R mpaa in Drama DVDs & Videos

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Small-time drug dealer and Vice Lords gang member Greg Yance gets a second shot at living straight when he's sentenced to a rigorous prison boot camp. Based on a true story. Produced for HBO.

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Bringing John Berendt's international best-selling novel, MIDNIGHT IN THE GARDEN OF GOOD AND EVIL, to the screen must have been a challenge. The book is essentially an anecdotal travelogue of the fascinating city of Savannah, Georgia. The filmmakers decided to add a character, John Kelso (well played by John Cusack), a writer from New York, who's meant to represent Berendt's point of view. They also put most of the focus of the narrative on the murder trial of local millionaire socialite Jim Williams (the redoubtable Kevin Spacey). This is slightly problematic in that Kelso, a mere observer, now becomes the central character of the film. But director Clint Eastwood (straying from his usual milieu, and, atypically, not appearing the film) and writer John Lee Hancock still manage to capture the quirky spirit of the book. They're greatly aided in this regard by the lush images of cinematographer Jack N. Green and the detailed work of production designer Henry Bumstead, who create just the right atmosphere for the small city and its environs. The strong cast, including actual Savannah residents such as sparkplug transsexual the Lady Chablis, makes the film an enjoyable idyll in a strange yet welcoming place.

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Terrence Malick returns to Hollywood after a two-decade hiatus with this adaptation of the classic WWII novel by James Jones. The story follows the efforts of an army platoon to capture the Japanese-controlled island of Guadalcanal in the Pacific Ocean, which will have a major effect on the outcome of the war. The members of C-for-Charlie Company are all fighting for different reasons: some to achieve glory, some to fight for democracy, and some simply to remain alive. They spend the quieter moments reflecting upon their existence, searching for meaning amid the senselessness of war. Malick's reputation as one of cinema's most brilliant directors, based on his masterworks BADLANDS and DAYS OF HEAVEN, enabled him to pull together one of the largest ensemble all-star casts in Hollywood history. The result is a sprawling epic that carries itself like a poem read in a dream, a feeling that is greatly enhanced by John Toll's floating camerawork and Hans Zimmer's haunting score. Rather than concentrating solely on the violence and destruction of war, Malick uses the situation to address philosophical questions such as man versus nature, war versus peace, and good versus evil. THE THIN RED LINE proves that after a 20-year layoff, Malick hasn't lost a step.

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Gia
America's first supermodel Gia Carangi lives hard and dies young in the glamorous, excessive urban wilds of 1970s New York City. Adapted by Cristofer and novelist Jay McInerney from the biography "Thing of Beauty" by Stephen Fried. Made for HBO. Available in rated and unrated versions.

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Steven Soderbergh explodes onto the scene with this provocative, intelligent drama about infidelity and voyeurism. Ann Milaney (Andie MacDowell) lives in a comfortable Louisiana home with her lawyer husband, John (Peter Gallagher). She spends her days fretting over the insurmountable problems of the world and her own unfocused sense of melancholy. Although she doesn't know it, she has a good reason to be upset: John is having a torrid affair with her younger, more extroverted sister, Cynthia (the sexy Laura San Giacomo). When Graham Dalton (James Spader), an old college pal of John's, comes to visit, all three are momentarily distracted from personal problems and intrigues as they scrutinize the odd outsider. Ann soon discovers that Graham has some strange habits and problems of his own. Plagued by impotency since the calamitous breakup of his last relationship, the young drifter finds sexual gratification by videotaping women willing to talk about their sexual past and fantasies in front of the camera. A chain of attraction and jealousy develops as the four interconnect in several varied pairings, culminating with Ann's decision to become Graham's latest subject. Soderbergh's highly influential debut independent feature plays like a dangerous thriller that builds in tension until everyone's secrets are bitterly exposed.

