Rachel elizabeth video in Drama DVDs & Videos

Description:

For the follow-up to his dark crime thriller SEVEN, director David Fincher decided to remain in a film noir vein. The result is THE GAME, a fast-paced cinematic roller-coaster ride that stars Michael Douglas as Nicholas Van Orton, a joyless San Francisco investment banker who receives an unusual birthday present from his estranged younger brother, Conrad (Sean Penn). The gift enrolls Nicholas in CRS (Consumer Recreation Services), a company that designs elaborate real-life games for each specific participant. As the game begins, the reluctant Nicholas becomes the victim of a series of pranks that quickly turn malicious and dangerous. Stripped of his finances and convinced that he can trust no one, Nicholas realizes that this game may be an attempt to steal his fortune and leave him for dead. In a desperate bid to regain his life, Nicholas infiltrates CRS in order to uncover the secrets of the mysterious organization. Douglas is perfect playing the uptight businessman Nicholas, cleverly riffing on his Oscar-winning performance as the cold-blooded Gordon Gekko in WALL STREET. Fincher's Kafkaesque carnival show is an exercise in taut filmmaking that mischievously pulls a seemingly endless supply of rugs out from under both Nicholas and, even more impressive, the viewer.

Description:

Sergeant Cuff is called to unravel the mystery of a stolen diamond. But is the thief of the missing Hindu jewel one of the alibied suspects or is there something more sinister at work in the Victorian household? An adaptation of the novel by Wilkie Collins produced for British television.

Description:

Sergeant Cuff is called to unravel the mystery of a stolen diamond. But is the thief of the missing Hindu jewel one of the alibied suspects or is there something more sinister at work in the Victorian household? An adaptation of the novel by Wilkie Collins produced for British television.

Description:

For the follow-up to his dark crime thriller SEVEN, director David Fincher decided to remain in a film noir vein. The result is THE GAME, a fast-paced cinematic roller-coaster ride that stars Michael Douglas as Nicholas Van Orton, a joyless San Francisco investment banker who receives an unusual birthday present from his estranged younger brother, Conrad (Sean Penn). The gift enrolls Nicholas in CRS (Consumer Recreation Services), a company that designs elaborate real-life games for each specific participant. As the game begins, the reluctant Nicholas becomes the victim of a series of pranks that quickly turn malicious and dangerous. Stripped of his finances and convinced that he can trust no one, Nicholas realizes that this game may be an attempt to steal his fortune and leave him for dead. In a desperate bid to regain his life, Nicholas infiltrates CRS in order to uncover the secrets of the mysterious organization. Douglas is perfect playing the uptight businessman Nicholas, cleverly riffing on his Oscar-winning performance as the cold-blooded Gordon Gekko in WALL STREET. Fincher's Kafkaesque carnival show is an exercise in taut filmmaking that mischievously pulls a seemingly endless supply of rugs out from under both Nicholas and, even more impressive, the viewer.

Description:

Destined to be a Christmas classic, Thomas Bezucha's dazzling dramedy, THE FAMILY STONE, manages to be both warmhearted and sentimental while possessing a razor-sharp hilarious mean streak. The fairly conventional story centers on Sarah Jessica Parker's uptight career woman, Meredith, and her run-in with the eponymous Stone family. With her permanently pursed lips and severe bun, SJP looks and acts the anti-Carrie Bradshaw here as, armed with cell phone and business-suit collection, she gears up to meet her fiance's oddball family, a tight-knit, colorful clan who border on bohemian. Matriarch Sybil (Diane Keaton) and patriarch Kelly (Craig T. Nelson) are a loving couple whose diverse children are affectionate and respectful. When Meredith's humorless aura infects the homestead, it is mom Sybil and sister Amy (Rachel McAdams), who sense a romantic mismatch and attack her venomously, sparking a tete-a-tete-a-tete between three feisty females. While this Battle Royal is waged, dramatic subplots brew in the background, one involving the deaf and gay brother Thad's desire to adopt a child, and the other a rather devastating secret on the verge of exposure. It is in the emergence of Meredith's refreshingly calm and breezy younger sister, Julie (Claire Danes), entering the film with a dramatic fall from a bus exit, that brings all conflict to a head.

