Anthony hopkins in Drama DVDs & Videos

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LEGENDS OF THE FALL: Director Edward Zwick's epic romance, set against the backdrop of WWI and the wide sky and rugged terrain of Montana, stars Anthony Hopkins as William Ludlow, an idealistic retired colonel who disapproves of the war and the army's indecent treatment of Native Americans. Abandoned by his blue-blooded wife, Ludlow raises his three sons in the remote foothills of Montana with the help of Native American friends. Before the war, Samuel (Henry Thomas) brings home his fiancée from the East Coast, Susannah (Julia Ormond), a stunning beauty who can ride, rope, and hunt like the Ludlow boys. When the war breaks out, Samuel, the youngest and most idealistic son, enlists in the army. Brothers Alfred (Aidan Quinn) and Tristan (Brad Pitt) follow suit, more as protectors than as cohorts. Despite their best efforts, however, Samuel dies in battle. Upon returning home, Tristan becomes involved with Susannah, who is devastated by her loss but profoundly attracted to the brooding brother. However, tormented by his inability to save his little brother's life, Tristan abandons her and sets out on a long journey of self-discovery. During his absence, Alfred reveals his own passion for Susannah. Although she does not reciprocate his feelings, Susannah--who has despaired of ever seeing Tristan again--agrees to become his wife. Ultimately, Tristan does return, setting off a dangerous conflict between the brothers. A RIVER RUNS THROUGH IT: Fly-fishing figures prominently in this poignant tale of two brothers growing up in Montana in the early 20th century under the stern rule of their minister father. While both boys rebel, Norman (Craig Sheffer) channels his rebellion into writing, but Paul (Brad Pitt) descends onto a slippery path of self-destruction. The beautiful scenery of Montana is used to full effect with the awesome cinematography of Philippe Rousselot. Directed by Robert Redford, this adaptation of Norman Maclean's classic autobiography also features Tom Skerritt and Brenda Blethyn as the Reverend and Mrs. Maclean. DEVIL'S OWN: THE DEVIL'S OWN, Alan J. Pakula's last film, is a character-driven thriller that confronts suspense and gritty realism head-on. Harrison Ford plays Tom O'Meara, an Irish-American cop in New York who opens his home and family to Francis "Frankie" McGuire (Brad Pitt), whom they believe is a refuge-seeking immigrant from Belfast. They later discover that their visitor is an IRA rebel on a terrorist mission. Buoyed by tense, strong performances from both stars, the film is ultimately a tragedy that explores the unexpected friendship of two men of similar ethnic roots, yet of different places, times, and values, and the cruel and senseless cycle of violence they face.

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Jodie Foster and Anthony Hopkins will likely be forever associated with their roles in this bone-chilling masterpiece, based on the novel by Thomas Harris and directed by Jonathan Demme. FBI trainee Clarice Starling (Foster) is sent by her supervisor (Scott Glenn) to interview ferociously intelligent serial killer Hannibal "The Cannibal" Lechter (Hopkins) at his cell in a Maryland mental hospital. The FBI hopes Lechter can provide insight into the mind of killer-at-large, Buffalo Bill (Ted Levine), whose current abductee happens to be the daughter of a senator. Intrigued by Clairice, Lechter demands information about her personal life and in exchange for clues, and the two begin to form a strangely intimate connection, with a girl's life hanging in the balance. Starling is gradually revealed as a woman struggling out of her own darkness, bound to aid the dysfunctional males around her on their own paths of transformation, liberation, and destruction. This is a film of brilliant and disturbing beauty that transcends its B-movie origins (though it does honor them with a cameo appearance by Roger Corman). Its enduring influence has led to a slew of similarly dark-toned serial killer films, and a sequel, HANNIBAL (2001).

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Based on actual events in 1838, AMISTAD is the story of captured African slaves who took over their transport ship in a bloody revolt with the hopes of returning back to their homeland. After the slaves are caught and imprisoned, their leader, Cinque (Djimon Hounsou), unable to understand the language or court system of America, tries to communicate his desire to return home to his defense lawyer, Roger Baldwin (Matthew McConaughey), and former slave Theodore Joadson (Morgan Freeman). The men plead for help with their groundbreaking court case from former president John Quincy Adams (Anthony Hopkins). Steven Spielberg directed this moving film, using as a reference the book by William A. Owens, BLACK MUTINY: THE REVOLT ON THE SCHOONER AMISTAD. The Africans in the movie speak Mende, with subtitles added. West African actor Djimon Hounsou had to learn to speak the language for his role--and was nominated for a Golden Globe. Spielberg shot the film at the State House in Providence, Rhode Island, the seaport in Mystic, Connecticut, and other New England locations.

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This 3-pack collects the Special Edition DVDs of 3 titles starring Sir Anthony Hopkins: LEGENDS OF THE FALL, THE MASK OF ZORRO, and THE REMAINS OF THE DAY. See individual titles for details.

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Consider these classic films to be the ultimate cautionary tales. The caution: leave that creepy-looking guy alone with whatever it is he's doing. Simply do not get in his business. Learn this lesson the hard way via Tony Curtis's portrayal of the demented Albert DeSalvo in 1968's THE BOSTON STRANGLER. Gasp at the horror piled upon an innocent traveling couple by crazed chemistry teacher Barney Cousins in the 1993 remake THE VANISHING. Finally, get creeped out by Buffalo Bill and his "woman suits" in the 1991 Academy Award-winning Best Picture THE SILENCE OF THE LAMBS. Whatever you do, just don't ever talk to these guys. Please see individual titles for complete synopsis information.

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Director Edward Zwick's epic romance, set against the backdrop of WWI and the wide sky and rugged terrain of Montana, stars Anthony Hopkins as William Ludlow, an idealistic retired colonel who disapproves of the war and the army's indecent treatment of Native Americans. Abandoned by his blue-blooded wife, Ludlow raises his three sons in the remote foothills of Montana with the help of Native American friends. Before the war, Samuel (Henry Thomas) brings home his fiancée from the East Coast, Susannah (Julia Ormond), a stunning beauty who can ride, rope, and hunt like the Ludlow boys. When the war breaks out, Samuel, the youngest and most idealistic son, enlists in the army. Brothers Alfred (Aidan Quinn) and Tristan (Brad Pitt) follow suit, more as protectors than as cohorts. Despite their best efforts, however, Samuel dies in battle. Upon returning home, Tristan becomes involved with Susannah, who is devastated by her loss but profoundly attracted to the brooding brother. However, tormented by his inability to save his little brother's life, Tristan abandons her and sets out on a long journey of self-discovery. During his absence, Alfred reveals his own passion for Susannah. Although she does not reciprocate his feelings, Susannah--who has despaired of ever seeing Tristan again--agrees to become his wife. Ultimately, Tristan does return, setting off a dangerous conflict between the brothers.

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Paraguay 1976, during the brutal rule of General Alfredo Storessner, Joel Filartiga was a doctor providing free medical care to the poor. Recognizing signs that his son was tortured and refusing to believe his son died in a crime of passion, he enlists a criminal lawyer to fight the system resulting in a landmark victory used to this day. Based on a true story.

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The life and triumph of Burt Munro, the elderly Kiwi man who, at the far from spritely age of 68, broke motorcycle racing records in Utah, has fueled director Roger Donaldson's creative energy for years. In the early 1970s, just a few years after Munro's incredible triumph, Donaldson directed OFFERINGS TO THE GOD OF SPEED, a documentary on the sensational senior. Here, with the help of the fine actors Anthony Hopkins and Diane Ladd, the director brings the story to vivid, dramatic life yet again, constructing a gripping and inspirational narrative. Hopkins's Munro is a rich and magnetic character, a man who wears his notable physical ailments (which include an embarrassing prostate condition and deficient eardrums) like quirky idiosyncrasies rather than debilitating defects. An active playboy, Munro is a lovable character in his small New Zealand town, an attractively unique old man with a zest for life and a love of his vintage motorcycle--a bright red 1920 Indian model. After racing his own times obsessively every day, he becomes determined to live out his dream of participating in the annual Speed Week motorcycle event at Utah's Bonneville Salt Flats. Through local support and innovative fundraising, Munro is finally able to afford the long nautical journey across the world to Mormon-land and, beating all the incredible odds, not only enter the race but break its records with a jaw-dropping speed of 201 miles an hour. Besides telling a classic tale of individual triumph, THE WORLD'S FASTEST INDIAN offers a sociological look at the American West of the late 1960s, an iconic landscape peppered with colorful characters that include a wizened Native American and a generous drag queen, both of whom help the eccentric elder on his quixotic quest.