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Robert Altman's adaptation of Michael Tolkin's novel gives the notorious director a chance to address perhaps his greatest nemesis: the Hollywood studio system. Disguised as a thriller, the film assembles virtually every famous actor in Hollywood to create an exhilarating blend of real life and fiction. Tim Robbins plays Griffin Mill, a studio executive who begins to fear for his job when upstart Larry Levy's (Peter Gallagher) name becomes a hot topic on the lot. After receiving threatening postcards from an unidentified writer, Griffin tracks down David Kahane (Vincent D'Onofrio), who he thinks is the guilty party. The two argue, with disastrous results. Later, as Griffin struggles to keep his job while trying to distance himself from the law, he finds himself falling in love with Kahane's mysterious girlfriend (Greta Scacchi). THE PLAYER is a vicious satire that exposes the Hollywood industry as fraudulent, weak, and shallow. Altman's film also sends up both the noir genre and filmmaking technique, the latter notably in an extended opening shot which is a sprawling one-take that covers the studio's entire lot and features a series of hysterical pitches by actual screenwriters, including Buck Henry offering forth on his concept for THE GRADUATE 2. Bitter and electric, THE PLAYER ends on an ironic upbeat note that perfectly concludes a stellar picture.

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LEGENDS OF THE FALL: Director Edward Zwick's epic romance, set against the backdrop of WWI and the wide sky and rugged terrain of Montana, stars Anthony Hopkins as William Ludlow, an idealistic retired colonel who disapproves of the war and the army's indecent treatment of Native Americans. Abandoned by his blue-blooded wife, Ludlow raises his three sons in the remote foothills of Montana with the help of Native American friends. Before the war, Samuel (Henry Thomas) brings home his fiancée from the East Coast, Susannah (Julia Ormond), a stunning beauty who can ride, rope, and hunt like the Ludlow boys. When the war breaks out, Samuel, the youngest and most idealistic son, enlists in the army. Brothers Alfred (Aidan Quinn) and Tristan (Brad Pitt) follow suit, more as protectors than as cohorts. Despite their best efforts, however, Samuel dies in battle. Upon returning home, Tristan becomes involved with Susannah, who is devastated by her loss but profoundly attracted to the brooding brother. However, tormented by his inability to save his little brother's life, Tristan abandons her and sets out on a long journey of self-discovery. During his absence, Alfred reveals his own passion for Susannah. Although she does not reciprocate his feelings, Susannah--who has despaired of ever seeing Tristan again--agrees to become his wife. Ultimately, Tristan does return, setting off a dangerous conflict between the brothers. A RIVER RUNS THROUGH IT: Fly-fishing figures prominently in this poignant tale of two brothers growing up in Montana in the early 20th century under the stern rule of their minister father. While both boys rebel, Norman (Craig Sheffer) channels his rebellion into writing, but Paul (Brad Pitt) descends onto a slippery path of self-destruction. The beautiful scenery of Montana is used to full effect with the awesome cinematography of Philippe Rousselot. Directed by Robert Redford, this adaptation of Norman Maclean's classic autobiography also features Tom Skerritt and Brenda Blethyn as the Reverend and Mrs. Maclean. DEVIL'S OWN: THE DEVIL'S OWN, Alan J. Pakula's last film, is a character-driven thriller that confronts suspense and gritty realism head-on. Harrison Ford plays Tom O'Meara, an Irish-American cop in New York who opens his home and family to Francis "Frankie" McGuire (Brad Pitt), whom they believe is a refuge-seeking immigrant from Belfast. They later discover that their visitor is an IRA rebel on a terrorist mission. Buoyed by tense, strong performances from both stars, the film is ultimately a tragedy that explores the unexpected friendship of two men of similar ethnic roots, yet of different places, times, and values, and the cruel and senseless cycle of violence they face.

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Produced under the supervision of director Francis Ford Coppola and cinematographer Gordon Willis, this boxed set presents THE GODFATHER trilogy in visually restored versions with remastered audio. Please see individual titles--THE GODFATHER, THE GODFATHER PART II, and THE GODFATHER PART III--for complete synopsis information.