Description:

Destined to be a Christmas classic, Thomas Bezucha's dazzling dramedy, THE FAMILY STONE, manages to be both warmhearted and sentimental while possessing a razor-sharp hilarious mean streak. The fairly conventional story centers on Sarah Jessica Parker's uptight career woman, Meredith, and her run-in with the eponymous Stone family. With her permanently pursed lips and severe bun, SJP looks and acts the anti-Carrie Bradshaw here as, armed with cell phone and business-suit collection, she gears up to meet her fiance's oddball family, a tight-knit, colorful clan who border on bohemian. Matriarch Sybil (Diane Keaton) and patriarch Kelly (Craig T. Nelson) are a loving couple whose diverse children are affectionate and respectful. When Meredith's humorless aura infects the homestead, it is mom Sybil and sister Amy (Rachel McAdams), who sense a romantic mismatch and attack her venomously, sparking a tete-a-tete-a-tete between three feisty females. While this Battle Royal is waged, dramatic subplots brew in the background, one involving the deaf and gay brother Thad's desire to adopt a child, and the other a rather devastating secret on the verge of exposure. It is in the emergence of Meredith's refreshingly calm and breezy younger sister, Julie (Claire Danes), entering the film with a dramatic fall from a bus exit, that brings all conflict to a head.

Description:

Destined to be a Christmas classic, Thomas Bezucha's dazzling dramedy, THE FAMILY STONE, manages to be both warmhearted and sentimental while possessing a razor-sharp hilarious mean streak. The fairly conventional story centers on Sarah Jessica Parker's uptight career woman, Meredith, and her run-in with the eponymous Stone family. With her permanently pursed lips and severe bun, SJP looks and acts the anti-Carrie Bradshaw here as, armed with cell phone and business-suit collection, she gears up to meet her fiance's oddball family, a tight-knit, colorful clan who border on bohemian. Matriarch Sybil (Diane Keaton) and patriarch Kelly (Craig T. Nelson) are a loving couple whose diverse children are affectionate and respectful. When Meredith's humorless aura infects the homestead, it is mom Sybil and sister Amy (Rachel McAdams), who sense a romantic mismatch and attack her venomously, sparking a tete-a-tete-a-tete between three feisty females. While this Battle Royal is waged, dramatic subplots brew in the background, one involving the deaf and gay brother Thad's desire to adopt a child, and the other a rather devastating secret on the verge of exposure. It is in the emergence of Meredith's refreshingly calm and breezy younger sister, Julie (Claire Danes), entering the film with a dramatic fall from a bus exit, that brings all conflict to a head.

Description:

For the follow-up to his dark crime thriller SEVEN, director David Fincher decided to remain in a film noir vein. The result is THE GAME, a fast-paced cinematic roller-coaster ride that stars Michael Douglas as Nicholas Van Orton, a joyless San Francisco investment banker who receives an unusual birthday present from his estranged younger brother, Conrad (Sean Penn). The gift enrolls Nicholas in CRS (Consumer Recreation Services), a company that designs elaborate real-life games for each specific participant. As the game begins, the reluctant Nicholas becomes the victim of a series of pranks that quickly turn malicious and dangerous. Stripped of his finances and convinced that he can trust no one, Nicholas realizes that this game may be an attempt to steal his fortune and leave him for dead. In a desperate bid to regain his life, Nicholas infiltrates CRS in order to uncover the secrets of the mysterious organization. Douglas is perfect playing the uptight businessman Nicholas, cleverly riffing on his Oscar-winning performance as the cold-blooded Gordon Gekko in WALL STREET. Fincher's Kafkaesque carnival show is an exercise in taut filmmaking that mischievously pulls a seemingly endless supply of rugs out from under both Nicholas and, even more impressive, the viewer.

