Vhs r mpaa in Drama DVDs & Videos

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Ridley Scott's romantic thriller stars Mimi Rogers as ravishing New York socialite Claire Gregory and Tom Berenger as blue-collar police detective Mike Keegan. After Claire witnesses a high-profile murder, Mike is among the rotating group of detectives assigned to protect her.The simple, straightforward cop is awed both by Claire's beauty and by the endless rooms of her lavish apartment. A quiet attraction develops between the two, but neither of these otherwise committed people is willing to act on it. However, the detective's wife, Ellie (Lorraine Bracco), realizes what's happening and reacts accordingly. When Mike accompanies Claire to a museum benefit one evening, the killer, Joey Venza (Andreas Katsulas), confronts her in the ladies' room. He threatens to kill her if she identifies him in a police line-up the next day and then turns himself in to the police. Although she goes through with the identification, Venza is released on a technicality, and Claire nows needs protection more than ever. Bracco is wonderful as the cop's spirited wife.

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For the follow-up to his dark crime thriller SEVEN, director David Fincher decided to remain in a film noir vein. The result is THE GAME, a fast-paced cinematic roller-coaster ride that stars Michael Douglas as Nicholas Van Orton, a joyless San Francisco investment banker who receives an unusual birthday present from his estranged younger brother, Conrad (Sean Penn). The gift enrolls Nicholas in CRS (Consumer Recreation Services), a company that designs elaborate real-life games for each specific participant. As the game begins, the reluctant Nicholas becomes the victim of a series of pranks that quickly turn malicious and dangerous. Stripped of his finances and convinced that he can trust no one, Nicholas realizes that this game may be an attempt to steal his fortune and leave him for dead. In a desperate bid to regain his life, Nicholas infiltrates CRS in order to uncover the secrets of the mysterious organization. Douglas is perfect playing the uptight businessman Nicholas, cleverly riffing on his Oscar-winning performance as the cold-blooded Gordon Gekko in WALL STREET. Fincher's Kafkaesque carnival show is an exercise in taut filmmaking that mischievously pulls a seemingly endless supply of rugs out from under both Nicholas and, even more impressive, the viewer.

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It's Los Angeles, 1977, and adult film director Jack Horner (Burt Reynolds) meets Eddie Adams (Mark Wahlberg), a well-endowed dishwasher in a nightclub. Jack recruits Eddie to be his newest star and Eddie, hungry for fame, quickly agrees, changing his name to Dirk Diggler. Soon Dirk is the hottest star in the porn industry, alongside Rollergirl (Heather Graham), a high school dropout who never removes her roller skates, and Amber Waves (Julianne Moore), the veteran star who pines for the son she's not allowed to visit. On the fringes, Little Bill (William H. Macy) fumes while his wife cheats on him in public, and Buck Swope (Don Cheadle) tries to escape the stigma of being a porn actor. The good times roll, but before long Dirk falls victim to the pressures of stardom and a drug habit that ruins his career while Jack struggles with porn's conversion from film to cheaper videotapes. Director Paul Thomas Anderson's breakthrough film is an exhilarating ride along the underbelly of the 1970s inspired by the films of Altman and Scorsese, featuring colorful camera work, a dynamic soundtrack, and excellent performances from the entire cast, most notably Reynolds in an Oscar-nominated comeback role.

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Robert Altman's adaptation of Michael Tolkin's novel gives the notorious director a chance to address perhaps his greatest nemesis: the Hollywood studio system. Disguised as a thriller, the film assembles virtually every famous actor in Hollywood to create an exhilarating blend of real life and fiction. Tim Robbins plays Griffin Mill, a studio executive who begins to fear for his job when upstart Larry Levy's (Peter Gallagher) name becomes a hot topic on the lot. After receiving threatening postcards from an unidentified writer, Griffin tracks down David Kahane (Vincent D'Onofrio), who he thinks is the guilty party. The two argue, with disastrous results. Later, as Griffin struggles to keep his job while trying to distance himself from the law, he finds himself falling in love with Kahane's mysterious girlfriend (Greta Scacchi). THE PLAYER is a vicious satire that exposes the Hollywood industry as fraudulent, weak, and shallow. Altman's film also sends up both the noir genre and filmmaking technique, the latter notably in an extended opening shot which is a sprawling one-take that covers the studio's entire lot and features a series of hysterical pitches by actual screenwriters, including Buck Henry offering forth on his concept for THE GRADUATE 2. Bitter and electric, THE PLAYER ends on an ironic upbeat note that perfectly concludes a stellar picture.