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Jodie Foster and Anthony Hopkins will likely be forever associated with their roles in this bone-chilling masterpiece, based on the novel by Thomas Harris and directed by Jonathan Demme. FBI trainee Clarice Starling (Foster) is sent by her supervisor (Scott Glenn) to interview ferociously intelligent serial killer Hannibal "The Cannibal" Lechter (Hopkins) at his cell in a Maryland mental hospital. The FBI hopes Lechter can provide insight into the mind of killer-at-large, Buffalo Bill (Ted Levine), whose current abductee happens to be the daughter of a senator. Intrigued by Clairice, Lechter demands information about her personal life and in exchange for clues, and the two begin to form a strangely intimate connection, with a girl's life hanging in the balance. Starling is gradually revealed as a woman struggling out of her own darkness, bound to aid the dysfunctional males around her on their own paths of transformation, liberation, and destruction. This is a film of brilliant and disturbing beauty that transcends its B-movie origins (though it does honor them with a cameo appearance by Roger Corman). Its enduring influence has led to a slew of similarly dark-toned serial killer films, and a sequel, HANNIBAL (2001).

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$9
 

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In director Gregory Hoblit's 2007 thriller, FRACTURE, one thing is clear--highly successful engineer Ted Crawford (Anthony Hopkins) has shot his wife (Embeth Davidtz). What is not clear, though, is how Willy Beachum (Ryan Gosling), an assertive assistant D.A. on the verge signing with a major law firm, will convict Crawford, since the calculating suspect is masterfully exploiting legal loopholes that may keep him a free man. As Beachum becomes more and more determined to beat Crawford at his own intricately setup game, he risks losing both his shot at the lucrative job and his new love, Nikki Gardner (Rosamund Pike). Easily Hoblit's finest film since 1996's PRIMAL FEAR, FRACTURE benefits from a similar sense of suspense, which is heightened by the fascinating interplay between Hopkins and Gosling. While Hopkins verges on Hannibal Lecter territory, he never makes the leap to that villain's macabre persona, instead making Crawford a chillingly detached criminal who finds room for occasional moments of disarming humor. And as Beachum, Gosling embodies young, aspiring swagger, making his character the polar opposite of his lost, drug-addled Oscar-nominated role in HALF NELSON. Aided by a smart script (courtesy of Glenn Gers and Daniel Pyne), Hopkins and Gosling take what could have been a decent courtroom drama, and elevate it to the level of a mesmerizing chess match.

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An ambitious labor of love from writer/director/star Emilio Estevez, BOBBY attempts to distill the hope, anger, and confusion that gripped the U.S. in the late 1960s. With the civil rights movement still reeling from the murder of Martin Luther King, Jr. and the country embroiled in the confusion of Vietnam, Senator Robert F. Kennedy's campaign preached a message of peace and tolerance. In a style similar to the sprawling works of Robert Altman or Paul Thomas Anderson, Estevez uses the June 4th, 1969, assassination of Kennedy at the Ambassador Hotel in Los Angeles as the means to take a snapshot of the problems facing the country as the 1960's came to an end. The hotel is a microcosm of class and race, with characters bouncing off each other until the violent conclusion. African-American head chef Edward (Laurence Fishburne) presides over a kitchen staffed primarily by Mexican Americans who are the victims of the racist restaurant manager, Timmons (Christian Slater). Timmons is reprimanded by hotel manager Paul Ebbers (William H. Macy), who is having an affair with a switchboard operator (Heather Graham) behind the back of his beautician wife (Sharon Stone). Meanwhile, a young Diane (Lindsay Lohan) prepares to marry her classmate, William (Elijah Wood), in order to save him from going to Vietnam, and two collegiate campaigners for Senator Kennedy remove their ties to take their first LSD trip, courtesy of a resident hippie drug dealer (Ashton Kutcher). Though the sheer volume of characters--and celebrities portraying them--is often overwhelming, Estevez is deft at making each plot thread convincing and involving. Though BOBBY is not a biopic and will in no way be mistaken for the definitive statement on the man or his life and times, it is thoroughly adept at distilling both his message and the time in which he fought to deliver it.

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The life and triumph of Burt Munro, the elderly Kiwi man who, at the far from spritely age of 68, broke motorcycle racing records in Utah, has fueled director Roger Donaldson's creative energy for years. In the early 1970s, just a few years after Munro's incredible triumph, Donaldson directed OFFERINGS TO THE GOD OF SPEED, a documentary on the sensational senior. Here, with the help of the fine actors Anthony Hopkins and Diane Ladd, the director brings the story to vivid, dramatic life yet again, constructing a gripping and inspirational narrative. Hopkins's Munro is a rich and magnetic character, a man who wears his notable physical ailments (which include an embarrassing prostate condition and deficient eardrums) like quirky idiosyncrasies rather than debilitating defects. An active playboy, Munro is a lovable character in his small New Zealand town, an attractively unique old man with a zest for life and a love of his vintage motorcycle--a bright red 1920 Indian model. After racing his own times obsessively every day, he becomes determined to live out his dream of participating in the annual Speed Week motorcycle event at Utah's Bonneville Salt Flats. Through local support and innovative fundraising, Munro is finally able to afford the long nautical journey across the world to Mormon-land and, beating all the incredible odds, not only enter the race but break its records with a jaw-dropping speed of 201 miles an hour. Besides telling a classic tale of individual triumph, THE WORLD'S FASTEST INDIAN offers a sociological look at the American West of the late 1960s, an iconic landscape peppered with colorful characters that include a wizened Native American and a generous drag queen, both of whom help the eccentric elder on his quixotic quest.

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From one of the greatest playwrights of all time comes this collection of masterly productions for the BBC. Included here are 11 of his best-known works such as THE SEAGULL, THE CHERRY ORCHARD, and UNCLE VANYA. And since these were all produced for the BBC, this collection showcases an impressive array of some of the finest actors working in film and on the stage. Anthony Hopkins, Judy Dench, and Rex Harrison are just a few of those who have helped to capture all the nuance and complexity of Chehkov's family dramas.

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The BBC has worked tirelessly to bring the works of playwright Henrik Ibsen to the screen. This collection includes 10 adaptations of Ibsen's work and features performances from lauded actors such as Anthony Hopkins and Charles Dance. The titles included are A DOLL'S HOUSE, BRAND, GHOSTS, AN ENEMY OF THE PEOPLE, THE WILD DUCK, HEDDA GABLER, THE LADY FROM THE SEA, the 1958 and 1988 versions of THE MASTER BUILDER, and LITTLE EYOLF.

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In director Gregory Hoblit's 2007 thriller, FRACTURE, one thing is clear--highly successful engineer Ted Crawford (Anthony Hopkins) has shot his wife (Embeth Davidtz). What is not clear, though, is how Willy Beachum (Ryan Gosling), an assertive assistant D.A. on the verge signing with a major law firm, will convict Crawford, since the calculating suspect is masterfully exploiting legal loopholes that may keep him a free man. As Beachum becomes more and more determined to beat Crawford at his own intricately setup game, he risks losing both his shot at the lucrative job and his new love, Nikki Gardner (Rosamund Pike). Easily Hoblit's finest film since 1996's PRIMAL FEAR, FRACTURE benefits from a similar sense of suspense, which is heightened by the fascinating interplay between Hopkins and Gosling. While Hopkins verges on Hannibal Lecter territory, he never makes the leap to that villain's macabre persona, instead making Crawford a chillingly detached criminal who finds room for occasional moments of disarming humor. And as Beachum, Gosling embodies young, aspiring swagger, making his character the polar opposite of his lost, drug-addled Oscar-nominated role in HALF NELSON. Aided by a smart script (courtesy of Glenn Gers and Daniel Pyne), Hopkins and Gosling take what could have been a decent courtroom drama, and elevate it to the level of a mesmerizing chess match.

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$2
 

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$3
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Part mystery, part nostalgic coming-of-age tale, Scott Hicks's lyrical, leisurely film of Stephen King's novel captures the innocence, pain, and confusion of childhood. In one unforgettable summer, a lonely 11-year-old boy is befriended by his mysterious new neighbor. But the man makes clear that he is only passing through, and as the boy grows more and more attached to his new friend, he realizes that the dark forces the man fears aren't just "the boogeyman." Accompanied by a soundtrack filled with fifties pop tunes, Hicks (SHINE, SNOW FALLING ON CEDARS) evokes the timelessness of childhood hand in hand with the innocence of an era, a time when a boy's first new bike was the Holy Grail, and his first kiss was "the one by which all others will be judged--and found wanting." The first-rate cast is headed by Anthony Hopkins, who plays the neighbor with compassion and warmth coupled with an understated sadness, and the young Anton Yelchin, who paints a raw, naked portrait of a lost little boy finding his way as a man. William Goldman (THE PRINCESS BRIDE, MISERY) penned the script, and the film is dedicated to cinematographer Piotr Sobocinski, who died before its release.

