William wyler in Drama DVDs & Videos

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Winning Best Picture is one of the greatest honors in cinema and this collection presents four classic films thus awarded by the Academy: CASABLANCA, GIGI, AN AMERICAN IN PARIS, and MRS. MINIVER. Please see individual titles for complete synopsis information.

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Indiana, 1862. Quakers Jess and Eliza Birdwell (Gary Cooper and Dorothy McGuire) live on their family farm. There are only minor ruffles in their quiet life--youngest son, Little Jess, has a running battle with the pet goose, Samantha; Eliza disapproves when Jess turns their weekly buggy ride to worship into a race with neighbor Sam Jordan (Robert Middleton). But the Civil War threatens their calm. Will the Quaker men defend themselves against the invading Confederate Army? Their oldest son, Josh (Anthony Perkins), is torn between beliefs and desires. And what will Jess do when put to the test?

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Anno Domini: the seventh year of Augustus Caesar's reign. In the Roman province of Judea, Jews return to the city of their birth for the census. A bright star in the night over Bethlehem marks the birth of Jesus Christ. Years later, Roman commander Messala (Stephen Boyd), who was brought up in Judea, takes command of the Roman garrison in Jerusalem. His Jewish boyhood friend Judah Ben-Hur (Charlton Heston) greets him. Messala is delighted. But when Judah refuses to name Jewish patriots, Messala sentences him to the slave galleys and imprisons his mother, Miriam (Martha Scott), and sister, Tirzah (Cathy O'Donnell). Judah vows revenge. In BEN-HUR, William Wyler's much-lauded epic, the story of Judah's search for his mother and sister and his quest for revenge intersects with crucial biblical events such as the Sermon on the Mount and the crucifixion. Wyler gets fine performances from Heston, Boyd, Jack Hawkins (as a Roman admiral who befriends Judah), and Hugh Griffith (as an Arab sheik who dreams of racing his beautiful white horses against Messala). Among BEN-HUR's vivid dramatic sequences are a violent sea battle and the famous chariot race that pits Judah against Messala in one of cinema's great action sequences.

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New York City; the depression. The terraces of the great new apartments of the rich look down into the windows of the tenement poor. A gang of teenagers amuse themselves diving in the river and taunting the son of a rich family. Dave (Joel McCrea) helps Drina (Sylvia Sidney) as she looks after her bother, Tommy (Billy Halop), who is one of the gang. Gangster Baby Face Martin (Humphry Bogart) returns to his old home--but is rejected by his mother (Marjorie Main). Then Martin hatches a plan to make his visit worthwhile. Like the play it is based on, DEAD END is dominated by its tenement set. Director William Wyler and director of photography Gregg Toland emphasize the contrast between the rich family and the poor tenement dwellers. Although scriptwriter Lillian Hellman had to soften Sidney Kingsley's play, the movie's criticism of the social order is still trenchant. DEAD END is notable for its period detail--Dave rests his arms on a pillow while entertaining himself looking out his window; a policeman beats his baton on the sidewalk to call for help. And it contains a vivid vignette from Claire Trevor as Francey, the girl Martin left behind.

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It's nighttime in Malaysia. A full moon is shining. The camera glides along, from left to right, along the exterior of a plantation, past sleeping workers. In the background there is a white house. Suddenly a shot breaks the silence. A bird takes flight. Startled, a dog twists around. A man stumbles onto the veranda, followed by a woman. She holds a gun and keeps firing till she has no more bullets and the body is still. She shuts herself in her room and sends for her husband and the authorities. Why has Leslie Crosbie shot Geoffrey Hammond?

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An esteemed film adaptation of Lillian Hellman's play involving the corrupt machinations of a wealthy Southern family. Vicious queen bee Regina Giddens (Bette Davis) and her two greedy brothers scheme mercilessly in their attempt to make a fortune on a new cotton mill. In the process Regina is more than willing to crush anyone who stands in their way--including her own husband.

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An embittered cop leads a precinct of characters in their grim battle with the city's lowlife while wife Parker suffers from neglect. Based on Sydney Kingsley's Broadway play, this seminal movie was a prototype for everything from "Hill Street Blues" to "NYPD Blue."

