Anthony hopkins in Drama DVDs & Videos

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LEGENDS OF THE FALL: Director Edward Zwick's epic romance, set against the backdrop of WWI and the wide sky and rugged terrain of Montana, stars Anthony Hopkins as William Ludlow, an idealistic retired colonel who disapproves of the war and the army's indecent treatment of Native Americans. Abandoned by his blue-blooded wife, Ludlow raises his three sons in the remote foothills of Montana with the help of Native American friends. Before the war, Samuel (Henry Thomas) brings home his fiancée from the East Coast, Susannah (Julia Ormond), a stunning beauty who can ride, rope, and hunt like the Ludlow boys. When the war breaks out, Samuel, the youngest and most idealistic son, enlists in the army. Brothers Alfred (Aidan Quinn) and Tristan (Brad Pitt) follow suit, more as protectors than as cohorts. Despite their best efforts, however, Samuel dies in battle. Upon returning home, Tristan becomes involved with Susannah, who is devastated by her loss but profoundly attracted to the brooding brother. However, tormented by his inability to save his little brother's life, Tristan abandons her and sets out on a long journey of self-discovery. During his absence, Alfred reveals his own passion for Susannah. Although she does not reciprocate his feelings, Susannah--who has despaired of ever seeing Tristan again--agrees to become his wife. Ultimately, Tristan does return, setting off a dangerous conflict between the brothers. A RIVER RUNS THROUGH IT: Fly-fishing figures prominently in this poignant tale of two brothers growing up in Montana in the early 20th century under the stern rule of their minister father. While both boys rebel, Norman (Craig Sheffer) channels his rebellion into writing, but Paul (Brad Pitt) descends onto a slippery path of self-destruction. The beautiful scenery of Montana is used to full effect with the awesome cinematography of Philippe Rousselot. Directed by Robert Redford, this adaptation of Norman Maclean's classic autobiography also features Tom Skerritt and Brenda Blethyn as the Reverend and Mrs. Maclean. DEVIL'S OWN: THE DEVIL'S OWN, Alan J. Pakula's last film, is a character-driven thriller that confronts suspense and gritty realism head-on. Harrison Ford plays Tom O'Meara, an Irish-American cop in New York who opens his home and family to Francis "Frankie" McGuire (Brad Pitt), whom they believe is a refuge-seeking immigrant from Belfast. They later discover that their visitor is an IRA rebel on a terrorist mission. Buoyed by tense, strong performances from both stars, the film is ultimately a tragedy that explores the unexpected friendship of two men of similar ethnic roots, yet of different places, times, and values, and the cruel and senseless cycle of violence they face.

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Consider these classic films to be the ultimate cautionary tales. The caution: leave that creepy-looking guy alone with whatever it is he's doing. Simply do not get in his business. Learn this lesson the hard way via Tony Curtis's portrayal of the demented Albert DeSalvo in 1968's THE BOSTON STRANGLER. Gasp at the horror piled upon an innocent traveling couple by crazed chemistry teacher Barney Cousins in the 1993 remake THE VANISHING. Finally, get creeped out by Buffalo Bill and his "woman suits" in the 1991 Academy Award-winning Best Picture THE SILENCE OF THE LAMBS. Whatever you do, just don't ever talk to these guys. Please see individual titles for complete synopsis information.

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This 3-pack collects the Special Edition DVDs of 3 titles starring Sir Anthony Hopkins: LEGENDS OF THE FALL, THE MASK OF ZORRO, and THE REMAINS OF THE DAY. See individual titles for details.

