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The ambitious miniseries adaptation of MacKinley Kantor's eponymous novel about the inmates of the notoriously overcrowded and brutal Andersonville, Georgia Confederate army prison at the height of the Civil War. Winner of an Emmy for director John Frankenheimer. Produced for TNT.

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High school romance is difficult enough to navigate when both people are human. But for 17-year-old Bella Swan (Kristen Stewart, INTO THE WILD) and Edward Cullen (Robert Pattinson, HARRY POTTER AND THE GOBLET OF FIRE), Edward's life as a vampire complicates things even more. At first, when Bella moves from sunny Phoenix to the rainiest corner of Washington State, she isn't sure where she fits in at her new high school. Then she meets Edward, an ethereal beauty of a boy whose unnatural speed and strength lead Bella to the conclusion that her new crush is one of the undead. Suddenly, Bella's boring life is transformed; she's surrounded by love and danger in equal parts, thanks to the hunger of Edward and others of his kind. TWILIGHT is based on the first book in the addictive series by author Stephenie Meyer. Director Catherine Hardwicke (THIRTEEN) certainly knows her audience, which is primarily the teenage girls who worship the book and its characters. There are plenty of swoonworthy shots of Pattinson's perfectly pale Edward, and his romance with Stewart's nicely acted Bella will cause many a sigh among the devoted fans. While TWILIGHT is primarily a love story in the ROMEO AND JULIET mold, there's also plenty of action and horror to be found. Blood flows (this is a vampire movie, after all), but the small amount of gore shouldn't be too much for the squeamish viewers--and it might even draw a boy or two to the screen. The film's record-breaking box office take alone is proof that the film's appeal isn't limited to screaming teen girls.

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The end is nigh in this apocalyptic disaster film that mixes Christian values, Mayan mythology, and scientific theories about polar shifts. When four strangers journey into Mexico in 2012, they are drawn into ancient mysteries that foretell the coming of the End Times.

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Featuring spectacular special effects set amidst the backdrop of one of the most tragic events of the 20th century, James Cameron's award-winning TITANIC stands as one of the greatest Hollywood spectaculars of all time. Beginning with an undersea expedition in the 1990s, in which scuba divers are searching the sunken ship for lost relics, a painting of young Rose DeWitt Bukater (Kate Winslet) is found. This triggers a flashback to the young woman's story as it happened on the doomed Titanic. Rose is a daughter of privilege on her way to be married to an arrogant but wealthy young man (Billy Zane). Despairing, Rose finds herself falling in love with Jack Dawson (Leonardo DiCaprio), a carefree and poor young artist who is also aboard. When the great ship strikes an iceberg and begins to sink, Rose and Jack have only each other as their world falls apart around them. Director James Cameron spared no expense in bringing his simple yet powerful love story to life, building a 90% scale model of the ship, fussing over the tiniest details, and ultimately spending some $200 million dollars. A worldwide smash, TITANIC received fourteen Academy Award nominations and 11 wins, including Best Picture. Despite all the lavish sets and special effects, the film would be nothing without the emotional core provided by stars Winslet and DiCaprio, who give star making performances as the tragic young lovers.

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Scalding passions and peerless performances steam off this classic collection of romantic dramas. Included here are EAST OF EDEN, CAT ON A HOT TIN ROOF, A STREETCAR NAMED DESIRE, and REBEL WITHOUT A CAUSE. Please see individual titles for complete synopsis information.

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Small-time drug dealer and Vice Lords gang member Greg Yance gets a second shot at living straight when he's sentenced to a rigorous prison boot camp. Based on a true story. Produced for HBO.

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This collection contains 14 theatrical features from the 1970s. Films include THE ICEMAN COMETH; A DELICATE BALANCE; THE MAN IN THE GLASS BOOTH;RHINOCEROS; BUTLEY; THE MAIDS; LUTHER; IN CELEBRATION; THREE SISTERS; THE HOMECOMING; GALILEO; LOST IN THE STARS; PHILADELPHIA, HERE I COME; and ALIVE AND WELL AND LIVING IN PARIS. Nominated for several Academy Awards and featuring some of the biggest stars of their time, these features are examples of how seamlessly theatre can translate into film.

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Matthew Weiner, a writer and executive producer for THE SOPRANOS, may have set this series in the picture-perfect 1960s, but his characters are just as scheming as the mobsters on his last show. MAD MEN begins in 1960 on Manhattan's Madison Avenue at the fictional ad agency of Sterling Cooper. Creative director Don Draper (Jon Hamm) rules the halls of his company and the hearts of every woman he meets, while his wife, Betty (January Jones), struggles to be the perfect mate and mother in a suburb upstate. But just as in the world of advertising, Don may not be all that he appears. In MAD MEN, the glass ceiling is dangerously low, and sexism reigns in a way that may shock modern viewers. But this isn't the prim '60s of THE DICK VAN DYKE SHOW; Weiner's characters seduce, smoke, and swig with abandon--often within the walls of Sterling Cooper. MAD MEN takes equal parts substance and style to create an addictive cocktail that fully earned its freshman season wins at the Golden Globes for Best Dramatic Series and Best Actor in a Drama.