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Director John G. Avildsen's violent and gritty portrayal of the clash between the counterculture and establishment of 1970s New York became an instant cult classic. Dennis Patrick stars as Bill Compton, a New York advertising executive whose hippie daughter, Melissa (Susan Sarandon in her film debut), is sent to rehab after she's found overdosing in an East Village drugstore. Melissa's unrepentant junkie boyfriend, Frank (Patrick McDermott), wallows in drugs and squalor until Bill visits him and flies into a violent rage that ends in murder. This act of violence wins him the admiration of Joe (Peter Boyle), a flag-waving bigoted blue-collar worker, as the two strike up an unlikely friendship in a local bar. Joe's knowledge of Bill's heinous crime becomes a subtle form of emotional blackmail as the two men spend time together in a bizarre class struggle between their two disparate worlds. When Melissa runs away, the two friends, joined in their fear and hatred of the counterculture, begin a search for her in the bohemian haunts of New York's East Village. Their search turns into an ironic night of liberation as the two men carouse with a group of young hippies. However, as the evening comes to a close the two men are consumed by their hatred and guilt. A final conflict with the hippies ends in a deeply disturbing and violent climax. This stylized and stark view of hate crimes and the 1970s counterculture remains shocking and relevant to this day.

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LONDON: When his former girlfriend leaves for New York City to live with her new boyfriend, Syd (Chris Evans) decides to rudely interrupt her going-away party by turning up with a small mountain of cocaine and his drug dealer in tow. Most of the movie takes place in the bathroom at the party--where Syd entertains the guests and shares his drug stash with them. LONDON is a stark look at the effect love can have on a man. But there are a few twists and turns in store as the movie lurches toward a surprising conclusion. SPUN: Ross (Jason Schwartzman) is an addict badly in need of some speed. He pays a visit to his dealer, Spider Mike (John Leguizamo), where he encounters fellow "tweakers" Nikki (Brittany Murphy), a stripper named Frisbee (Patrick Fugit), a metalhead, and Cookie (Mena Suvari), Mike's girlfriend. But the trip turns into an odyssey when Mike can't find his stash. Nikki tells Ross that her boyfriend, a crazed cowboy known as the Cook (Mickey Rourke), can supply whatever he needs. The two of them visit the Cook at his motel lab, and Ross quickly gets his fix. Ross, however, is put into service as The Cook's errand boy and chauffeur, with only brief periods of freedom to check up on the stripper girlfriend he left tied to his bed back at his apartment. Ross's three days without sleep reach a feverish head when it becomes evident that two cops (Peter Stormare and Alexis Arquette) have raided Spider Mike's pad in search of the Cook. This relentlessly crude and graphic feature from Swedish music video director Jonas Ackerlund is not for the faint-of-heart. Lightening-fast edits, sexually explicit animation, Farrelly-Brothers-level rudeness, and a pervasive sense of nihilism swirl together to create a morally empty Los Angeles of seedy abodes and cinder block strip malls inhabited by corrupt cops and thrill-seeking lawbreakers. Set to a memorable score by Billy Corgan, Mickey Rourke's memorable turn paves the way for a game young cast.

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Longtime sweethearts David (Woody Harrelson), an architect, and Diana (Demi Moore), a real estate agent, find themselves on hard times when financial troubles bring them to the verge of losing their house, which David designed. Taking their last $5,000, they go to Vegas in hopes of multiplying their money. Luck fails them, but they are faced with a major moral dilemma when billionaire John Gage (Robert Redford) spots Diana in the casino and offers her $1,000,000 to spend the night with him. What ensues causes them to question their relationship more than anything they've ever encountered. Based on the novel by Jack Engelhard.