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Quentin Tarantino returns to the crime genre once again with this adaptation of Elmore Leonard's RUM PUNCH. Transplanting Leonard's crime story from Miami to Tarantino's city of choice, Los Angeles, JACKIE BROWN cruises along smoothly, much like the film's 1970s soul soundtrack. The film follows Jackie Brown (Pam Grier), a flight attendant who makes extra cash by running drugs and cash for sleazebag Ordell Robbie (Samuel L. Jackson). When Jackie sees the opportunity to make off with a large chunk of change, she begins to play everyone around her, including two detectives who are threatening her with jail time if she doesn't rat out Ordell, and a sympathetic bail bondsman (Robert Forster) who finds himself falling for Jackie. Tarantino sets a pace that is laid back and groovy, building to an eventual climax that determines whether or not Jackie walks away with the booty. In much the same way that Tarantino resuscitated John Travolta's career with PULP FICTION, he does the same thing here with Grier and Forster. Overall, JACKIE BROWN is a less in-your-face effort than Tarantino's previous films, but it's this downshift in gears that makes it so refreshing.

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To celebrate their sixth anniversary, successful novelist Joe Therrian (Alan Cumming) and his wife, famous Hollywood actress Sally (Jennifer Jason Leigh), invite their friends over for a party. Sally and Joe have only recently reconciled after a separation, and the strain in their relationship reveals itself as the party progresses. An especially difficult topic is Joe's casting of trendy young actress Skye Davidson (Gwyneth Paltrow) in a film based on his latest novel--a role that might have gone to Sally. Also present are the Therrians's neurotic friends: the insecure director Mac (John C. Reilly) and his neurotic wife Clair (Jane Adams), movie star Cal Gold (Kevin Kline) and his wife Sophia (Phoebe Cates)--who has given up her career to support their children, and the next door neighbors, who have their own problems. The result is truly a night to remember. Jennifer Jason Leigh and Alan Cumming cowrote and codirected THE ANNIVERSARY PARTY, casting their friends in the lead roles, and shooting on digital video to give the film more intimacy and freedom than mainstream Hollywood dramas. Featuring fresh, honest acting from its ensemble and brilliant performances from Leigh and Cumming, THE ANNIVERSARY PARTY is a hilarious look at life and love.

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Longtime sweethearts David (Woody Harrelson), an architect, and Diana (Demi Moore), a real estate agent, find themselves on hard times when financial troubles bring them to the verge of losing their house, which David designed. Taking their last $5,000, they go to Vegas in hopes of multiplying their money. Luck fails them, but they are faced with a major moral dilemma when billionaire John Gage (Robert Redford) spots Diana in the casino and offers her $1,000,000 to spend the night with him. What ensues causes them to question their relationship more than anything they've ever encountered. Based on the novel by Jack Engelhard.

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Terrence Malick returns to Hollywood after a two-decade hiatus with this adaptation of the classic WWII novel by James Jones. The story follows the efforts of an army platoon to capture the Japanese-controlled island of Guadalcanal in the Pacific Ocean, which will have a major effect on the outcome of the war. The members of C-for-Charlie Company are all fighting for different reasons: some to achieve glory, some to fight for democracy, and some simply to remain alive. They spend the quieter moments reflecting upon their existence, searching for meaning amid the senselessness of war. Malick's reputation as one of cinema's most brilliant directors, based on his masterworks BADLANDS and DAYS OF HEAVEN, enabled him to pull together one of the largest ensemble all-star casts in Hollywood history. The result is a sprawling epic that carries itself like a poem read in a dream, a feeling that is greatly enhanced by John Toll's floating camerawork and Hans Zimmer's haunting score. Rather than concentrating solely on the violence and destruction of war, Malick uses the situation to address philosophical questions such as man versus nature, war versus peace, and good versus evil. THE THIN RED LINE proves that after a 20-year layoff, Malick hasn't lost a step.

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Gia
America's first supermodel Gia Carangi lives hard and dies young in the glamorous, excessive urban wilds of 1970s New York City. Adapted by Cristofer and novelist Jay McInerney from the biography "Thing of Beauty" by Stephen Fried. Made for HBO. Available in rated and unrated versions.

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After a succession of films boldly exploring the possibilities of digital video (TIMECODE, HOTEL), Mike Figgis returns to more traditional narrative terrain with this atmospheric thriller. Dennis Quaid and Sharon Stone star as Cooper and Leah Tilson, a New York City couple who decide to move to the country in order to provide their children with a safer life (Kristen Stewart and Ryan Wilson). But they get more than they bargained for when they purchase Cold Creek Manor, a gigantic, crumbling house that has a murky, dangerous past. That past shows up at their front door one day in the form of Dale Massie (Stephen Dorff), an ex-convict who lost the house while incarcerated. At first, Dale's presence is a comfort to the Tilsons, but Cooper begins to sense that something is amiss after studying home videos and photographs that were left behind. Sure enough, his attempts to keep Dale off his property only anger the bitter psychopath, triggering a relentless assault that endangers the lives of the entire Tilson family. Figgis' taut thriller features solid lead performances by Quaid and Stone, as well as standout supporting turns from Dorff, Juliette Lewis, and Christopher Plummer.