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This modern fantasy stars Anthony Hopkins as William Parrish, a wealthy New York City media mogul who suffers a heart attack on the eve of his 65th birthday; although he survives, he senses that his death is near. On the same day, Parrish's younger daughter, Susan (Claire Forlani), meets a handsome young stranger (Brad Pitt) at a neighboring coffee shop and is instantly smitten. As they part, the young stranger is killed and his body is occupied by Death, who is coming to Earth to warn Parrish that his death is, indeed, imminent. Death enters the Parrish household disguised as Joe Black, the handsome stranger, and although Parrish understands Death's intentions he lets the family believe that Joe Black is a young business associate. Susan is shocked to find the familiar young man at her family dinner that evening, and, as she begins a passionate love affair with the debonaire stranger, she has no idea that she has fallen not for the young stranger from the coffee shop but for Death himself. In an effort to prolong his life and his daughter's happiness, William agrees to take Joe on a tour of human life that includes board meetings, family parties, and, ultimately, romance. As long as Joe falls in love, Parrish remains alive. This version was inspired by the Alberto Casella play DEATH TAKES A HOLIDAY and the subsequent 1934 film.

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Director Robert Benton brings Philip Roth's 2000 novel THE HUMAN STAIN to the screen in this lavish production, with expert cinematography from Jean-Yves Escoffier. Coleman Silk (Anthony Hopkins) is a light-skinned African-American college professor who has kept his true racial identity secret for the majority of his life. His career comes to a sudden halt when he makes a comment that is misinterpreted as a racial slur. Soon after he is fired, Silk hooks up with young Faunia Farely (Nicole Kidman), a local janitor. The affair with Farely, who is almost half Silk's age, becomes small-town gossip, and attracts the attention of Farely's psychotic ex-husband, Lester (Ed Harris). As Lester seeks vengeance, still angry at his ex-wife, Silk must make some tough decisions about his affair with Farely, leading to the film's nail-biting conclusion. Benton draws incredibly convincing performances from his two lead actors. Hopkins ably transcends his Caucasian ethnicity to play an African American. And Kidman fully embraces her character as a downtrodden janitor who is determined to rise beyond her humble beginnings. The two actors conquer the difficult subject matter, offering fascinating commentary on racial mores and relationship issues.

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Sean Penn gives an electrifying performance as rising politician Willie Stark in ALL THE KING'S MEN, the second film based on Robert Penn Warren's Pulitzer Prize-winning novel. (In 1949, the original ALL THE KING'S MEN, directed by Robert Rossen, was a huge hit, earning Oscars for Best Picture, Best Actor [Broderick Crawford], and Best Supporting Actress [Merceded McCambridge].) But whereas the novel and first film set the story of pride, ambition, jealousy, and dirty politics in pre-World War II Louisiana, writer-director Steven Zaillian (SEARCHING FOR BOBBY FISCHER) moves the action to the 1950s, a much different time in American history, with the Great Depression and the war over and McCarthyism just around the corner. Stark starts out as a man of the people, proud to be a hick, wanting to make a difference to the struggling families in his community. But the smell of power leads to back-room corruption, lies, and betrayal. Stark surrounds himself with smart, well-connected people, including journalist (and narrator) Jack Burden (Jude Law), right-hand man Tiny Duffy (James Gandolfini), and doctor Adam Stanton (Mark Ruffalo), using them as both willing and unwilling players in his march to the top. The all-star cast also includes Kate Winslet as Stanton's sister and a former love of Burden's, Anthony Hopkins as a compromised judge, and Jackie Earle Haley as a Stark thug. The film is gorgeously shot by Pawel Edelman, with an emotional soundtrack by James Horner and period music supervised by T Bone Burnett (O BROTHER, WHERE ART THOU?). Interestingly, Zaillian chose not to watch the original film, basing his screenplay solely on the novel. The remake was the brainchild of former Bill Clinton adviser James Carville, who is one of the executive producers of this stirring political film.

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Gwyneth Paltrow, who won an Oscar for her performance in director John Madden's SHAKESPEARE IN LOVE, teams up again with Madden in PROOF, a poignant drama based on David Auburn's Pulitzer Prize-winning play. Paltrow lights up the screen as Catherine, a young woman who has given up a seemingly bright future in order to take care of her ailing father, Robert (Anthony Hopkins), a formerly brilliant mathematician who went crazy. After he dies, Catherine's closed-off world is invaded by Hal (Jake Gyllenhaal), a young mathematician who worshipped Robert, and Claire (Hope Davis), her successful sister who fears that Catherine is too much like their father--a talented, supremely intelligent person with severe mental problems. During the last years of his life, Robert filled 103 notebooks with his writings, but one of them, written during a brief period of lucidity, could turn the math world on its head, while also threatening Catherine's already wavering sanity. Auburn co-wrote the screenplay with Rebecca Miller (PERSONAL VELOCITY, THE BALLAD OF JACK AND ROSE), taking it off the stage, setting it in and around Chicago, and breathing new life into the story, along with Stephen Warbeck's compelling score and plenty of outstanding acting, particularly by the glowing Paltrow and the earnest Gyllenhaal.

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Set over Christmas of 1183, this classic royal costume dramas concerns Henry II's effort to choose a worthy successor. Powerful Henry II (Peter O'Toole) favors his youngest son John (Nigel Terry), while his strong-willed wife Eleanor (Katherine Hepburn) feels the honor should be bestowed upon eldest son Richard the Lionhearted (Anthony Hopkins, in his screen debut). This disagreement leads the family to a war of wills that will stress every bond of love, trust, and honor. This acclaimed adaptation of James Goldman's play was also the first film for Timothy Dalton. Academy Award Nominations: 7, including Best Picture, Best Director, Best Actor--Peter O'Toole. Academy Awards: 3, including Best (Adapted) Screenplay, Best Actress--Katharine Hepburn (shared with Barbra Streisand - "Funny Girl").

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While searching for rare English books, New York writer Helene Hanff's (Anne Bancroft) letter to a London bookstore, run by Frank Doel (Anthony Hopkins), begins a relationship between the two that spans two decades and two continents. Although their personalities and cultures are miles apart, their friendship blossoms into a deeper affection. Bancroft's performance earned her the BAFTA award, the British equivalent of the Oscar. Based on James Roose-Evans's play, which was based on Helene Hanff's memoir.

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James Ivory directed this quietly moving film set just prior to World War II. On the large English estate of Lord Darlington (James Fox), a disciplined English butler, Stevens (Anthony Hopkins), devotes himself to his duties with rigorous dedication. Like his father (Peter Vaughan) before him, Stevens lives to serve--to bring order and certainty to the estate's minutiae. Though Stevens has the opportunity to break free of this mold in the form of a romance with the spirited housekeeper, Miss Kenton (Emma Thompson), he chooses to remain within the safe structure of the household, even one that has misguided loyalties to Nazi Germany. Christopher Reeve and Hugh Grant costar as men hoping to show Lord Darlington the danger of his allegiances. THE REMAINS OF THE DAY was Merchant-Ivory's follow-up to HOWARDS END, which also starred Hopkins and Thompson; both actors were nominated for Academy Awards for their roles as dutiful servants in the later film.

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The life and times of Charlie Chaplin, the legendary film maker. Academy Award Nominations: 3, including Best Actor--Robert Downey Jr.

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Based on Shakespeare's TITUS ANDRONICUS (one of the Bard's lesser-known and most gruesome works), director Taymor (Broadway's THE LION KING) brings this adaptation to life with dazzling imagery and haunting immediacy. Titus (Hopkins) is a victorious Roman general who makes two mistakes: supporting the wily Saturninus (Cumming) as the new Emperor, and wronging Tamora, Queen of the Goths (Lange), by killing her eldest son. Murder follows murder as the tides of fate change, as Tamora is aided by her two reckless sons and her Moor lover, Aaron (Lennix). The body count is raised higher and higher until Titus finally holds a very special dinner banquet. Taymor's bold visual sense verges on absurdity, but her sense of morality, as well as powerful acting by Hopkins and company, combine to tell a powerful, violent tale.

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Thoughtful, provocative drama in which Adam Kelno (Anthony Hopkins), is a Knighted physician in England who is accused of having been a Nazi war doctor twenty years after the war has ended. He sues the novelist for published statements which implicate the doctor in Nazi war crimes and finds his reputation at stake. The title QB VII refers to the courtroom Queen's Bench Room 7, where the trial is held. Also starring in this film are Ben Gazzara, Leslie Caron, Lee Remick and John Gielgud. This Emmy Award winning film was aired in 2 parts on television.