Description:

RUNAWAY JURY: Director Gary Fleder (THINGS TO DO IN DENVER WHEN YOU'RE DEAD, KISS THE GIRLS) tackles best-selling novelist John Grisham's tale of jury manipulation in RUNAWAY JURY. Jury consultant Rankin Fitch (Gene Hackman) can spin any jury in favor of his client. At least he always could before. But his latest job may turn out to be his most challenging. As an explosive civil case goes to trial in New Orleans, Fitch thinks he has arranged for the perfect jury and has the verdict sealed in favor of his client, a gun manufacturer. Soon, however, he starts receiving phone calls from the mysterious Marlee (Rachel Weisz), who claims that she can turn the jury any way she wants and--for a price--she'll spin it his way. Meanwhile, Marlee is making the same offer to the plaintiff's lawyer, Wendell Rohr (Dustin Hoffman), a Southern gentleman who always plays by the rules. Marlee's insider is Juror #9, Nick Easter (John Cusack), who is working with her to influence his fellow jurors. Are these two just grifters in it for the money, or do they have another agenda? The audience is kept guessing until the very end. STAR CHAMBER: A judge frustrated by the lenient legal system joins a secret group of judges who have set up their own court which operates outside the scope of the law. When "verdicts" are reached on two men who are later discovered to be innocent, serious ethical questions arise in this taut and interesting thriller. THE BOSTON STRANGLER: Boston, 1962. Several elderly women are strangled, apparently by the same unknown assailant. An investigation ensues, but clues lead nowhere. Then the strangler starts to attack younger women. John Bottomly (Henry Fonda) is assigned to direct a more intense investigation, interviewing even the remotest suspects. Meanwhile, the murders continue. Dianne Cluny (Sally Kellerman) survives an attack but remembers only that she bit her attacker's hand. When Albert DeSalvo (Tony Curtis) is caught breaking into an apartment, his mental capabilities are questioned. He goes to the hospital for observation, and there someone notices a bite mark on his hand... Director Richard Fleischer forgoes his usual flexible but unobtrusive style in THE BOSTON STRANGLER. Shooting in Cinemascope, he makes flamboyant use of the wide screen--splitting it to show multiple images and multiple action as the police pursue leads and hunt for suspects. As a suspect recounts events in a long interrogation sequence, Fleischer imaginatively shows the suspect and his interrogator in flashbacks. With a fine and uncharacteristic performance by Curtis and vivid appearances by Hurd Hatfield and William Hickey, THE BOSTON STRANGLER is a fine addition to Fleischer's series of movies based on real-life murders, following THE GIRL IN THE RED VELVET SWING and COMPULSION. CLASS ACTION: A father and daughter (Gene Hackman and Mary Elizabeth Mastrantonio), both attorneys, are on opposite sides in the courtroom. He's on the prosecuting side representing an auto worker whose health has been damaged by the company for whom he worked, and she's for the defense. As father and daughter they become divided, and as attorneys, endangered by the truth.

Description:

Destined to be a Christmas classic, Thomas Bezucha's dazzling dramedy, THE FAMILY STONE, manages to be both warmhearted and sentimental while possessing a razor-sharp hilarious mean streak. The fairly conventional story centers on Sarah Jessica Parker's uptight career woman, Meredith, and her run-in with the eponymous Stone family. With her permanently pursed lips and severe bun, SJP looks and acts the anti-Carrie Bradshaw here as, armed with cell phone and business-suit collection, she gears up to meet her fiance's oddball family, a tight-knit, colorful clan who border on bohemian. Matriarch Sybil (Diane Keaton) and patriarch Kelly (Craig T. Nelson) are a loving couple whose diverse children are affectionate and respectful. When Meredith's humorless aura infects the homestead, it is mom Sybil and sister Amy (Rachel McAdams), who sense a romantic mismatch and attack her venomously, sparking a tete-a-tete-a-tete between three feisty females. While this Battle Royal is waged, dramatic subplots brew in the background, one involving the deaf and gay brother Thad's desire to adopt a child, and the other a rather devastating secret on the verge of exposure. It is in the emergence of Meredith's refreshingly calm and breezy younger sister, Julie (Claire Danes), entering the film with a dramatic fall from a bus exit, that brings all conflict to a head.

Description:

Sergeant Cuff is called to unravel the mystery of a stolen diamond. But is the thief of the missing Hindu jewel one of the alibied suspects or is there something more sinister at work in the Victorian household? An adaptation of the novel by Wilkie Collins produced for British television.

Description:

Sergeant Cuff is called to unravel the mystery of a stolen diamond. But is the thief of the missing Hindu jewel one of the alibied suspects or is there something more sinister at work in the Victorian household? An adaptation of the novel by Wilkie Collins produced for British television.