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A superb cinematic version of the Henry James' novel "Washington Square." After discovering that his bride-to-be is going to be disinherited, a handsome young fortune hunter jilts her on the night of their elopement. Years later, when the woman's fortune is secured, the man returns and again asks for her hand, but his erstwhile sweetheart has other plans for him. Copeland's score is magnificent. Academy Award Nominations: 8, including Best Picture; Best Director.

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Upon winning a sweepstakes prize, Freddie Clegg (Terence Stamp), an inconspicuous and deeply troubled young man, spends his time capturing and cataloging butterflies. Meeting lovely art student Miranda Grey (Samantha Eggar), he has now found another creature he wishes to possess. Exercising maniacal patience, Freddie manages to bag his prey using a handkerchief soaked in chloroform. He brings Miranda to his isolated farmhouse and holds her prisoner, all the while trying to convince her to love him. This frightening tale of obsessive admiration is one of the key cinematic works in understanding the class and cultural clashes of the 1960s. Samantha Eggar's liberated woman, open about sex and knowledgeable about art, frustrates Terence Stamp's repressed captor, adding further tension to the situation. Nearing the end of a brilliant career, director William Wyler made an uncharacteristic choice to adapt John Fowles' disturbing novel as the follow-up to another bold work, his adaptation of THE CHILDREN'S HOUR (1961).

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Karen Wright (Audrey Hepburn) and Martha Dobie (Shirley MacLaine) are just beginning to succeed in their struggle to make the Wright-Dobie School for Girls a going concern. Karen believes she will soon be able to marry Joe Cardin (James Garner). However, Karen has to discipline Mary Tilford (Karen Balkin). Mary always wants her own way and, worse, is a congenital liar. Mary complains to her grandmother Mrs. Tilford (Fay Bainter). To lend strength to her complaint, Mary repeats part of a conversation that she overheard, but barely understood--a conversation in which Martha's aunt Lily (Miriam Hopkins) accused Martha of having an unnatural attachment to Karen. Mrs. Tilford is horrified and spreads the word to the parents of the other girls--with disastrous results. THE CHILDREN'S HOUR is William Wyler's second version of Lillian Hellman's controversial 1934 Broadway play. In Wyler's first version, THESE THREE, made in 1936, the lesbian theme was entirely suppressed. In contrast, THE CHILDREN'S HOUR, somewhat belatedly, allowed the theme out of Hollywood's closet. THE CHILDREN'S HOUR is clearly set in the 1960s but retains many of the 1930s attitudes toward lesbianism--the result is a movie that hovers curiously between the 1930s and the 1960s.

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New Orleans, 1952. Julie Marsden (Bette Davis) and her fiancé, Preston Dillard (Henry Fonda), have a stormy relationship. He won't go with her--as promised--to collect her decorous white dress for the Olympus ball. In an act of angry defiance, she instead chooses a flamboyant red dress. Pres is dismayed and, at the ball, New Orleans's high society is outraged. Julie and Pres argue, and he leaves. A year passes. New Orleans is stricken by yellow fever. Julie hears Pres has returned. Delighted, she throws a party. But, when Pres arrives, Amy (Margaret Lindsay) is with him, and they are married...

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A moving drama about a middle-class English family learning to cope with war, told in a series of dramatic vignettes. The family, headed by the lovely and gracious matriarch, endures the departure of the father for the beaches at Dunkirk, the discovery of a wounded Nazi pilot, the death of the daughter-in-law in an air raid, and the entry of the son into the Royal Air Force. The scenes culminate in a morale-boosting final speech that President Franklin Roosevelt ordered printed and air-dropped over war-torn Europe. Condensed from the novel by Jan Struther. Academy Award Nominations: 12, including Best Actor--Walter Pidgeon. Academy Awards: 6, including Best Picture, Best Director, Best Actress--Greer Garson, Best (Adapted) Screenplay, Best Supporting Actress--Teresa Wright.

