense of nihilism swirl together to create a morally empty Los Angeles of seedy abodes and cinder block strip malls inhabited by corrupt cops and thrill-seeking lawbreakers. Set to a memorable score by Billy Corgan, Mickey Rourke's memorable turn paves the way for a game young cast.

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The ambitious miniseries adaptation of MacKinley Kantor's eponymous novel about the inmates of the notoriously overcrowded and brutal Andersonville, Georgia Confederate army prison at the height of the Civil War. Winner of an Emmy for director John Frankenheimer. Produced for TNT.

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High school romance is difficult enough to navigate when both people are human. But for 17-year-old Bella Swan (Kristen Stewart, INTO THE WILD) and Edward Cullen (Robert Pattinson, HARRY POTTER AND THE GOBLET OF FIRE), Edward's life as a vampire complicates things even more. At first, when Bella moves from sunny Phoenix to the rainiest corner of Washington State, she isn't sure where she fits in at her new high school. Then she meets Edward, an ethereal beauty of a boy whose unnatural speed and strength lead Bella to the conclusion that her new crush is one of the undead. Suddenly, Bella's boring life is transformed; she's surrounded by love and danger in equal parts, thanks to the hunger of Edward and others of his kind. TWILIGHT is based on the first book in the addictive series by author Stephenie Meyer. Director Catherine Hardwicke (THIRTEEN) certainly knows her audience, which is primarily the teenage girls who worship the book and its characters. There are plenty of swoonworthy shots of Pattinson's perfectly pale Edward, and his romance with Stewart's nicely acted Bella will cause many a sigh among the devoted fans. While TWILIGHT is primarily a love story in the ROMEO AND JULIET mold, there's also plenty of action and horror to be found. Blood flows (this is a vampire movie, after all), but the small amount of gore shouldn't be too much for the squeamish viewers--and it might even draw a boy or two to the screen. The film's record-breaking box office take alone is proof that the film's appeal isn't limited to screaming teen girls.

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This 10-part HBO television miniseries focuses on Easy Company, a group of American soldiers in World War II, tracking their experiences from the beginning of boot camp to the end of the war. Anchored by actors Damian Lewis and Ron Livingston, the series gives detailed attention to their experiences as a group, as well as the way that each of them develops individually. Based on historian Stephen E. Ambrose's book of real-life accounts, BAND OF BROTHERS was executive produced by Steven Spielberg and Tom Hanks, who worked together on SAVING PRIVATE RYAN. Hanks also directed one episode, featuring his son, Colin Hanks.

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Matthew Weiner, a writer and executive producer for THE SOPRANOS, may have set this series in the picture-perfect 1960s, but his characters are just as scheming as the mobsters on his last show. MAD MEN begins in 1960 on Manhattan's Madison Avenue at the fictional ad agency of Sterling Cooper. Creative director Don Draper (Jon Hamm) rules the halls of his company and the hearts of every woman he meets, while his wife, Betty (January Jones), struggles to be the perfect mate and mother in a suburb upstate. But just as in the world of advertising, Don may not be all that he appears. In MAD MEN, the glass ceiling is dangerously low, and sexism reigns in a way that may shock modern viewers. But this isn't the prim '60s of THE DICK VAN DYKE SHOW; Weiner's characters seduce, smoke, and swig with abandon--often within the walls of Sterling Cooper. MAD MEN takes equal parts substance and style to create an addictive cocktail that fully earned its freshman season wins at the Golden Globes for Best Dramatic Series and Best Actor in a Drama.

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All good things must come to an end, and sadly that's true for one of the brightest, breeziest comedies to ever adorn the HBO schedules. That's right, this is the sixth and final (sob!) outing for the ladies from SEX AND THE CITY. Carrie Bradshaw (Sarah Jessica Parker) is joined once again by her three best friends, Miranda (Cynthia Nixon), Charlotte (Kristen Davis) and Samantha (Kim Cattrall) as they parade around the Big Apple looking for love and expensive footwear. But naturally these girls want to go out with a bang (quite literally in Samantha's case!), so viewers can put down the tissues and pick up the action as the ladies offer plot twists galore before hanging up their costly Prada jackets for the last time. The laughs come thick and fast throughout, and a few tears are shed as the show builds to its gripping double-episode climax, entitled "An American Girl In Paris (Part Une and Part Deux)." They may be gone, but with this collection as a reminder, they'll certainly never be forgotten.

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This 10-part HBO television miniseries focuses on Easy Company, a group of American soldiers in World War II, tracking their experiences from the beginning of boot camp to the end of the war. Anchored by actors Damian Lewis and Ron Livingston, the series gives detailed attention to their experiences as a group, as well as the way that each of them develops individually. Based on historian Stephen E. Ambrose's book of real-life accounts, BAND OF BROTHERS was executive produced by Steven Spielberg and Tom Hanks, who worked together on SAVING PRIVATE RYAN. Hanks also directed one episode, featuring his son, Colin Hanks.

