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In the idyllic bedroom community of Garrison, New Jersey, a community of NYPD officers takes refuge away from the big city's troubles while still enjoying all the kickbacks, cover-ups, and mob-owned banking privileges from across the river. But the code of silence is tested when an off-duty, drunk rookie cop from their ranks wrongfully kills two black men and the local sheriff begins to investigate. COP LAND is an ambitious ensemble drama notable for eliciting a strong performance (and a 40-lb weight gain) from Sylvester Stallone.

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Taxi Driver (Limited Collector's Edition...

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Taxi Driver (Limited Collector's Edition; 2-Disc Set) [DVD]

Martin Scorsese's intense film, a hallmark of 1970s filmmaking, graphically depicts the tragic consequences of urban alienation when a New York City taxi driver goes on a murderous rampage against the pitiable denizens inhabiting the city's underbelly. For psychotic, pistol-packing Vietnam vet Travis Bickle (Robert De Niro), New York City seems like a circle of hell. Driving his cab each night through the bleak Manhattan streets, Bickle observes with fanatical loathing the sleazy lowlifes who comprise most of his fares. By day he haunts the porno theaters of 42nd Street, taking his cues from the violent vision of life portrayed in these movies. As badly as Travis wants to connect with the people around him--including Betsy (Cybill Shepherd), a lovely blonde campaign worker, and Iris (Jodie Foster), a prepubescent prostitute he tries to save--his attempts are thwarted and his pent-up rage grows, turning him into a Mohawk-wearing walking time bomb. Scorcese fills Paul Schrader's screenplay with a tragic realism, brilliantly capturing the muck and grime of New York City. De Niro, playing the fragile hero, steps so deep inside his role that the results are deeply frightening. Bernard Herrmann's haunting score--which turned out to be his last--completes the urban nightmare.

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Pulp Fiction (Collector's Edition) [DVD]

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Pulp Fiction (Collector's Edition) [DVD]

Writer-director Quentin Tarantino revisits the seedier side of Los Angeles--following 1992's RESERVOIR DOGS--with this funny, violent, tongue-in-cheek tribute to the less "classic" side of filmmaking--the potboilers and capers, the Blaxploitation flicks and gangster movies. The film interweaves three tales, told in a circular, fractured manner, which only fully connect by the time the final credits roll. The first story focuses on Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson), two hit men on duty for "the big boss," Marsellus Wallace (Ving Rhames), whose gorgeous wife, Mia (Uma Thurman), takes a liking to Vincent. In the second, a down-and-out pugilist (Bruce Willis), who is ordered to take a fall, decides that there's more money in doing the opposite. The final chapter follows a pair of lovers (Amanda Plummer and Tim Roth) as they prepare to hold up a diner. Tarantino wears his cinematic influences proudly, bringing them to life in the ironically hip, self-referential 1990s. The result is a work that changed the face of independent cinema forever, making it a legitimate player in the Hollywood mainstream. The all-star cast steps into their roles with obvious glee, and Tarantino once again uses his soundtrack to up the "cool" ante yet another notch, making for a motion picture event that has worked its way into our national vernacular.

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$8

Thelma & Louise (Spa Cash) [DVD]

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Thelma & Louise (Spa Cash) [DVD]

Fed up with her boyfriend (Michael Madsen), live-wire Arkansas waitress Louise Sawyer (Susan Sarandon) persuades her friend Thelma Dickinson (Geena Davis), a naive housewife burdened with a negligent, sexist husband (Christopher McDonald), to hit the road with her for a weekend of freedom. One of their first stops is a bar where the women relax, dance, and flirt with some of the locals. But the situation turns ugly when one man (Timothy Carhart) follows Thelma to the parking lot and attempts to rape her, causing Louise to shoot and accidentally kill him. Convinced that the police will never believe their version of the incident, the women take off, now fugitives from the law. Emboldened by recent events, Thelma picks up studly young cowboy J.D. (Brad Pitt) in Oklahoma and enjoys a one-night stand that leads to even more trouble. Director Ridley Scott's infamous feminist road movie ranks among the best films of the 1990s. Along with BLADE RUNNER and ALIEN, the film is one of Scott's finest works, largely because of Callie Khourie's vivid, brilliantly idiosyncratic script, wonderful performances from the two leads, and Adrian's Biddle's crisp photography of the American Southwest.