Description:

For the follow-up to his dark crime thriller SEVEN, director David Fincher decided to remain in a film noir vein. The result is THE GAME, a fast-paced cinematic roller-coaster ride that stars Michael Douglas as Nicholas Van Orton, a joyless San Francisco investment banker who receives an unusual birthday present from his estranged younger brother, Conrad (Sean Penn). The gift enrolls Nicholas in CRS (Consumer Recreation Services), a company that designs elaborate real-life games for each specific participant. As the game begins, the reluctant Nicholas becomes the victim of a series of pranks that quickly turn malicious and dangerous. Stripped of his finances and convinced that he can trust no one, Nicholas realizes that this game may be an attempt to steal his fortune and leave him for dead. In a desperate bid to regain his life, Nicholas infiltrates CRS in order to uncover the secrets of the mysterious organization. Douglas is perfect playing the uptight businessman Nicholas, cleverly riffing on his Oscar-winning performance as the cold-blooded Gordon Gekko in WALL STREET. Fincher's Kafkaesque carnival show is an exercise in taut filmmaking that mischievously pulls a seemingly endless supply of rugs out from under both Nicholas and, even more impressive, the viewer.

Description:

For the follow-up to his dark crime thriller SEVEN, director David Fincher decided to remain in a film noir vein. The result is THE GAME, a fast-paced cinematic roller-coaster ride that stars Michael Douglas as Nicholas Van Orton, a joyless San Francisco investment banker who receives an unusual birthday present from his estranged younger brother, Conrad (Sean Penn). The gift enrolls Nicholas in CRS (Consumer Recreation Services), a company that designs elaborate real-life games for each specific participant. As the game begins, the reluctant Nicholas becomes the victim of a series of pranks that quickly turn malicious and dangerous. Stripped of his finances and convinced that he can trust no one, Nicholas realizes that this game may be an attempt to steal his fortune and leave him for dead. In a desperate bid to regain his life, Nicholas infiltrates CRS in order to uncover the secrets of the mysterious organization. Douglas is perfect playing the uptight businessman Nicholas, cleverly riffing on his Oscar-winning performance as the cold-blooded Gordon Gekko in WALL STREET. Fincher's Kafkaesque carnival show is an exercise in taut filmmaking that mischievously pulls a seemingly endless supply of rugs out from under both Nicholas and, even more impressive, the viewer.

Description:

For the follow-up to his dark crime thriller SEVEN, director David Fincher decided to remain in a film noir vein. The result is THE GAME, a fast-paced cinematic roller-coaster ride that stars Michael Douglas as Nicholas Van Orton, a joyless San Francisco investment banker who receives an unusual birthday present from his estranged younger brother, Conrad (Sean Penn). The gift enrolls Nicholas in CRS (Consumer Recreation Services), a company that designs elaborate real-life games for each specific participant. As the game begins, the reluctant Nicholas becomes the victim of a series of pranks that quickly turn malicious and dangerous. Stripped of his finances and convinced that he can trust no one, Nicholas realizes that this game may be an attempt to steal his fortune and leave him for dead. In a desperate bid to regain his life, Nicholas infiltrates CRS in order to uncover the secrets of the mysterious organization. Douglas is perfect playing the uptight businessman Nicholas, cleverly riffing on his Oscar-winning performance as the cold-blooded Gordon Gekko in WALL STREET. Fincher's Kafkaesque carnival show is an exercise in taut filmmaking that mischievously pulls a seemingly endless supply of rugs out from under both Nicholas and, even more impressive, the viewer.

Description:

Sergeant Cuff is called to unravel the mystery of a stolen diamond. But is the thief of the missing Hindu jewel one of the alibied suspects or is there something more sinister at work in the Victorian household? An adaptation of the novel by Wilkie Collins produced for British television.

