PG-13 (MPAA) in Drama DVDs & Videos

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High school romance is difficult enough to navigate when both people are human. But for 17-year-old Bella Swan (Kristen Stewart, INTO THE WILD) and Edward Cullen (Robert Pattinson, HARRY POTTER AND THE GOBLET OF FIRE), Edward's life as a vampire complicates things even more. At first, when Bella moves from sunny Phoenix to the rainiest corner of Washington State, she isn't sure where she fits in at her new high school. Then she meets Edward, an ethereal beauty of a boy whose unnatural speed and strength lead Bella to the conclusion that her new crush is one of the undead. Suddenly, Bella's boring life is transformed; she's surrounded by love and danger in equal parts, thanks to the hunger of Edward and others of his kind. TWILIGHT is based on the first book in the addictive series by author Stephenie Meyer. Director Catherine Hardwicke (THIRTEEN) certainly knows her audience, which is primarily the teenage girls who worship the book and its characters. There are plenty of swoonworthy shots of Pattinson's perfectly pale Edward, and his romance with Stewart's nicely acted Bella will cause many a sigh among the devoted fans. While TWILIGHT is primarily a love story in the ROMEO AND JULIET mold, there's also plenty of action and horror to be found. Blood flows (this is a vampire movie, after all), but the small amount of gore shouldn't be too much for the squeamish viewers--and it might even draw a boy or two to the screen. The film's record-breaking box office take alone is proof that the film's appeal isn't limited to screaming teen girls.

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Featuring spectacular special effects set amidst the backdrop of one of the most tragic events of the 20th century, James Cameron's award-winning TITANIC stands as one of the greatest Hollywood spectaculars of all time. Beginning with an undersea expedition in the 1990s, in which scuba divers are searching the sunken ship for lost relics, a painting of young Rose DeWitt Bukater (Kate Winslet) is found. This triggers a flashback to the young woman's story as it happened on the doomed Titanic. Rose is a daughter of privilege on her way to be married to an arrogant but wealthy young man (Billy Zane). Despairing, Rose finds herself falling in love with Jack Dawson (Leonardo DiCaprio), a carefree and poor young artist who is also aboard. When the great ship strikes an iceberg and begins to sink, Rose and Jack have only each other as their world falls apart around them. Director James Cameron spared no expense in bringing his simple yet powerful love story to life, building a 90% scale model of the ship, fussing over the tiniest details, and ultimately spending some $200 million dollars. A worldwide smash, TITANIC received fourteen Academy Award nominations and 11 wins, including Best Picture. Despite all the lavish sets and special effects, the film would be nothing without the emotional core provided by stars Winslet and DiCaprio, who give star making performances as the tragic young lovers.

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When Deepa Mehta first began filming WATER in 2000, angry fundamentalist mobs burned her sets and threatened her life. The Indian government claimed it could not protect her, and the project had to wait four years before finally filming in Sri Lanka. Her film has raised the ire of extremists because it challenges the Hindu customs that dictate that widows, considered half-dead after the loss of their husbands, must be closeted in holy ashrams--a practice that still exists today. Set in the 1930s, the film tells the story of eight-year old Chuyia, whose husband dies before she even meets him. Her parents shave her head and whisk her away to a house of widows where the women sleep on the ground and beg in the streets to earn their puny portion of rice. Chuyia, feisty and resilient, comes into this world like a ray of light, and soon the women are rethinking their mute acceptance of their fate. Her closest friend and ally is the lovely Kalyani, and soon a forbidden romance begins to develop between Kalyani and Narayana, a young Brahmin man who, following the teachings of Gandhi, has denounced injustice. The film is sumptuously beautiful, Chuyia is utterly winsome, and despite the harsh social issues at its heart, it often feels light and lively: Chuyia and Kalyani play games and dance, Chuyia steals sweets for a dying old widow, the women dance and paint each other's faces during a color festival, and the Cinderella-story romance between Kalyani and Narayana shimmers with the promise of salvation and happiness. Mehta, however, knows it would be disingenuous to allow such an easy resolution to such a dire situation, and the final chapter of WATER takes a tragic turn.

