Robert in Drama DVDs & Videos

Description:

Matthew Weiner, a writer and executive producer for THE SOPRANOS, may have set this series in the picture-perfect 1960s, but his characters are just as scheming as the mobsters on his last show. MAD MEN begins in 1960 on Manhattan's Madison Avenue at the fictional ad agency of Sterling Cooper. Creative director Don Draper (Jon Hamm) rules the halls of his company and the hearts of every woman he meets, while his wife, Betty (January Jones), struggles to be the perfect mate and mother in a suburb upstate. But just as in the world of advertising, Don may not be all that he appears. In MAD MEN, the glass ceiling is dangerously low, and sexism reigns in a way that may shock modern viewers. But this isn't the prim '60s of THE DICK VAN DYKE SHOW; Weiner's characters seduce, smoke, and swig with abandon--often within the walls of Sterling Cooper. MAD MEN takes equal parts substance and style to create an addictive cocktail that fully earned its freshman season wins at the Golden Globes for Best Dramatic Series and Best Actor in a Drama.

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For the follow-up to his dark crime thriller SEVEN, director David Fincher decided to remain in a film noir vein. The result is THE GAME, a fast-paced cinematic roller-coaster ride that stars Michael Douglas as Nicholas Van Orton, a joyless San Francisco investment banker who receives an unusual birthday present from his estranged younger brother, Conrad (Sean Penn). The gift enrolls Nicholas in CRS (Consumer Recreation Services), a company that designs elaborate real-life games for each specific participant. As the game begins, the reluctant Nicholas becomes the victim of a series of pranks that quickly turn malicious and dangerous. Stripped of his finances and convinced that he can trust no one, Nicholas realizes that this game may be an attempt to steal his fortune and leave him for dead. In a desperate bid to regain his life, Nicholas infiltrates CRS in order to uncover the secrets of the mysterious organization. Douglas is perfect playing the uptight businessman Nicholas, cleverly riffing on his Oscar-winning performance as the cold-blooded Gordon Gekko in WALL STREET. Fincher's Kafkaesque carnival show is an exercise in taut filmmaking that mischievously pulls a seemingly endless supply of rugs out from under both Nicholas and, even more impressive, the viewer.

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Longtime sweethearts David (Woody Harrelson), an architect, and Diana (Demi Moore), a real estate agent, find themselves on hard times when financial troubles bring them to the verge of losing their house, which David designed. Taking their last $5,000, they go to Vegas in hopes of multiplying their money. Luck fails them, but they are faced with a major moral dilemma when billionaire John Gage (Robert Redford) spots Diana in the casino and offers her $1,000,000 to spend the night with him. What ensues causes them to question their relationship more than anything they've ever encountered. Based on the novel by Jack Engelhard.

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This John Jakes Civil War saga chronicles the interlocking fortunes of two close-knit families, one a family of northern industrialists, the other the owners of a southern plantation. They both strive to hold their friendship together while their nation is being torn apart.This release is a complete collection of episodes from the show.

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THE SOPRANOS stars James Gandolfini in a career-making performance as Tony Soprano, a Mafia leader who is having trouble dealing with his mother and family and so starts to see a shrink. The terrific supporting cast features Edie Falco as Tony's conflicted wife, Carmela; Lorraine Bracco as Tony's put-upon psychiatrist, Dr. Melfi; Michael Imperioli as loose-cannon Christopher Moltisanti; Steven Van Zandt as Silvio, owner of the Bada-Bing; and the incomparable Nancy Marchand, in one of the great television performances, as Livia Soprano, Tony's conniving mother. This collection presents all six seasons of the groundbreaking show.