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Pulp Fiction [DVD]

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Pulp Fiction [DVD]

Writer-director Quentin Tarantino revisits the seedier side of Los Angeles--following 1992's RESERVOIR DOGS--with this funny, violent, tongue-in-cheek tribute to the less "classic" side of filmmaking--the potboilers and capers, the Blaxploitation flicks and gangster movies. The film interweaves three tales, told in a circular, fractured manner, which only fully connect by the time the final credits roll. The first story focuses on Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson), two hit men on duty for "the big boss," Marsellus Wallace (Ving Rhames), whose gorgeous wife, Mia (Uma Thurman), takes a liking to Vincent. In the second, a down-and-out pugilist (Bruce Willis), who is ordered to take a fall, decides that there's more money in doing the opposite. The final chapter follows a pair of lovers (Amanda Plummer and Tim Roth) as they prepare to hold up a diner. Tarantino wears his cinematic influences proudly, bringing them to life in the ironically hip, self-referential 1990s. The result is a work that changed the face of independent cinema forever, making it a legitimate player in the Hollywood mainstream. The all-star cast steps into their roles with obvious glee, and Tarantino once again uses his soundtrack to up the "cool" ante yet another notch, making for a motion picture event that has worked its way into our national vernacular.

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Alice Doesn't Live Here Anymore

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Alice Doesn't Live Here Anymore

After stunning audiences with his ferociously personal, gritty depictions of masculinity in WHO'S THAT KNOCKING AT MY DOOR? (1968) and MEAN STREETS (1973), Martin Scorsese bade farewell to his native New York City in order to direct this delightfully bittersweet portrait of an unflappable single mother. The Oscar-winning Ellen Burstyn is flat-out marvelous as Alice Hyatt, a newly widowed woman who hopes to fulfill a lifelong dream of becoming a singer. Fleeing her small New Mexico town with her 11-year-old son, Tommy (the hilariously spunky Alfred Lutter), Alice promises not to stop until they reach her hometown of Monterey, California. But after a near disaster in Phoenix (compliments of the fiery Harvey Keitel), the pair settles in Tucson, where Alice grudgingly takes a job as a waitress. It's there where she meets the irresistible David (Kris Kristofferson), a warmhearted customer who won't take no for an answer. At the same time, Tommy befriends Audrey (Jodie Foster), a young tomboy with a mischievous streak. Scorsese's realistic modern fairytale (as evidenced by the film's opening ode to THE WIZARD OF OZ) breathes with a hard-edged tenderness that is a wonder to behold. Robert Getchell's script deftly balances comedy and drama, as well as reality and fantasy, creating a distinctive tone that has inspired numerous imitators (TUMBLEWEEDS, ANYWHERE BUT HERE). ALICE DOESN'T LIVE HERE ANYMORE is that rare gift, a film that reflects the era in which it was shot but never feels dated.

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Blue in the Face [DVD]

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Blue in the Face [DVD]

Toward the end of shooting SMOKE, director Wayne Wang, screenwriter Paul Auster, and, seemingly, the entire crew were having such a good time that they approached producers Harvey and Bob Weinstein for more money to continue shooting the mostly improvised BLUE IN THE FACE. Not all the actors could return to Auggie Wren's cigar shop, but they were replaced by some well-known stars making cameo appearances. Lily Tomlin plays a strange man in search of Belgian waffles, Michael J. Fox appears as an equally odd man conducting a bizarre survey, Madonna delivers a singing telegram, and Roseanne does a dramatic scene as the wife of the shop's owner. What plot there is concerns the owner's desire to close the cigar store and rent the space to a vegetarian restaurant. In a documentary style, there are interviews with Brooklyn residents, archival footage of the demolition of Ebbets Field, and other attempts to show the look and feel of life in Brooklyn. In spite of the star appearances, it's the nonactors who provide much of the genuine warmth and easy improvisation as thinly veiled characters. A man with unusual glasses (musician Lou Reed), looking right into the camera, explains why he loves Brooklyn and feels nervous in Stockholm. Bob (filmmaker Jim Jarmusch) comes in to smoke his last cigarette with Auggie; he then demonstrates how one can always tell who the bad guys are in the movies because they invariably hold their cigarettes in a strange manner. As in SMOKE, Harvey Keitel holds the whole ensemble together with his touching portrayal of Auggie, a kind of Brooklyn everyman.