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Set in 1966; Produced and released in 1983. Francis Ford Coppola's stylized teen melodrama is based on the popular novel by S. E. Hinton. In 1960s Tulsa, the "right" and "wrong" sides of the tracks are represented by rival gangs, the upscale Socs and the underprivileged Greasers. Darrel Curtis (Patrick Swayze) is doing his best to raise his two younger brothers, Sodapop (Rob Lowe in his first film role) and Ponyboy (C. Thomas Howell). Sensitive Ponyboy is a budding writer in love with Cherry (Diane Lane), the unobtainable beauty from the enemy gang. When Ponyboy's buddy, troubled Johnny Cade (Ralph Macchio), kills one of the Socs in self-defense, their friend Dallas (Matt Dillon) helps the two youths hide out in an abandoned country church. There they live as exiles from a society that doesn't want them. But not all is lost, when Ponyboy, Johnny, and Dallas save some children caught in a fire they become unlikely heroes. The young cast is the jewel of this sensitive, moving film. Tom Cruise and Emilio Estevez play Greasers, and pop singer Leif Garrett plays rich-kid Bob. Dillon also starred that year in another S. E.Hinton adaptation directed by Coppola--the fascinating and extremely entertaining RUMBLE FISH.

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Featuring spectacular special effects set amidst the backdrop of one of the most tragic events of the 20th century, James Cameron's award-winning TITANIC stands as one of the greatest Hollywood spectaculars of all time. Beginning with an undersea expedition in the 1990s, in which scuba divers are searching the sunken ship for lost relics, a painting of young Rose DeWitt Bukater (Kate Winslet) is found. This triggers a flashback to the young woman's story as it happened on the doomed Titanic. Rose is a daughter of privilege on her way to be married to an arrogant but wealthy young man (Billy Zane). Despairing, Rose finds herself falling in love with Jack Dawson (Leonardo DiCaprio), a carefree and poor young artist who is also aboard. When the great ship strikes an iceberg and begins to sink, Rose and Jack have only each other as their world falls apart around them. Director James Cameron spared no expense in bringing his simple yet powerful love story to life, building a 90% scale model of the ship, fussing over the tiniest details, and ultimately spending some $200 million dollars. A worldwide smash, TITANIC received fourteen Academy Award nominations and 11 wins, including Best Picture. Despite all the lavish sets and special effects, the film would be nothing without the emotional core provided by stars Winslet and DiCaprio, who give star making performances as the tragic young lovers.

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With THE DAY AFTER TOMORROW, director Roland Emmerich (INDEPENDENCE DAY, GODZILLA) trades evil aliens and radioactive lizards in for some seriously bad weather. When a radical change in the temperature of the world's oceans causes deadly storms and sets a new Ice Age in motion, climatologist Jack Hall (Dennis Quaid) must race from Washington D.C. to save his son, Sam (Jake Gyllenhaal), in the subzero climes of New York City. Elsewhere, tornadoes and hail menace the globe, leading to international disasters on an extraordinary level. Emmerich, who has proven to be a master of big-budget cinematic destruction on numerous occasions, aims to outdo himself with THE DAY AFTER TOMORROW. Here entire cities are ripped apart, flooded, and/or frozen, adding up to one of the biggest disaster movies ever filmed. Although astonishingly rendered special effects rule the movie, adept actors such as Quaid and Gyllenhaal (along with Sela Ward, Ian Holm, Emmy Rossum, and others) turn in solid performances that help to balance out the meteorological mayhem. Surprisingly, Emmerich also uses the film as a vehicle for clever moments of social and political commentary, making THE DAY AFTER TOMORROW admirably smarter and considerably more entertaining than typical Hollywood blockbusters.

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Combining two major literary adaptations into one set, this double feature offers the best in introspective, sophisticated drama. THE CIDER HOUSE RULES, based on a novel by John Irving, draws an intimate picture of a WWII orphanage and its director, Dr. Wilbur Larch (Michael Caine). THE SHIPPING NEWS, from the best-seller by E. Annie Proulx, stars Kevin Spacey and Judi Dench, and explores life in a Canadian fishing community. See individual titles for additional details.

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LOVE AND BASKETBALL is the powerful story of two next-door neighbors in Los Angeles who grow up loving basketball and, eventually, each other. Monica (Sanaa Lathan) and Quincy (Omar Epps) have wanted to be basketball stars since they were kids. Monica has had to work hard to establish herself as a presence, while Quincy was born with natural star potential. As the two struggle to reach their goals of playing professionally, they must also deal with their feelings for each other.