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Richard and Priscilla Parker (Kevin Kline and Mary Elizabeth Mastrantonio) are an ordinary suburban couple whose lives are invaded and rocked by their fast-living, secret-bearing, new neighbors, Eddy and Kay Otis (played by Kevin Spacey and Rebecca Miller) in this psychological thriller with intriguing plot twists. The film is rife with themes of paranoid mayhem, manipulation and deception. Spacey, in one of his first feature roles, gives a showy but charismatic performance as the evil neighbor, creating a smooth and charming surface appeal worthy of an Alfred Hitchcock villain.

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Director Steven Spielberg's World War II tour de force chronicles the journey of a GI squad on a dangerous mission behind enemy lines. Led by Captain John Miller (Tom Hanks), the unit is under orders to track down a soldier, Private Ryan (Matt Damon), so he might return home to his mother in America, where she is grieving the unimaginable loss of her three other sons to the war. The first unforgettable 20 minutes of SAVING PRIVATE RYAN realistically and horrifically depicts the Normandy invasion as Miller. his second-in-command, Sergeant Horvath (Tom Sizemore), and the others in the unit land at Omaha Beach. Before the film began shooting, Hanks and the actors in his squad went through a one-week boot camp in the woods. All the actors, except Hanks, wanted to quit, but Hanks rallied their spirits by reminding them of the incredible tribulations endured by the real veterans of World War II. Production designer Tom Sanders found a beach in Ireland that perfectly matched the landscape of Normandy's. Spielberg gave great credit to the Irish army who helped re-create the Omaha Beach scenes.

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Director Martin Scorsese revisits New York City's notorious past with this dazzling historical drama. A throwback to the epics of yesteryear, GANGS OF NEW YORK is set in the mid-1800s, when the streets of lower Manhattan were teeming with tension and violence. Leonardo DiCaprio is Amsterdam Vallon, the son of a revered gang leader (Liam Neeson). As a youth, Amsterdam witnessed the death of his father at the hands of William "The Butcher" Cutting (Daniel Day-Lewis), the maniacally driven ruler of the city's most powerful gang. Sixteen years later, Amsterdam is finally released from the orphanage that raised him. Determined to avenge his father's death, Amsterdam makes his way back to the volatile Five Points to track down Cutting and exact revenge. As he gradually infiltrates Bill the Butcher's camp and earns the crazed gangster's respect, he must also contend with the tumultuous, but beautiful, Jenny Everdean (Cameron Diaz). DiCaprio and Diaz are impressive in their respective roles, but it is Day-Lewis who steals the show. Resurfacing after a five-year retirement, the Irish actor delivers a performance that is at once cartoonish, electrifying, comical, sincere, and deeply moving. By paying tribute to the early days of New York City in such a grand, spectacular manner, Scorsese also pays tribute to cinema itself.

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Edward Zwick directs this sumptuously designed, action-packed period epic that stars Tom Cruise as Captain Nathan Algren. Algren, a former Civil War hero, is adrift in 1870s San Francisco after the war, a lost soul struggling to stay afloat in a booze-soaked stupor. When he is recruited by the Japanese government to train the Emperor's army, he departs for the unknown shores of Japan and begins training the soldiers in American military tactics. But these skills are useless against a band of samurai rebels led by the proud warrior Katsumoto (Ken Watanabe), and Algren is easily defeated. He is taken to a remote samurai village where he learns samurai warrior codes and ways of life, developing a deep bond with Katsumoto and sharing philosophical conversations with him. Caught between the feudal culture of the ancient samurai warriors and the encroachment of modern society, Algren is forced to choose between his own culture or Katsumoto's. THE LAST SAMURAI is lavish in its dramatic period costumes and intense performances, and will thrill fans of both historical drama and action films.