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Anno Domini: the seventh year of Augustus Caesar's reign. In the Roman province of Judea, Jews return to the city of their birth for the census. A bright star in the night over Bethlehem marks the birth of Jesus Christ. Years later, Roman commander Messala (Stephen Boyd), who was brought up in Judea, takes command of the Roman garrison in Jerusalem. His Jewish boyhood friend Judah Ben-Hur (Charlton Heston) greets him. Messala is delighted. But when Judah refuses to name Jewish patriots, Messala sentences him to the slave galleys and imprisons his mother, Miriam (Martha Scott), and sister, Tirzah (Cathy O'Donnell). Judah vows revenge. In BEN-HUR, William Wyler's much-lauded epic, the story of Judah's search for his mother and sister and his quest for revenge intersects with crucial biblical events such as the Sermon on the Mount and the crucifixion. Wyler gets fine performances from Heston, Boyd, Jack Hawkins (as a Roman admiral who befriends Judah), and Hugh Griffith (as an Arab sheik who dreams of racing his beautiful white horses against Messala). Among BEN-HUR's vivid dramatic sequences are a violent sea battle and the famous chariot race that pits Judah against Messala in one of cinema's great action sequences.

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$16
 

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$3
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Set in 1884 in northern Wisconsin, COME AND GET IT features Barney Glasgow (Edward Arnold), an ambitious lumberman seeking to form a business partnership who decides to marry a businessman's daughter instead of his true love, Lotta Morgan (Frances Farmer), a beautiful and strong-willed saloon singer. Glasgow becomes wealthy and powerful while Lotta marries his Norwegian friend, Swan Bostrum (Walter Brennan), an old-fashioned lumberjack. Years later, Lotta has died and Glasgow meets her daughter, also named Lotta (Farmer). Dissatisfied with his life of luxury and power, Glasgow tries to woo the young woman, but she has another suitor. This rowdy epic drama was based on a novel by Edna Ferber and features strong performances by Farmer in a dual role and Brennan in a part that was awarded the first Oscar for Best Supporting Actor. The film was begun by director Howard Hawks and completed by William Wyler.

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Director William Wyler's tense crime drama is set in a quiet midwestern town. In the middle of a summer's day, three escaped convicts--Glen (Humphrey Bogart), his brother Hal (Dewey Martin), and the threatening Sam (Robert Middleton)--blunder into a suburban home. There they confront Eleanor Hilliard (Martha Scott). Soon the rest of Eleanor's family return--first her accountant husband, Dan (Fredric March), and daughter, Cindy (Mary Murphy), then her young son, Ralphie (Richard Eyer). To the family's horror, the convicts decide to stay in their home until Glen's girl arrives with help. The police, led by Deputy Bard (Arthur Kennedy), have lost the trail of the convicts. Everyone waits: the convicts for help, the Hilliards for the convicts to leave, and the police for them to reappear. Then Glen's girl runs into trouble. Using his trademark long takes and claustrophobically confining most of the action to the beleaguered Hilliards's home, Wyler and veteran director of photography Lee Garmes create an atmosphere of tension. At first it seems the Hilliards will be rescued if the police discover the whereabouts of the convicts. Then it becomes clear that things will get much worse for the family if the police do arrive.

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$7
 

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A moving drama about a middle-class English family learning to cope with war, told in a series of dramatic vignettes. The family, headed by the lovely and gracious matriarch, endures the departure of the father for the beaches at Dunkirk, the discovery of a wounded Nazi pilot, the death of the daughter-in-law in an air raid, and the entry of the son into the Royal Air Force. The scenes culminate in a morale-boosting final speech that President Franklin Roosevelt ordered printed and air-dropped over war-torn Europe. Condensed from the novel by Jan Struther. Academy Award Nominations: 12, including Best Actor--Walter Pidgeon. Academy Awards: 6, including Best Picture, Best Director, Best Actress--Greer Garson, Best (Adapted) Screenplay, Best Supporting Actress--Teresa Wright.

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$15
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The elegant Miss Hepburn in three of her best-loved films--BREAKFAST AT TIFFANY'S, SABRINA, and ROMAN HOLIDAY.

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Hollywood legend John Barrymore stars in this edgy pre-code drama as George Simon, a powerful New York lawyer who counts some of the city's most wealthy and influential figures among his clients. Simon, however, uses his position to engage in dubious insider trading and to bilk his wealthy clients out of thousands of dollars to help out those who live in working-class neighborhoods like he did while growing up. When his Robin Hood practices are discovered by a political enemy, Simon finds himself confronted with past indiscretions that could have him disbarred. As this public disgrace ruins his private life, Simon falls back on his prodigious legal talents to uphold his reputation with the help of only his loving secretary. Adapted by Elmer Rice from his own play and directed by William Wyler (ROMAN HOLIDAY, BEN-HUR), COUNSELLOR AT LAW is a thought-provoking drama that exposes the shaky moral and ethical ground that lawyers must tread upon. Long considered one of the finest films made about the American legal system, COUNSELLOR AT LAW ranks among Wyler's finest films.