Description:

Destined to be a Christmas classic, Thomas Bezucha's dazzling dramedy, THE FAMILY STONE, manages to be both warmhearted and sentimental while possessing a razor-sharp hilarious mean streak. The fairly conventional story centers on Sarah Jessica Parker's uptight career woman, Meredith, and her run-in with the eponymous Stone family. With her permanently pursed lips and severe bun, SJP looks and acts the anti-Carrie Bradshaw here as, armed with cell phone and business-suit collection, she gears up to meet her fiance's oddball family, a tight-knit, colorful clan who border on bohemian. Matriarch Sybil (Diane Keaton) and patriarch Kelly (Craig T. Nelson) are a loving couple whose diverse children are affectionate and respectful. When Meredith's humorless aura infects the homestead, it is mom Sybil and sister Amy (Rachel McAdams), who sense a romantic mismatch and attack her venomously, sparking a tete-a-tete-a-tete between three feisty females. While this Battle Royal is waged, dramatic subplots brew in the background, one involving the deaf and gay brother Thad's desire to adopt a child, and the other a rather devastating secret on the verge of exposure. It is in the emergence of Meredith's refreshingly calm and breezy younger sister, Julie (Claire Danes), entering the film with a dramatic fall from a bus exit, that brings all conflict to a head.

Description:

Destined to be a Christmas classic, Thomas Bezucha's dazzling dramedy, THE FAMILY STONE, manages to be both warmhearted and sentimental while possessing a razor-sharp hilarious mean streak. The fairly conventional story centers on Sarah Jessica Parker's uptight career woman, Meredith, and her run-in with the eponymous Stone family. With her permanently pursed lips and severe bun, SJP looks and acts the anti-Carrie Bradshaw here as, armed with cell phone and business-suit collection, she gears up to meet her fiance's oddball family, a tight-knit, colorful clan who border on bohemian. Matriarch Sybil (Diane Keaton) and patriarch Kelly (Craig T. Nelson) are a loving couple whose diverse children are affectionate and respectful. When Meredith's humorless aura infects the homestead, it is mom Sybil and sister Amy (Rachel McAdams), who sense a romantic mismatch and attack her venomously, sparking a tete-a-tete-a-tete between three feisty females. While this Battle Royal is waged, dramatic subplots brew in the background, one involving the deaf and gay brother Thad's desire to adopt a child, and the other a rather devastating secret on the verge of exposure. It is in the emergence of Meredith's refreshingly calm and breezy younger sister, Julie (Claire Danes), entering the film with a dramatic fall from a bus exit, that brings all conflict to a head.

Description:

Destined to be a Christmas classic, Thomas Bezucha's dazzling dramedy, THE FAMILY STONE, manages to be both warmhearted and sentimental while possessing a razor-sharp hilarious mean streak. The fairly conventional story centers on Sarah Jessica Parker's uptight career woman, Meredith, and her run-in with the eponymous Stone family. With her permanently pursed lips and severe bun, SJP looks and acts the anti-Carrie Bradshaw here as, armed with cell phone and business-suit collection, she gears up to meet her fiance's oddball family, a tight-knit, colorful clan who border on bohemian. Matriarch Sybil (Diane Keaton) and patriarch Kelly (Craig T. Nelson) are a loving couple whose diverse children are affectionate and respectful. When Meredith's humorless aura infects the homestead, it is mom Sybil and sister Amy (Rachel McAdams), who sense a romantic mismatch and attack her venomously, sparking a tete-a-tete-a-tete between three feisty females. While this Battle Royal is waged, dramatic subplots brew in the background, one involving the deaf and gay brother Thad's desire to adopt a child, and the other a rather devastating secret on the verge of exposure. It is in the emergence of Meredith's refreshingly calm and breezy younger sister, Julie (Claire Danes), entering the film with a dramatic fall from a bus exit, that brings all conflict to a head.

Description:

Destined to be a Christmas classic, Thomas Bezucha's dazzling dramedy, THE FAMILY STONE, manages to be both warmhearted and sentimental while possessing a razor-sharp hilarious mean streak. The fairly conventional story centers on Sarah Jessica Parker's uptight career woman, Meredith, and her run-in with the eponymous Stone family. With her permanently pursed lips and severe bun, SJP looks and acts the anti-Carrie Bradshaw here as, armed with cell phone and business-suit collection, she gears up to meet her fiance's oddball family, a tight-knit, colorful clan who border on bohemian. Matriarch Sybil (Diane Keaton) and patriarch Kelly (Craig T. Nelson) are a loving couple whose diverse children are affectionate and respectful. When Meredith's humorless aura infects the homestead, it is mom Sybil and sister Amy (Rachel McAdams), who sense a romantic mismatch and attack her venomously, sparking a tete-a-tete-a-tete between three feisty females. While this Battle Royal is waged, dramatic subplots brew in the background, one involving the deaf and gay brother Thad's desire to adopt a child, and the other a rather devastating secret on the verge of exposure. It is in the emergence of Meredith's refreshingly calm and breezy younger sister, Julie (Claire Danes), entering the film with a dramatic fall from a bus exit, that brings all conflict to a head.

