William wyler not in Drama DVDs & Videos

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Winning Best Picture is one of the greatest honors in cinema and this collection presents four classic films thus awarded by the Academy: CASABLANCA, GIGI, AN AMERICAN IN PARIS, and MRS. MINIVER. Please see individual titles for complete synopsis information.

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Anno Domini: the seventh year of Augustus Caesar's reign. In the Roman province of Judea, Jews return to the city of their birth for the census. A bright star in the night over Bethlehem marks the birth of Jesus Christ. Years later, Roman commander Messala (Stephen Boyd), who was brought up in Judea, takes command of the Roman garrison in Jerusalem. His Jewish boyhood friend Judah Ben-Hur (Charlton Heston) greets him. Messala is delighted. But when Judah refuses to name Jewish patriots, Messala sentences him to the slave galleys and imprisons his mother, Miriam (Martha Scott), and sister, Tirzah (Cathy O'Donnell). Judah vows revenge. In BEN-HUR, William Wyler's much-lauded epic, the story of Judah's search for his mother and sister and his quest for revenge intersects with crucial biblical events such as the Sermon on the Mount and the crucifixion. Wyler gets fine performances from Heston, Boyd, Jack Hawkins (as a Roman admiral who befriends Judah), and Hugh Griffith (as an Arab sheik who dreams of racing his beautiful white horses against Messala). Among BEN-HUR's vivid dramatic sequences are a violent sea battle and the famous chariot race that pits Judah against Messala in one of cinema's great action sequences.

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It's nighttime in Malaysia. A full moon is shining. The camera glides along, from left to right, along the exterior of a plantation, past sleeping workers. In the background there is a white house. Suddenly a shot breaks the silence. A bird takes flight. Startled, a dog twists around. A man stumbles onto the veranda, followed by a woman. She holds a gun and keeps firing till she has no more bullets and the body is still. She shuts herself in her room and sends for her husband and the authorities. Why has Leslie Crosbie shot Geoffrey Hammond?

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Anno Domini: the seventh year of Augustus Caesar's reign. In the Roman province of Judea, Jews return to the city of their birth for the census. A bright star in the night over Bethlehem marks the birth of Jesus Christ. Years later, Roman commander Messala (Stephen Boyd), who was brought up in Judea, takes command of the Roman garrison in Jerusalem. His Jewish boyhood friend Judah Ben-Hur (Charlton Heston) greets him. Messala is delighted. But when Judah refuses to name Jewish patriots, Messala sentences him to the slave galleys and imprisons his mother, Miriam (Martha Scott), and sister, Tirzah (Cathy O'Donnell). Judah vows revenge. In BEN-HUR, William Wyler's much-lauded epic, the story of Judah's search for his mother and sister and his quest for revenge intersects with crucial biblical events such as the Sermon on the Mount and the crucifixion. Wyler gets fine performances from Heston, Boyd, Jack Hawkins (as a Roman admiral who befriends Judah), and Hugh Griffith (as an Arab sheik who dreams of racing his beautiful white horses against Messala). Among BEN-HUR's vivid dramatic sequences are a violent sea battle and the famous chariot race that pits Judah against Messala in one of cinema's great action sequences.

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New Orleans, 1952. Julie Marsden (Bette Davis) and her fiancé, Preston Dillard (Henry Fonda), have a stormy relationship. He won't go with her--as promised--to collect her decorous white dress for the Olympus ball. In an act of angry defiance, she instead chooses a flamboyant red dress. Pres is dismayed and, at the ball, New Orleans's high society is outraged. Julie and Pres argue, and he leaves. A year passes. New Orleans is stricken by yellow fever. Julie hears Pres has returned. Delighted, she throws a party. But, when Pres arrives, Amy (Margaret Lindsay) is with him, and they are married...

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A superb cinematic version of the Henry James' novel "Washington Square." After discovering that his bride-to-be is going to be disinherited, a handsome young fortune hunter jilts her on the night of their elopement. Years later, when the woman's fortune is secured, the man returns and again asks for her hand, but his erstwhile sweetheart has other plans for him. Copeland's score is magnificent. Academy Award Nominations: 8, including Best Picture; Best Director.

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An esteemed film adaptation of Lillian Hellman's play involving the corrupt machinations of a wealthy Southern family. Vicious queen bee Regina Giddens (Bette Davis) and her two greedy brothers scheme mercilessly in their attempt to make a fortune on a new cotton mill. In the process Regina is more than willing to crush anyone who stands in their way--including her own husband.