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Sean Penn gives an electrifying performance as rising politician Willie Stark in ALL THE KING'S MEN, the second film based on Robert Penn Warren's Pulitzer Prize-winning novel. (In 1949, the original ALL THE KING'S MEN, directed by Robert Rossen, was a huge hit, earning Oscars for Best Picture, Best Actor [Broderick Crawford], and Best Supporting Actress [Merceded McCambridge].) But whereas the novel and first film set the story of pride, ambition, jealousy, and dirty politics in pre-World War II Louisiana, writer-director Steven Zaillian (SEARCHING FOR BOBBY FISCHER) moves the action to the 1950s, a much different time in American history, with the Great Depression and the war over and McCarthyism just around the corner. Stark starts out as a man of the people, proud to be a hick, wanting to make a difference to the struggling families in his community. But the smell of power leads to back-room corruption, lies, and betrayal. Stark surrounds himself with smart, well-connected people, including journalist (and narrator) Jack Burden (Jude Law), right-hand man Tiny Duffy (James Gandolfini), and doctor Adam Stanton (Mark Ruffalo), using them as both willing and unwilling players in his march to the top. The all-star cast also includes Kate Winslet as Stanton's sister and a former love of Burden's, Anthony Hopkins as a compromised judge, and Jackie Earle Haley as a Stark thug. The film is gorgeously shot by Pawel Edelman, with an emotional soundtrack by James Horner and period music supervised by T Bone Burnett (O BROTHER, WHERE ART THOU?). Interestingly, Zaillian chose not to watch the original film, basing his screenplay solely on the novel. The remake was the brainchild of former Bill Clinton adviser James Carville, who is one of the executive producers of this stirring political film.

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Paraguay 1976, during the brutal rule of General Alfredo Storessner, Joel Filartiga was a doctor providing free medical care to the poor. Recognizing signs that his son was tortured and refusing to believe his son died in a crime of passion, he enlists a criminal lawyer to fight the system resulting in a landmark victory used to this day. Based on a true story.

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Based on actual events in 1838, AMISTAD is the story of captured African slaves who took over their transport ship in a bloody revolt with the hopes of returning back to their homeland. After the slaves are caught and imprisoned, their leader, Cinque (Djimon Hounsou), unable to understand the language or court system of America, tries to communicate his desire to return home to his defense lawyer, Roger Baldwin (Matthew McConaughey), and former slave Theodore Joadson (Morgan Freeman). The men plead for help with their groundbreaking court case from former president John Quincy Adams (Anthony Hopkins). Steven Spielberg directed this moving film, using as a reference the book by William A. Owens, BLACK MUTINY: THE REVOLT ON THE SCHOONER AMISTAD. The Africans in the movie speak Mende, with subtitles added. West African actor Djimon Hounsou had to learn to speak the language for his role--and was nominated for a Golden Globe. Spielberg shot the film at the State House in Providence, Rhode Island, the seaport in Mystic, Connecticut, and other New England locations.

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Gwyneth Paltrow, who won an Oscar for her performance in director John Madden's SHAKESPEARE IN LOVE, teams up again with Madden in PROOF, a poignant drama based on David Auburn's Pulitzer Prize-winning play. Paltrow lights up the screen as Catherine, a young woman who has given up a seemingly bright future in order to take care of her ailing father, Robert (Anthony Hopkins), a formerly brilliant mathematician who went crazy. After he dies, Catherine's closed-off world is invaded by Hal (Jake Gyllenhaal), a young mathematician who worshipped Robert, and Claire (Hope Davis), her successful sister who fears that Catherine is too much like their father--a talented, supremely intelligent person with severe mental problems. During the last years of his life, Robert filled 103 notebooks with his writings, but one of them, written during a brief period of lucidity, could turn the math world on its head, while also threatening Catherine's already wavering sanity. Auburn co-wrote the screenplay with Rebecca Miller (PERSONAL VELOCITY, THE BALLAD OF JACK AND ROSE), taking it off the stage, setting it in and around Chicago, and breathing new life into the story, along with Stephen Warbeck's compelling score and plenty of outstanding acting, particularly by the glowing Paltrow and the earnest Gyllenhaal.

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This modern fantasy stars Anthony Hopkins as William Parrish, a wealthy New York City media mogul who suffers a heart attack on the eve of his 65th birthday; although he survives, he senses that his death is near. On the same day, Parrish's younger daughter, Susan (Claire Forlani), meets a handsome young stranger (Brad Pitt) at a neighboring coffee shop and is instantly smitten. As they part, the young stranger is killed and his body is occupied by Death, who is coming to Earth to warn Parrish that his death is, indeed, imminent. Death enters the Parrish household disguised as Joe Black, the handsome stranger, and although Parrish understands Death's intentions he lets the family believe that Joe Black is a young business associate. Susan is shocked to find the familiar young man at her family dinner that evening, and, as she begins a passionate love affair with the debonaire stranger, she has no idea that she has fallen not for the young stranger from the coffee shop but for Death himself. In an effort to prolong his life and his daughter's happiness, William agrees to take Joe on a tour of human life that includes board meetings, family parties, and, ultimately, romance. As long as Joe falls in love, Parrish remains alive. This version was inspired by the Alberto Casella play DEATH TAKES A HOLIDAY and the subsequent 1934 film.