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Anno Domini: the seventh year of Augustus Caesar's reign. In the Roman province of Judea, Jews return to the city of their birth for the census. A bright star in the night over Bethlehem marks the birth of Jesus Christ. Years later, Roman commander Messala (Stephen Boyd), who was brought up in Judea, takes command of the Roman garrison in Jerusalem. His Jewish boyhood friend Judah Ben-Hur (Charlton Heston) greets him. Messala is delighted. But when Judah refuses to name Jewish patriots, Messala sentences him to the slave galleys and imprisons his mother, Miriam (Martha Scott), and sister, Tirzah (Cathy O'Donnell). Judah vows revenge. In BEN-HUR, William Wyler's much-lauded epic, the story of Judah's search for his mother and sister and his quest for revenge intersects with crucial biblical events such as the Sermon on the Mount and the crucifixion. Wyler gets fine performances from Heston, Boyd, Jack Hawkins (as a Roman admiral who befriends Judah), and Hugh Griffith (as an Arab sheik who dreams of racing his beautiful white horses against Messala). Among BEN-HUR's vivid dramatic sequences are a violent sea battle and the famous chariot race that pits Judah against Messala in one of cinema's great action sequences.

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$24
 

starting at

$30
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Bette Davis displays all her estimable talents in this collection of five classic films featuring the talented star. The titles included are: DARK VICTORY, THE LETTER, MR. SKEFFINGTON, NOW, VOYAGER, and THE STAR. See individual titles for synopsis information.

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Ava Gardner, Marlene Dietrich, Lucille Ball, Jeanette MacDonald, and Margaret Sullivan star in these classic Hollywood features: THE BLUE ANGEL, LOVE ME TONIGHT, THE GOOD FAIRY, LURED, and PANDORA AND THE FLYING DUTCHMAN.

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A sterling performance by Olivier is the centerpiece of this drama based on the novel SISTER CARRIE by Theodore Dreiser. When a farm girl follows her dreams to turn-of-the-century Chicago, she enters a bleak world of grueling, poorly-paid factory work. Determined to better her condition, she attaches herself to a salesman and then to a married restaurant manager who loses everything in order to keep her. As she ascends to success in the footlights, she leaves behind the man who rescued her.

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The elegant Miss Hepburn in three of her best-loved films--BREAKFAST AT TIFFANY'S, SABRINA, and ROMAN HOLIDAY.

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$7
 

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$6
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Perhaps the most memorable film about the aftermath of World War II, THE BEST YEARS OF OUR LIVES unfolds with the homecoming of three veterans to the same small town. The leads all touch emotional truths: Myrna Loy seems able to express longing, joy, fear and surprise--mostly with her back turned--in a particularly poignant welcome home. The movie never glosses over the reality of altered lives and the inability to communicate the experience of war on the front lines or the home front. A landmark achievement. WWII vet Harold Russell, who lost his hands in the war, is the only person to win two Oscars for the same role, Best Supporting Actor and a special Oscar "for bringing hope and courage to his fellow veterans through his appearance."

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$6
 

starting at

$11
  • product
Anno Domini: the seventh year of Augustus Caesar's reign. In the Roman province of Judea, Jews return to the city of their birth for the census. A bright star in the night over Bethlehem marks the birth of Jesus Christ. Years later, Roman commander Messala (Stephen Boyd), who was brought up in Judea, takes command of the Roman garrison in Jerusalem. His Jewish boyhood friend Judah Ben-Hur (Charlton Heston) greets him. Messala is delighted. But when Judah refuses to name Jewish patriots, Messala sentences him to the slave galleys and imprisons his mother, Miriam (Martha Scott), and sister, Tirzah (Cathy O'Donnell). Judah vows revenge. In BEN-HUR, William Wyler's much-lauded epic, the story of Judah's search for his mother and sister and his quest for revenge intersects with crucial biblical events such as the Sermon on the Mount and the crucifixion. Wyler gets fine performances from Heston, Boyd, Jack Hawkins (as a Roman admiral who befriends Judah), and Hugh Griffith (as an Arab sheik who dreams of racing his beautiful white horses against Messala). Among BEN-HUR's vivid dramatic sequences are a violent sea battle and the famous chariot race that pits Judah against Messala in one of cinema's great action sequences.

