Laserdisc r mpaa in Drama DVDs & Videos

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Someone to Watch Over Me

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Ridley Scott's romantic thriller stars Mimi Rogers as ravishing New York socialite Claire Gregory and Tom Berenger as blue-collar police detective Mike Keegan. After Claire witnesses a high-profile murder, Mike is among the rotating group of detectives assigned to protect her.The simple, straightforward cop is awed both by Claire's beauty and by the endless rooms of her lavish apartment. A quiet attraction develops between the two, but neither of these otherwise committed people is willing to act on it. However, the detective's wife, Ellie (Lorraine Bracco), realizes what's happening and reacts accordingly. When Mike accompanies Claire to a museum benefit one evening, the killer, Joey Venza (Andreas Katsulas), confronts her in the ladies' room. He threatens to kill her if she identifies him in a police line-up the next day and then turns himself in to the police. Although she goes through with the identification, Venza is released on a technicality, and Claire nows needs protection more than ever. Bracco is wonderful as the cop's spirited wife.

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Terrence Malick returns to Hollywood after a two-decade hiatus with this adaptation of the classic WWII novel by James Jones. The story follows the efforts of an army platoon to capture the Japanese-controlled island of Guadalcanal in the Pacific Ocean, which will have a major effect on the outcome of the war. The members of C-for-Charlie Company are all fighting for different reasons: some to achieve glory, some to fight for democracy, and some simply to remain alive. They spend the quieter moments reflecting upon their existence, searching for meaning amid the senselessness of war. Malick's reputation as one of cinema's most brilliant directors, based on his masterworks BADLANDS and DAYS OF HEAVEN, enabled him to pull together one of the largest ensemble all-star casts in Hollywood history. The result is a sprawling epic that carries itself like a poem read in a dream, a feeling that is greatly enhanced by John Toll's floating camerawork and Hans Zimmer's haunting score. Rather than concentrating solely on the violence and destruction of war, Malick uses the situation to address philosophical questions such as man versus nature, war versus peace, and good versus evil. THE THIN RED LINE proves that after a 20-year layoff, Malick hasn't lost a step.

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Sex, Lies and Videotape

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Steven Soderbergh explodes onto the scene with this provocative, intelligent drama about infidelity and voyeurism. Ann Milaney (Andie MacDowell) lives in a comfortable Louisiana home with her lawyer husband, John (Peter Gallagher). She spends her days fretting over the insurmountable problems of the world and her own unfocused sense of melancholy. Although she doesn't know it, she has a good reason to be upset: John is having a torrid affair with her younger, more extroverted sister, Cynthia (the sexy Laura San Giacomo). When Graham Dalton (James Spader), an old college pal of John's, comes to visit, all three are momentarily distracted from personal problems and intrigues as they scrutinize the odd outsider. Ann soon discovers that Graham has some strange habits and problems of his own. Plagued by impotency since the calamitous breakup of his last relationship, the young drifter finds sexual gratification by videotaping women willing to talk about their sexual past and fantasies in front of the camera. A chain of attraction and jealousy develops as the four interconnect in several varied pairings, culminating with Ann's decision to become Graham's latest subject. Soderbergh's highly influential debut independent feature plays like a dangerous thriller that builds in tension until everyone's secrets are bitterly exposed.

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Gia

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Gia
America's first supermodel Gia Carangi lives hard and dies young in the glamorous, excessive urban wilds of 1970s New York City. Adapted by Cristofer and novelist Jay McInerney from the biography "Thing of Beauty" by Stephen Fried. Made for HBO. Available in rated and unrated versions.

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The Game [DVD]

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For the follow-up to his dark crime thriller SEVEN, director David Fincher decided to remain in a film noir vein. The result is THE GAME, a fast-paced cinematic roller-coaster ride that stars Michael Douglas as Nicholas Van Orton, a joyless San Francisco investment banker who receives an unusual birthday present from his estranged younger brother, Conrad (Sean Penn). The gift enrolls Nicholas in CRS (Consumer Recreation Services), a company that designs elaborate real-life games for each specific participant. As the game begins, the reluctant Nicholas becomes the victim of a series of pranks that quickly turn malicious and dangerous. Stripped of his finances and convinced that he can trust no one, Nicholas realizes that this game may be an attempt to steal his fortune and leave him for dead. In a desperate bid to regain his life, Nicholas infiltrates CRS in order to uncover the secrets of the mysterious organization. Douglas is perfect playing the uptight businessman Nicholas, cleverly riffing on his Oscar-winning performance as the cold-blooded Gordon Gekko in WALL STREET. Fincher's Kafkaesque carnival show is an exercise in taut filmmaking that mischievously pulls a seemingly endless supply of rugs out from under both Nicholas and, even more impressive, the viewer.

