R mpaa 80s videos in Drama DVDs & Videos

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In Adrian Lyne's FLASHDANCE, a young woman, Alex (Jennifer Beals), strives to achieve success as a classical dancer, but economic forces require her to work as a welder by day and an exotic dancer by night. Standing in her way is an abundance of profound social obstacles, not the least of which is her boss at the welding factory, Nick (Michael Nouri), who is also her boyfriend. Alex strives to be accepted into a prestigious ballet academy, and she is furious when she realizes that her boyfriend might be pulling strings for her behind the scenes. Along the road to self-discovery and independence, Alex also struggles to accept love, come to terms with her own stubbornness, and find the inner strength to turn her lofty dreams into reality. Edited for maximum rhythmic impact, FLASHDANCE is full of glistening bodies and metallic surfaces, powered by Giorgio Moroder's throbbing music and one hit song after another: Michael Sembello's "Maniac," Karen Karmen's "Manhunt," and, notably, Irene Cara's Oscar-winning theme song, "Flashdance...What a Feeling." FLASHDANCE marks the first coproduction between Jerry Bruckheimer and Don Simpson, who geared the film toward the MTV generation.

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Richard Gere is Julian Kay, a slick emotionally and spiritually deprived L.A. hustler in AMERICAN GIGOLO. While servicing an upscale clientele in the Hollywood area, he becomes involved with a rich senator's wife (Lauren Hutton), their relationship extending beyond Julian's normal encounters. Little does he know he is about to be framed for murder, forcing him to rely on alibis from Madame Anne (Nina Van Pallandt), a crooked pimp (Bill Duke), or the senator's wife herself. A stylishly sleazy look at moral decay and redemption, director Paul Schrader combines a European cinematic sensibility with his usual themes of moral drift and emotional alienation in this vivid portrait of early 1980s chic Hollywood decadence.

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While his wife (Anne Archer) and daughter are out of town, successful attorney Dan Gallagher (Michael Douglas) has a one-night stand with Alex Forrest (Glenn Close), the publishing executive he has just met. He has no idea what he's getting into. Immediately after the encounter, Dan wants to put the experience behind him, but Alex refuses to let go of their relationship. Driven to madness by his rejection, she turns to violently harassing both Dan and his family. This terrifying morality play, which takes the consequences of infidelity to new heights of horror, became one of 1987's biggest box-office successes. Academy Award Nominations: 6, including Best Picture, Best Director, Best Actress--Glenn Close, Best Supporting Actress--Anne Archer, Best (Adapted) Screenplay.

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Australian Peter Weir's first Hollywood film tells the story of John Book (Harrison Ford), a Philadelphia cop whose life is altered while trying to help Rachel (Kelly McGillis), an Amish woman, and her son Samuel (Lukas Haas), who witnesses a murder in a Philadelphia train station bathroom. After discovering that the murder was committed by a member of his force, Book travels to Lancaster County with Rachel and Samuel and poses as a member of the Amish community to hide from his murderous police peers. While there, love blooms between Rachel and Book, and he finds himself drawn in by the honesty and simplicity of the old-world Amish lifestyle. Fine performances and beautiful cinematography are prevalent throughout.

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Zack Mayo (Richard Gere) has nothing--the son of an alcoholic, indifferent military father, he's grown up in the Philippines living on top of a brothel. But after college he decides he wants more and, despite his father's mockery, enrolls in the navy's Officer Candidate School to become a jet pilot. His sergeant, brilliantly played by Louis Gossett Jr., makes his life a living hell from day one, but Zack won't quit. The candidates are warned to stay away from the local girls looking for naval husbands, but Zack and his bunkmate, Sid (David Keith), find themselves falling for two friends, Paula (Debra Winger) and Lynette (Lisa Blount), who work at the local paper mill. Zack fights his feelings for Paula, determined to let nothing sway him from his goals. But as the hellish weeks of training go by, Zack begins to see that maybe he can't do it alone--and that what's getting him through are his friends in the ranks, and the girl he's been pushing away. Widely acclaimed at the time of its release, director Taylor Hackford's inspiring film is a romance for the ages.

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Jodie Foster won deserved acclaim for her performance as Sarah Tobias, a hard-living, fiercely independent woman is gang raped in the back of a local bar. She finds herself battling the legal system not once but twice, as she and her attorney Kathryn Murphy (Kelly McGillis) go after her attackers and the onlookers whose cheering fueled and encouraged the assault. Based on a true story which occurred in New Bedford, Massachusetts. Academy Awards: Best Actress--Jodie Foster.

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Devastated by the loss of their older son, well-to-do suburban couple Calvin (Donald Sutherland) and Beth (Mary Tyler Moore) are trying to rebuild their lives after their younger son, Conrad (Timothy Hutton), attempts suicide. While Beth, who always favored the elder son, retreats into an icy, emotionless shell, Calvin tries to draw Conrad back into the family and into life as a teenager. Conrad sings in the choir and returns to the swim team, but both his brother's death and his own experiences traumatize him. Conrad reluctantly begins therapy sessions with Berger (Judd Hirsch), which allow him some respite from the unbearable grief and guilt he carries with him. As Conrad makes strides, Calvin realizes that he no longer knows his wife and is both saddened and angered by how seemingly emotionless she has become. A classic portrait of family life in the face of tragedy, Robert Redford's award-winning directorial debut is moving and thought provoking. Based on the novel by Judith Guest, the film features the debuts of Timothy Hutton and Elizabeth McGovern as well as breakthrough performances from Mary Tyler Moore and Donald Sutherland.

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James Leeds (William Hurt), a handsome and dedicated teacher, just started his new assignment at an elite school for the deaf. Immediately, James begins using unconventional teaching methods to reach his students. Sure enough, he manages to inspire the most introverted pupils to participate in class. But there's one person James hasn't been able to reach: the deaf custodian, Sarah Norman (Marlee Matlin). Sarah, also an alumni of the school, has chosen to remain in the safe ecosystem of the hearing impaired. James, aroused by her beauty but put off by her cynical, cold manner, vows to know her more closely and tries to reach the sensitive woman hiding behind the tough exterior. Based on Mark Medoff's Tony Award-winning play, CHILDREN OF A LESSER GOD is a refreshing and original film. Matlin is both endearing and sensuous as the bitter Sarah. One feels warm and fuzzy inside as Leeds (Hurt) tries to coax the begrudging Sarah out of her shell. The directorial debut for T.V. veteran (HILL STREET BLUES, FAMILY) Randa Haines, CHILDREN OF A LESSER GOD is a key film from the 1980s, it landmarks the growth of women directors in the industry and remains an inspiration for a generation of diverse filmmakers to come.

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