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A moving drama about a middle-class English family learning to cope with war, told in a series of dramatic vignettes. The family, headed by the lovely and gracious matriarch, endures the departure of the father for the beaches at Dunkirk, the discovery of a wounded Nazi pilot, the death of the daughter-in-law in an air raid, and the entry of the son into the Royal Air Force. The scenes culminate in a morale-boosting final speech that President Franklin Roosevelt ordered printed and air-dropped over war-torn Europe. Condensed from the novel by Jan Struther. Academy Award Nominations: 12, including Best Actor--Walter Pidgeon. Academy Awards: 6, including Best Picture, Best Director, Best Actress--Greer Garson, Best (Adapted) Screenplay, Best Supporting Actress--Teresa Wright.

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Upon winning a sweepstakes prize, Freddie Clegg (Terence Stamp), an inconspicuous and deeply troubled young man, spends his time capturing and cataloging butterflies. Meeting lovely art student Miranda Grey (Samantha Eggar), he has now found another creature he wishes to possess. Exercising maniacal patience, Freddie manages to bag his prey using a handkerchief soaked in chloroform. He brings Miranda to his isolated farmhouse and holds her prisoner, all the while trying to convince her to love him. This frightening tale of obsessive admiration is one of the key cinematic works in understanding the class and cultural clashes of the 1960s. Samantha Eggar's liberated woman, open about sex and knowledgeable about art, frustrates Terence Stamp's repressed captor, adding further tension to the situation. Nearing the end of a brilliant career, director William Wyler made an uncharacteristic choice to adapt John Fowles' disturbing novel as the follow-up to another bold work, his adaptation of THE CHILDREN'S HOUR (1961).

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Indiana, 1862. Quakers Jess and Eliza Birdwell (Gary Cooper and Dorothy McGuire) live on their family farm. There are only minor ruffles in their quiet life--youngest son, Little Jess, has a running battle with the pet goose, Samantha; Eliza disapproves when Jess turns their weekly buggy ride to worship into a race with neighbor Sam Jordan (Robert Middleton). But the Civil War threatens their calm. Will the Quaker men defend themselves against the invading Confederate Army? Their oldest son, Josh (Anthony Perkins), is torn between beliefs and desires. And what will Jess do when put to the test?

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Hollywood legend John Barrymore stars in this edgy pre-code drama as George Simon, a powerful New York lawyer who counts some of the city's most wealthy and influential figures among his clients. Simon, however, uses his position to engage in dubious insider trading and to bilk his wealthy clients out of thousands of dollars to help out those who live in working-class neighborhoods like he did while growing up. When his Robin Hood practices are discovered by a political enemy, Simon finds himself confronted with past indiscretions that could have him disbarred. As this public disgrace ruins his private life, Simon falls back on his prodigious legal talents to uphold his reputation with the help of only his loving secretary. Adapted by Elmer Rice from his own play and directed by William Wyler (ROMAN HOLIDAY, BEN-HUR), COUNSELLOR AT LAW is a thought-provoking drama that exposes the shaky moral and ethical ground that lawyers must tread upon. Long considered one of the finest films made about the American legal system, COUNSELLOR AT LAW ranks among Wyler's finest films.

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Set in 1884 in northern Wisconsin, COME AND GET IT features Barney Glasgow (Edward Arnold), an ambitious lumberman seeking to form a business partnership who decides to marry a businessman's daughter instead of his true love, Lotta Morgan (Frances Farmer), a beautiful and strong-willed saloon singer. Glasgow becomes wealthy and powerful while Lotta marries his Norwegian friend, Swan Bostrum (Walter Brennan), an old-fashioned lumberjack. Years later, Lotta has died and Glasgow meets her daughter, also named Lotta (Farmer). Dissatisfied with his life of luxury and power, Glasgow tries to woo the young woman, but she has another suitor. This rowdy epic drama was based on a novel by Edna Ferber and features strong performances by Farmer in a dual role and Brennan in a part that was awarded the first Oscar for Best Supporting Actor. The film was begun by director Howard Hawks and completed by William Wyler.

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An embittered cop leads a precinct of characters in their grim battle with the city's lowlife while wife Parker suffers from neglect. Based on Sydney Kingsley's Broadway play, this seminal movie was a prototype for everything from "Hill Street Blues" to "NYPD Blue."