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Bringing John Berendt's international best-selling novel, MIDNIGHT IN THE GARDEN OF GOOD AND EVIL, to the screen must have been a challenge. The book is essentially an anecdotal travelogue of the fascinating city of Savannah, Georgia. The filmmakers decided to add a character, John Kelso (well played by John Cusack), a writer from New York, who's meant to represent Berendt's point of view. They also put most of the focus of the narrative on the murder trial of local millionaire socialite Jim Williams (the redoubtable Kevin Spacey). This is slightly problematic in that Kelso, a mere observer, now becomes the central character of the film. But director Clint Eastwood (straying from his usual milieu, and, atypically, not appearing the film) and writer John Lee Hancock still manage to capture the quirky spirit of the book. They're greatly aided in this regard by the lush images of cinematographer Jack N. Green and the detailed work of production designer Henry Bumstead, who create just the right atmosphere for the small city and its environs. The strong cast, including actual Savannah residents such as sparkplug transsexual the Lady Chablis, makes the film an enjoyable idyll in a strange yet welcoming place.

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The three films contained on the wittily titled ANATOMY 101 are SHOWGIRLS (1995), SEX AND THE TEENAGE MIND (2005), and THE GIRL NEXT DOOR (2004). Please see individual titles for synopsis information.

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Everyone reads her scandalous Internet commentary on the lives of Manhattan's most privileged teenagers. But exactly who is Gossip Girl? No one knows, but she certainly adds spice to the lives of these fashionable prep-schoolers, divulging some of their most closely guarded secrets. Based on the popular teen novels by Cecily von Ziegesar, the glossy series began when party girl Serena (Blake Lively) returned to the Upper East Side from boarding school. Though she seemed to have changed her ways, she still had to navigate the icy waters of her social sphere and confront the wrongs of her past--as well as the caustic commentary of a mysterious blogger. This complete collection of the show's second season presents all the trauma and drama of the teens' senior year.

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When Deepa Mehta first began filming WATER in 2000, angry fundamentalist mobs burned her sets and threatened her life. The Indian government claimed it could not protect her, and the project had to wait four years before finally filming in Sri Lanka. Her film has raised the ire of extremists because it challenges the Hindu customs that dictate that widows, considered half-dead after the loss of their husbands, must be closeted in holy ashrams--a practice that still exists today. Set in the 1930s, the film tells the story of eight-year old Chuyia, whose husband dies before she even meets him. Her parents shave her head and whisk her away to a house of widows where the women sleep on the ground and beg in the streets to earn their puny portion of rice. Chuyia, feisty and resilient, comes into this world like a ray of light, and soon the women are rethinking their mute acceptance of their fate. Her closest friend and ally is the lovely Kalyani, and soon a forbidden romance begins to develop between Kalyani and Narayana, a young Brahmin man who, following the teachings of Gandhi, has denounced injustice. The film is sumptuously beautiful, Chuyia is utterly winsome, and despite the harsh social issues at its heart, it often feels light and lively: Chuyia and Kalyani play games and dance, Chuyia steals sweets for a dying old widow, the women dance and paint each other's faces during a color festival, and the Cinderella-story romance between Kalyani and Narayana shimmers with the promise of salvation and happiness. Mehta, however, knows it would be disingenuous to allow such an easy resolution to such a dire situation, and the final chapter of WATER takes a tragic turn.

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Terrence Malick returns to Hollywood after a two-decade hiatus with this adaptation of the classic WWII novel by James Jones. The story follows the efforts of an army platoon to capture the Japanese-controlled island of Guadalcanal in the Pacific Ocean, which will have a major effect on the outcome of the war. The members of C-for-Charlie Company are all fighting for different reasons: some to achieve glory, some to fight for democracy, and some simply to remain alive. They spend the quieter moments reflecting upon their existence, searching for meaning amid the senselessness of war. Malick's reputation as one of cinema's most brilliant directors, based on his masterworks BADLANDS and DAYS OF HEAVEN, enabled him to pull together one of the largest ensemble all-star casts in Hollywood history. The result is a sprawling epic that carries itself like a poem read in a dream, a feeling that is greatly enhanced by John Toll's floating camerawork and Hans Zimmer's haunting score. Rather than concentrating solely on the violence and destruction of war, Malick uses the situation to address philosophical questions such as man versus nature, war versus peace, and good versus evil. THE THIN RED LINE proves that after a 20-year layoff, Malick hasn't lost a step.