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Using a nonchronological narrative style à la CITIZEN KANE (from which he quotes), director Oliver Stone explores former president Richard Nixon's strict Quaker upbringing, his nascent political strivings in law school, and his strangely self-effacing courtship of his wife, Pat (played by Joan Allen). The contradictions in his character are revealed early, in the vicious campaign against Helen Gahagan Douglas and the oddly masochistic Checkers speech. His defeat at the hands of the hated and envied John F. Kennedy in the 1960 presidential election, followed by the loss of the 1962 California gubernatorial race, seem to signal the end of his career. Yet, although wholly lacking in charisma, Nixon remains a brilliant political operator, seizing the opportunity provided by the backlash against the antiwar movement to take the presidency in 1968. It is only when safely in office, running far ahead in the polls for the 1972 presidential election, that his growing paranoia comes to full flower, triggering the Watergate scandal. Surprisingly, Stone evinces considerable compassion as he gives us a Nixon of tragic stature and nearly Shakespearean dimension in this powerfully moving film. The star-studded cast, including Ed Harris and James Woods, complements Hopkins's extraordinary performance.

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E.M. Forster's 1910 novel is adapted for the screen by Merchant Ivory Productions in this masterful Edwardian Age romance directed by James Ivory. The dying Ruth Wilcox (Vanessa Redgrave) wishes to leave her country home, Howards End, to Margaret Schlegel (Emma Thompson in an Academy Award-winning role), a modest woman of little means who will soon be forced out of her own home in London. But Ruth's husband, Henry (Anthony Hopkins), an upper middle class businessman, keeps secret her desire even after he and Margaret become friends. However, after Henry and Margaret marry, their class differences and philosophies threaten to cause them unhappiness. Margaret's sister, Helen (Helena Bonham Carter), is disgusted by the Wilcox's snobbish ways and is attracted to helping struggling clerk Leonard Bast (Sam West) improve his position. Merchant-Ivory screenwriter Ruth Prawer Jhabvala was the force behind adapting this Forster novel into a film, winning her second Academy Award for her screenplay; her first Oscar was for A ROOM WITH A VIEW.

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MEET JOE BLACK: This modern fantasy stars Anthony Hopkins as William Parrish, a wealthy New York City media mogul who suffers a heart attack on the eve of his 65th birthday; although he survives, he senses that his death is near. On the same day, Parrish's younger daughter, Susan (Claire Forlani), meets a handsome young stranger (Brad Pitt) at a neighboring coffee shop and is instantly smitten. As they part, the young stranger is killed and his body is occupied by Death, who is coming to Earth to warn Parrish that his death is, indeed, imminent. Death enters the Parrish household disguised as Joe Black, the handsome stranger, and although Parrish understands Death's intentions he lets the family believe that Joe Black is a young business associate. Susan is shocked to find the familiar young man at her family dinner that evening, and, as she begins a passionate love affair with the debonaire stranger, she has no idea that she has fallen not for the young stranger from the coffee shop but for Death himself. In an effort to prolong his life and his daughter's happiness, William agrees to take Joe on a tour of human life that includes board meetings, family parties, and, ultimately, romance. As long as Joe falls in love, Parrish remains alive. This version was inspired by the Alberto Casella play DEATH TAKES A HOLIDAY and the subsequent 1934 film. CAPTAIN CORELLI'S MANDOLIN: In keeping with Hollywood's time-honored tradition of turning celebrated novels into cinematic spectacles, director John Madden brings Louis de Bernière's acclaimed 1994 work, CORELLI'S MANDOLIN, to life. Set on the Greek island of Cephalonia in 1940, the film tells the story of the beautiful Pelagia (Penelope Cruz), who lives with her father, Dr. Iannis (John Hurt), and is engaged to a local fisherman, Mandras (Christian Bale). When Mandras leaves the island to fight for his country, Pelagia is left behind to worry, and to wait for a letter that never arrives. In the meantime, the Italian army occupies Cephalonia, and Pelagia and Dr. Iannis receive a new visitor into their home. Captain Antonio Corelli (Nicolas Cage), a romantic opera lover with a passion for playing the mandolin, annoys Pelagia with his free-spirited personality, but it's this charm that eventually wins her heart. Soon, the two are head over heels in love. Mandras's return adds friction to the situation, but when the Germans sweep in and begin to senselessly murder the town's locals, Captain Corelli and Mandras must place their differences aside in order to preserve the island. Exquisitely photographed by cinematographer John Toll, Madden's film boasts impassioned performances by Hurt and by the legendary actress Irene Papas.

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This massive collection is overflowing with some of the all-time greatest stars in motion picture history. Included here are 50 films featuring the talents of Anthony Hopkins, Tommy Lee Jones, Sarah Jessica Parker, John Lithgow, and many others.

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Sean Penn gives an electrifying performance as rising politician Willie Stark in ALL THE KING'S MEN, the second film based on Robert Penn Warren's Pulitzer Prize-winning novel. (In 1949, the original ALL THE KING'S MEN, directed by Robert Rossen, was a huge hit, earning Oscars for Best Picture, Best Actor [Broderick Crawford], and Best Supporting Actress [Merceded McCambridge].) But whereas the novel and first film set the story of pride, ambition, jealousy, and dirty politics in pre-World War II Louisiana, writer-director Steven Zaillian (SEARCHING FOR BOBBY FISCHER) moves the action to the 1950s, a much different time in American history, with the Great Depression and the war over and McCarthyism just around the corner. Stark starts out as a man of the people, proud to be a hick, wanting to make a difference to the struggling families in his community. But the smell of power leads to back-room corruption, lies, and betrayal. Stark surrounds himself with smart, well-connected people, including journalist (and narrator) Jack Burden (Jude Law), right-hand man Tiny Duffy (James Gandolfini), and doctor Adam Stanton (Mark Ruffalo), using them as both willing and unwilling players in his march to the top. The all-star cast also includes Kate Winslet as Stanton's sister and a former love of Burden's, Anthony Hopkins as a compromised judge, and Jackie Earle Haley as a Stark thug. The film is gorgeously shot by Pawel Edelman, with an emotional soundtrack by James Horner and period music supervised by T Bone Burnett (O BROTHER, WHERE ART THOU?). Interestingly, Zaillian chose not to watch the original film, basing his screenplay solely on the novel. The remake was the brainchild of former Bill Clinton adviser James Carville, who is one of the executive producers of this stirring political film.

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This eight-part BBC miniseries explores the influential characters of Britain's Edwardian Age--a period that underwent some of the greatest achievements, and most devastating disasters, of the country's history. Among its cast of complicated figures are Welsh politician David Lloyd George (Anthony Hopkins), financier and swindler Horatio Bottomley (Timothy West), and author and mystic Sir Arthur Conan Doyle (Nigel Davenport).

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Using a nonchronological narrative style à la CITIZEN KANE (from which he quotes), director Oliver Stone explores former president Richard Nixon's strict Quaker upbringing, his nascent political strivings in law school, and his strangely self-effacing courtship of his wife, Pat (played by Joan Allen). The contradictions in his character are revealed early, in the vicious campaign against Helen Gahagan Douglas and the oddly masochistic Checkers speech. His defeat at the hands of the hated and envied John F. Kennedy in the 1960 presidential election, followed by the loss of the 1962 California gubernatorial race, seem to signal the end of his career. Yet, although wholly lacking in charisma, Nixon remains a brilliant political operator, seizing the opportunity provided by the backlash against the antiwar movement to take the presidency in 1968. It is only when safely in office, running far ahead in the polls for the 1972 presidential election, that his growing paranoia comes to full flower, triggering the Watergate scandal. Surprisingly, Stone evinces considerable compassion as he gives us a Nixon of tragic stature and nearly Shakespearean dimension in this powerfully moving film. The star-studded cast, including Ed Harris and James Woods, complements Hopkins's extraordinary performance.

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"Columbo" creator William Link (with Richard Levinson) penned and produced this pithy look inside the mind of an egocentric young lawyer who debates with his conscience over the pros and cons of murdering his wife for his younger mistress.

