Susan Sarandon, Amazon Marketplace in Drama DVDs & Videos

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Cheer on the most iconic athletes in cinema history with this collection featuring ROCKY, RAGING BULL, BULL DURHAM, and HOOSIERS. See individual titles for synopsis information.

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Jude Law stars in this trenchant dramatic-comedy, a remake of the 1966 British counterculture classic that launched the career of Michael Caine. This version is set in New York City and is pumped up with giddy, cleverly experimental editing. The story has Alfie (Law), a Don Juan-esque limo driver, speaking directly to the camera as he seduces the lovely ladies of the city. Eventually he's forced to take stock of the damage he's caused, and acknowledge the emptiness at the core of his chosen lifestyle. Playing the role of Alfie requires a fine balancing act from Law--he must be so charming that he seduces both the audience and himself, while also conveying the self-delusion and sadness at the character's core--and Law is up for the challenge, expertly conveying glimpses of the unfathomed depth beneath his polished shallowness. Equally good are his array of conquests, including Marisa Tomei as a single mom, Sienna Miller as a mood-swinging party girl, and Susan Sarandon as a rich older woman. A soundtrack by Mick Jagger and David Stewart (Eurythmics) adds liberal dollops of self-aware rock & roll melancholy. Dick Latessa is great as an old man who offers Alfie some sage advice, and Omar Epps plays the screwed-over limo driving buddy.

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Robert Altman's adaptation of Michael Tolkin's novel gives the notorious director a chance to address perhaps his greatest nemesis: the Hollywood studio system. Disguised as a thriller, the film assembles virtually every famous actor in Hollywood to create an exhilarating blend of real life and fiction. Tim Robbins plays Griffin Mill, a studio executive who begins to fear for his job when upstart Larry Levy's (Peter Gallagher) name becomes a hot topic on the lot. After receiving threatening postcards from an unidentified writer, Griffin tracks down David Kahane (Vincent D'Onofrio), who he thinks is the guilty party. The two argue, with disastrous results. Later, as Griffin struggles to keep his job while trying to distance himself from the law, he finds himself falling in love with Kahane's mysterious girlfriend (Greta Scacchi). THE PLAYER is a vicious satire that exposes the Hollywood industry as fraudulent, weak, and shallow. Altman's film also sends up both the noir genre and filmmaking technique, the latter notably in an extended opening shot which is a sprawling one-take that covers the studio's entire lot and features a series of hysterical pitches by actual screenwriters, including Buck Henry offering forth on his concept for THE GRADUATE 2. Bitter and electric, THE PLAYER ends on an ironic upbeat note that perfectly concludes a stellar picture.

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In fairly short order, Brad Pitt became one of the biggest, most poised stars in Hollywood history. Revisit two of the movies that helped kick-start his popularity, Ridley Scott's feminist classic THELMA AND LOUISE and Dominic Sena's challenging crime-thriller KALIFORNIA, before watching him revel in it alongside Angelina Jolie in MR. & MRS. SMITH. See individual titles for complete details.

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ANYWHERE BUT HERE: Director Wayne Wang, known for family dramas about Chinese Americans that focus on mother-daughter relationships (DIM SUM, THE JOY LUCK CLUB), here adapts Mona Simpson's ANYWHERE BUT HERE, a novel perfectly suited to his talents. Teenage Ann (Natalie Portman) wants a normal life, but her mother, Adele (Susan Sarandon), has her own idea of what is normal. When Adele grows tired of claustrophobic small-town life in Wisconsin, she takes the constantly complaining Ann across the country to Los Angeles to start a new life. Ann, however, doesn't want to go, and her behavior wavers between typical adolescent annoyance to real insight into her mother's character. Much of this comes from the voice-over provided by the adult Ann, who explains it all from her mature point of view. This sentimental story, long on feelings and more feelings, is nicely played, with Sarandon enthusiastic as the eccentric single mother her daughter can't wait to get away from. GARDEN STATE: Andrew "Large" Largeman (Zach Braff of TV's SCRUBS) is returning home to New Jersey for the first time in nine years to attend his mother's funeral. A struggling actor in Los Angeles, he's been living under clouds of medication prescribed by his psychiatrist father (Ian Holm). After drifting through the funeral with the same emotional numbness he's felt for years, he reconnects with old friends Mark (Peter Sarsgaard), a grave digger, and Albert (Denis O'Hare), a millionaire who invented noiseless Velcro. In a doctor's office, he meets ebullient Sam (Natalie Portman), an epileptic whose lust for life inspires Andrew to feel things that his medication long denied him. Over the course of four days, he develops feelings for Sam he didn't know he was capable of, and faces up to the resentment his father holds toward him about an accident that happened long ago. Writer, director, and star Zach Braff makes his debut feature with this off-kilter, unusually smart, self-assured coming-of-age film. GARDEN STATE has a knack for sharp-edged humor, character quirks, and finding lovely imagery in the mundanity of the suburbs. These things combined are abundant evidence that Braff's filmmaking future is filled with limitless promise. WHERE THE HEART IS: A lighthearted drama about finding your place in the world under the most unlikely circumstances, WHERE THE HEART IS stars Natalie Portman as Novalee Nation, a pregnant young girl who is running away to California with her boyfriend, an aspiring country singer. When he abandons her at an Oklahoma Wal-Mart, Novalee has no choice but to stay behind. She lives in the Wal-Mart until the baby comes, and the resulting birth turns her into a celebrity. As the years go by, Novalee continues to live in the small town, and eventually finds herself falling in love with the kindhearted local librarian.