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After being squeezed out of his church by his ex-wife, a Texas fundamentalist preacher's alcohol-fueled rage sends him off the deep end. After beating her new beau into a coma, he flees to Louisiana and seizes the chance to reinvent himself as a devout "Apostle," founding a new church and captivating the citizenry while keeping his sins buried. Duvall, who also wrote and produced, is riveting in the title role. Academy Award Nominations: 1--Best Actor (Duvall).

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Diane Lane and Richard Gere team up for the third time (after COTTON CLUB and UNFAITHFUL) for this three-hankie romance based on a Nicholas Sparks novel. Adrienne Willis (Lane) feels her life falling apart around her: her unfaithful husband (Christopher Meloni, LAW & ORDER: SVU) is begging to come home, and her teenage daughter (Mae Whitman, HOPE FLOATS) can't stand to be around her. When her friend (Viola Davis, ANTWONE FISHER) asks her to watch her bed and breakfast in the picturesque town of Rodanthe, Adrienne leaps at the chance to get away. But since it's late in the season, there's only one guest: the handsome Dr. Paul Flanner (Gere), who is quiet about his reason for coming to the town. Driven together by a powerful hurricane, Adrienne and Paul find love and comfort in each other's arms. Cinematic romances between grown-ups are rare, and this finely cast drama will appeal to people who love films like THE BRIDGES OF MADISON COUNTY and other adaptations of Sparks's books, particularly MESSAGE IN A BOTTLE. Gere and Lane are both veterans (who look none the worse for wear), and they have perfected starring in relationship-driven films. But the North Carolina town of Rodanthe deserves plenty of praise as well, since it takes a starring role. Director of photography Affonso Beato (a frequent collaborator with Pedro Almodovar) shoots the beautiful beaches and the welcoming inn with such affection that it's hard not to see it as the perfect place to fall in love.

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In this period romantic drama, Sanin (Timothy Hutton), an aristocratic young man, fights a duel for the hand of Gemma (Valeria Golino), a young bride-to-be. He plans to sell his family estate to finance the wedding, but his plans go awry when he falls prey to married seductress Maria (Nastassja Kinski). She feigns interest in buying the estate as a way to be nearer Sanin, and he must fight against the possibility of losing both women.

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This sequel to 2006's GOAL! THE DREAM BEGINS finds Santiago Munez established as a soccer success in Newcastle. But he soon jumps at the chance to play for Real Madrid with icons such as David Beckham. However, Santiago discovers that money and fame don't necessarily bring happiness as he loses himself and his relationship with Roz (Anna Friel).

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Jon Chu directs this feel-good sequel about pursuing what you love and finding yourself along the way. Andie (Briana Evigan, daughter of actor Greg Evigan) is a tough Baltimore teen who grew up dancing and is now part of the 410, the hottest dance crew in the city and reigning champions of the Streets, an underground dance competition. Unable to control Andie's rebellious ways, her guardian, Sarah (Sonja Sohn), has decided to send her to Texas to live with her aunt. But Andie has one last chance to stay with her crew in her beloved Baltimore: the Maryland School of the Arts (MSA). Unfortunately, maintaining her studies at MSA means less time with the 410. To make matters worse, Andie is having a hard time fitting in at her new high school, where tradition is revered and being outside the box is frowned upon. Luckily, she has a partner in crime in classmate Chase Collins (Robert Hoffman), whose stuffy brother, Blake (Will Kemp), is the school's director and a constant thorn in his younger brother's side. When the 410 boots Andie out, she and Chase find their own crew of overlooked MSA dancers and take it all the way to the Streets. The real star of STEP UP 2: THE STREETS is the amazing dancing and there's plenty of it. From the opening scene in a Baltimore subway to the playground to studio rehearsals to the Streets, these kids give it everything they've got. Channing Tatum briefly reprises his role as Tyler Gage, who knows Andie from the neighborhood. All of the MSA and 410 dancers are exceedingly talented, but Mari Koda's few lines as Jenny Kido are scene-stealers.