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An ambitious labor of love from writer/director/star Emilio Estevez, BOBBY attempts to distill the hope, anger, and confusion that gripped the U.S. in the late 1960s. With the civil rights movement still reeling from the murder of Martin Luther King, Jr. and the country embroiled in the confusion of Vietnam, Senator Robert F. Kennedy's campaign preached a message of peace and tolerance. In a style similar to the sprawling works of Robert Altman or Paul Thomas Anderson, Estevez uses the June 4th, 1969, assassination of Kennedy at the Ambassador Hotel in Los Angeles as the means to take a snapshot of the problems facing the country as the 1960's came to an end. The hotel is a microcosm of class and race, with characters bouncing off each other until the violent conclusion. African-American head chef Edward (Laurence Fishburne) presides over a kitchen staffed primarily by Mexican Americans who are the victims of the racist restaurant manager, Timmons (Christian Slater). Timmons is reprimanded by hotel manager Paul Ebbers (William H. Macy), who is having an affair with a switchboard operator (Heather Graham) behind the back of his beautician wife (Sharon Stone). Meanwhile, a young Diane (Lindsay Lohan) prepares to marry her classmate, William (Elijah Wood), in order to save him from going to Vietnam, and two collegiate campaigners for Senator Kennedy remove their ties to take their first LSD trip, courtesy of a resident hippie drug dealer (Ashton Kutcher). Though the sheer volume of characters--and celebrities portraying them--is often overwhelming, Estevez is deft at making each plot thread convincing and involving. Though BOBBY is not a biopic and will in no way be mistaken for the definitive statement on the man or his life and times, it is thoroughly adept at distilling both his message and the time in which he fought to deliver it.

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A remake of the 1955 Humphrey Bogart thriller, DESPERATE HOURS reunites director Michael Cimino and star Mickey Rourke in a richly photographed film filled with emotional and physical violence. Bosworth (Rourke), a brutal criminal on the run, takes over a house occupied by an unhappily married couple, Nora (Mimi Rogers) and Tim (Anthony Hopkins), and their two young children. Bosworth has escaped from jail with the help of his attorney, Nancy Breyers (Kelly Lynch). The film circles around the interactions of the hostage family and Bosworth as he waits for his accomplice and plans his escape to Mexico.

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A made-for-television dramatization of Hitler's final days, holed up in his underground fortress. Anthony Hopkins won an Emmy Award for his portrayal of the Nazi leader.

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EDGE: An aging billionaire (Anthony Hopkins) and a fashion photographer (Alec Baldwin) having an affair with the rich man's wife must struggle against the elements--including a man-eating bear--after their plane goes down in the Alaskan wild. THE EDGE is an unusually dense and cerebral wilderness thriller, penned by David Mamet and helmed by Lee Tamahori (ONCE WERE WARRIORS). TIGERLAND: Set in 1971, when America was a nation divided over the escalating violence and bloodshed of the Vietnam War, TIGERLAND begins when thousands of young soldiers had already lost their lives to the war, and thousands more were preparing to enter combat. In Fort Polk, Louisiana, a group of young soldiers-in-training have conflicting opinions about the war. Jim Paxton (Matthew Davis) is an idealistic romantic who sees Vietnam as potential inspiration for future novels and romantic war stories. Roland Bozz (Colin Farrell) is a rebellious antihero who decides that he wants no part of the army or the war and begins to disobey orders, trying to get expelled from the infantry. Paxton and Bozz become leaders to a small group of young draftees, and Bozz inspires them to question authority. As they enter Tigerland--a training process in which the soldiers simulate combat in the Louisiana wilderness--the men begin to realize just how far they will go to stay out of the war. This gritty, documentary-like vision of the war is engaging and incredibly moving, employing natural lighting, handheld cameras, and realistic dialogue to encapsulate the deeply internalized psychological journeys of the characters. Irishman Farrell gives a breakout performance as Bozz, replete with intense charisma and brooding outlaw heroism.

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Theo Caulder (Gooding, Jr.) is an ambitious psychiatric who has been asked by his mentor Ben Hillard (Sutherland) to evaluate the case of legendary anthropologist and primatologist Ethan Powell (Hopkins). Powell- a highly educated man who holds an ominous secret in his past- is currently being held captive in a maximum security prison for the critically insane. In an attempt to understand the actions of this headline-gripping madman, Caulder elicits the aid of Powell's estranged daughter, Lyn. Risking his career and his life, Caulder's ambition drives him to find the truth, regardless of the cost. Both men become psychologically connected as their relationship changes from psychiartrist and prisoner to student and teacher.

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Nora (Claire Bloom,) who once forged a loan signature to finance her authoritarian husband's (Anthony Hopkins) career, now finds herself being blackmailed and lives in fear of the truth about her crime being exposed. Confident her husband will stand by her no matter what the outcome, she is unprepared for his reaction, which is quite different from what she expected. Based on a play by Henrik Ibsen.

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Director Edward Zwick's epic romance, set against the backdrop of WWI and the wide sky and rugged terrain of Montana, stars Anthony Hopkins as William Ludlow, an idealistic retired colonel who disapproves of the war and the army's indecent treatment of Native Americans. Abandoned by his blue-blooded wife, Ludlow raises his three sons in the remote foothills of Montana with the help of Native American friends. Before the war, Samuel (Henry Thomas) brings home his fiancée from the East Coast, Susannah (Julia Ormond), a stunning beauty who can ride, rope, and hunt like the Ludlow boys. When the war breaks out, Samuel, the youngest and most idealistic son, enlists in the army. Brothers Alfred (Aidan Quinn) and Tristan (Brad Pitt) follow suit, more as protectors than as cohorts. Despite their best efforts, however, Samuel dies in battle. Upon returning home, Tristan becomes involved with Susannah, who is devastated by her loss but profoundly attracted to the brooding brother. However, tormented by his inability to save his little brother's life, Tristan abandons her and sets out on a long journey of self-discovery. During his absence, Alfred reveals his own passion for Susannah. Although she does not reciprocate his feelings, Susannah--who has despaired of ever seeing Tristan again--agrees to become his wife. Ultimately, Tristan does return, setting off a dangerous conflict between the brothers.

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Based on the novel "The Old Jest" by Jennifer Johnston, this is the story of an Irish revolutionary in the 1920's, who draws a young woman into his dangerous world of romance, intrigue and death.

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Director Edward Zwick's epic romance, set against the backdrop of WWI and the wide sky and rugged terrain of Montana, stars Anthony Hopkins as William Ludlow, an idealistic retired colonel who disapproves of the war and the army's indecent treatment of Native Americans. Abandoned by his blue-blooded wife, Ludlow raises his three sons in the remote foothills of Montana with the help of Native American friends. Before the war, Samuel (Henry Thomas) brings home his fiancée from the East Coast, Susannah (Julia Ormond), a stunning beauty who can ride, rope, and hunt like the Ludlow boys. When the war breaks out, Samuel, the youngest and most idealistic son, enlists in the army. Brothers Alfred (Aidan Quinn) and Tristan (Brad Pitt) follow suit, more as protectors than as cohorts. Despite their best efforts, however, Samuel dies in battle. Upon returning home, Tristan becomes involved with Susannah, who is devastated by her loss but profoundly attracted to the brooding brother. However, tormented by his inability to save his little brother's life, Tristan abandons her and sets out on a long journey of self-discovery. During his absence, Alfred reveals his own passion for Susannah. Although she does not reciprocate his feelings, Susannah--who has despaired of ever seeing Tristan again--agrees to become his wife. Ultimately, Tristan does return, setting off a dangerous conflict between the brothers.

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This set of award-winning films features the following: THE SILENCE OF THE LAMBS, PLATOON, ROCKY, and DANCES WITH WOLVES. See individual titles for descriptions.

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Jodie Foster and Anthony Hopkins will likely be forever associated with their roles in this bone-chilling masterpiece, based on the novel by Thomas Harris and directed by Jonathan Demme. FBI trainee Clarice Starling (Foster) is sent by her supervisor (Scott Glenn) to interview ferociously intelligent serial killer Hannibal "The Cannibal" Lechter (Hopkins) at his cell in a Maryland mental hospital. The FBI hopes Lechter can provide insight into the mind of killer-at-large, Buffalo Bill (Ted Levine), whose current abductee happens to be the daughter of a senator. Intrigued by Clairice, Lechter demands information about her personal life and in exchange for clues, and the two begin to form a strangely intimate connection, with a girl's life hanging in the balance. Starling is gradually revealed as a woman struggling out of her own darkness, bound to aid the dysfunctional males around her on their own paths of transformation, liberation, and destruction. This is a film of brilliant and disturbing beauty that transcends its B-movie origins (though it does honor them with a cameo appearance by Roger Corman). Its enduring influence has led to a slew of similarly dark-toned serial killer films, and a sequel, HANNIBAL (2001).

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Bob Hoskins stars as Benito Mussolini in this riveting account of the family conflict and political intrigue which surrounded the rise and fall of the Italian fascist dictator. The four-hour mini-series not only examines Il Duce's career in politics--from his early days as a terrorist to his later alliance with Hitler--but also delves into his tragic personal affairs, such as his estrangement from favorite daughter Edda (Susan Sarandon) and his ultimate betrayal of beloved son-in-law Count Ciano (Anthony Hopkins).