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E.M. Forster's 1910 novel is adapted for the screen by Merchant Ivory Productions in this masterful Edwardian Age romance directed by James Ivory. The dying Ruth Wilcox (Vanessa Redgrave) wishes to leave her country home, Howards End, to Margaret Schlegel (Emma Thompson in an Academy Award-winning role), a modest woman of little means who will soon be forced out of her own home in London. But Ruth's husband, Henry (Anthony Hopkins), an upper middle class businessman, keeps secret her desire even after he and Margaret become friends. However, after Henry and Margaret marry, their class differences and philosophies threaten to cause them unhappiness. Margaret's sister, Helen (Helena Bonham Carter), is disgusted by the Wilcox's snobbish ways and is attracted to helping struggling clerk Leonard Bast (Sam West) improve his position. Merchant-Ivory screenwriter Ruth Prawer Jhabvala was the force behind adapting this Forster novel into a film, winning her second Academy Award for her screenplay; her first Oscar was for A ROOM WITH A VIEW.

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Jodie Foster and Anthony Hopkins will likely be forever associated with their roles in this bone-chilling masterpiece, based on the novel by Thomas Harris and directed by Jonathan Demme. FBI trainee Clarice Starling (Foster) is sent by her supervisor (Scott Glenn) to interview ferociously intelligent serial killer Hannibal "The Cannibal" Lechter (Hopkins) at his cell in a Maryland mental hospital. The FBI hopes Lechter can provide insight into the mind of killer-at-large, Buffalo Bill (Ted Levine), whose current abductee happens to be the daughter of a senator. Intrigued by Clairice, Lechter demands information about her personal life and in exchange for clues, and the two begin to form a strangely intimate connection, with a girl's life hanging in the balance. Starling is gradually revealed as a woman struggling out of her own darkness, bound to aid the dysfunctional males around her on their own paths of transformation, liberation, and destruction. This is a film of brilliant and disturbing beauty that transcends its B-movie origins (though it does honor them with a cameo appearance by Roger Corman). Its enduring influence has led to a slew of similarly dark-toned serial killer films, and a sequel, HANNIBAL (2001).

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In director Gregory Hoblit's 2007 thriller, FRACTURE, one thing is clear--highly successful engineer Ted Crawford (Anthony Hopkins) has shot his wife (Embeth Davidtz). What is not clear, though, is how Willy Beachum (Ryan Gosling), an assertive assistant D.A. on the verge signing with a major law firm, will convict Crawford, since the calculating suspect is masterfully exploiting legal loopholes that may keep him a free man. As Beachum becomes more and more determined to beat Crawford at his own intricately setup game, he risks losing both his shot at the lucrative job and his new love, Nikki Gardner (Rosamund Pike). Easily Hoblit's finest film since 1996's PRIMAL FEAR, FRACTURE benefits from a similar sense of suspense, which is heightened by the fascinating interplay between Hopkins and Gosling. While Hopkins verges on Hannibal Lecter territory, he never makes the leap to that villain's macabre persona, instead making Crawford a chillingly detached criminal who finds room for occasional moments of disarming humor. And as Beachum, Gosling embodies young, aspiring swagger, making his character the polar opposite of his lost, drug-addled Oscar-nominated role in HALF NELSON. Aided by a smart script (courtesy of Glenn Gers and Daniel Pyne), Hopkins and Gosling take what could have been a decent courtroom drama, and elevate it to the level of a mesmerizing chess match.

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Part mystery, part nostalgic coming-of-age tale, Scott Hicks's lyrical, leisurely film of Stephen King's novel captures the innocence, pain, and confusion of childhood. In one unforgettable summer, a lonely 11-year-old boy is befriended by his mysterious new neighbor. But the man makes clear that he is only passing through, and as the boy grows more and more attached to his new friend, he realizes that the dark forces the man fears aren't just "the boogeyman." Accompanied by a soundtrack filled with fifties pop tunes, Hicks (SHINE, SNOW FALLING ON CEDARS) evokes the timelessness of childhood hand in hand with the innocence of an era, a time when a boy's first new bike was the Holy Grail, and his first kiss was "the one by which all others will be judged--and found wanting." The first-rate cast is headed by Anthony Hopkins, who plays the neighbor with compassion and warmth coupled with an understated sadness, and the young Anton Yelchin, who paints a raw, naked portrait of a lost little boy finding his way as a man. William Goldman (THE PRINCESS BRIDE, MISERY) penned the script, and the film is dedicated to cinematographer Piotr Sobocinski, who died before its release.