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This teen psychodrama directed by John Polson plays like a Generation Y version of FATAL ATTRACTION. Ben Cronin (Jesse Bradford) is a high school swimmer with an incredibly promising future. On the verge of securing a scholarship to Stanford, and in love with the too-good-to-be-true Amy (Shiri Appleby), Ben seems to have it all. But the arrival of a new student threatens to ruin everything Ben has worked so hard to attain. Temptation arrives in the form of Madison Bell (Erika Christiansen), a beautiful, sultry cellist whose overt sexuality is too much for Ben too handle. In a fit of passion, he succumbs to her advances, but is immediately wracked with guilt. Trying to eradicate his mistake before it can escalate any further, Ben confronts Madison. To his dismay, he discovers that she has formed an abnormally strong attachment to him. Soon, Ben has been accused of taking steroids, fired from his hospital job, and targeted by the police for trying to kill Amy. With the help of friends, Ben must find a way to expose Madison and stop her reign of terror. Polson's entertaining film is fueled by an amped hard rock soundtrack and Louis Febre's moody score.

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Texas filmmaker Richard Linklater's lighthearted Western tells the true story of the Newton brothers, who are regarded as the most successful bank robbers in the history of the United States. The time is the early 1920s and the place is Texas. When Willis Newton (Matthew McConaughey) returns from a four-year stint in prison, he quickly falls into a life of bank robbing. Excited by the prospects of stealing even more money, he recruits his three brothers--the charming Jess (Ethan Hawke), the sensitive Joe (Skeet Ulrich), and the brutish Dock (Vincent D'Onofrio)--and ace safecracker Brentwood Glasscock (Dwight Yoakam) to help him ravage the country's banks, as long as no one gets hurt. Along the way, Willis meets and falls in love with Louise Brown (Julianna Margulies), a single mother living in Omaha. Eventually, greed gets the better of the gang and they set their sights on a federal train that is transporting three million dollars in cash and bonds. Unfortunately, the heist goes awry and the boys are threatened with jail time. Linklater's film is an affable and sweet affair, with a goodnatured tone that greatly mimics the Newton brothers themselves. Linklater alumni McConaughey and Hawke headline the all-star cast, while music by the Bad Livers keeps the atmosphere breezy throughout.

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Based on the novel by John Boyne, THE BOY IN THE STRIPED PAJAMAS is a wrenching Holocaust story about a young German boy and his forbidden friendship with a Jewish child. Bruno (Asa Butterfield) is living a charmed life in Berlin as the son of a high-ranking Nazi soldier, when his father (David Thewlis) is suddenly transferred to a job out in the country. Bruno, as well as his sister Gretel (Amber Beattie) and mother (Vera Farmiga) must all join him at his new post. Bruno is lonely and confused by his new surroundings, and he doesn't understand why he can't wander the grounds or play at a nearby farm. The "farm," of course, is a concentration camp, though Bruno doesn't know this. He soon sneaks away to explore, and meets Shmuel (Jack Scanlon) a prisoner of the camp. Shmuel is eight, the same age as Bruno, and the two form a timid, careful friendship, playing checkers and catch through the barbed wire fence. Bruno knows that his friendship with Shmuel is dangerous, but after witnessing brutal violence perpetrated against some very kind people, he has begun to question the Nazi doctrine of hate. He is no longer sure what to make of his soldier father, whom he once believed to be a hero. When he learns that Shmuel is in trouble, he vows to help him, and together the boys form an outrageous plan that culminates in the film's devastating climax. Farmiga and Thewlis put in excellent performances, while Scanlon and Butterfield, are equally impressive, doing a fine job of carrying the weight of such a heavy film. The BOY IN THE STRIPED PAJAMAS is a deeply moving and--it must be said--disturbing movie. But it is a remarkable story, told with masterly intelligence and grace.

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This ambitious undertaking, adapting William Shakespeare's classic tale of star-crossed lovers and setting the story in a glossy music-video style in 1990s Florida. Leonardo DiCaprio and Claire Danes play the famous lovers kept apart by rival industrialist families. Bookended by newscastsers reciting Shakespeare's prose as their copy, this clever glam updating of ROMEO AND JULIET is one of the most unusual adaptations of the Bard's work in the history of cinema. The stylish and colorful sets earned the film an Oscar nomination for art direction. John Leguizamo gives a memorable performance as a devilish Tybalt.