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Robert Altman's adaptation of Michael Tolkin's novel gives the notorious director a chance to address perhaps his greatest nemesis: the Hollywood studio system. Disguised as a thriller, the film assembles virtually every famous actor in Hollywood to create an exhilarating blend of real life and fiction. Tim Robbins plays Griffin Mill, a studio executive who begins to fear for his job when upstart Larry Levy's (Peter Gallagher) name becomes a hot topic on the lot. After receiving threatening postcards from an unidentified writer, Griffin tracks down David Kahane (Vincent D'Onofrio), who he thinks is the guilty party. The two argue, with disastrous results. Later, as Griffin struggles to keep his job while trying to distance himself from the law, he finds himself falling in love with Kahane's mysterious girlfriend (Greta Scacchi). THE PLAYER is a vicious satire that exposes the Hollywood industry as fraudulent, weak, and shallow. Altman's film also sends up both the noir genre and filmmaking technique, the latter notably in an extended opening shot which is a sprawling one-take that covers the studio's entire lot and features a series of hysterical pitches by actual screenwriters, including Buck Henry offering forth on his concept for THE GRADUATE 2. Bitter and electric, THE PLAYER ends on an ironic upbeat note that perfectly concludes a stellar picture.

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As in his 1977 film THE LATE SHOW, Robert Benton focuses on a private detective who's playing the back nine. With the passing of a quarter century, however, the director's tone had grown more somber. Paul Newman stars as the detective, Harry Ross, living in semiretirement in Santa Monica on the estate owned by his movie-star friends, Jack (Gene Hackman) and Catherine Ames (Susan Sarandon). When Harry delivers a package as a favor to Jack, he finds fellow private dick Lester Ivar (M. Emmett Walsh) dying from a bullet wound. Harry checks out Ivar's apartment, where he uncovers 20-year-old clippings relating to the disappearance of Catherine's first husband. As he tries to get to the bottom of the case, he enlists the help of a former lover, LAPD lt. Verna Hollander (Stockard Channing), and receives unsolicited assistance from feckless chauffeur Reuben Escobar (Giancarlo Esposito). Ex-cop and former studio security chief Raymond Hope (James Garner) also seems to know a thing or two about the case. Strong ensemble acting and Benton's characteristically nuanced and intelligent writing highlight this sinuous, richly textured murder mystery.

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LEGENDS OF THE FALL: Director Edward Zwick's epic romance, set against the backdrop of WWI and the wide sky and rugged terrain of Montana, stars Anthony Hopkins as William Ludlow, an idealistic retired colonel who disapproves of the war and the army's indecent treatment of Native Americans. Abandoned by his blue-blooded wife, Ludlow raises his three sons in the remote foothills of Montana with the help of Native American friends. Before the war, Samuel (Henry Thomas) brings home his fiancée from the East Coast, Susannah (Julia Ormond), a stunning beauty who can ride, rope, and hunt like the Ludlow boys. When the war breaks out, Samuel, the youngest and most idealistic son, enlists in the army. Brothers Alfred (Aidan Quinn) and Tristan (Brad Pitt) follow suit, more as protectors than as cohorts. Despite their best efforts, however, Samuel dies in battle. Upon returning home, Tristan becomes involved with Susannah, who is devastated by her loss but profoundly attracted to the brooding brother. However, tormented by his inability to save his little brother's life, Tristan abandons her and sets out on a long journey of self-discovery. During his absence, Alfred reveals his own passion for Susannah. Although she does not reciprocate his feelings, Susannah--who has despaired of ever seeing Tristan again--agrees to become his wife. Ultimately, Tristan does return, setting off a dangerous conflict between the brothers. A RIVER RUNS THROUGH IT: Fly-fishing figures prominently in this poignant tale of two brothers growing up in Montana in the early 20th century under the stern rule of their minister father. While both boys rebel, Norman (Craig Sheffer) channels his rebellion into writing, but Paul (Brad Pitt) descends onto a slippery path of self-destruction. The beautiful scenery of Montana is used to full effect with the awesome cinematography of Philippe Rousselot. Directed by Robert Redford, this adaptation of Norman Maclean's classic autobiography also features Tom Skerritt and Brenda Blethyn as the Reverend and Mrs. Maclean. DEVIL'S OWN: THE DEVIL'S OWN, Alan J. Pakula's last film, is a character-driven thriller that confronts suspense and gritty realism head-on. Harrison Ford plays Tom O'Meara, an Irish-American cop in New York who opens his home and family to Francis "Frankie" McGuire (Brad Pitt), whom they believe is a refuge-seeking immigrant from Belfast. They later discover that their visitor is an IRA rebel on a terrorist mission. Buoyed by tense, strong performances from both stars, the film is ultimately a tragedy that explores the unexpected friendship of two men of similar ethnic roots, yet of different places, times, and values, and the cruel and senseless cycle of violence they face.