Description:

Destined to be a Christmas classic, Thomas Bezucha's dazzling dramedy, THE FAMILY STONE, manages to be both warmhearted and sentimental while possessing a razor-sharp hilarious mean streak. The fairly conventional story centers on Sarah Jessica Parker's uptight career woman, Meredith, and her run-in with the eponymous Stone family. With her permanently pursed lips and severe bun, SJP looks and acts the anti-Carrie Bradshaw here as, armed with cell phone and business-suit collection, she gears up to meet her fiance's oddball family, a tight-knit, colorful clan who border on bohemian. Matriarch Sybil (Diane Keaton) and patriarch Kelly (Craig T. Nelson) are a loving couple whose diverse children are affectionate and respectful. When Meredith's humorless aura infects the homestead, it is mom Sybil and sister Amy (Rachel McAdams), who sense a romantic mismatch and attack her venomously, sparking a tete-a-tete-a-tete between three feisty females. While this Battle Royal is waged, dramatic subplots brew in the background, one involving the deaf and gay brother Thad's desire to adopt a child, and the other a rather devastating secret on the verge of exposure. It is in the emergence of Meredith's refreshingly calm and breezy younger sister, Julie (Claire Danes), entering the film with a dramatic fall from a bus exit, that brings all conflict to a head.

Description:

RUNAWAY JURY: Director Gary Fleder (THINGS TO DO IN DENVER WHEN YOU'RE DEAD, KISS THE GIRLS) tackles best-selling novelist John Grisham's tale of jury manipulation in RUNAWAY JURY. Jury consultant Rankin Fitch (Gene Hackman) can spin any jury in favor of his client. At least he always could before. But his latest job may turn out to be his most challenging. As an explosive civil case goes to trial in New Orleans, Fitch thinks he has arranged for the perfect jury and has the verdict sealed in favor of his client, a gun manufacturer. Soon, however, he starts receiving phone calls from the mysterious Marlee (Rachel Weisz), who claims that she can turn the jury any way she wants and--for a price--she'll spin it his way. Meanwhile, Marlee is making the same offer to the plaintiff's lawyer, Wendell Rohr (Dustin Hoffman), a Southern gentleman who always plays by the rules. Marlee's insider is Juror #9, Nick Easter (John Cusack), who is working with her to influence his fellow jurors. Are these two just grifters in it for the money, or do they have another agenda? The audience is kept guessing until the very end. STAR CHAMBER: A judge frustrated by the lenient legal system joins a secret group of judges who have set up their own court which operates outside the scope of the law. When "verdicts" are reached on two men who are later discovered to be innocent, serious ethical questions arise in this taut and interesting thriller. THE BOSTON STRANGLER: Boston, 1962. Several elderly women are strangled, apparently by the same unknown assailant. An investigation ensues, but clues lead nowhere. Then the strangler starts to attack younger women. John Bottomly (Henry Fonda) is assigned to direct a more intense investigation, interviewing even the remotest suspects. Meanwhile, the murders continue. Dianne Cluny (Sally Kellerman) survives an attack but remembers only that she bit her attacker's hand. When Albert DeSalvo (Tony Curtis) is caught breaking into an apartment, his mental capabilities are questioned. He goes to the hospital for observation, and there someone notices a bite mark on his hand... Director Richard Fleischer forgoes his usual flexible but unobtrusive style in THE BOSTON STRANGLER. Shooting in Cinemascope, he makes flamboyant use of the wide screen--splitting it to show multiple images and multiple action as the police pursue leads and hunt for suspects. As a suspect recounts events in a long interrogation sequence, Fleischer imaginatively shows the suspect and his interrogator in flashbacks. With a fine and uncharacteristic performance by Curtis and vivid appearances by Hurd Hatfield and William Hickey, THE BOSTON STRANGLER is a fine addition to Fleischer's series of movies based on real-life murders, following THE GIRL IN THE RED VELVET SWING and COMPULSION. CLASS ACTION: A father and daughter (Gene Hackman and Mary Elizabeth Mastrantonio), both attorneys, are on opposite sides in the courtroom. He's on the prosecuting side representing an auto worker whose health has been damaged by the company for whom he worked, and she's for the defense. As father and daughter they become divided, and as attorneys, endangered by the truth.