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A MIDSUMMER NIGHT'S DREAM: Michael Hoffman's film adaptation of Shakespeare's magical comedy of a love-tangled quadrangle shimmers with sumptuous cinematography and a truly stellar cast that includes Kevin Kline, Michelle Pfeiffer, Stanley Tucci, Rupert Everett, Calista Flockhart, and Sam Rockwell. Relocated from Athens to an Italian villa, the film follows the romantic misadventures of four would-be lovers. At the beginning of the film, Helena loves Demetrius, who loves Hermia, who loves Lysander, but everything changes when the four young people chase each other into the woods and wander into the domain of Oberon and Titania (King and Queen of the Fairies) and the mischievous magic of Puck, who possesses a flower that causes people to fall in love with the first person they encounter. Into the hilarity and confusion stumble a hapless band of laborers rehearsing a play for the Duke's wedding. One of the band, Nick Bottom, a humble weaver, is given the head of donkey and then, through the power of the flower, wins the love of Titania herself. After a dizzying whirl of magic, mayhem, and a million minor follies of the heart, everything is sorted out and everyone finds, at last, the proper match. ROMEO AND JULIET: This ambitious undertaking adapts Shakespeare's classic tale of star-crossed lovers, setting the story in a glossy music-video style in 1990s Florida. Leonardo DiCaprio and Claire Danes play the famous lovers kept apart by rival industrialist families. Bookended by newscastsers reciting Shakespeare's prose as their copy, this clever glam updating of ROMEO AND JULIET is one of the most unusual adaptations of the Bard's work in the history of cinema. The stylish and colorful sets earned the film an Oscar nomination for art direction. John Leguizamo gives a memorable performance as a devilish Tybalt. TITUS: Based on Shakespeare's TITUS ANDRONICUS (one of his lesser-known but most gruesome works), TITUS is directed by Julie Taymor (Broadway's THE LION KING), who brings this adaptation to life with dazzling imagery and haunting immediacy. Titus (Anthony Hopkins) is a victorious Roman general who makes two mistakes: supporting the wily Saturninus (Alan Cumming) as the new emperor, and wronging Tamora, Queen of the Goths (Jessica Lange), by killing her eldest son. Murder follows murder as the tides of fate change, and Tamora is aided by her two reckless sons and her Moorish lover. The body count is raised higher and higher until Titus finally holds a very special dinner banquet. Taymor's bold visual sense verges on absurdity, but her sense of morality, as well as powerful acting by Hopkins and company, combine to tell a powerful, violent tale.

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An ambitious BBC production of Leo Tolstoy's masterpiece depicting the struggles faced by two Russian families during the Napoleonic Wars. Anthony Hopkins stars in the lead role of Pierre. A six-part boxed set, it took more than two years to complete filming.

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All three mini-series adaptations of Barbara Taylor Bradford's epic A WOMAN OF SUBSTANCE are included in this special boxed set. The story of a powerful family begins with a lowly Yorkshire maid named Emma Harte's incredible rise to corporate boss. It comes full circle when Emma's granddaughter (played by Lindsay Wagner) must fight against powerful enemies who want to take over the empire that the Harte family has built. Stars include Laim Neeson, Deborah Kerr, Anthony Hopkins, James Brolin, Barry Bostwick, Stephanie Beacham, and Jenny Seagrove.

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$36
 

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"Columbo" creator William Link (with Richard Levinson) penned and produced this pithy look inside the mind of an egocentric young lawyer who debates with his conscience over the pros and cons of murdering his wife for his younger mistress.

starting at

$0
 

starting at

$3
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"Columbo" creator William Link (with Richard Levinson) penned and produced this pithy look inside the mind of an egocentric young lawyer who debates with his conscience over the pros and cons of murdering his wife for his younger mistress.

starting at

$3
 

starting at

$2
  • product
This modern fantasy stars Anthony Hopkins as William Parrish, a wealthy New York City media mogul who suffers a heart attack on the eve of his 65th birthday; although he survives, he senses that his death is near. On the same day, Parrish's younger daughter, Susan (Claire Forlani), meets a handsome young stranger (Brad Pitt) at a neighboring coffee shop and is instantly smitten. As they part, the young stranger is killed and his body is occupied by Death, who is coming to Earth to warn Parrish that his death is, indeed, imminent. Death enters the Parrish household disguised as Joe Black, the handsome stranger, and although Parrish understands Death's intentions he lets the family believe that Joe Black is a young business associate. Susan is shocked to find the familiar young man at her family dinner that evening, and, as she begins a passionate love affair with the debonaire stranger, she has no idea that she has fallen not for the young stranger from the coffee shop but for Death himself. In an effort to prolong his life and his daughter's happiness, William agrees to take Joe on a tour of human life that includes board meetings, family parties, and, ultimately, romance. As long as Joe falls in love, Parrish remains alive. This version was inspired by the Alberto Casella play DEATH TAKES A HOLIDAY and the subsequent 1934 film.

starting at

$2
 

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$5
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This collection features nine classic romance movies with star performances by Faye Dunaway, Susan Sarandon, Colin Firth, Richard Chamberlain, and Blythe Danner among many others. The films included are: THE LAST OF THE BELLES, CAMILLE, ARCH OF THE TRIUMPH, PROMISE OF LOVE, JANE EYRE, THE RIGHT-HAND MAN, THE GAMBLE, HAZARDS OF THE HEART, and LADY AND THE HIGHWAYMAN. See individual releases for more synopsis information.

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This British television series tells of a lawyer who turns from the love and compassion of his family and becomes involved in a sordid affair, and ultimately murder.

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Directed by British filmmaker Mike Newell (FOUR WEDDINGS AND A FUNERAL), THE GOOD FATHER stars Academy-Award winner Anthony Hopkins as a man who takes a reactionary response to the feminist movement. In the climate of the Conservative Thatcher government in Britain, Bill Hooper (Hopkins) has become angry and disillusioned with the failed radical politics of the 1960s that he once supported, especially after a messy divorce and ugly custody battle for his son. Taking a page from the women's movement, Hooper makes the personal political when he meets Roger Miles (Jim Broadbent), a man going through a separation and custody battle similar to his own. Bill convinces Roger to utilize a series of underhanded tactics to win the court case, using Roger's struggle as a way of indirectly striking back at the political movement he felt betrayed by during his own difficulties. By combining political statements with intimate, well-acted drama, THE GOOD FATHER chronicles the changing social atmosphere of Britain from the 1960s into the 1980s.

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The third and final volume of Barbara Taylor Bradford's "Harte Trilogy," this tale sees Paula O'Neill, the granddaughter and successor of Emma Harte, summoning family strength in an effort to maintain Emma's retail empire.

starting at

$15
 

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$2
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Jodie Foster and Anthony Hopkins will likely be forever associated with their roles in this bone-chilling masterpiece, based on the novel by Thomas Harris and directed by Jonathan Demme. FBI trainee Clarice Starling (Foster) is sent by her supervisor (Scott Glenn) to interview ferociously intelligent serial killer Hannibal "The Cannibal" Lechter (Hopkins) at his cell in a Maryland mental hospital. The FBI hopes Lechter can provide insight into the mind of killer-at-large, Buffalo Bill (Ted Levine), whose current abductee happens to be the daughter of a senator. Intrigued by Clairice, Lechter demands information about her personal life and in exchange for clues, and the two begin to form a strangely intimate connection, with a girl's life hanging in the balance. Starling is gradually revealed as a woman struggling out of her own darkness, bound to aid the dysfunctional males around her on their own paths of transformation, liberation, and destruction. This is a film of brilliant and disturbing beauty that transcends its B-movie origins (though it does honor them with a cameo appearance by Roger Corman). Its enduring influence has led to a slew of similarly dark-toned serial killer films, and a sequel, HANNIBAL (2001).

starting at

$2
 

starting at

$3
  • product
"Columbo" creator William Link (with Richard Levinson) penned and produced this pithy look inside the mind of an egocentric young lawyer who debates with his conscience over the pros and cons of murdering his wife for his younger mistress.

starting at

$3
 

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$4
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The life and times of Charlie Chaplin, the legendary film maker. Academy Award Nominations: 3, including Best Actor--Robert Downey Jr.