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Mean Streets

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Mean Streets

Martin Scorsese's electrifying drama tells the story of Charlie (Harvey Keitel), a charming 27-year-old who is supported by his devoutly Catholic mother. He spends his days wandering the streets of New York City and nights hanging out drinking with his good friend Johnny Boy (the terrifyingly brilliant Robert De Niro), a loose cannon that can't seem to escape trouble. Charlie's extreme affability makes him the middle man between his mob-tied uncle Giovanni (Cesare Danova) and various clients, as well as between Johnny Boy and Michael (Richard Romanus), a bookie who has become fed up with Johnny Boy's constant debt dodging. As the city's San Gennaro Festival takes over the streets of Little Italy, Michael seeks revenge on Johnny Boy once and for all. MEAN STREETS is the film in which Scorsese blossomed into one of the world's most ferociously distinct visionaries, a vision which has, for better or worse, become one of the most mimicked in the history of modern cinema. While his usage of a nostalgic pop music soundtrack, long one-takes and handheld cameras, and brutally realistic performances, spawned a generation of imitators, MEAN STREETS proves that while others may try to imitate, there is only one original. MEAN STREETS is a work of sheer cinematic bravado.

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Bugsy (2-Discs; Extended Cut; Unrated) [...

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Bugsy (2-Discs; Extended Cut; Unrated) [DVD]

Directed by Barry Levinson, BUGSY tells the true story of legendary New York mobster Benjamin "Bugsy" Siegel. Visiting Hollywood "on business," the reckless and volatile Bugsy is drawn to Tinseltown and the glamour of the movies. Leaving his wife and kids in Scarsdale indefinitely, the womanizing Bugsy spends his time on movie lots and at Hollywood extravaganzas, contemplating his own potential stardom. But soon he falls hard for strong-willed actress Virginia Hill (Annette Bening), who isn't content with mistress status. A road trip to a down-trodden joint in the Nevada desert in a town called Las Vegas leads Bugsy to dream of building a world-class casino and turning the town into a moneymaker. Together Bugsy and Virginia--with backing from the mob--start building The Flamingo hotel and casino, hoping that legal gambling and five-star entertainment will entice the masses and rake in big bucks.

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Reservoir Dogs (15th Anniversary) [DVD]

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Reservoir Dogs (15th Anniversary) [DVD]

Former video store clerk Quentin Tarantino's directorial debut, RESERVOIR DOGS, is a brutally funny, supercharged introduction to his supremely distinct cinematic vision, which was later to become one of the most mimicked styles of the 1990s. Mastermind Joe Cabot (Lawrence Tierney) assembles a crew of top-notch criminals to pull off a jewelry store heist. As the film opens it becomes immediately clear that the plan backfired, forcing the survivors, who have gathered at an abandoned warehouse, to figure out if one of them is, in fact, a police informer. The crew--Mr. White (Harvey Keitel), an aged veteran; Mr. Orange (Tim Roth), a wounded newcomer; Mr. Blonde (Michael Madsen), a psychopathic parolee; Mr. Pink (Steve Buscemi), a bickering weasel; and Nice Guy Eddie (Chris Penn), Joe's son--begin to unravel as the pressure becomes too much for them to handle. When Joe arrives, the truth becomes clear in a vicious Mexican standoff. Tarantino takes liberally from Hong Kong action flicks, most notably Ringo Lam's CITY ON FIRE, but his ultra-hip ?70s soundtrack and hysterical pop culture dialogue make the film seem wholly original and new. Taking a cue from the French New Wave--most notably Jean-Luc Godard--RESERVOIR DOGS remains one of the decade's most influential motion pictures.

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Smoke [DVD]

Available at 13 stores

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Smoke [DVD]

In 1990, novelist Paul Auster was asked to contribute a Christmas story to the New York Times. The resulting piece, "Auggie Wren's Christmas Story," forms the basis for his screenplay for SMOKE. Directed by Wayne Wang and set in a Brooklyn cigar store, Auster expanded the story to include four other characters whose lives intertwine with Auggie Wren's. As Auggie, the manager of the store that serves as a neighborhood meeting place, Harvey Keitel gives a restrained, mellow performance. The other characters, Paul (William Hurt), a blocked writer; Rashid (Harold Perrineau Jr.), a troubled youth; Ruby (Stockard Channing), Auggie's former lover; and Cyrus (Forest Whitaker), Rashid's long-lost father, form a web of relationships over a few summer days. Auster, who had previously adapted his novel THE MUSIC OF CHANCE into a taut script, here exhibits a loose, almost improvisational style as he lets his characters simply talk about their lives. Wang eschews the big, somewhat melodramatic style he used in THE JOY LUCK CLUB for relaxed, natural direction that allows the actors, who are all terrific, to project an everyday realism seldom seen in American movies. The actual Christmas story appears at the end in a beautiful black-and-white montage, accompanied by a bittersweet Tom Waits song.