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Quentin Tarantino returns to the crime genre once again with this adaptation of Elmore Leonard's RUM PUNCH. Transplanting Leonard's crime story from Miami to Tarantino's city of choice, Los Angeles, JACKIE BROWN cruises along smoothly, much like the film's 1970s soul soundtrack. The film follows Jackie Brown (Pam Grier), a flight attendant who makes extra cash by running drugs and cash for sleazebag Ordell Robbie (Samuel L. Jackson). When Jackie sees the opportunity to make off with a large chunk of change, she begins to play everyone around her, including two detectives who are threatening her with jail time if she doesn't rat out Ordell, and a sympathetic bail bondsman (Robert Forster) who finds himself falling for Jackie. Tarantino sets a pace that is laid back and groovy, building to an eventual climax that determines whether or not Jackie walks away with the booty. In much the same way that Tarantino resuscitated John Travolta's career with PULP FICTION, he does the same thing here with Grier and Forster. Overall, JACKIE BROWN is a less in-your-face effort than Tarantino's previous films, but it's this downshift in gears that makes it so refreshing.

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Edward Zwick directs this sumptuously designed, action-packed period epic that stars Tom Cruise as Captain Nathan Algren. Algren, a former Civil War hero, is adrift in 1870s San Francisco after the war, a lost soul struggling to stay afloat in a booze-soaked stupor. When he is recruited by the Japanese government to train the Emperor's army, he departs for the unknown shores of Japan and begins training the soldiers in American military tactics. But these skills are useless against a band of samurai rebels led by the proud warrior Katsumoto (Ken Watanabe), and Algren is easily defeated. He is taken to a remote samurai village where he learns samurai warrior codes and ways of life, developing a deep bond with Katsumoto and sharing philosophical conversations with him. Caught between the feudal culture of the ancient samurai warriors and the encroachment of modern society, Algren is forced to choose between his own culture or Katsumoto's. THE LAST SAMURAI is lavish in its dramatic period costumes and intense performances, and will thrill fans of both historical drama and action films.

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Edward Zwick directs this sumptuously designed, action-packed period epic that stars Tom Cruise as Captain Nathan Algren. Algren, a former Civil War hero, is adrift in 1870s San Francisco after the war, a lost soul struggling to stay afloat in a booze-soaked stupor. When he is recruited by the Japanese government to train the Emperor's army, he departs for the unknown shores of Japan and begins training the soldiers in American military tactics. But these skills are useless against a band of samurai rebels led by the proud warrior Katsumoto (Ken Watanabe), and Algren is easily defeated. He is taken to a remote samurai village where he learns samurai warrior codes and ways of life, developing a deep bond with Katsumoto and sharing philosophical conversations with him. Caught between the feudal culture of the ancient samurai warriors and the encroachment of modern society, Algren is forced to choose between his own culture or Katsumoto's. THE LAST SAMURAI is lavish in its dramatic period costumes and intense performances, and will thrill fans of both historical drama and action films.

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HOPE FLOATS: Birdee (Sandra Bullock) is an unassuming housewife whose life is disrupted when her husband (Michael Pare) reveals his infidelity to her on a Jerry Springer-style talk show. She goes home to her mother and the small town in which she grew up--where, of course, everyone knows about her televised marital collapse. Things only get worse as a family tragedy brings her ex-husband back for an official divorce. Meanwhile an old friend, Justin (Harry Connick Jr.), has entered her life, sparking a romance. While Justin's intentions are good, Birdee struggles with the decision to let him fully into her life. This 1998 sleeper was a pet project of leading actress Bullock and became a surprise hit, touching the hearts of its viewers. LOVE POTION # 9: When Paul (Tate Donovan), a lonely biochemist, and Diane (Sandra Bullock), a socially inept comparative psychobiologist, come across a gypsy's mysterious potion, they're skeptical. But when chimps respond favorably, the scientists have no choice but to test it on themselves, with hilarious and charming results. SPEED: A mad bomber (Dennis Hopper) is out for revenge against LAPD rookie cop Jack Traven (Keanu Reeves), who, with the help of his partner, Harry Temple (Jeff Daniels), foils the criminals' plot to extort money from the city by holding hostage an elevator full of people. He plants a bomb on a bus, set to arm itself when the vehicle hits 50 mph, and detonate if it drops below that speed. The hero, with the help of a beautiful passenger named Annie (Sandra Bullock), must defuse the explosive device before the bus runs out of gas. This fast-paced thriller received two Academy Awards for Best Sound and Best Sound Effects Editing, as well as a nomination for Best Film Editing.