starting at

$4
 

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$4
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Using a nonchronological narrative style à la CITIZEN KANE (from which he quotes), director Oliver Stone explores former president Richard Nixon's strict Quaker upbringing, his nascent political strivings in law school, and his strangely self-effacing courtship of his wife, Pat (played by Joan Allen). The contradictions in his character are revealed early, in the vicious campaign against Helen Gahagan Douglas and the oddly masochistic Checkers speech. His defeat at the hands of the hated and envied John F. Kennedy in the 1960 presidential election, followed by the loss of the 1962 California gubernatorial race, seem to signal the end of his career. Yet, although wholly lacking in charisma, Nixon remains a brilliant political operator, seizing the opportunity provided by the backlash against the antiwar movement to take the presidency in 1968. It is only when safely in office, running far ahead in the polls for the 1972 presidential election, that his growing paranoia comes to full flower, triggering the Watergate scandal. Surprisingly, Stone evinces considerable compassion as he gives us a Nixon of tragic stature and nearly Shakespearean dimension in this powerfully moving film. The star-studded cast, including Ed Harris and James Woods, complements Hopkins's extraordinary performance.

starting at

$4
 

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Based on Shakespeare's TITUS ANDRONICUS (one of the Bard's lesser-known and most gruesome works), director Taymor (Broadway's THE LION KING) brings this adaptation to life with dazzling imagery and haunting immediacy. Titus (Hopkins) is a victorious Roman general who makes two mistakes: supporting the wily Saturninus (Cumming) as the new Emperor, and wronging Tamora, Queen of the Goths (Lange), by killing her eldest son. Murder follows murder as the tides of fate change, as Tamora is aided by her two reckless sons and her Moor lover, Aaron (Lennix). The body count is raised higher and higher until Titus finally holds a very special dinner banquet. Taymor's bold visual sense verges on absurdity, but her sense of morality, as well as powerful acting by Hopkins and company, combine to tell a powerful, violent tale.

starting at

$4
 

starting at

$4
  • product
With a glittering cast which includes Anthony Hopkins (THE SILENCE OF THE LAMBS) and Donald Pleasance (HALLOWEEN), ARCH OF TRIUMPH is the tale of a Parisian romance unfolding on the cusp of World War II. Dr. Ravic (Hopkins) is a German citizen who has escaped the clutches of the Nazi's by fleeing to Paris. Not wanting to look conspicuous, the doctor disguises his true identity, and attempts to carry out his medical duties. However, one fateful night sees him come across Joan Madou (Lesley-Anne Down) as she attempts to kill herself by jumping from a bridge. Ravic prevents her from carrying out the act, and the couple soon begin a passionate romance. But both hide dark secrets from each other, leading to an explosive conclusion to this terse drama from director Waris Hussein.

starting at

$4
 

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Director Edward Zwick's epic romance, set against the backdrop of WWI and the wide sky and rugged terrain of Montana, stars Anthony Hopkins as William Ludlow, an idealistic retired colonel who disapproves of the war and the army's indecent treatment of Native Americans. Abandoned by his blue-blooded wife, Ludlow raises his three sons in the remote foothills of Montana with the help of Native American friends. Before the war, Samuel (Henry Thomas) brings home his fiancée from the East Coast, Susannah (Julia Ormond), a stunning beauty who can ride, rope, and hunt like the Ludlow boys. When the war breaks out, Samuel, the youngest and most idealistic son, enlists in the army. Brothers Alfred (Aidan Quinn) and Tristan (Brad Pitt) follow suit, more as protectors than as cohorts. Despite their best efforts, however, Samuel dies in battle. Upon returning home, Tristan becomes involved with Susannah, who is devastated by her loss but profoundly attracted to the brooding brother. However, tormented by his inability to save his little brother's life, Tristan abandons her and sets out on a long journey of self-discovery. During his absence, Alfred reveals his own passion for Susannah. Although she does not reciprocate his feelings, Susannah--who has despaired of ever seeing Tristan again--agrees to become his wife. Ultimately, Tristan does return, setting off a dangerous conflict between the brothers.

starting at

$5
 

starting at

$6
  • product
This modern fantasy stars Anthony Hopkins as William Parrish, a wealthy New York City media mogul who suffers a heart attack on the eve of his 65th birthday; although he survives, he senses that his death is near. On the same day, Parrish's younger daughter, Susan (Claire Forlani), meets a handsome young stranger (Brad Pitt) at a neighboring coffee shop and is instantly smitten. As they part, the young stranger is killed and his body is occupied by Death, who is coming to Earth to warn Parrish that his death is, indeed, imminent. Death enters the Parrish household disguised as Joe Black, the handsome stranger, and although Parrish understands Death's intentions he lets the family believe that Joe Black is a young business associate. Susan is shocked to find the familiar young man at her family dinner that evening, and, as she begins a passionate love affair with the debonaire stranger, she has no idea that she has fallen not for the young stranger from the coffee shop but for Death himself. In an effort to prolong his life and his daughter's happiness, William agrees to take Joe on a tour of human life that includes board meetings, family parties, and, ultimately, romance. As long as Joe falls in love, Parrish remains alive. This version was inspired by the Alberto Casella play DEATH TAKES A HOLIDAY and the subsequent 1934 film.

starting at

$6
 

starting at

$7
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This thirteen episode series, adapted from C.P. Snow's novel, "Strangers & Brothers," is the story of Lewis Eliot, an ambitious young lawyer faced with various temptations which threaten to ruin his life and career. Beginning in 1927 and carrying through until the tempestuous mid-1960s, the story follows Eliot from his decision to become a lawyer until his decision to become a writer and a near death experience.

starting at

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Jodie Foster and Anthony Hopkins will likely be forever associated with their roles in this bone-chilling masterpiece, based on the novel by Thomas Harris and directed by Jonathan Demme. FBI trainee Clarice Starling (Foster) is sent by her supervisor (Scott Glenn) to interview ferociously intelligent serial killer Hannibal "The Cannibal" Lechter (Hopkins) at his cell in a Maryland mental hospital. The FBI hopes Lechter can provide insight into the mind of killer-at-large, Buffalo Bill (Ted Levine), whose current abductee happens to be the daughter of a senator. Intrigued by Clairice, Lechter demands information about her personal life and in exchange for clues, and the two begin to form a strangely intimate connection, with a girl's life hanging in the balance. Starling is gradually revealed as a woman struggling out of her own darkness, bound to aid the dysfunctional males around her on their own paths of transformation, liberation, and destruction. This is a film of brilliant and disturbing beauty that transcends its B-movie origins (though it does honor them with a cameo appearance by Roger Corman). Its enduring influence has led to a slew of similarly dark-toned serial killer films, and a sequel, HANNIBAL (2001).

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When a Polish sailor jumps ship in Britain, a couple of British intelligence operatives keep him under surveillance. Following an extended period of observation, he is recruited to infiltrate a missile installation outside of East Berlin and bring back photos of the new rockets. He hesitates at first to take on this dangerous mission, but finally agrees... not knowing if he'll make it out alive. Based on John Le Carre's best-seller.

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E.M. Forster's 1910 novel is adapted for the screen by Merchant Ivory Productions in this masterful Edwardian Age romance directed by James Ivory. The dying Ruth Wilcox (Vanessa Redgrave) wishes to leave her country home, Howards End, to Margaret Schlegel (Emma Thompson in an Academy Award-winning role), a modest woman of little means who will soon be forced out of her own home in London. But Ruth's husband, Henry (Anthony Hopkins), an upper middle class businessman, keeps secret her desire even after he and Margaret become friends. However, after Henry and Margaret marry, their class differences and philosophies threaten to cause them unhappiness. Margaret's sister, Helen (Helena Bonham Carter), is disgusted by the Wilcox's snobbish ways and is attracted to helping struggling clerk Leonard Bast (Sam West) improve his position. Merchant-Ivory screenwriter Ruth Prawer Jhabvala was the force behind adapting this Forster novel into a film, winning her second Academy Award for her screenplay; her first Oscar was for A ROOM WITH A VIEW.

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$20
 

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$6
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Jodie Foster and Anthony Hopkins will likely be forever associated with their roles in this bone-chilling masterpiece, based on the novel by Thomas Harris and directed by Jonathan Demme. FBI trainee Clarice Starling (Foster) is sent by her supervisor (Scott Glenn) to interview ferociously intelligent serial killer Hannibal "The Cannibal" Lechter (Hopkins) at his cell in a Maryland mental hospital. The FBI hopes Lechter can provide insight into the mind of killer-at-large, Buffalo Bill (Ted Levine), whose current abductee happens to be the daughter of a senator. Intrigued by Clairice, Lechter demands information about her personal life and in exchange for clues, and the two begin to form a strangely intimate connection, with a girl's life hanging in the balance. Starling is gradually revealed as a woman struggling out of her own darkness, bound to aid the dysfunctional males around her on their own paths of transformation, liberation, and destruction. This is a film of brilliant and disturbing beauty that transcends its B-movie origins (though it does honor them with a cameo appearance by Roger Corman). Its enduring influence has led to a slew of similarly dark-toned serial killer films, and a sequel, HANNIBAL (2001).