Description:

For the follow-up to his dark crime thriller SEVEN, director David Fincher decided to remain in a film noir vein. The result is THE GAME, a fast-paced cinematic roller-coaster ride that stars Michael Douglas as Nicholas Van Orton, a joyless San Francisco investment banker who receives an unusual birthday present from his estranged younger brother, Conrad (Sean Penn). The gift enrolls Nicholas in CRS (Consumer Recreation Services), a company that designs elaborate real-life games for each specific participant. As the game begins, the reluctant Nicholas becomes the victim of a series of pranks that quickly turn malicious and dangerous. Stripped of his finances and convinced that he can trust no one, Nicholas realizes that this game may be an attempt to steal his fortune and leave him for dead. In a desperate bid to regain his life, Nicholas infiltrates CRS in order to uncover the secrets of the mysterious organization. Douglas is perfect playing the uptight businessman Nicholas, cleverly riffing on his Oscar-winning performance as the cold-blooded Gordon Gekko in WALL STREET. Fincher's Kafkaesque carnival show is an exercise in taut filmmaking that mischievously pulls a seemingly endless supply of rugs out from under both Nicholas and, even more impressive, the viewer.

Description:

For the follow-up to his dark crime thriller SEVEN, director David Fincher decided to remain in a film noir vein. The result is THE GAME, a fast-paced cinematic roller-coaster ride that stars Michael Douglas as Nicholas Van Orton, a joyless San Francisco investment banker who receives an unusual birthday present from his estranged younger brother, Conrad (Sean Penn). The gift enrolls Nicholas in CRS (Consumer Recreation Services), a company that designs elaborate real-life games for each specific participant. As the game begins, the reluctant Nicholas becomes the victim of a series of pranks that quickly turn malicious and dangerous. Stripped of his finances and convinced that he can trust no one, Nicholas realizes that this game may be an attempt to steal his fortune and leave him for dead. In a desperate bid to regain his life, Nicholas infiltrates CRS in order to uncover the secrets of the mysterious organization. Douglas is perfect playing the uptight businessman Nicholas, cleverly riffing on his Oscar-winning performance as the cold-blooded Gordon Gekko in WALL STREET. Fincher's Kafkaesque carnival show is an exercise in taut filmmaking that mischievously pulls a seemingly endless supply of rugs out from under both Nicholas and, even more impressive, the viewer.

Description:

For the follow-up to his dark crime thriller SEVEN, director David Fincher decided to remain in a film noir vein. The result is THE GAME, a fast-paced cinematic roller-coaster ride that stars Michael Douglas as Nicholas Van Orton, a joyless San Francisco investment banker who receives an unusual birthday present from his estranged younger brother, Conrad (Sean Penn). The gift enrolls Nicholas in CRS (Consumer Recreation Services), a company that designs elaborate real-life games for each specific participant. As the game begins, the reluctant Nicholas becomes the victim of a series of pranks that quickly turn malicious and dangerous. Stripped of his finances and convinced that he can trust no one, Nicholas realizes that this game may be an attempt to steal his fortune and leave him for dead. In a desperate bid to regain his life, Nicholas infiltrates CRS in order to uncover the secrets of the mysterious organization. Douglas is perfect playing the uptight businessman Nicholas, cleverly riffing on his Oscar-winning performance as the cold-blooded Gordon Gekko in WALL STREET. Fincher's Kafkaesque carnival show is an exercise in taut filmmaking that mischievously pulls a seemingly endless supply of rugs out from under both Nicholas and, even more impressive, the viewer.