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Jackie (Susan Sarandon) and Luke (Ed Harris) are divorcing after years of marriage and two children, Anna and Ben. Their new stepmother, Isabel (Julia Roberts), wants to be involved in the children's life, but is unwilling to sacrifice anything for her work. Jackie considers this to be selfish and rude, sparking a conflict between the two women. When cancer enters the picture, everyone is forced to grow in order to settle their differences. A tearjerker in the truest sense of the word.

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Fed up with her boyfriend (Michael Madsen), live-wire Arkansas waitress Louise Sawyer (Susan Sarandon) persuades her friend Thelma Dickinson (Geena Davis), a naive housewife burdened with a negligent, sexist husband (Christopher McDonald), to hit the road with her for a weekend of freedom. One of their first stops is a bar where the women relax, dance, and flirt with some of the locals. But the situation turns ugly when one man (Timothy Carhart) follows Thelma to the parking lot and attempts to rape her, causing Louise to shoot and accidentally kill him. Convinced that the police will never believe their version of the incident, the women take off, now fugitives from the law. Emboldened by recent events, Thelma picks up studly young cowboy J.D. (Brad Pitt) in Oklahoma and enjoys a one-night stand that leads to even more trouble. Director Ridley Scott's infamous feminist road movie ranks among the best films of the 1990s. Along with BLADE RUNNER and ALIEN, the film is one of Scott's finest works, largely because of Callie Khourie's vivid, brilliantly idiosyncratic script, wonderful performances from the two leads, and Adrian's Biddle's crisp photography of the American Southwest.

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The fourth screen adaptation of Louisa May Alcott's classic 1869 novel, LITTLE WOMEN, is given a realistic and rounded treatment by screenwriter Jo Swicord and Australian director Gillian Armstrong, whose perspective emphasizes a feminist tone. The story chronicles the lives of a mother and four daughters and their daily toils during the Civil War in the absence of their father, a Union army chaplain. Winona Ryder (in an Oscar-nominated performance) is vibrant as Jo, the least conventional of the sisters. Christian Bale captures the ebullience of their neighbor, Laurie, whose company Jo enjoys so much it seems inevitable that they will end up together. Kirsten Dunst (at age 12) gives a fiery performance as the younger Amy, proving even more willful than Jo; Claire Danes brings a mysterious otherworldliness to Beth. LITTLE WOMEN, touchingly rendered, has many subtle moments and an appropriately moving visual sense to accompany the narrative. Susan Sarandon and Gabriel Byrne also star in this well-crafted film.

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John Clark (Richard Gere) has everything going for him: a solid career, a beautiful wife (Susan Sarandon) who is both a career woman and Supermom, two great kids, and a gorgeous house in the suburbs. Still, although he hates to admit it, John wants to be happier. Each night during his commute home on the train, he sees the same woman staring forlornly out the window of a dance school. At last, his curiosity gets the better of him, and John finds himself signing up for ballroom dance lessons. Keeping his new secret life from his wife and family, John joyfully discovers his inner Fred Astaire as he and his new friends prepare for an amateur dance competition. At the same time, dance instructor Paulina (Jennifer Lopez), the woman in the window, finds her own passion for dance again, while John's wife becomes convinced that he is having an affair. Stanley Tucci costars in an hilarious turn as John's coworker who is a closet ballroom dancer--sequins and all. Inspired by a Japanese film, SHALL WE DANCE? is directed by Peter Chelsom (INDIAN SUMMER) and also stars Lisa Ann Walter, Anita Gillette, Bobby Cannavale, and Omar Miller.