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During a gubernatorial race in small-town Colorado, a mystery is uncovered involving a dead body found in a local lake. A private detective, Danny (Danny Huston), is hired by the governor-to-be's campaign manager (Richard Dreyfuss), who is worried that the unexpected event may be used as a scandal-maker by the opposition. But when Danny begins to investigate, he learns that business mogul Wes Benteen (Kris Kristofferson), is using the candidate, Dickie Pilager (Chris Cooper), to promote his moneymaking agenda. Director-writer-editor John Sayles weaves together multiple storylines involving environmental issues, political and corporate corruption, activism, illegal aliens, labor laws, and also a sweet love affair, simplifying it all into a cohesive and deeply enjoyable drama. He gets powerful performances from each cast member, making the characters shine in all of their nuanced intricacies. This strong film reflects on the presidency of George W. Bush in that candidate Pilager is a good-hearted Republican who lacks communications skills and a backbone, allowing regulation to lapse, power to be abused, and a scourge of long-term problems to be ignored. Meanwhile, SILVER CITY is a gripping whodunit, set in the still-dusty New West where old silver mines become real estate developments, and corporate tycoons attempt to privatize protected land for their own bounty. The immediate, effective supporting cast includes Daryl Hannah, Thora Birch, Tim Roth, Maria Bello, Sal Lopez, Miguel Ferrer, and Billy Zane.

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Jonathan Glazer, the award-winning director of advertisements and music videos, presents his feature film debut with this lushly photographed, expertly written, and brilliantly performed convention-defying British gangster film. SEXY BEAST jettisons the slickness of the LOCK, STOCK, AND TWO SMOKING BARRELS school in favor of intricate character development. In its opening shot, Gary "Gal" Dove (Ray Winstone)--a big-bellied ex-gangster with a cockney accent--is sunning himself pool side at his luxe villa on Spain's Costa Del Sol when a gigantic boulder hurtles down a hillside, almost killing him. This near miss serves as a troublesome portent, but it hardly affects Gal, who is immersed in his tranquil life with wife Deedee (Amanda Redman), who he adores with earnest fervor. However, Gal's peace is soon shattered by the arrival of Don Logan (Ben Kingsley, using his shaved skull, spare frame, and ramrod posture to pose as an anti-Gandhi), a brutal former accomplice looking to recruit Gal for a heist. A battle of wills ensues when Gal refuses to leave retirement, and the frighteningly intense Don refuses to take no for an answer. Glazer expertly heightens the film's tension using shifts in the pacing and flashbacks, while Kingsley and Winstone imbue their characters with gorgeous life.

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Two brothers are torn apart by the code of the street. Ray, framed for the murder of a cop, is determined to rescue his brother Donny from an impending gang war and finger the real cop killer.

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Directed by Anthony Minghella (THE ENGLISH PATIENT), this Civil War saga addresses romance, friendship, and the ravages of war--both in the field and on the home front. Far more than a simple love story, Minghella's film captures the horrors of war for both those fighting it, and for those left behind. Based on the Charles Frazier novel, this is a tale of hope, longing, redemption, second chances, and faith. Ada Monroe (Nicole Kidman) is a proper lady who accompanies her preacher father (Donald Sutherland) to Cold Mountain, North Carolina. She waits for her love, W.P. Inman (Jude Law)--a sensitive man with little use for many words--to return from war. In the process she learns basic survival skills and finds strength from no-nonsense Ruby (Renée Zellweger), a spitfire who can work the land as well as any man. Meanwhile, wounded Inman has had enough of war and killing, and is slowly working his way back to Ada despite the perils of being a Confederate deserter. Law and Kidman are genuinely touching as two virtual strangers who invest all of their faith in each other, and Zellweger is astounding as the uncultured but compassionate Ruby. Rounding out the cast is an impressive array of actors, including Brendan Gleeson, Ray Winstone, Philip Seymour Hoffman, Natalie Portman, Jack White (of the White Stripes), Kathy Baker, Giovanni Ribisi, and many others.

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Mel Gibson stars in this action-packed historical drama from the director of INDEPENDENCE DAY and GODZILLA. Gibson portrays Benjamin Martin, an unassuming South Carolina widower who is forced to join the American Revolution when the British threaten to take his farm away from him. Together with his patriotic son, Gabriel (Heath Ledger), the pair faces the vicious Redcoats with a heroism that reflects the stubborn pride of a young country's most dedicated supporters. THE PATRIOT is a sweeping epic adventure that sheds light on America's past, and at the same time entertains audiences.

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In the idyllic bedroom community of Garrison, New Jersey, a community of NYPD officers takes refuge away from the big city's troubles while still enjoying all the kickbacks, cover-ups, and mob-owned banking privileges from across the river. But the code of silence is tested when an off-duty, drunk rookie cop from their ranks wrongfully kills two black men and the local sheriff begins to investigate. COP LAND is an ambitious ensemble drama notable for eliciting a strong performance (and a 40-lb weight gain) from Sylvester Stallone.

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