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After playing a mild-mannered funeral home director in SIX FEET UNDER, Michael C. Hall makes a smooth transition to a serial killer in this Showtime original series. But the twist in this smart show is that Dexter chooses to prey only on other serial killers. As a child, Dexter was adopted by a cop (James Remar) who quickly realizes that his new son is no ordinary boy. Since Dexter is compelled to kill, his law-abiding father pushes him to choose his quarry in a way that will best benefit society. As Dexter grows older, he works as a blood splatter expert in Miami, giving him a close view of other murderers and their handiwork. Stylish and blackly comic, this drama is adapted from Jeff Lindsay's novel DARKLY DREAMING DEXTER. This release includes the entire first season, which largely focuses on Dexter's pursuit of the coldblooded Ice Truck Killer and his own efforts to evade detection.

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Featuring spectacular special effects set amidst the backdrop of one of the most tragic events of the 20th century, James Cameron's award-winning TITANIC stands as one of the greatest Hollywood spectaculars of all time. Beginning with an undersea expedition in the 1990s, in which scuba divers are searching the sunken ship for lost relics, a painting of young Rose DeWitt Bukater (Kate Winslet) is found. This triggers a flashback to the young woman's story as it happened on the doomed Titanic. Rose is a daughter of privilege on her way to be married to an arrogant but wealthy young man (Billy Zane). Despairing, Rose finds herself falling in love with Jack Dawson (Leonardo DiCaprio), a carefree and poor young artist who is also aboard. When the great ship strikes an iceberg and begins to sink, Rose and Jack have only each other as their world falls apart around them. Director James Cameron spared no expense in bringing his simple yet powerful love story to life, building a 90% scale model of the ship, fussing over the tiniest details, and ultimately spending some $200 million dollars. A worldwide smash, TITANIC received fourteen Academy Award nominations and 11 wins, including Best Picture. Despite all the lavish sets and special effects, the film would be nothing without the emotional core provided by stars Winslet and DiCaprio, who give star making performances as the tragic young lovers.

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Karen Moncrieff follows up her well-received debut feature, BLUE CAR, with THE DEAD GIRL, an impressive, haunting ensemble drama. When a young girl is found murdered, the lives of several different individuals are impacted. Some of these connections are peripheral, while many others are painfully direct. The film is broken up into five distinct chapters, each with its own title. In "The Stranger," Arden (Toni Collette) finds the body, much to her abusive mother's (Piper Laurie) dismay. "The Sister" follows a graduate student (Rose Byrne) who is still mourning the disappearance of her sister along with her mother (Mary Steenburgen). Mary Beth Hurt stars in "The Wife" as a frustrated housewife who discovers that her husband (Nick Searcy) has been up to no good. "The Mother" features Marcia Gay Harden as a heartbroken mother who travels to Los Angeles to see how her murdered daughter lived and forms an unlikely bond with her daughter's former roommate (Kerry Washington). Lastly, "The Dead Girl" tells the story of Krista (Brittany Murphy), a tempestuous drug addict who wants to visit her daughter on her birthday, but fate conspires to bring her down. Moncrieff uses different filmmaking techniques to tell each story (handheld camerawork vs. static cinematography, a variety of color schemes, etc.), but the overall tone remains the same. This is a sad, somber world, yet glimpses of hope poke through the cracks at the most unexpected moments. An all-star cast brings Moncrieff's vision to life, but it is Brittany Murphy who steals the show, delivering a performance so naked and reckless that it's painful to watch.

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Eerily reminiscent of BONNIE AND CLYDE and THE BLAIR WITCH PROJECT, this shocking film features footage shot by a young couple on a road trip gone wrong. Dwayne Foote and Darla-Jean Stanton begin their journey on the back roads of Kentucky, but a botched robbery turns their cross-country trip into a killing spree.

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Terrence Malick returns to Hollywood after a two-decade hiatus with this adaptation of the classic WWII novel by James Jones. The story follows the efforts of an army platoon to capture the Japanese-controlled island of Guadalcanal in the Pacific Ocean, which will have a major effect on the outcome of the war. The members of C-for-Charlie Company are all fighting for different reasons: some to achieve glory, some to fight for democracy, and some simply to remain alive. They spend the quieter moments reflecting upon their existence, searching for meaning amid the senselessness of war. Malick's reputation as one of cinema's most brilliant directors, based on his masterworks BADLANDS and DAYS OF HEAVEN, enabled him to pull together one of the largest ensemble all-star casts in Hollywood history. The result is a sprawling epic that carries itself like a poem read in a dream, a feeling that is greatly enhanced by John Toll's floating camerawork and Hans Zimmer's haunting score. Rather than concentrating solely on the violence and destruction of war, Malick uses the situation to address philosophical questions such as man versus nature, war versus peace, and good versus evil. THE THIN RED LINE proves that after a 20-year layoff, Malick hasn't lost a step.