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Master performers Susan Sarandon, Christopher Plummer, Gabriel Byrne, and Max von Sydow star in this moving drama about enduring friendships and the lasting wounds of war. Thirty-five years after being interred together in a concentration camp, now-married Melanie (Sarandon) reunites with Jakob (von Sydow) and Christopher (Byrne), who still carries a torch for her. As the old companions sort through the pain of the past amidst the pressures of the present, old passions are stirred and powerful memories are resurrected.

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In this taut legal drama a trailer-park kid witnesses the suicide of a mob lawyer and is pursued by authorities trying to find out if he knows anything. In an attempt to protect himself, the 11-year-old hires a feisty female attorney who takes up his case and develops a bond with him. Based on the novel by John Grisham. Academy Award Nominations: Best Actress--Susan Sarandon.

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In director Paul Mazursky's very loose adaptation of Shakespeare's great tragedy, John Cassavetes stars as Phillip, a famous New York city architect on the verge of a midlife crisis. Frustrated by his failing relationship with his wife, Antonia (Gena Rowlands), and riddled with guilt for all the personal and professional compromises he has made, he deserts Antonia and flees with his daughter, Miranda (Molly Ringwald, in her feature film debut), to Greece. Upon their arrival, Phillip and Miranda meet Aretha (Susan Sarandon), a seductive expatriate who becomes Phillip's mistress and helps them escape to a desolate Greek island where they set up a home in remote isolation. In the solitude of nature, Phillip flourishes, attempting to piece together his battered sense of morals and to find his dignity. However, their island becomes like a prison for Miranda and Aretha, who have nothing or no one to spend time with except for the batty servant, Kalibanos (Raul Julia), who slithers about the island making lewd sexual advances. One day, Phillip spies a yacht offshore and recognizes Antonia, her new lover (Vittorio Gassman), and his entourage. Fearful that they have come to take Miranda away, he conjures up a violent storm that washes the passengers to shore with magical results. Under the starry skies of the remote Grecian paradise, old lovers are reunited and new lovers are found in this bewitching and dreamlike locale. This nonlinear exploration of Shakespeare's universal themes combines the intimacy of an almost theatrical improvisational setting, including song and dance, with vivid visuals and powerful performances from its all-star cast.

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Though it revolves around death, Cameron Crowe's hotly anticipated follow-up to VANILLA SKY is optimistic overall, beaming with the same life-affirming mood as the crowd-pleasers JERRY MAGUIRE and ALMOST FAMOUS. Promising young shoe-designer Drew Baylor (Orlando Bloom) quickly learns how failure feels when his innovative but foolish design for a winged sneaker becomes the humiliation of the footwear industry. Informed of the magnitude of his mistake, Drew applies his design skills to the task of suicide by duct-taping a knife to an exercise machine. This melodramatic act is interrupted, however, when Drew receives a call from his sister, informing him that his father has died while on a trip to his home town of Elizabethtown, Kentucky. Drew's mother, Hollie (Susan Sarandon), elects him to go deal with the arrangements because he is the "responsible" and "successful" one. The only passenger on his flight, Drew meets Claire (Kirsten Dunst), a perky stewardess, who takes the opportunity to talk his ear off despite his apparent desire for some personal space. Supplying Drew with detailed hand-drawn maps, instructions for how not to get lost, and three phone numbers where she can be reached, Claire tenderly sends him off to confront a town full of relatives he has never met. Once in Elizabethtown, Drew is subjected to relentless family wackiness from people who seem to have known his father better than he did. Meanwhile, he stumbles into a hesitant romance with neurotic but charming Claire, whose anal-retentive wisdom, lust for life, and good taste in music may help Drew come to terms with his newly diminished place in the world--and to see it as possibly a better one. A love story, family drama, and road trip in one, ELIZABETHTOWN boasts another of Crowe's excellent soundtracks, with artists like Tom Petty and Elton John giving the film much of its emotional drive.

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While the rich are funding Mussolini's war efforts by purchasing ill-gotten masterpieces from fascist Margherita Sarfatti (Susan Sarandon), the poor, like Olive Stanton (Emily Watson), are singing on the street for a nickel. In an unlikely partnership, Nelson Rockefeller (John Cusack) commissions anti-capitalism artist Diego Rivera (Ruben Blades) to paint a mural. Meanwhile, Mark Blitzstein (Hank Azaria) is inspired to write a pro-union musical that is closed before it opens when Congress begins to investigate the Federal Theater Project. Based on actual events in the 1930s, writer-director Tim Robbins boldly tackles politics, the arts, and a cultural revolution.