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When radio psychologist DR. Susan Chandler (Lesley-Anne Downe) begins her own investigation into the motives of a seductive killer of women, she finds that she may be on his list of potential victims. Based upon the novel by Mary Higgins Clark, YOU BELONG TO ME originally aired on television.

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Shot on location in Glasgow and Dover, director Gaby Dellal's first feature takes off from a true story of one man's determination to swim the English Channel. The film deftly avoids the pitfalls of sentiment through a self-deprecating humor that recalls THE FULL MONTY in tone and theme, as well as a stunning performance from Peter Mullen (YOUNG ADAM) as protagonist Frank Redmond. After 40 years of working as a shipbuilder, the somewhat taciturn Frank has been "made redundant" and let go from his job. He finds himself utterly unmoored without the routine and trappings that have defined his existence for so long, and suffers a loss of self-respect that he is unable to talk about with his loving wife, Joan (Brenda Blethyn, PRIDE & PREJUDICE), and son, Rob (Jamie Sives). Floundering, Frank becomes obsessed with the idea of swimming the Channel, and undertakes the project with the help of Chan (Benedict Wong, DIRTY PRETTY THINGS), the owner of the local fish-and-chips shop, who becomes Frank's personal trainer. His three best mates (Billy Boyd, Sean McGinley, and Ron Cook) sign on for the ride as well, each discovering new strength in themselves along the way. But it is Frank's relationships with his family that are the most moving part of the film, as he deals with the demons that have hounded him for over 20 years and rediscovers the bonds he shares with his wife and his long-estranged son.

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Director Kenneth Branagh returns to Shakespeare following his ground-breaking HENRY V and whimsical production of MUCH ADO ABOUT NOTHING. This classic tale tells the story of Hamlet (Kenneth Branagh), the prince of Denmark, a man suffering from grief at the death of his father, the king. His mother (Julie Christie) has quickly married Claudius (Derek Jacobi), Hamlet's uncle, who now reigns as the new king. Late one night Hamlet is visited by his father's ghost, who comes to tell him that Claudius poisoned him in his garden to win the crown, and that Hamlet, as his son, must now avenge his death. The prince's course of action sets the wheels of this great tragedy in motion, as the corruption of the Danish court begins to engulf everyone around it, including, finally, Hamlet himself. Branagh has assembled a stellar cast (including Kate Winslet, Billy Crystal, and Robin Williams) for this titanic enterprise, which presents HAMLET in its four hour entirety. Shot in 70-millimeter film, Branagh's HAMLET takes on the epic sweep associated with the films of Cecil B. DeMille or David Lean. By restoring Shakespeare's tragedy to its full length, Branagh has created a film of striking size and scope.

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Based on the celebrated novel by Nicholas Sparks, THE NOTEBOOK tells the story of a young couple who overcome insurmountable odds to experience the true power of love. In a modern-day nursing home, a kindhearted man (James Garner) reads a tender story to another patient (Gena Rowlands). The story begins during one glorious summer in small-town South Carolina in the early 1940s. Noah Calhoun (Ryan Gosling) is a blue-collar log-mill worker who courts the wealthy and sheltered Allie Nelson (Rachel McAdams). Before long, sparks are flying and the pair is in love. But eventually Allie's snobby parents force their separation, and when World War II arrives, Noah heads overseas to serve his country. In the meantime, Allie becomes a nurse and falls for another man (James Marsden), to Noah's dismay. Nonetheless, he buys and fixes up the mansion he promised Allie he would one day restore, and when he and Allie reunite just before her wedding, their love blossoms once again. Decades later, in the nursing home, the story reaches its heartfelt conclusion. Directed with extreme sensitivity by Nick Cassavetes (son of costar Gena Rowlands), THE NOTEBOOK is aided immensely by the naturalistic performances of Gosling and McAdams, whose chemistry is palpable.

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For a length of his career, actor Leonardo DiCaprio teetered on the line between squeal-inducing heartthrob and artist with an eye for wild and challenging projects. Witness the latter side win out in this triple feature of Danny Boyle's hallucinogenic cult thriller THE BEACH, the classic historical adaptation THE MAN IN THE IRON MASK, and Baz Luhrmann's modernized yet decidedly Shakespearean ROMEO + JULIET. See individual titles for complete details.