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In 1977, after suffering years of physical abuse at the hands of her brutal husband, Mickey (Paul Le Mat), Michigan housewife Francine Hughes (Farrah Fawcett) kills him one night by setting fire to him as he sleeps. She is subsequently prosecuted. Fawcett garnered an Emmy nomination for role in this acclaimed television adaptation of a true story.

Description:

Matthew Weiner, a writer and executive producer for THE SOPRANOS, may have set this series in the picture-perfect 1960s, but his characters are just as scheming as the mobsters on his last show. MAD MEN begins in 1960 on Manhattan's Madison Avenue at the fictional ad agency of Sterling Cooper. Creative director Don Draper (Jon Hamm) rules the halls of his company and the hearts of every woman he meets, while his wife, Betty (January Jones), struggles to be the perfect mate and mother in a suburb upstate. But just as in the world of advertising, Don may not be all that he appears. In MAD MEN, the glass ceiling is dangerously low, and sexism reigns in a way that may shock modern viewers. But this isn't the prim '60s of THE DICK VAN DYKE SHOW; Weiner's characters seduce, smoke, and swig with abandon--often within the walls of Sterling Cooper. MAD MEN takes equal parts substance and style to create an addictive cocktail that fully earned its freshman season wins at the Golden Globes for Best Dramatic Series and Best Actor in a Drama.

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The third season of this thrilling, hyper-paced series picks right up where the last one left off. With much of the crew back in prison at Sona Federal in Panama, Lincoln Burrows has been exonerated from his criminal charges. Michael Scofield, however, is incarcerated once again and is facing a homicide charge. The two find themselves dealing with the corrupt and far-reaching secret government Company and agree to plan and execute the escape of Company agent and convict James Whistler in exchange or the release of Dr. Sara Tancredi and L.J. Burrows. Of course it may take more than a few attempts to circumvent Sona's ultra-high-security facilities and countless other circumstances, but that's what PRISON BREAK is all about, right? In a season series creator Paul Scheuring dubbed the "Redemption" season, will all the pieces of this intricate puzzle finally come together? And, perhaps more importantly, will everyone make it out intact? Breakout stars Dominic Purcell (PRIMEVAL) and Wentworth Miller (UNDERWORLD) electrify this super-charged season.

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The television miniseries dramatically recreating Teddy Roosevelt and his regiment as they fight the Mexican-American War.

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In the idyllic bedroom community of Garrison, New Jersey, a community of NYPD officers takes refuge away from the big city's troubles while still enjoying all the kickbacks, cover-ups, and mob-owned banking privileges from across the river. But the code of silence is tested when an off-duty, drunk rookie cop from their ranks wrongfully kills two black men and the local sheriff begins to investigate. COP LAND is an ambitious ensemble drama notable for eliciting a strong performance (and a 40-lb weight gain) from Sylvester Stallone.

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It's Los Angeles, 1977, and adult film director Jack Horner (Burt Reynolds) meets Eddie Adams (Mark Wahlberg), a well-endowed dishwasher in a nightclub. Jack recruits Eddie to be his newest star and Eddie, hungry for fame, quickly agrees, changing his name to Dirk Diggler. Soon Dirk is the hottest star in the porn industry, alongside Rollergirl (Heather Graham), a high school dropout who never removes her roller skates, and Amber Waves (Julianne Moore), the veteran star who pines for the son she's not allowed to visit. On the fringes, Little Bill (William H. Macy) fumes while his wife cheats on him in public, and Buck Swope (Don Cheadle) tries to escape the stigma of being a porn actor. The good times roll, but before long Dirk falls victim to the pressures of stardom and a drug habit that ruins his career while Jack struggles with porn's conversion from film to cheaper videotapes. Director Paul Thomas Anderson's breakthrough film is an exhilarating ride along the underbelly of the 1970s inspired by the films of Altman and Scorsese, featuring colorful camera work, a dynamic soundtrack, and excellent performances from the entire cast, most notably Reynolds in an Oscar-nominated comeback role.