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Set over Christmas of 1183, this classic royal costume dramas concerns Henry II's effort to choose a worthy successor. Powerful Henry II (Peter O'Toole) favors his youngest son John (Nigel Terry), while his strong-willed wife Eleanor (Katherine Hepburn) feels the honor should be bestowed upon eldest son Richard the Lionhearted (Anthony Hopkins, in his screen debut). This disagreement leads the family to a war of wills that will stress every bond of love, trust, and honor. This acclaimed adaptation of James Goldman's play was also the first film for Timothy Dalton. Academy Award Nominations: 7, including Best Picture, Best Director, Best Actor--Peter O'Toole. Academy Awards: 3, including Best (Adapted) Screenplay, Best Actress--Katharine Hepburn (shared with Barbra Streisand - "Funny Girl").

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In director Gregory Hoblit's 2007 thriller, FRACTURE, one thing is clear--highly successful engineer Ted Crawford (Anthony Hopkins) has shot his wife (Embeth Davidtz). What is not clear, though, is how Willy Beachum (Ryan Gosling), an assertive assistant D.A. on the verge signing with a major law firm, will convict Crawford, since the calculating suspect is masterfully exploiting legal loopholes that may keep him a free man. As Beachum becomes more and more determined to beat Crawford at his own intricately setup game, he risks losing both his shot at the lucrative job and his new love, Nikki Gardner (Rosamund Pike). Easily Hoblit's finest film since 1996's PRIMAL FEAR, FRACTURE benefits from a similar sense of suspense, which is heightened by the fascinating interplay between Hopkins and Gosling. While Hopkins verges on Hannibal Lecter territory, he never makes the leap to that villain's macabre persona, instead making Crawford a chillingly detached criminal who finds room for occasional moments of disarming humor. And as Beachum, Gosling embodies young, aspiring swagger, making his character the polar opposite of his lost, drug-addled Oscar-nominated role in HALF NELSON. Aided by a smart script (courtesy of Glenn Gers and Daniel Pyne), Hopkins and Gosling take what could have been a decent courtroom drama, and elevate it to the level of a mesmerizing chess match.

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Theo Caulder (Gooding, Jr.) is an ambitious psychiatric who has been asked by his mentor Ben Hillard (Sutherland) to evaluate the case of legendary anthropologist and primatologist Ethan Powell (Hopkins). Powell- a highly educated man who holds an ominous secret in his past- is currently being held captive in a maximum security prison for the critically insane. In an attempt to understand the actions of this headline-gripping madman, Caulder elicits the aid of Powell's estranged daughter, Lyn. Risking his career and his life, Caulder's ambition drives him to find the truth, regardless of the cost. Both men become psychologically connected as their relationship changes from psychiartrist and prisoner to student and teacher.

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Sean Penn gives an electrifying performance as rising politician Willie Stark in ALL THE KING'S MEN, the second film based on Robert Penn Warren's Pulitzer Prize-winning novel. (In 1949, the original ALL THE KING'S MEN, directed by Robert Rossen, was a huge hit, earning Oscars for Best Picture, Best Actor [Broderick Crawford], and Best Supporting Actress [Merceded McCambridge].) But whereas the novel and first film set the story of pride, ambition, jealousy, and dirty politics in pre-World War II Louisiana, writer-director Steven Zaillian (SEARCHING FOR BOBBY FISCHER) moves the action to the 1950s, a much different time in American history, with the Great Depression and the war over and McCarthyism just around the corner. Stark starts out as a man of the people, proud to be a hick, wanting to make a difference to the struggling families in his community. But the smell of power leads to back-room corruption, lies, and betrayal. Stark surrounds himself with smart, well-connected people, including journalist (and narrator) Jack Burden (Jude Law), right-hand man Tiny Duffy (James Gandolfini), and doctor Adam Stanton (Mark Ruffalo), using them as both willing and unwilling players in his march to the top. The all-star cast also includes Kate Winslet as Stanton's sister and a former love of Burden's, Anthony Hopkins as a compromised judge, and Jackie Earle Haley as a Stark thug. The film is gorgeously shot by Pawel Edelman, with an emotional soundtrack by James Horner and period music supervised by T Bone Burnett (O BROTHER, WHERE ART THOU?). Interestingly, Zaillian chose not to watch the original film, basing his screenplay solely on the novel. The remake was the brainchild of former Bill Clinton adviser James Carville, who is one of the executive producers of this stirring political film.