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Here's a riveting triple feature to remind that, when it comes to action and gunplay, Bruce Willis can do much more than just DIE HARD. For instance, he might start HART'S WAR with Colin Farrell and Terrence Howard; declare martial law and, much to the chagrin of Denzel Washington, put all of New York City under THE SIEGE; or simply play it fast and loose enough with Billy Bob Thornton that the two of them make out like BANDITS. See individual titles for complete details.

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In this sequel to the 1995 mobster comedy GET SHORTY, John Travolta returns as Chili Palmer, a smooth-talking loanshark turned successful movie producer. But he's tired of the film industry, and so he sets his sights on the music business, teaming up with music producer Edie (Uma Thurman)--the widow of a recently murdered colleague. Seeing great potential in an up-and-coming singer named Linda Moon (Christina Milian), Chili makes it his goal to rescue the young talent from her sleazy manager Raji (Vince Vaughn), and make her a star. But it doesn't take long for Chili to realize that in the music industry, not everybody plays by the rules. Combining organized crime and record label know-how as they infiltrate the music industry, Chili and Edie (Thurman) must free Moon from her contract with Raji and record label exec Nick Carr (Harvey Keitel), while fending off the Russian mafia and a whole slew of enemies, played by Cedric the Entertainer, and Andre Benjamin (of OutKast), among others. Director F. Gary Gray casts The Rock against type as Raji's flamboyant, aspiring-actor bodyguard, Elliot. In fact, the film's most humorous scene might be when Elliot breaks into Edie's home in order to show Chili a monologue from the film BRING IT ON. Overall, the film's tone is a self-referential one, established in the first five minutes by Chili's complaints over the nature of sequels and the PG-13 rating system itself. From here on out, the film's humor becomes more and more dependent on the audiences knowledge of all things pop culture, with a dance scene between Travolta and Thurman recalling their memorable pairing in PULP FICTION.

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Spike Lee brings the life of African-American leader Malcolm X (an intense Denzel Washington in an Oscar-nominated performance) to the big screen in this sprawling, epic biographical drama. Born Malcolm Little, son of a Nebraska preacher, on May 19, 1925, he became one of the most militant leaders and charismatic spokesmen of the black liberation movement before his assassination at the Audubon Ballroom in New York City on February 21, 1965. The film sweeps through his early life as a small-time hustler and thief with his friend Shorty (Lee), his conversion to Islam in jail, and his subsequent life as a controversial spiritual leader and husband of Betty Shabazz (Angela Bassett). Malcolm's tragic assassination is presented as a conspiracy of Nation of Islam leaders; the film shows how his philosophy has been realized in the lives of others who have been moved by his words. Filmed with great visual flair by Lee, the film is a work of entertainment as much as it is a historical artifact. Washington captures the spiritual conversion of the hero with a sincerity that is entirely as believable and ultimately moving as it was in the book that inspired the film, THE AUTOBIOGRAPHY OF MALCOLM X.

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Four years after the tragic death of their children in a car accident, Dr. Chris Nielsen (Robin Williams) is estranged from his wife, Annie (Annabella Sciora), a painter who finds solace in deep and mystical expressionist landscapes. When flustered Annie calls him for support, he rushes out to help and is killed in a road accident. His ghost is greeted by an old mentor, Albert (Cuba Gooding Jr.), who leads him in Ghost-of-Christmas-Past-style to Annie's side. But when Chris realizes that his adherence to the corporeal world is torture to himself and the living Annie, he breaks free of his Earthly bonds and dives into the visual smorgasbord that is the afterlife. There he splashes though clouds and gobs of technicolor paint in breathtaking landscapes suggested to him by Annie's paintings. From there, to grandiose Romanesque cities of flying children, Chris and his old dog are met by a gorgeous stewardess, who reveals herself as a nearly forgotten face from his past. As Chris reconciles with his children in a world where imagination is his palette, in the real world Annie becomes sicker and sicker, and finally enters the afterlife herself. Due to the myriad rules of the Other Side, she is unable to join Chris or her children, and Chris begins a fight for his future with his soul mate.