Description:

For the follow-up to his dark crime thriller SEVEN, director David Fincher decided to remain in a film noir vein. The result is THE GAME, a fast-paced cinematic roller-coaster ride that stars Michael Douglas as Nicholas Van Orton, a joyless San Francisco investment banker who receives an unusual birthday present from his estranged younger brother, Conrad (Sean Penn). The gift enrolls Nicholas in CRS (Consumer Recreation Services), a company that designs elaborate real-life games for each specific participant. As the game begins, the reluctant Nicholas becomes the victim of a series of pranks that quickly turn malicious and dangerous. Stripped of his finances and convinced that he can trust no one, Nicholas realizes that this game may be an attempt to steal his fortune and leave him for dead. In a desperate bid to regain his life, Nicholas infiltrates CRS in order to uncover the secrets of the mysterious organization. Douglas is perfect playing the uptight businessman Nicholas, cleverly riffing on his Oscar-winning performance as the cold-blooded Gordon Gekko in WALL STREET. Fincher's Kafkaesque carnival show is an exercise in taut filmmaking that mischievously pulls a seemingly endless supply of rugs out from under both Nicholas and, even more impressive, the viewer.

Description:

For the follow-up to his dark crime thriller SEVEN, director David Fincher decided to remain in a film noir vein. The result is THE GAME, a fast-paced cinematic roller-coaster ride that stars Michael Douglas as Nicholas Van Orton, a joyless San Francisco investment banker who receives an unusual birthday present from his estranged younger brother, Conrad (Sean Penn). The gift enrolls Nicholas in CRS (Consumer Recreation Services), a company that designs elaborate real-life games for each specific participant. As the game begins, the reluctant Nicholas becomes the victim of a series of pranks that quickly turn malicious and dangerous. Stripped of his finances and convinced that he can trust no one, Nicholas realizes that this game may be an attempt to steal his fortune and leave him for dead. In a desperate bid to regain his life, Nicholas infiltrates CRS in order to uncover the secrets of the mysterious organization. Douglas is perfect playing the uptight businessman Nicholas, cleverly riffing on his Oscar-winning performance as the cold-blooded Gordon Gekko in WALL STREET. Fincher's Kafkaesque carnival show is an exercise in taut filmmaking that mischievously pulls a seemingly endless supply of rugs out from under both Nicholas and, even more impressive, the viewer.

Description:

For the follow-up to his dark crime thriller SEVEN, director David Fincher decided to remain in a film noir vein. The result is THE GAME, a fast-paced cinematic roller-coaster ride that stars Michael Douglas as Nicholas Van Orton, a joyless San Francisco investment banker who receives an unusual birthday present from his estranged younger brother, Conrad (Sean Penn). The gift enrolls Nicholas in CRS (Consumer Recreation Services), a company that designs elaborate real-life games for each specific participant. As the game begins, the reluctant Nicholas becomes the victim of a series of pranks that quickly turn malicious and dangerous. Stripped of his finances and convinced that he can trust no one, Nicholas realizes that this game may be an attempt to steal his fortune and leave him for dead. In a desperate bid to regain his life, Nicholas infiltrates CRS in order to uncover the secrets of the mysterious organization. Douglas is perfect playing the uptight businessman Nicholas, cleverly riffing on his Oscar-winning performance as the cold-blooded Gordon Gekko in WALL STREET. Fincher's Kafkaesque carnival show is an exercise in taut filmmaking that mischievously pulls a seemingly endless supply of rugs out from under both Nicholas and, even more impressive, the viewer.

Description:

Destined to be a Christmas classic, Thomas Bezucha's dazzling dramedy, THE FAMILY STONE, manages to be both warmhearted and sentimental while possessing a razor-sharp hilarious mean streak. The fairly conventional story centers on Sarah Jessica Parker's uptight career woman, Meredith, and her run-in with the eponymous Stone family. With her permanently pursed lips and severe bun, SJP looks and acts the anti-Carrie Bradshaw here as, armed with cell phone and business-suit collection, she gears up to meet her fiance's oddball family, a tight-knit, colorful clan who border on bohemian. Matriarch Sybil (Diane Keaton) and patriarch Kelly (Craig T. Nelson) are a loving couple whose diverse children are affectionate and respectful. When Meredith's humorless aura infects the homestead, it is mom Sybil and sister Amy (Rachel McAdams), who sense a romantic mismatch and attack her venomously, sparking a tete-a-tete-a-tete between three feisty females. While this Battle Royal is waged, dramatic subplots brew in the background, one involving the deaf and gay brother Thad's desire to adopt a child, and the other a rather devastating secret on the verge of exposure. It is in the emergence of Meredith's refreshingly calm and breezy younger sister, Julie (Claire Danes), entering the film with a dramatic fall from a bus exit, that brings all conflict to a head.