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HELL'S KITCHEN tells the tragic story of a group of New York City youths whose involvement in a drug deal ends up haunting their lives. After the deal turns sour, one of the boys ends up dead and another--Johnny Miles (Mekhi Phifer)--is sent to jail for a crime he didn't commit. Five years later, Johnny is out of jail and back on the streets of his old neighborhood, trying to piece back his life by training to be a boxer. The only problem is that the murdered boy's sister (Angelina Jolie) stills blames Johnny for the death of her brother and wants her new boyfriend to kill him. A dark tone and over-the-top melodrama highlight this gritty urban tale which features a good supporting turn by Jolie.

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Helen Mirren plays an aging actress who travels to Rome in search of her lost youth. There she has a romantic encounter with a handsome young man (Olivier Martinez) who at first seems sincere, but later proves to be a calculating gigolo.

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Based on Gerry Conlon's autobiography, PROVED INNOCENT, Jim Sheridan's IN THE NAME OF THE FATHER tells the tumultuous and wrenching tale of a man wrongfully imprisoned in 1974 for the bombing of a London pub. Daniel Day-Lewis stars as Conlon, a young Irish petty thief living in London who gets picked up after he and a friend, Paul Hill (John Lynch), rob a hooker's apartment. The British police, desperate to produce results in their search for the culprits in the pub bombing, force a false confession out of Conlon after subjecting him to days of sadistic torture and threats. The Guildford Four--Conlon, Hill, Paddy Armstrong (Mark Sheppard), and Carole Richardson (Beatie Edney)--are found guilty of the bombing, and members of Conlon's family, including his sickly father, Guiseppe, are imprisoned as co-conspirators. Conlon's desire to bring the truth to light builds as his harrowing incarceration in a maximum security prison stretches on. The relationship between Conlon and his father, played with silent strength by Pete Postlethwaite, provides a stirring pulse at the core of this portrait of politically motivated injustice. Emma Thompson also turns in a fine performance as the lawyer who stubbornly battles for Conlon's exoneration. And Day-Lewis, who won the Academy Award for Best Actor in MY LEFT FOOT, an earlier collaboration with director Sheridan, adds to his impressive body of work with a mind-boggling performance erupting with rage, pride, heart, and courage.

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Two brothers are torn apart by the code of the street. Ray, framed for the murder of a cop, is determined to rescue his brother Donny from an impending gang war and finger the real cop killer.

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Ridley Scott's romantic thriller stars Mimi Rogers as ravishing New York socialite Claire Gregory and Tom Berenger as blue-collar police detective Mike Keegan. After Claire witnesses a high-profile murder, Mike is among the rotating group of detectives assigned to protect her.The simple, straightforward cop is awed both by Claire's beauty and by the endless rooms of her lavish apartment. A quiet attraction develops between the two, but neither of these otherwise committed people is willing to act on it. However, the detective's wife, Ellie (Lorraine Bracco), realizes what's happening and reacts accordingly. When Mike accompanies Claire to a museum benefit one evening, the killer, Joey Venza (Andreas Katsulas), confronts her in the ladies' room. He threatens to kill her if she identifies him in a police line-up the next day and then turns himself in to the police. Although she goes through with the identification, Venza is released on a technicality, and Claire nows needs protection more than ever. Bracco is wonderful as the cop's spirited wife.

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