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Steven Soderbergh explodes onto the scene with this provocative, intelligent drama about infidelity and voyeurism. Ann Milaney (Andie MacDowell) lives in a comfortable Louisiana home with her lawyer husband, John (Peter Gallagher). She spends her days fretting over the insurmountable problems of the world and her own unfocused sense of melancholy. Although she doesn't know it, she has a good reason to be upset: John is having a torrid affair with her younger, more extroverted sister, Cynthia (the sexy Laura San Giacomo). When Graham Dalton (James Spader), an old college pal of John's, comes to visit, all three are momentarily distracted from personal problems and intrigues as they scrutinize the odd outsider. Ann soon discovers that Graham has some strange habits and problems of his own. Plagued by impotency since the calamitous breakup of his last relationship, the young drifter finds sexual gratification by videotaping women willing to talk about their sexual past and fantasies in front of the camera. A chain of attraction and jealousy develops as the four interconnect in several varied pairings, culminating with Ann's decision to become Graham's latest subject. Soderbergh's highly influential debut independent feature plays like a dangerous thriller that builds in tension until everyone's secrets are bitterly exposed.

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A clever take on life in Appalachia, SPENCER'S MOUNTAIN is a warm film. Its examination of the rustic frontier family, the Spencers, is sometimes funny, sometimes morose, but always striking. Henry Fonda stars as the macho head of the family, Clay Spencer, a dedicated worker, and an even more dedicated drinker. As Clay breaks his back putting food on the Spencer table, his wife Olivia (Maureen O'Hara) holds down the fort. Things seem promising for the Spencer family. Clay and Grandpa Spencer (Donald Crisp) are designing a new home and their oldest son Clayboy (James MacArthur) is planning to go off to college. However when Clayboy starts a romance with the daughter of his father's employer, Clay's job is put on the line and the Spencers suffer a family crisis. SPENCER'S MOUNTAIN is the feature film that inspired the hit TV series, THE WALTONS. As always, director Delmer Daves breathes life into his cast. Henry Fonda's performance of Clay--the drinking, crass, hard-headed head of the family--bears a slight resemblance to his character, Norman, in ON GOLDEN POND.

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This collection contains 14 theatrical features from the 1970s. Films include THE ICEMAN COMETH; A DELICATE BALANCE; THE MAN IN THE GLASS BOOTH;RHINOCEROS; BUTLEY; THE MAIDS; LUTHER; IN CELEBRATION; THREE SISTERS; THE HOMECOMING; GALILEO; LOST IN THE STARS; PHILADELPHIA, HERE I COME; and ALIVE AND WELL AND LIVING IN PARIS. Nominated for several Academy Awards and featuring some of the biggest stars of their time, these features are examples of how seamlessly theatre can translate into film.

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Scalding passions and peerless performances steam off this classic collection of romantic dramas. Included here are EAST OF EDEN, CAT ON A HOT TIN ROOF, A STREETCAR NAMED DESIRE, and REBEL WITHOUT A CAUSE. Please see individual titles for complete synopsis information.

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THE SOPRANOS stars James Gandolfini in a career-making performance as Tony Soprano, a Mafia leader who is having trouble dealing with his mother and family and so starts to see a shrink. The terrific supporting cast features Edie Falco as Tony's conflicted wife, Carmela; Lorraine Bracco as Tony's put-upon psychiatrist, Dr. Melfi; Michael Imperioli as loose-cannon Christopher Moltisanti; Steven Van Zandt as Silvio, owner of the Bada-Bing; and the incomparable Nancy Marchand, in one of the great television performances, as Livia Soprano, Tony's conniving mother. This collection presents all six seasons of the groundbreaking show.

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It's hard to speculate how cinema would have developed if there had been no D.W. Griffith, but without his groundbreaking contributions, the narrative possibilities of motion pictures would not have evolved so quickly. This thorough documentary by Kevin Brownlow and David Gill explores Griffith's contributions to the art of cinema and the controversies and scandals that surrounded everything he touched. It's the type of project that will change the way film buffs view Griffith's work and help audiences come to terms with his most notorious and innovative work, THE BIRTH OF A NATION.

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Controversial rapper Eminem (real name Marshall Mathers) makes his big screen debut with 8 MILE, a bracing drama directed by the increasingly audacious Curtis Hanson. Set in 1995 in the bleak, urban battle zone of Detroit, the film follows the struggles of a young man who is desperate to make a better life for himself. Jimmy Smith, Jr., better known as Rabbit, is destined for a life of squalor. Living in a cramped trailer with his deadbeat mom (Kim Basinger), Rabbit works in a factory to make ends meet. His only outlet is hip-hop. Possessing a talent for freestyle rapping, Rabbit still hasn't managed to unleash his true potential. But his best friend, Future (Mekhi Phifer), is determined to make that happen. Future forces Rabbit to enter a freestyle battle that he blew the week before, giving him another chance at redemption. Hanson's stellar portrait of lower-class urban disillusionment, shot with uncompromisingly gritty realism by Rodrigo Prieto, proves that the issue is no longer about race, it's about money. Eminem delivers a bold performance as the troubled youngster who is still trying to find his place in a harsh, cruel world.

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