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Reservoir Dogs [Blu-ray Disc]

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Reservoir Dogs [Blu-ray Disc]

Former video store clerk Quentin Tarantino's directorial debut, RESERVOIR DOGS, is a brutally funny, supercharged introduction to his supremely distinct cinematic vision, which was later to become one of the most mimicked styles of the 1990s. Mastermind Joe Cabot (Lawrence Tierney) assembles a crew of top-notch criminals to pull off a jewelry store heist. As the film opens it becomes immediately clear that the plan backfired, forcing the survivors, who have gathered at an abandoned warehouse, to figure out if one of them is, in fact, a police informer. The crew--Mr. White (Harvey Keitel), an aged veteran; Mr. Orange (Tim Roth), a wounded newcomer; Mr. Blonde (Michael Madsen), a psychopathic parolee; Mr. Pink (Steve Buscemi), a bickering weasel; and Nice Guy Eddie (Chris Penn), Joe's son--begin to unravel as the pressure becomes too much for them to handle. When Joe arrives, the truth becomes clear in a vicious Mexican standoff. Tarantino takes liberally from Hong Kong action flicks, most notably Ringo Lam's CITY ON FIRE, but his ultra-hip ?70s soundtrack and hysterical pop culture dialogue make the film seem wholly original and new. Taking a cue from the French New Wave--most notably Jean-Luc Godard--RESERVOIR DOGS remains one of the decade's most influential motion pictures.

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$8

FairyTale: A True Story [DVD]

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FairyTale: A True Story [DVD]

When two young English cousins claim to have captured fairies on film, their photographs attract the attention of legendary skeptic Harry Houdini (Harvey Keitel) and legendary dreamer Sir Arthur Conan Doyle (Peter O'Toole). But are the fairies real, or are they simply the wistful projections of the two lonely girls, whose fragile spirits have been crushed by the death of a brother and the loss of a father in World War I? Based on a true case from 1917 in which the girls' photos turned out to be a hoax, but rendered with an infectious fanciful spirit that equivocates on the existence of magical creatures.

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Reservoir Dogs

Available at 12 stores

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Reservoir Dogs

Former video store clerk Quentin Tarantino's directorial debut, RESERVOIR DOGS, is a brutally funny, supercharged introduction to his supremely distinct cinematic vision, which was later to become one of the most mimicked styles of the 1990s. Mastermind Joe Cabot (Lawrence Tierney) assembles a crew of top-notch criminals to pull off a jewelry store heist. As the film opens it becomes immediately clear that the plan backfired, forcing the survivors, who have gathered at an abandoned warehouse, to figure out if one of them is, in fact, a police informer. The crew--Mr. White (Harvey Keitel), an aged veteran; Mr. Orange (Tim Roth), a wounded newcomer; Mr. Blonde (Michael Madsen), a psychopathic parolee; Mr. Pink (Steve Buscemi), a bickering weasel; and Nice Guy Eddie (Chris Penn), Joe's son--begin to unravel as the pressure becomes too much for them to handle. When Joe arrives, the truth becomes clear in a vicious Mexican standoff. Tarantino takes liberally from Hong Kong action flicks, most notably Ringo Lam's CITY ON FIRE, but his ultra-hip ?70s soundtrack and hysterical pop culture dialogue make the film seem wholly original and new. Taking a cue from the French New Wave--most notably Jean-Luc Godard--RESERVOIR DOGS remains one of the decade's most influential motion pictures.

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$3

Young Americans

Available at 10 stores

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Young Americans

A hard-hitting story about the new breed of London gangsters growing powerful in the era of drug prohibition. Harvey Keitel (RESERVOIR DOGS) stars as a tough New York City policeman dealing with tough British thugs and criminals.