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It made headlines when tobacco heiress Doris Duke died, leaving her Irish butler in charge of her billion-dollar estate. Insider squabbles and a string of lawsuits followed, but the relationship between the two people from opposite worlds remained a mystery. Inspired by their intriguing true story, this original HBO production imagines the evolving relationship between Doris and her butler, Bernard Lafferty, with Susan Sarandon and Ralph Fiennes in the title roles. Over six years the film traces Bernard and Doris slowly growing closer together and nourishing a love that surpasses the obstacles of alcoholism, wealth, and the pain of the past.

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Tommy Lee Jones plays Hank Deerfield, a retired military man investigating the mysterious disappearance of his soldier son, Mike, in this somber mystery-drama from director Paul Haggis (CRASH). Charlize Theron is the civilian homicide cop in the small town near the base where Mike recently returned from a term of combat in Iraq. When this unlikely pair ends up investigating the mystery together, they encounter some suspicious covering-up from the army. Deerfield gets access to his son's camera phone which contains startling video footage from combat overseas. Using a muted palette of military browns and greens, Haggis shows the same sharp eye for humanistic detail that served him so well in CRASH, infusing desolate scenes of civilian life--sterile concrete barracks, sleazy strip clubs, homey but empty diners, drugs, fast food joints, and ghostly motels--with vivid detail. Performances are all Oscar-worthy: Jones's craggy, weather-beaten face hiding grief and anguish beneath a steely facade until they threatens to boil over. His mug becomes a symbol for an America with no other choice but to confront its own grave flaws if it's ever to find any answers. Susan Sarandon bring the pain to the surface as the anguished mother waiting at home, and Theron is strong and sure, as a single mother who bravely faces, among other challenges, harassment in the workplace. Josh Brolin is her ex, the chief of police, and Jason Patric and James Franco are among the impassive faces of the military.

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The Durham Bulls are in a slump and have spent a hefty sum of money acquiring an untested young pitcher in the hopes of reversing their standings. Crash Davis, a 12-year veteran ballplayer who has spent most of his time bumming around as a minor league catcher, is assigned to mature the rookie pitching phenom named "Nuke." But a beautiful and enigmatic team groupie comes between the tutor and his student, enlightening both with her game of life, love and verse.

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John Clark (Richard Gere) has everything going for him: a solid career, a beautiful wife (Susan Sarandon) who is both a career woman and Supermom, two great kids, and a gorgeous house in the suburbs. Still, although he hates to admit it, John wants to be happier. Each night during his commute home on the train, he sees the same woman staring forlornly out the window of a dance school. At last, his curiosity gets the better of him, and John finds himself signing up for ballroom dance lessons. Keeping his new secret life from his wife and family, John joyfully discovers his inner Fred Astaire as he and his new friends prepare for an amateur dance competition. At the same time, dance instructor Paulina (Jennifer Lopez), the woman in the window, finds her own passion for dance again, while John's wife becomes convinced that he is having an affair. Stanley Tucci costars in an hilarious turn as John's coworker who is a closet ballroom dancer--sequins and all. Inspired by a Japanese film, SHALL WE DANCE? is directed by Peter Chelsom (INDIAN SUMMER) and also stars Lisa Ann Walter, Anita Gillette, Bobby Cannavale, and Omar Miller.

starting at

$6
 

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  • product
Tommy Lee Jones plays Hank Deerfield, a retired military man investigating the mysterious disappearance of his soldier son, Mike, in this somber mystery-drama from director Paul Haggis (CRASH). Charlize Theron is the civilian homicide cop in the small town near the base where Mike recently returned from a term of combat in Iraq. When this unlikely pair ends up investigating the mystery together, they encounter some suspicious covering-up from the army. Deerfield gets access to his son's camera phone which contains startling video footage from combat overseas. Using a muted palette of military browns and greens, Haggis shows the same sharp eye for humanistic detail that served him so well in CRASH, infusing desolate scenes of civilian life--sterile concrete barracks, sleazy strip clubs, homey but empty diners, drugs, fast food joints, and ghostly motels--with vivid detail. Performances are all Oscar-worthy: Jones's craggy, weather-beaten face hiding grief and anguish beneath a steely facade until they threatens to boil over. His mug becomes a symbol for an America with no other choice but to confront its own grave flaws if it's ever to find any answers. Susan Sarandon bring the pain to the surface as the anguished mother waiting at home, and Theron is strong and sure, as a single mother who bravely faces, among other challenges, harassment in the workplace. Josh Brolin is her ex, the chief of police, and Jason Patric and James Franco are among the impassive faces of the military.

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During the turbulent years prior to the outbreak of the Second World War, a young French girl travels all over the world, involving herself in one sordid affair after another. Based on Sidney Sheldon's gratuitous novel. Academy Award Nominations: Best Costume Design.

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