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This film brings the classic Ten Commandments story to life with vivid color and heartfelt performances by Dougray Scott, Linus Roache, Mia Maestro, and Omar Sharif.

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Produced under the supervision of director Francis Ford Coppola and cinematographer Gordon Willis, this boxed set presents THE GODFATHER trilogy in visually restored versions with remastered audio. Please see individual titles--THE GODFATHER, THE GODFATHER PART II, and THE GODFATHER PART III--for complete synopsis information.

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After being squeezed out of his church by his ex-wife, a Texas fundamentalist preacher's alcohol-fueled rage sends him off the deep end. After beating her new beau into a coma, he flees to Louisiana and seizes the chance to reinvent himself as a devout "Apostle," founding a new church and captivating the citizenry while keeping his sins buried. Duvall, who also wrote and produced, is riveting in the title role. Academy Award Nominations: 1--Best Actor (Duvall).

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Robert Mulligan's classic adaptation of Harper Lee's Pulitzer Prize-winning novel, set in the racially charged atmosphere of Macon County, Alabama in the 1930s, TO KILL A MOCKINGBIRD is a poignant coming-of-age story. Winner of four Academy Awards including Best Screenplay (written by Horton Foote), and Best Actor (Gregory Peck), TO KILL A MOCKINGBIRD is a timeless film packed with beautiful scenes and meaningful life lessons. The story is told from the vantage point of a young girl nicknamed Scout (Mary Badham) whose widowed white father Atticus Finch (Peck), an attorney, decides on principle to defend a black man (Brock Peters) charged with raping a poor white woman. But the bigoted townspeople would rather lynch the accused than try him, and they make life hellish for the lawyer, his daughter, and his son Jem (Philip Alford). While their father is in the throes of the trial, his bright, inquisitive children learn a hard and unforgettable lesson in justice, morality, and prejudice, part of which requires overcoming an unfounded fear of their mysterious neighbor Boo Radley (Robert Duvall).

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This sweeping television adaptation of James A. Michener's epic novel about the taming of the Colorado frontier encompasses 200 years' worth of land wars, family schisms, love affairs, political corruption, profiteering, cattle drives, and revolution. As the town of Centennial grows it becomes the staging ground for a series of conflicts that will embroil the developing American West. Clocking in at a whopping 24 hours, and boasting an enormous cast of television stars, this collection presents all 12 installments of the ambitious miniseries.

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IN COLD BLOOD is Richard Brooks' stylish and powerful 1967 drama adapted from Truman Capote's novel about a shocking real-life murder case. This daring cinematic portrait employs flashbacks to fully examine what drives an individual to commit thoughtless and brutal crimes, while using a highly innovative jazz score by Quincy Jones to capture the moody atmosphere. Capote's own role as researcher-narrator of the young criminals' intense friendship, fantasies, and troubled lives is effectively brought to the screen in this striking, groundbreaking drama. Two aimless drifters, Perry Smith (Robert Blake) and Dick Hickock (Scott Wilson), target the home of Kansas businessman Herbert Clutter. After breaking into the house, they find no money, and Smith and Hickock brutally kill the entire Clutter family. They escape the scene of the crime and head for Mexico, but they eventually go back to the States, ultimately returning to Kansas. After being chased for almost a year, the troubled drifters are captured and sentenced to death.