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Quentin Tarantino returns to the crime genre once again with this adaptation of Elmore Leonard's RUM PUNCH. Transplanting Leonard's crime story from Miami to Tarantino's city of choice, Los Angeles, JACKIE BROWN cruises along smoothly, much like the film's 1970s soul soundtrack. The film follows Jackie Brown (Pam Grier), a flight attendant who makes extra cash by running drugs and cash for sleazebag Ordell Robbie (Samuel L. Jackson). When Jackie sees the opportunity to make off with a large chunk of change, she begins to play everyone around her, including two detectives who are threatening her with jail time if she doesn't rat out Ordell, and a sympathetic bail bondsman (Robert Forster) who finds himself falling for Jackie. Tarantino sets a pace that is laid back and groovy, building to an eventual climax that determines whether or not Jackie walks away with the booty. In much the same way that Tarantino resuscitated John Travolta's career with PULP FICTION, he does the same thing here with Grier and Forster. Overall, JACKIE BROWN is a less in-your-face effort than Tarantino's previous films, but it's this downshift in gears that makes it so refreshing.

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Boogie Nights [DVD]

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It's Los Angeles, 1977, and adult film director Jack Horner (Burt Reynolds) meets Eddie Adams (Mark Wahlberg), a well-endowed dishwasher in a nightclub. Jack recruits Eddie to be his newest star and Eddie, hungry for fame, quickly agrees, changing his name to Dirk Diggler. Soon Dirk is the hottest star in the porn industry, alongside Rollergirl (Heather Graham), a high school dropout who never removes her roller skates, and Amber Waves (Julianne Moore), the veteran star who pines for the son she's not allowed to visit. On the fringes, Little Bill (William H. Macy) fumes while his wife cheats on him in public, and Buck Swope (Don Cheadle) tries to escape the stigma of being a porn actor. The good times roll, but before long Dirk falls victim to the pressures of stardom and a drug habit that ruins his career while Jack struggles with porn's conversion from film to cheaper videotapes. Director Paul Thomas Anderson's breakthrough film is an exhilarating ride along the underbelly of the 1970s inspired by the films of Altman and Scorsese, featuring colorful camera work, a dynamic soundtrack, and excellent performances from the entire cast, most notably Reynolds in an Oscar-nominated comeback role.

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Director Steven Spielberg's World War II tour de force chronicles the journey of a GI squad on a dangerous mission behind enemy lines. Led by Captain John Miller (Tom Hanks), the unit is under orders to track down a soldier, Private Ryan (Matt Damon), so he might return home to his mother in America, where she is grieving the unimaginable loss of her three other sons to the war. The first unforgettable 20 minutes of SAVING PRIVATE RYAN realistically and horrifically depicts the Normandy invasion as Miller. his second-in-command, Sergeant Horvath (Tom Sizemore), and the others in the unit land at Omaha Beach. Before the film began shooting, Hanks and the actors in his squad went through a one-week boot camp in the woods. All the actors, except Hanks, wanted to quit, but Hanks rallied their spirits by reminding them of the incredible tribulations endured by the real veterans of World War II. Production designer Tom Sanders found a beach in Ireland that perfectly matched the landscape of Normandy's. Spielberg gave great credit to the Irish army who helped re-create the Omaha Beach scenes.

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The Player [DVD]

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Robert Altman's adaptation of Michael Tolkin's novel gives the notorious director a chance to address perhaps his greatest nemesis: the Hollywood studio system. Disguised as a thriller, the film assembles virtually every famous actor in Hollywood to create an exhilarating blend of real life and fiction. Tim Robbins plays Griffin Mill, a studio executive who begins to fear for his job when upstart Larry Levy's (Peter Gallagher) name becomes a hot topic on the lot. After receiving threatening postcards from an unidentified writer, Griffin tracks down David Kahane (Vincent D'Onofrio), who he thinks is the guilty party. The two argue, with disastrous results. Later, as Griffin struggles to keep his job while trying to distance himself from the law, he finds himself falling in love with Kahane's mysterious girlfriend (Greta Scacchi). THE PLAYER is a vicious satire that exposes the Hollywood industry as fraudulent, weak, and shallow. Altman's film also sends up both the noir genre and filmmaking technique, the latter notably in an extended opening shot which is a sprawling one-take that covers the studio's entire lot and features a series of hysterical pitches by actual screenwriters, including Buck Henry offering forth on his concept for THE GRADUATE 2. Bitter and electric, THE PLAYER ends on an ironic upbeat note that perfectly concludes a stellar picture.