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Karen Wright (Audrey Hepburn) and Martha Dobie (Shirley MacLaine) are just beginning to succeed in their struggle to make the Wright-Dobie School for Girls a going concern. Karen believes she will soon be able to marry Joe Cardin (James Garner). However, Karen has to discipline Mary Tilford (Karen Balkin). Mary always wants her own way and, worse, is a congenital liar. Mary complains to her grandmother Mrs. Tilford (Fay Bainter). To lend strength to her complaint, Mary repeats part of a conversation that she overheard, but barely understood--a conversation in which Martha's aunt Lily (Miriam Hopkins) accused Martha of having an unnatural attachment to Karen. Mrs. Tilford is horrified and spreads the word to the parents of the other girls--with disastrous results. THE CHILDREN'S HOUR is William Wyler's second version of Lillian Hellman's controversial 1934 Broadway play. In Wyler's first version, THESE THREE, made in 1936, the lesbian theme was entirely suppressed. In contrast, THE CHILDREN'S HOUR, somewhat belatedly, allowed the theme out of Hollywood's closet. THE CHILDREN'S HOUR is clearly set in the 1960s but retains many of the 1930s attitudes toward lesbianism--the result is a movie that hovers curiously between the 1930s and the 1960s.

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New York City; the depression. The terraces of the great new apartments of the rich look down into the windows of the tenement poor. A gang of teenagers amuse themselves diving in the river and taunting the son of a rich family. Dave (Joel McCrea) helps Drina (Sylvia Sidney) as she looks after her bother, Tommy (Billy Halop), who is one of the gang. Gangster Baby Face Martin (Humphry Bogart) returns to his old home--but is rejected by his mother (Marjorie Main). Then Martin hatches a plan to make his visit worthwhile. Like the play it is based on, DEAD END is dominated by its tenement set. Director William Wyler and director of photography Gregg Toland emphasize the contrast between the rich family and the poor tenement dwellers. Although scriptwriter Lillian Hellman had to soften Sidney Kingsley's play, the movie's criticism of the social order is still trenchant. DEAD END is notable for its period detail--Dave rests his arms on a pillow while entertaining himself looking out his window; a policeman beats his baton on the sidewalk to call for help. And it contains a vivid vignette from Claire Trevor as Francey, the girl Martin left behind.

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Ava Gardner, Marlene Dietrich, Lucille Ball, Jeanette MacDonald, and Margaret Sullivan star in these classic Hollywood features: THE BLUE ANGEL, LOVE ME TONIGHT, THE GOOD FAIRY, LURED, and PANDORA AND THE FLYING DUTCHMAN.

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Bette Davis displays all her estimable talents in this collection of five classic films featuring the talented star. The titles included are: DARK VICTORY, THE LETTER, MR. SKEFFINGTON, NOW, VOYAGER, and THE STAR. See individual titles for synopsis information.

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A moving drama about a middle-class English family learning to cope with war, told in a series of dramatic vignettes. The family, headed by the lovely and gracious matriarch, endures the departure of the father for the beaches at Dunkirk, the discovery of a wounded Nazi pilot, the death of the daughter-in-law in an air raid, and the entry of the son into the Royal Air Force. The scenes culminate in a morale-boosting final speech that President Franklin Roosevelt ordered printed and air-dropped over war-torn Europe. Condensed from the novel by Jan Struther. Academy Award Nominations: 12, including Best Actor--Walter Pidgeon. Academy Awards: 6, including Best Picture, Best Director, Best Actress--Greer Garson, Best (Adapted) Screenplay, Best Supporting Actress--Teresa Wright.

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The elegant Miss Hepburn in three of her best-loved films--BREAKFAST AT TIFFANY'S, SABRINA, and ROMAN HOLIDAY.

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Anno Domini: the seventh year of Augustus Caesar's reign. In the Roman province of Judea, Jews return to the city of their birth for the census. A bright star in the night over Bethlehem marks the birth of Jesus Christ. Years later, Roman commander Messala (Stephen Boyd), who was brought up in Judea, takes command of the Roman garrison in Jerusalem. His Jewish boyhood friend Judah Ben-Hur (Charlton Heston) greets him. Messala is delighted. But when Judah refuses to name Jewish patriots, Messala sentences him to the slave galleys and imprisons his mother, Miriam (Martha Scott), and sister, Tirzah (Cathy O'Donnell). Judah vows revenge. In BEN-HUR, William Wyler's much-lauded epic, the story of Judah's search for his mother and sister and his quest for revenge intersects with crucial biblical events such as the Sermon on the Mount and the crucifixion. Wyler gets fine performances from Heston, Boyd, Jack Hawkins (as a Roman admiral who befriends Judah), and Hugh Griffith (as an Arab sheik who dreams of racing his beautiful white horses against Messala). Among BEN-HUR's vivid dramatic sequences are a violent sea battle and the famous chariot race that pits Judah against Messala in one of cinema's great action sequences.

starting at

$30
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