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A smash hit from the moment of its 2000 debut, CSI: CRIME SCENE INVESTIGATION remains one of the most popular, innovative, and critically acclaimed crime dramas in television history. Created by Anthony Zuiker and executive produced by movie maven Jerry Bruckheimer, the thrilling series centers on the Las Vegas Police Department's night-shift forensics unit, which utilizes cutting-edge technology to solve the often grisly crimes of a glamorous city whose constant influx of visitors makes it rife with criminal elements. Quick-witted detective Gil Grissom (William Petersen) leads the highly skilled investigative team that includes his single-mother partner, Catherine Willows (Marg Helgenberger); hair and fiber expert Nick Stokes (George Eads); former gambling addict Warrick Brown (Gary Dourdan); and fresh-faced newbie Sara Sidle (Jorja Fox), with the help of a tough-as-nails police captain, Jim Brass (Paul Guilfoyle), and an efficient lab coroner, Dr. Al Robbins (Robert David Hall). Heavy on science, creative camera work, and uncomfortably graphic depictions of violence, CSI is praised by fans and critics alike for its consistently gripping and well-written storylines, often inspired by real-life cases. This collection presents the complete eighth season, which concludes the previous season's nail-biting cliffhanger, in which Sara was kidnapped by the Miniature Killer, and features a crossover with WITHOUT A TRACE.

Description:

Robert Mulligan's classic adaptation of Harper Lee's Pulitzer Prize-winning novel, set in the racially charged atmosphere of Macon County, Alabama in the 1930s, TO KILL A MOCKINGBIRD is a poignant coming-of-age story. Winner of four Academy Awards including Best Screenplay (written by Horton Foote), and Best Actor (Gregory Peck), TO KILL A MOCKINGBIRD is a timeless film packed with beautiful scenes and meaningful life lessons. The story is told from the vantage point of a young girl nicknamed Scout (Mary Badham) whose widowed white father Atticus Finch (Peck), an attorney, decides on principle to defend a black man (Brock Peters) charged with raping a poor white woman. But the bigoted townspeople would rather lynch the accused than try him, and they make life hellish for the lawyer, his daughter, and his son Jem (Philip Alford). While their father is in the throes of the trial, his bright, inquisitive children learn a hard and unforgettable lesson in justice, morality, and prejudice, part of which requires overcoming an unfounded fear of their mysterious neighbor Boo Radley (Robert Duvall).

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The highlights of this British cinema collection are an early effort by director Carol Reed, THE GIRL IN THE NEWS--about a nurse who becomes a pawn in the cruel game of one of her clients--and the over-the-top villainy of character actor Tod Slaughter--in THE HOODED TERROR and TREAD SOFTLY STRANGER. Also included are SIEGE OF SYDNEY STREET, about a woman caught between opposing political forces in 1911 Russia; THE FRIGHTENED MAN, the story of a rebellious son who falls into a life of crime; and CRIMES AT THE DARK HOUSE, in which a luxurious estate becomes a magnet for murder.

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Part E.R. and part C.S.I., HOUSE is a medical mystery television show that's appealing due to its creative camerawork, interesting characters, and twisting plotlines. Dr. Gregory House (Hugh Laurie) is a brilliant medical professional, but often alienates his patients and co-workers because of his abrasive manner and bitterness. In each episode House is faced with a person exhibiting a number of unusual symptoms, and along with his team of dedicated doctors and nurses, must discover what strange illness is afflicting the patient...before it's too late! The show moves at a rapid pace, spurred by its turning and suspenseful plotlines and the lively interaction between the characters, played by a strong supporting cast that includes Robert Sean Leonard, Omar Epps, and Sela Ward. HOUSE: SEASON ONE collects all 22 episodes of the program's first year.