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Director Edward Zwick's epic romance, set against the backdrop of WWI and the wide sky and rugged terrain of Montana, stars Anthony Hopkins as William Ludlow, an idealistic retired colonel who disapproves of the war and the army's indecent treatment of Native Americans. Abandoned by his blue-blooded wife, Ludlow raises his three sons in the remote foothills of Montana with the help of Native American friends. Before the war, Samuel (Henry Thomas) brings home his fiancée from the East Coast, Susannah (Julia Ormond), a stunning beauty who can ride, rope, and hunt like the Ludlow boys. When the war breaks out, Samuel, the youngest and most idealistic son, enlists in the army. Brothers Alfred (Aidan Quinn) and Tristan (Brad Pitt) follow suit, more as protectors than as cohorts. Despite their best efforts, however, Samuel dies in battle. Upon returning home, Tristan becomes involved with Susannah, who is devastated by her loss but profoundly attracted to the brooding brother. However, tormented by his inability to save his little brother's life, Tristan abandons her and sets out on a long journey of self-discovery. During his absence, Alfred reveals his own passion for Susannah. Although she does not reciprocate his feelings, Susannah--who has despaired of ever seeing Tristan again--agrees to become his wife. Ultimately, Tristan does return, setting off a dangerous conflict between the brothers.

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Director Edward Zwick's epic romance, set against the backdrop of WWI and the wide sky and rugged terrain of Montana, stars Anthony Hopkins as William Ludlow, an idealistic retired colonel who disapproves of the war and the army's indecent treatment of Native Americans. Abandoned by his blue-blooded wife, Ludlow raises his three sons in the remote foothills of Montana with the help of Native American friends. Before the war, Samuel (Henry Thomas) brings home his fiancée from the East Coast, Susannah (Julia Ormond), a stunning beauty who can ride, rope, and hunt like the Ludlow boys. When the war breaks out, Samuel, the youngest and most idealistic son, enlists in the army. Brothers Alfred (Aidan Quinn) and Tristan (Brad Pitt) follow suit, more as protectors than as cohorts. Despite their best efforts, however, Samuel dies in battle. Upon returning home, Tristan becomes involved with Susannah, who is devastated by her loss but profoundly attracted to the brooding brother. However, tormented by his inability to save his little brother's life, Tristan abandons her and sets out on a long journey of self-discovery. During his absence, Alfred reveals his own passion for Susannah. Although she does not reciprocate his feelings, Susannah--who has despaired of ever seeing Tristan again--agrees to become his wife. Ultimately, Tristan does return, setting off a dangerous conflict between the brothers.

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$5
 

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James Ivory directed this quietly moving film set just prior to World War II. On the large English estate of Lord Darlington (James Fox), a disciplined English butler, Stevens (Anthony Hopkins), devotes himself to his duties with rigorous dedication. Like his father (Peter Vaughan) before him, Stevens lives to serve--to bring order and certainty to the estate's minutiae. Though Stevens has the opportunity to break free of this mold in the form of a romance with the spirited housekeeper, Miss Kenton (Emma Thompson), he chooses to remain within the safe structure of the household, even one that has misguided loyalties to Nazi Germany. Christopher Reeve and Hugh Grant costar as men hoping to show Lord Darlington the danger of his allegiances. THE REMAINS OF THE DAY was Merchant-Ivory's follow-up to HOWARDS END, which also starred Hopkins and Thompson; both actors were nominated for Academy Awards for their roles as dutiful servants in the later film.

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While searching for rare English books, New York writer Helene Hanff's (Anne Bancroft) letter to a London bookstore, run by Frank Doel (Anthony Hopkins), begins a relationship between the two that spans two decades and two continents. Although their personalities and cultures are miles apart, their friendship blossoms into a deeper affection. Bancroft's performance earned her the BAFTA award, the British equivalent of the Oscar. Based on James Roose-Evans's play, which was based on Helene Hanff's memoir.

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