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Mortal Thoughts

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Mortal Thoughts

Demi Moore stars in this suspenseful, atmospheric thriller as Cynthia, a middle class New Jersey woman who gets involved in murder. Harvey Keitel plays a detective who grills Cynthia for a videotaped confession and the bulk of the movie progresses in a series of flashbacks that accompany Cynthia's testimony. Bruce Willis plays James Urbanski, the violent, drug-addict husband of Cynthia's friend Joyce (Glenne Headly) who is murdered one fateful evening at a nearby Feast of San Gennarro festival. Lots of Jersey Italian-style yelling and screaming goes on in the aftermath, with goodfella Frank Vincent in the cast, along with Karen Shallo, Crystal Field, and John Pankow as Cynthia's sullen real estate agent husband. There's also betrayals, threats, and a twist ending. Director Alan Rudolph captures the local New Jersey flavor beautifully and imbues the proceedings with depth via rich photography and use of slow motion and quick cuts. Willis is particulalry good, in a disturbing sort of way, in this, his first collaboration with future ex-wife Moore.

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Falling in Love (Sensormatic) [DVD]

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Falling in Love (Sensormatic) [DVD]

Acting fireworks are on display as Robert DeNiro and Meryl Streep play Frank Raftis and Molly Gilmore, two everyday people who meet by chance on a commuter train bound for New York and fall desperately in love--despite the fact that they are both married. The stellar supporting cast includes Diane Wiest (HANNAH AND HER SISTERS) and Jane Kaczmarek (TV's MALCOLM IN THE MIDDLE). De Niro and Streep previously starred together in THE DEER HUNTER (1978).

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The Last Temptation of Christ (Criterion...

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The Last Temptation of Christ (Criterion Collection) [DVD]

This striking vision from the mind of director Martin Scorsese offers an allegorical interpretation of the last days of Jesus Christ, based on the book by Nikos Kazantzakis. Based strictly on Kazantzakis's book, the film has a very different focus than past portraits of the "Messiah." This Jesus (Willem Defoe) is a man wracked with doubt over his position among his followers and fear of the role God has chosen for him, as well as the pain that must accompany it. He is unsure whether the messages he receives come from God or Satan, and he is tempted by a mortal life filled with earthly possessions and sensual love, resulting in a controversial, though genuinely sympathetic, account of Christianity's most revered figure. Scorsese establishes a dreamlike mood by combining Michael Ballhaus?s photography with a transcendent soundtrack by Peter Gabriel in order to fully explore the idea that perhaps Jesus was both God and man. Rather than train his assembled cast to deliver their lines in historically accurate dialects, Scorsese lets each individual speak with their true accent, which makes for an initially jarring, yet eventually moving, experience. In addition to Defoe, Barbara Hershey, David Bowie, and Harvey Keitel all deliver sincere performances that fulfill Scorsese's vision even more completely.

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$16

City of Industry (Movie Time) [DVD]

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City of Industry (Movie Time) [DVD]

When jewel thief Roy Egan (Harvey Keitel) is violently double-crossed during a heist, he embarks on a mission of vengeance. The gritty action film also stars Timothy Hutton and Stephen Dorff and features early screen appearances by Lucy Liu and Famke Janssen.

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Dangerous Game [DVD]

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Dangerous Game [DVD]

Director Abel Ferrara followed up the triumph of BAD LIEUTENANT with this quasi-autobiographical film. Harvey Keitel stars as Eddie Israel, a director whose current project, MOTHER OF MIRRORS, seems parallel his own life (which in turn parallels Ferrara's). The film-within-a-film stars Sarah Jennings (Madonna) and Francis Burns (James Russo) as a married couple whose shared life of cocaine, booze, and group sex has come to an end now that she has renounced her past in favor of God. Drinking heavily and snorting coke to get into his role, Francis finds the violent behavior of his character is taking over his reality, as he starts abusing Sarah off the set as well as on. Eddie meanwhile starts his own affair with Sarah, leading to confrontation with his wife (played by Nancy Ferrara, Abel's real-life wife) and his own moral dissolution. Shot on a variety of film stocks, this search for spiritual redemption--drenched in violence, drugs, and sex--makes for a heavy viewing experience. Regardless of opinion about the film itself, there is no denying the sheer bravery of this unflinching mirror of Ferrara's own life and art.

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