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For the follow-up to his dark crime thriller SEVEN, director David Fincher decided to remain in a film noir vein. The result is THE GAME, a fast-paced cinematic roller-coaster ride that stars Michael Douglas as Nicholas Van Orton, a joyless San Francisco investment banker who receives an unusual birthday present from his estranged younger brother, Conrad (Sean Penn). The gift enrolls Nicholas in CRS (Consumer Recreation Services), a company that designs elaborate real-life games for each specific participant. As the game begins, the reluctant Nicholas becomes the victim of a series of pranks that quickly turn malicious and dangerous. Stripped of his finances and convinced that he can trust no one, Nicholas realizes that this game may be an attempt to steal his fortune and leave him for dead. In a desperate bid to regain his life, Nicholas infiltrates CRS in order to uncover the secrets of the mysterious organization. Douglas is perfect playing the uptight businessman Nicholas, cleverly riffing on his Oscar-winning performance as the cold-blooded Gordon Gekko in WALL STREET. Fincher's Kafkaesque carnival show is an exercise in taut filmmaking that mischievously pulls a seemingly endless supply of rugs out from under both Nicholas and, even more impressive, the viewer.

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Jon Chu directs this feel-good sequel about pursuing what you love and finding yourself along the way. Andie (Briana Evigan, daughter of actor Greg Evigan) is a tough Baltimore teen who grew up dancing and is now part of the 410, the hottest dance crew in the city and reigning champions of the Streets, an underground dance competition. Unable to control Andie's rebellious ways, her guardian, Sarah (Sonja Sohn), has decided to send her to Texas to live with her aunt. But Andie has one last chance to stay with her crew in her beloved Baltimore: the Maryland School of the Arts (MSA). Unfortunately, maintaining her studies at MSA means less time with the 410. To make matters worse, Andie is having a hard time fitting in at her new high school, where tradition is revered and being outside the box is frowned upon. Luckily, she has a partner in crime in classmate Chase Collins (Robert Hoffman), whose stuffy brother, Blake (Will Kemp), is the school's director and a constant thorn in his younger brother's side. When the 410 boots Andie out, she and Chase find their own crew of overlooked MSA dancers and take it all the way to the Streets. The real star of STEP UP 2: THE STREETS is the amazing dancing and there's plenty of it. From the opening scene in a Baltimore subway to the playground to studio rehearsals to the Streets, these kids give it everything they've got. Channing Tatum briefly reprises his role as Tyler Gage, who knows Andie from the neighborhood. All of the MSA and 410 dancers are exceedingly talented, but Mari Koda's few lines as Jenny Kido are scene-stealers.

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A high school debate class turns into something profound for the students in DEBATING ROBERT LEE. The teacher, whose last job was at a military academy, gives the students more than they bargained for with his hard-hitting style of teaching that challenges them in how they see their world. Veteran actors Beau Bridges, Melinda Dillon, and Steven Tobolowsky costar in this inspirational drama with a cast of likable young actors.

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After catching his mother and her boyfriend "in flagrante delicto" and dispatching both of them with a farm implement known as a sling blade, a simpleminded 11-year-old boy is sent to a mental hospital where he spends the next 25 years. Upon his release, the emotionally and mentally stunted man-child returns to his Arkansas hometown and takes a job in a local garage, only to have the past inexorably repeat itself. An indie-film triumph, adapted by star-writer-director Thornton from his 1993 short, "Some Folks Call It a Sling Blade." Academy Award Nominations: 2, including Best Actor--Billy Bob Thornton. Academy Awards: Best Adapted Screenplay.

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Modern-day filmmakers and actors revisit Civil War history and their own heritage with this independent film. In addition to co-directing, writing, and producing THE LAST CONFEDERATE: THE STORY OF ROBERT ADAMS, Julian Adams stars as his own great-great-grandfather. The Civil War comes between Adams, a captain in the rebel army, and his love, Eveline, a Yankee schoolteacher. Based on real diaries and letters, this moving wartime drama explores the boundaries of passion and patriotism. Tippi Hedren, Mickey Rooney, and Edwin McCain also star.

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This collection of Robert Mitchum movies includes the following titles: ANGEL FACE, THE GOOD GUYS & THE BAD GUYS, HOME FROM THE HILL, MACAO, THE SUNDOWNERS, and THE YAKUZA. Please see individual titles for synopsis information.