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$6
 

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$15
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In director Gregory Hoblit's 2007 thriller, FRACTURE, one thing is clear--highly successful engineer Ted Crawford (Anthony Hopkins) has shot his wife (Embeth Davidtz). What is not clear, though, is how Willy Beachum (Ryan Gosling), an assertive assistant D.A. on the verge signing with a major law firm, will convict Crawford, since the calculating suspect is masterfully exploiting legal loopholes that may keep him a free man. As Beachum becomes more and more determined to beat Crawford at his own intricately setup game, he risks losing both his shot at the lucrative job and his new love, Nikki Gardner (Rosamund Pike). Easily Hoblit's finest film since 1996's PRIMAL FEAR, FRACTURE benefits from a similar sense of suspense, which is heightened by the fascinating interplay between Hopkins and Gosling. While Hopkins verges on Hannibal Lecter territory, he never makes the leap to that villain's macabre persona, instead making Crawford a chillingly detached criminal who finds room for occasional moments of disarming humor. And as Beachum, Gosling embodies young, aspiring swagger, making his character the polar opposite of his lost, drug-addled Oscar-nominated role in HALF NELSON. Aided by a smart script (courtesy of Glenn Gers and Daniel Pyne), Hopkins and Gosling take what could have been a decent courtroom drama, and elevate it to the level of a mesmerizing chess match.

starting at

$15
 

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$25
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E.M. Forster's 1910 novel is adapted for the screen by Merchant Ivory Productions in this masterful Edwardian Age romance directed by James Ivory. The dying Ruth Wilcox (Vanessa Redgrave) wishes to leave her country home, Howards End, to Margaret Schlegel (Emma Thompson in an Academy Award-winning role), a modest woman of little means who will soon be forced out of her own home in London. But Ruth's husband, Henry (Anthony Hopkins), an upper middle class businessman, keeps secret her desire even after he and Margaret become friends. However, after Henry and Margaret marry, their class differences and philosophies threaten to cause them unhappiness. Margaret's sister, Helen (Helena Bonham Carter), is disgusted by the Wilcox's snobbish ways and is attracted to helping struggling clerk Leonard Bast (Sam West) improve his position. Merchant-Ivory screenwriter Ruth Prawer Jhabvala was the force behind adapting this Forster novel into a film, winning her second Academy Award for her screenplay; her first Oscar was for A ROOM WITH A VIEW.

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$25
 

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In a role that predates his Hannibal Lector, Anthony Hopkins plays a monster of a different kind in 1982?s THE HUNCHBACK OF NOTRE DAME. The actor is mesmerizing as Quasimodo in Victor Hugo?s timeless story. Narrated by Robert Powell, HUNCHBACK also stars David Suchet, Lesley-Anne Down, Derek Jacobi, and John Gielgud.

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This double feature of disturbing classics celebrates a twisted marriage of cerebral terror and visceral nightmares. In Richard Kelly?s inimitable cult hit DONNIE DARKO, a troubled teenager living in late-1980s suburbia is visited by a bunny-man named Frank, who warns of the end of the world. Jonathan Demme?s THE SILENCE OF THE LAMBS is the unforgettable Best-Picture winner that introduced to moviegoers Anthony Hopkins?s worldly cannibal doctor, Hannibal Lecter. See individual titles for complete details.

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The life and times of Charlie Chaplin, the legendary film maker. Academy Award Nominations: 3, including Best Actor--Robert Downey Jr.

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$9
 

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$12
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In director Gregory Hoblit's 2007 thriller, FRACTURE, one thing is clear--highly successful engineer Ted Crawford (Anthony Hopkins) has shot his wife (Embeth Davidtz). What is not clear, though, is how Willy Beachum (Ryan Gosling), an assertive assistant D.A. on the verge signing with a major law firm, will convict Crawford, since the calculating suspect is masterfully exploiting legal loopholes that may keep him a free man. As Beachum becomes more and more determined to beat Crawford at his own intricately setup game, he risks losing both his shot at the lucrative job and his new love, Nikki Gardner (Rosamund Pike). Easily Hoblit's finest film since 1996's PRIMAL FEAR, FRACTURE benefits from a similar sense of suspense, which is heightened by the fascinating interplay between Hopkins and Gosling. While Hopkins verges on Hannibal Lecter territory, he never makes the leap to that villain's macabre persona, instead making Crawford a chillingly detached criminal who finds room for occasional moments of disarming humor. And as Beachum, Gosling embodies young, aspiring swagger, making his character the polar opposite of his lost, drug-addled Oscar-nominated role in HALF NELSON. Aided by a smart script (courtesy of Glenn Gers and Daniel Pyne), Hopkins and Gosling take what could have been a decent courtroom drama, and elevate it to the level of a mesmerizing chess match.

starting at

$12
 

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$43
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Includes: GHOSTBUSTERS SPECIAL EDITION, GODZILLA (1998), THE MASK OF ZORRO, and SLEEPLESS IN SEATTLE. See individual titles for detailed descriptions.

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GUILTY CONSCIENCE: COLUMBO creator William Link (with Richard Levinson) penned and produced this pithy look inside the mind of an egocentric young lawyer who debates with his conscience over the pros and cons of murdering his wife for his younger mistress. BLUNT: THE FOURTH MAN: In this suspenseful spy story, the whole truth comes out regarding the Philby/Burgess/MacLean spy scandal that rocked Britain in 1951. Find out all about the "fourth man".

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An ambitious labor of love from writer/director/star Emilio Estevez, BOBBY attempts to distill the hope, anger, and confusion that gripped the U.S. in the late 1960s. In a style similar to the sprawling works of Robert Altman or Paul Thomas Anderson, Estevez uses the June 4th, 1969, assassination of Kennedy at the Ambassador Hotel in Los Angeles as the means to take a snapshot of the problems facing the country. The hotel is a microcosm of class and race, with characters bouncing off each other until the violent conclusion, including turns by Laurence Fishburne, Christian Slater, William H. Macy, Sharon Stone, Lindsay Lohan, Elijah Wood, and Ashton Kutcher. The character-driven drama BREAKING & ENTERING follows Will (Jude Law), a landscape architect who succeeds in business but finds his personal life is tougher to navigate. He has been with Liv (Robin Wright Penn) for years, but it's difficult to connect with her due to her worry over her teenage daughter. When Will catches a teenage boy named Miro (Ravi Gafron) breaking into his office, he chases the thief home. He later meets the boy's mother, a Bosnian refugee played by Juliette Binoche (CHOCOLAT). His anger at Miro is quickly transformed into attraction to his mother, further complicating his relationship with Liv.

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The life and triumph of Burt Munro, the elderly Kiwi man who, at the far from spritely age of 68, broke motorcycle racing records in Utah, has fueled director Roger Donaldson's creative energy for years. In the early 1970s, just a few years after Munro's incredible triumph, Donaldson directed OFFERINGS TO THE GOD OF SPEED, a documentary on the sensational senior. Here, with the help of the fine actors Anthony Hopkins and Diane Ladd, the director brings the story to vivid, dramatic life yet again, constructing a gripping and inspirational narrative. Hopkins's Munro is a rich and magnetic character, a man who wears his notable physical ailments (which include an embarrassing prostate condition and deficient eardrums) like quirky idiosyncrasies rather than debilitating defects. An active playboy, Munro is a lovable character in his small New Zealand town, an attractively unique old man with a zest for life and a love of his vintage motorcycle--a bright red 1920 Indian model. After racing his own times obsessively every day, he becomes determined to live out his dream of participating in the annual Speed Week motorcycle event at Utah's Bonneville Salt Flats. Through local support and innovative fundraising, Munro is finally able to afford the long nautical journey across the world to Mormon-land and, beating all the incredible odds, not only enter the race but break its records with a jaw-dropping speed of 201 miles an hour. Besides telling a classic tale of individual triumph, THE WORLD'S FASTEST INDIAN offers a sociological look at the American West of the late 1960s, an iconic landscape peppered with colorful characters that include a wizened Native American and a generous drag queen, both of whom help the eccentric elder on his quixotic quest.

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Deals on Anthony hopkins in Drama DVDs & Videos. Visit BizRate to find the best deals on Drama DVDs & Videos. See which DVDs & Videos stores have the Anthony hopkins that you want. Read reviews on DVDs & Videos merchants and buy with confidence. Find savings on Star Power 3-Pack - DVD (Legends of the Fall(SE), A River Runs Through It, Devil's Own) (3-DVD Set) - The Silence of the Lambs (The Hannibal Lecter Series; Holiday O-Ring Packaging) [DVD].