Pg mpaa 80s videos in Drama DVDs & Videos

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EDDIE AND THE CRUISERS: Back in the early 1960s, Eddie and the Cruisers, a (fictitious) rock band, was the hottest act around. However, in 1964 the group broke up, following the apparent suicide of the band's charismatic lead singer Eddie Wilson, who drove off a bridge. His body was never found. After 20 years, TV reporter Maggie Foley decides to do an investigative story on the band. At the same time, she searches for the missing tapes of the group's last recording, which could provide clues to Eddie's disappearance. The more Maggie researches her story, however, the more she suspects that Eddie Wilson may still be alive... EDDIE AND THE CRUISERS 2: EDDIE LIVES!: The rock star who disappeared when his car ran off the road years ago is living in Canada with a new identity. As the president of Eddie's old record company plans to make millions from the "Lost Tapes" of Eddie and the Cruisers, Eddie is starting up a new band which is soon discovered...and so is Eddie, who must come to terms with himself and his music.

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This classic tale of teen rebellion features a delightful combination of dance choreography and realistic, touching performances. When teenager Ren (Kevin Bacon) and his family move from big-city Chicago to a small midwestern town, he's in for a real case of culture shock. Though he tries hard to fit in, the streetwise Ren can't quite believe he's living in a place where rock music and dancing are illegal. There is one small pleasure, however: Ariel (Lori Singer), a troubled but lovely blonde--who also has a jealous boyfriend. In fact, it is Ariel's dad (John Lithgow), a Bible-thumping minister, who is responsible for keeping the town dance-free. Ren and his classmates want to do away with this ordinance--especially since the senior prom is around the corner--but only Ren has the courage to initiate a battle. Ren's pent-up frustrations cause a confrontation with Rev. Shaw Moore and the local town council as he takes on the small-town establishment struggling to abolish the outmoded ban and revitalize the spirit of the repressed townspeople. Herb Ross's fast-paced drama is filled with such hit songs as the title track and "Let's Hear It for the Boy" and is a classic of 1980s Brat Pack cinema.

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Riding high after the box office success of SHAMPOO and HEAVEN CAN WAIT, Warren Beatty used his seemingly limitless power to write, produce, direct, and star in this epic historical romance. The film recounts a particularly eventful period in the life of notorious American communist John Reed (Beatty), who journeyed to Russia to witness the Bolshevik Revolution firsthand. Before that, he met the already wed Louise Bryant (Diane Keaton) in Portland in 1915. However, they shared such a mutual attraction for words, and each other, that soon Bryant was living with Reed in New York City. It was here where they befriended some of the early 20th Century's most recognizable faces: Eugene O'Neill (Jack Nicholson), Emma Goldman (Maureen Stapleton), Max Eastman (Richard Herrmann), and Horace Whigham (George Plimpton). Yet Reed's commitment to his craft caused an endless friction in the relationship, until Louise found her own journalistic voice, leading the couple to Russia at a crucial moment in history. But just when they appeared to have come to a perfect place in their relationship, tragedy struck. REDS is one of the last vestiges of early Hollywood, a broad, sweeping spectacle that is simultaneously thought provoking and unabashedly entertaining. Beatty inserts fascinating interviews with actual participants from that earlier era throughout the film to provide even more context and insight. At a time when Ronald Reagan had just become the president of the United States, Beatty's sympathetic portrait of notorious American communist John Reed seemed even more daring. Yet, as it continues to age, the film only continues to grow in relevance, assuring its rightful place at the top of the Hollywood canon.

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Based on the book by her adopted daughter Christina, MOMMIE DEAREST is the now-legendary tale of Hollywood superstar Joan Crawford (Faye Dunaway) and the lengths that she went to in order to maintain her public image. After several screen successes, Crawford's plan to stay on top in Tinseltown includes adopting two children, Christina and Christopher, whom she plans on spoiling with love and gifts. As her career flags and her lack of success in her relationships with men chip away at her constitution, Crawford's treatment of her children becomes more and more brutal. Though this domestic horror tale is so over-the-top it that it is often celebrated as high camp, Dunaway's performance remains nothing short of astounding.

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John Travolta and Debra Winger star in this cowboy version of SATURDAY NIGHT FEVER, in which all the action takes place at Gilley's country-western bar, a rough-and-tumble honky-tonk in the heart of Houston. Travolta plays Bud, a young country farmer who moves to the city to find work at an oil refinery and finds love with Sissy (Winger), a cowgirl of easy virtue and spirit. The two country-western singles fall in love on the dance floor of Gilley's and quickly marry only to discover that their workaday life is harder to cope with than they imagined, lightened only by hard-drinking weekends of glory at Gilley's, where they're both local heroes, line-dancin' and struttin' their stuff until dawn. In between crowd-pleasing rides on the club's mechanical bull, Bud and Sissy struggle to keep their new romance alive despite the competitive attentions of a new cowboy in town, a bull-riding ex-convict (Scott Glenn) who has his eye on Sissy. James Bridges's hard-driving drama glimmers with the intensity of the super saloon, capturing the wild and rough life of the modern cowboy. The soundtrack features musical performances from such greats as Bonnie Raitt, Mickey Gilley, Boz Scaggs, Kenny Rogers, and the Charlie Daniels Band.