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Life imitates art in this adaptation of Karen Joy Fowler's bestselling novel about a book group reading the work of Jane Austen. Each of the people in the group is at a different stage of life: there's Sylvia (Amy Brenneman), whose husband has just left her for another woman, and her daughter Allegra (Maggie Grace), who's looking for a woman herself. Bernadette (Kathy Baker) has six marriages under her belt, while Jocelyn's (Maria Bello) most significant relationship is with her dog. New to the group of friends are Prudie (Emily Blunt), a teacher who is unhappy with her marriage, and Grigg (Hugh Dancy), the group's only man--a sci-fi fan invited by Jocelyn to take Sylvia's mind off her failed marriage. As they make their way through Austen's novels, they discover that the writer's work is just as relevant in the 21st century as it was in the 19th. The group has its own Emma, and a sparring would-be couple bears striking resemblance to Elizabeth Bennett and Mr. Darcy. THE JANE AUSTEN BOOK CLUB succeeds largely thanks to the strength of its cast. Bello is better known for dramatic roles in films such as THE COOLER and THE HISTORY OF VIOLENCE, but she does an excellent job with this film's lighter tone. As know-it-all Prudie, Blunt steals just as many scenes as she did in THE DEVIL WEARS PRADA. Though it might seem like a clubhouse with a "No Boys Allowed" sign, the men in the movie hold their own with the female cast. Jimmy Smits, Marc Blucas, and Kevin Zegers play supporting roles, but it's Dancy who deserves the most praise. As Griggs struggles to woo one of the women in the group, Dancy easily wins the heart of the audience with his geeky charm.

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The model marriage of Frank (Dennis Quaid) and Cathy Whitaker (Julianne Moore) in 1950s Hartford is depicted in television ads, and a magazine features photographs of Cathy as a model homemaker and citizen. Yet, behind the curtains of their dream home, Cathy and Frank hide scandalous secrets. Frank has been masquerading his homosexuality and is seeing a doctor for a heterosexual conversion. Meanwhile, Cathy finds solace in her gardener, Raymond (Dennis Haysbert), a black man about whom Cathy must conceal her growing feelings, since simply being seen with him is cause for scandal. Filmmaker Douglas Sirk employed the trappings of the melodrama to satirize and criticize narrow minds in the 1950s status quo with films such as ALL THAT HEAVEN ALLOWS. Todd Haynes (SAFE) uses Sirk's highly stylized universe to critique society half a century later in FAR FROM HEAVEN. The film uses thematic elements of Sirk's such as isolating characters through windows and vivid, symbolic colors and flowers. It also applies Sirkian plot devices such as gossiping neighbors and demonizing television. Attacking prejudice, Haynes' methods are particularly effective as he uses an antiquated style of filmmaking to shed light on societal problems that are pervasive even in the 21st Century.

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Based on actual diary accounts of several teenagers following the L.A. riots, FREEDOM WRITERS is the story of an idealistic teacher's attempts to make a difference in the lives of her at-risk students. Located in gang-ravaged Long Beach, California, Woodrow Wilson High is a hotbed of violence due to a voluntary integration program which brings Black, Latino, Asian, and White students together. Rather than having the desired effect of creating healthy diversity, this program breeds constant war between all parties involved, the result being daily gun shots, constant racial slurs, and gang violence. Played largely by young unknowns, the freshman class in question is both naïve and wise beyond its years. While never having heard of the Holocaust, these kids are well-versed in the pain of poverty, the legal system, and death. Despite being up against unthinkable violence, devoted first-time teacher Erin Gruwell (Hillary Swank) never gives up, slowly bonding with her class of at-first unreachable pupils, breaking down their tough exteriors and getting at the real people beneath through requiring the students keep daily journals. Meanwhile, a strain is put on Erin's marriage as her student involvement gradually takes priority over her personal life. The intensity with which Erin relates to her work threatens her husband (Patrick Dempsey), who in seeing Erin's transformation, is reminded of his own stagnancy. Thanks to a catalogue of films including STAND AND DELIVER and DANGEROUS MINDS, any film about inspiring teachers risks feeling redundant and preachy. But writer/director Richard LaGravenese manages to put a fresh spin on this already familiar formula thanks to powerful performances by Hillary Swank, Imelda Staunton, and several newcomers. While slightly predictable, FREEDOM WRITERS critiques the public education system in an ultimately moving way.