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True Blood [DVD]

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Two brothers are torn apart by the code of the street. Ray, framed for the murder of a cop, is determined to rescue his brother Donny from an impending gang war and finger the real cop killer.

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In this epic drama exploring Chicano life in East Los Angeles, Miklo (Damian Chapa), Cruz (Jesse Borrego), and Paco (Benjamin Bratt) are three young cousins raised as brothers. Miklo, born of a Chicano mother and a white father, is Chicano on the inside, but feels betrayed by his white skin and blue eyes that keep him on the fringes of his Chicano heritage. Desperate to belong to what he feels is his true family, he'll do anything to be a part of his cousins' gang--his "family." But a retaliatory attack on a rival gang sends Miklo, out on probation, back to prison, and he finds himself in San Quentin. As he serves his time and tries to find a place in the Latino power group in prison--La Onda--his hotheaded cousin Paco turns to a career in law enforcement, while Cruz makes his way as a successful artist. Cruz's career hits a dead end after he gets addicted to drugs and inadvertently causes a tragedy that alientates him from his family. With their respective paths drawing the family apart, the three men must find out who they are, and whether they can hold on to the bond that once united them. Benjamin Bratt and Jesse Borrego turn in believable, moving portrayals as Miklo's cousins in this decade-spanning drama loosely based on actual prison gang riots in the 1980s.

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In the idyllic bedroom community of Garrison, New Jersey, a community of NYPD officers takes refuge away from the big city's troubles while still enjoying all the kickbacks, cover-ups, and mob-owned banking privileges from across the river. But the code of silence is tested when an off-duty, drunk rookie cop from their ranks wrongfully kills two black men and the local sheriff begins to investigate. COP LAND is an ambitious ensemble drama notable for eliciting a strong performance (and a 40-lb weight gain) from Sylvester Stallone.

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Brian De Palma's blood-and-sun-drenched saga of a Cuban deportee's rise to the top of Miami's cocaine business has become something of a popular classic since its release; it's been referenced in rap songs and subsequent gangster movies and quoted the world over. Despite this lovefest with the dialogue, the film's brutal violence and lack of positive characters still make it controversial and disliked by certain critics. Al Pacino stars as Tony Montana, whose intelligence, guts, and ambition help him skyrocket from dishwasher to the top of a criminal empire but whose eventual paranoia and incestuous desire for his kid sister (Mary Elizabeth Mastrantonio) prove his undoing. Michelle Pfeiffer plays Tony's neglected coke-addicted trophy wife, and Steven Bauer is his concerned friend. F. Murray Abraham, Robert Loggia, and Paul Shenar are some of Tony's sleazy business partners and potential killers. Oliver Stone wrote the expletive-packed screenplay, based on Howard Hawks's 1932 version--which was ostensibly about Al Capone and starred Paul Muni and George Raft. The synth-heavy Giorgio Moroder score expertly evokes the drug-fueled decadence of 1980s Miami, and De Palma provides several of his elaborate set pieces, including a horrific showstopper in a motel room with a chain saw.

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In Alan Parker's adaptation of William Wharton's acclaimed novel, the title character is a Vietnam vet hospitalized for postwar trauma. Lying in a state of amentia, Birdy (Matthew Modine) fantasizes about birds in flight, an obsession that has haunted him since childhood. Now this fascination acts as a barrier to reality and the pain of his years in Vietnam. After doctors' efforts fail to cure him, his childhood friend Al (Nicolas Cage)--also a discharged soldier nursing wounds from the war--is brought in to try to coax Birdy out of his hallucinations. BIRDY, told largely in stark, lyrical flashbacks from Al's point of view, is both a heartrending examination of the psychological consequences of war and an ode to the spiritually rejuvenating powers of friendship and imagination. The two young leads turn in powerful, humane performances. Parker (MIDNIGHT EXPRESS) provides innovative direction, most notably in the film's stunning, controversial ending.