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John Travolta returns as a pumped-up Tony Manero in this sequel to the 1977 hit movie, SATURDAY NIGHT FEVER. Tony is now a struggling dancer/instructor, looking for his big break in a Broadway show. When he finally lands a small role, personal problems come to the fore as he finds himself torn between two women: Jackie (Cynthia Rhodes, DIRTY DANCING), his loyal girlfriend, and Laura (Finola Hughes), the musical's attractive and flirtatious star. Sylvester Stallone directed and co-wrote the screenplay.

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Two young men enjoy the last days of their boyhood before enlisting in the military during the time of the Second World War. A tender, bittersweet tale of lost innocence and the horrible trauma of social violence.

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This Oscar-winning film is both eccentrically funny and an old-fashioned tearjerker. The story centers around the volatile relationship between a mother and daughter spanning 30 years. The various permutations of their lives are examined, including the daughter's bout with terminal cancer. TERMS OF ENDEARMENT is a deeply observed drama about the intimate relationship between a mother and daughter, based on the novel by Larry McMurtry. Shirley MacLaine and Debra Winger are at their absolute best, with terrific support from Jack Nicholson, Jeff Daniels, and John Lithgow. Academy Award Nominations: 11, including Best Actress--Debra Winger and Best Supporting Actor--John Lithgow. Academy Awards: 5, including Best Picture, Best Director, Best Actress--Shirley MacLaine, Best (Adapted) Screenplay, Best Supporting Actor--Jack Nicholson.

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Francis Ford Coppola directed this truly American story based on the real-life struggles of one man and his fight against big government and large corporations. In 1945 Michigan, Preston Tucker (Jeff Bridges) created a car for the future equipped with fuel injection, a center headlight, seat belts, a rear engine, disc brakes, shatterproof glass, and a pop-out windshield. With the support of his wife (Joan Allen), his son (Christian Slater), and his business manager (Martin Landau in an Academy Award-nominated performance), Tucker produced fifty of his dream cars. However, Detroit's Big Three, with the help of a Washington senator (played by Jeff Bridges's father, Lloyd, in an uncredited role), set up significant roadblocks. Tucker is investigated for fraud and his plant is closed. Coppola had been planning to make a film based on the life of Preston Tucker since 1974. His own struggle to retain independence from the Hollywood studios mirrors the auto maverick's story. Of the 50 cars Tucker made, 46 are still roadworthy (Coppola and Executive Producer George Lucas each own one). Pop musician Joe Jackson composed the music for the film.

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Steve McQueen's last movie is a fitting tribute to his memorable talent. He portrays real-life bounty hunter Ralph "Papa" Thorson, who made a long career out of apprehending more than 5,000 criminals and bail jumpers. Thorson's tough antics (featuring a few memorable car chases) are tempered by his touching relationship with his pregnant wife Dotty (Kathryn Harrold)--and his love of antique toys and Tchaikovsky. During the course of the film, Thorson chases down fugitives in Illinois, Texas, and Nebraska, as he himself is pursued by a psychotic killer.

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Based on the acclaimed and popular E.L. Doctorow novel, RAGTIME tells the intricate story of four New York families--three of which are fictional--at the turn of the 20th century, each indicative of that time in American history, and highlighting some of the downsides of following the American Dream. Starving immigrant artist Tateh (Mandy Patinkin) will eventually set off to make his fortune in Hollywood, but not without a chance encounter with Evelyn Nesbit (Elizabeth McGovern in the role of the real-life showgirl). Nesbit was the center of the infamous (and, in the film, the very compelling) Thaw-White murder case, in which her mentally unstable millionare husband Harry K. Thaw (Robert Joy) murdered her lover, the famed architect Stanford White (Norman Mailer). Another storyline follows the disintegration of an upper-class American family headed by Mary Steenburgen (simply named Mother) and James Olson (Father). Their seemingly perfect existence is shattered when black ragtime pianist Coalhouse Walker (Howard E. Rollins), loosely modeled on Scott Joplin, begins to romance a pregnant young woman living in their home (Debbie Allen). Walker, a dignified man, turns to rage when he is tormented by local racists. One of the most impressive moments in this ambitious film is the appearance of veteran actor James Cagney who, at 81, plays feisty Police Commissioner Waldo.

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