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Part E.R. and part C.S.I., HOUSE is a medical mystery television show that's appealing due to its creative camerawork, interesting characters, and twisting plotlines. Dr. Gregory House (Hugh Laurie) is a brilliant medical professional, but often alienates his patients and co-workers because of his abrasive manner and bitterness. In each episode House is faced with a person exhibiting a number of unusual symptoms, and along with his team of dedicated doctors and nurses, must discover what strange illness is afflicting the patient...before it's too late! The show moves at a rapid pace, spurred by its turning and suspenseful plotlines and the lively interaction between the characters, played by a strong supporting cast that includes Robert Sean Leonard, Omar Epps, and Sela Ward. HOUSE: SEASON ONE collects all 22 episodes of the program's first year.

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THE SOPRANOS stars James Gandolfini in a career-making performance as Tony Soprano, a Mafia leader who is having trouble dealing with his mother and family and so starts to see a shrink. The terrific supporting cast features Edie Falco as Tony's conflicted wife, Carmela; Lorraine Bracco as Tony's put-upon psychiatrist, Dr. Melfi; Michael Imperioli as loose-cannon Christopher Moltisanti; Steven Van Zandt as Silvio, owner of the Bada-Bing; and the incomparable Nancy Marchand, in one of the great television performances, as Livia Soprano, Tony's conniving mother. This collection presents all six seasons of the groundbreaking show.

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Gia

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Gia
America's first supermodel Gia Carangi lives hard and dies young in the glamorous, excessive urban wilds of 1970s New York City. Adapted by Cristofer and novelist Jay McInerney from the biography "Thing of Beauty" by Stephen Fried. Made for HBO. Available in rated and unrated versions.

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Steven Soderbergh explodes onto the scene with this provocative, intelligent drama about infidelity and voyeurism. Ann Milaney (Andie MacDowell) lives in a comfortable Louisiana home with her lawyer husband, John (Peter Gallagher). She spends her days fretting over the insurmountable problems of the world and her own unfocused sense of melancholy. Although she doesn't know it, she has a good reason to be upset: John is having a torrid affair with her younger, more extroverted sister, Cynthia (the sexy Laura San Giacomo). When Graham Dalton (James Spader), an old college pal of John's, comes to visit, all three are momentarily distracted from personal problems and intrigues as they scrutinize the odd outsider. Ann soon discovers that Graham has some strange habits and problems of his own. Plagued by impotency since the calamitous breakup of his last relationship, the young drifter finds sexual gratification by videotaping women willing to talk about their sexual past and fantasies in front of the camera. A chain of attraction and jealousy develops as the four interconnect in several varied pairings, culminating with Ann's decision to become Graham's latest subject. Soderbergh's highly influential debut independent feature plays like a dangerous thriller that builds in tension until everyone's secrets are bitterly exposed.

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Winning Best Picture is one of the greatest honors in cinema and this collection presents four classic films thus awarded by the Academy: CASABLANCA, GIGI, AN AMERICAN IN PARIS, and MRS. MINIVER. Please see individual titles for complete synopsis information.

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This collection presents the entirety of LITTLE HOUSE ON THE PRAIRIE, the beloved 1974-1983 television series based on Laura Ingalls Wilder's novels about the trials and tribulations of a young family that settles on the wild American frontier of the 1870s. Michael Landon stars as a simple farmhouse patriarch who heads a household consisting of his wife, four daughters, and, eventually, a slew of adopted children. Look for a late-series appearance by a young Jason Bateman as a boy whose parents were killed in a wagon accident. Proof that a family-friendly primetime drama can indeed be successful and enjoy a prosperous run, LITTLE HOUSE should be credited with paving the way for such later moralistic hits as 7TH HEAVEN. Included among these 200-plus episodes are three feature-length TV movie events and the revamped ninth season--dubbed LITTLE HOUSE ON THE PRAIRIE: A NEW BEGINNING and considered by some to be a spin-off series--in which the focus shifted to middle daughter Laura (Melissa Gilbert) and her husband Almanzo in the wake of Landon's departure.

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After playing a mild-mannered funeral home director in SIX FEET UNDER, Michael C. Hall makes a smooth transition to a serial killer in this Showtime original series. But the twist in this smart show is that Dexter chooses to prey only on other serial killers. As a child, Dexter was adopted by a cop (James Remar) who quickly realizes that his new son is no ordinary boy. Since Dexter is compelled to kill, his law-abiding father pushes him to choose his quarry in a way that will best benefit society. As Dexter grows older, he works as a blood splatter expert in Miami, giving him a close view of other murderers and their handiwork. Stylish and blackly comic, this drama is adapted from Jeff Lindsay's novel DARKLY DREAMING DEXTER. This release includes the entire first season, which largely focuses on Dexter's pursuit of the coldblooded Ice Truck Killer and his own efforts to evade detection.

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