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When five high school students from different social groups are forced to spend a Saturday together in detention, they find themselves interacting with and understanding each other for the first time. A jock (Emilio Estevez), a criminal (Judd Nelson), a princess (Molly Ringwald), a basket case (Ally Sheedy), and a brain (Anthony Michael Hall) talk about everything from parental tension to sex to peer pressure to hurtful stereotypes while serving time. Ultimately, the five find that they may have more in common than they ever imagined and learn more about themselves as well as each other. The only question is, Will they remember what they've learned after they leave detention? Director and writer John Hughes, along with the stellar Brat Pack, cast makes this a memorable, moving film filled with believable dialogue, intelligent humor, and a sufficient dose of high school hijinx. Its timeless appeal makes this film a teen classic along with Hughes's other teen films from the 1980s: SIXTEEN CANDLES and FERRIS BUELLER'S DAY OFF. A great soundtrack features the hit "Don't You (Forget About Me)" by Simple Minds.

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Mississippi Masala

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In 1972, an Indian lawyer and his family flee their home as Idi Amin seizes power. The lawyer will never forget the pain and indignity he suffered. Nearly 20 years later the family has settled in Mississippi and the lawyer's adult daughter, Mina (Sarita Choudhury) falls in love with a young black business entrepreneur, Demetrius (Denzel Washington). Their affair causes a rift in the community and forces the lovers' families to examine their ideas about racial and class differences while avoiding scandal.

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A reputedly faithful cinematic depiction of the historical events of Caligula's Rome, including the decadence and debauchery that marked his reign. This notorious release has faced rather hysterical hostility from would-be censors. Financed by Penthouse Magazine magnate Bob Guccione, who was accused of inserting hardcore sex scenes after completing photography with the impressive and esteemed cast of British actors. Contains graphic sex and violence. The R-rated version is shorter by 53 minutes!

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Writer-director Quentin Tarantino revisits the seedier side of Los Angeles--following 1992's RESERVOIR DOGS--with this funny, violent, tongue-in-cheek tribute to the less "classic" side of filmmaking--the potboilers and capers, the Blaxploitation flicks and gangster movies. The film interweaves three tales, told in a circular, fractured manner, which only fully connect by the time the final credits roll. The first story focuses on Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson), two hit men on duty for "the big boss," Marsellus Wallace (Ving Rhames), whose gorgeous wife, Mia (Uma Thurman), takes a liking to Vincent. In the second, a down-and-out pugilist (Bruce Willis), who is ordered to take a fall, decides that there's more money in doing the opposite. The final chapter follows a pair of lovers (Amanda Plummer and Tim Roth) as they prepare to hold up a diner. Tarantino wears his cinematic influences proudly, bringing them to life in the ironically hip, self-referential 1990s. The result is a work that changed the face of independent cinema forever, making it a legitimate player in the Hollywood mainstream. The all-star cast steps into their roles with obvious glee, and Tarantino once again uses his soundtrack to up the "cool" ante yet another notch, making for a motion picture event that has worked its way into our national vernacular.

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Of Love and Shadows [DVD]

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A sheltered, well-to-do magazine editor living under the shadow of the Pinochet dictatorship in Chile has her senses awakened when a handsome photographer comes to her for a job. A sympathizer with the underground resistance movement, the photographer opens her eyes to the atrocities being committed by the state. A romantic thriller based on the novel by Isabel Allende.

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Air Force One

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President James Marshall (Harrison Ford) is one of the most respected leaders in the history of America. When Kazakhstanian separatists commit atrocities on their own people, Marshall authorizes a guerrilla mission to take their leader, General Radek (Jürgen Prochnow), into custody and restore the democratic regime. In his speech afterward, the president vows never to let America hesitate again when dealing with terrorists. However, that's before a group of them, led by the ruthless Korchunov (Gary Oldman) take over his own flight on Air Force One, with his wife and young daughter also on board. President Marshall, a decorated Vietnam veteran, becomes a one-man vigilante force in his efforts to free his family and the other hostages, retake the plane, and thwart the hijackers. Director Wolfgang Petersen's thrilling film is supported by an excellent ensemble cast, which includes William H. Macy, Philip Baker Hall, and Glenn Close as Kathryn Bennett, the vice president who must hold the Cabinet together in Marshall's absence.

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