starting at

$11
 

starting at

$16
  • product
The elegant Miss Hepburn in three of her best-loved films--BREAKFAST AT TIFFANY'S, SABRINA, and ROMAN HOLIDAY.

starting at

$16
 

starting at

$3
  • product
Set in 1884 in northern Wisconsin, COME AND GET IT features Barney Glasgow (Edward Arnold), an ambitious lumberman seeking to form a business partnership who decides to marry a businessman's daughter instead of his true love, Lotta Morgan (Frances Farmer), a beautiful and strong-willed saloon singer. Glasgow becomes wealthy and powerful while Lotta marries his Norwegian friend, Swan Bostrum (Walter Brennan), an old-fashioned lumberjack. Years later, Lotta has died and Glasgow meets her daughter, also named Lotta (Farmer). Dissatisfied with his life of luxury and power, Glasgow tries to woo the young woman, but she has another suitor. This rowdy epic drama was based on a novel by Edna Ferber and features strong performances by Farmer in a dual role and Brennan in a part that was awarded the first Oscar for Best Supporting Actor. The film was begun by director Howard Hawks and completed by William Wyler.

starting at

$3
 

starting at

$8
  • product
New Orleans, 1952. Julie Marsden (Bette Davis) and her fiancé, Preston Dillard (Henry Fonda), have a stormy relationship. He won't go with her--as promised--to collect her decorous white dress for the Olympus ball. In an act of angry defiance, she instead chooses a flamboyant red dress. Pres is dismayed and, at the ball, New Orleans's high society is outraged. Julie and Pres argue, and he leaves. A year passes. New Orleans is stricken by yellow fever. Julie hears Pres has returned. Delighted, she throws a party. But, when Pres arrives, Amy (Margaret Lindsay) is with him, and they are married...

starting at

$8
 

starting at

$10
  • product
An esteemed film adaptation of Lillian Hellman's play involving the corrupt machinations of a wealthy Southern family. Vicious queen bee Regina Giddens (Bette Davis) and her two greedy brothers scheme mercilessly in their attempt to make a fortune on a new cotton mill. In the process Regina is more than willing to crush anyone who stands in their way--including her own husband.

starting at

$10
 

starting at

$15
  • product
Sam Dodsworth (Walter Huston) sells his automobile company at great profit. But his success has come at the expense his dutiful wife, Fran (Ruth Chatterton). She persuades him to take her to Europe on the Queen Mary. Sam sits and watches while Fran dances with handsome Cyde Lockert (David Niven). Fran wants to prove she is still young. Sam just wants to relax--he watches the night sky and talks to an attractive divorcée (Mary Astor). To this point DODSWORTH could be a romantic comedy. But it takes a different tack, becoming a penetrating examination of a troubled marriage.

starting at

$15
 

starting at

$20
  • product
The elegant Miss Hepburn in three of her best-loved films--BREAKFAST AT TIFFANY'S, SABRINA, and ROMAN HOLIDAY.

starting at

$20
 

starting at

$23
  • product
Perhaps the most memorable film about the aftermath of World War II, THE BEST YEARS OF OUR LIVES unfolds with the homecoming of three veterans to the same small town. The leads all touch emotional truths: Myrna Loy seems able to express longing, joy, fear and surprise--mostly with her back turned--in a particularly poignant welcome home. The movie never glosses over the reality of altered lives and the inability to communicate the experience of war on the front lines or the home front. A landmark achievement. WWII vet Harold Russell, who lost his hands in the war, is the only person to win two Oscars for the same role, Best Supporting Actor and a special Oscar "for bringing hope and courage to his fellow veterans through his appearance."

starting at

$23
 

starting at

$50
  • product
Anno Domini: the seventh year of Augustus Caesar's reign. In the Roman province of Judea, Jews return to the city of their birth for the census. A bright star in the night over Bethlehem marks the birth of Jesus Christ. Years later, Roman commander Messala (Stephen Boyd), who was brought up in Judea, takes command of the Roman garrison in Jerusalem. His Jewish boyhood friend Judah Ben-Hur (Charlton Heston) greets him. Messala is delighted. But when Judah refuses to name Jewish patriots, Messala sentences him to the slave galleys and imprisons his mother, Miriam (Martha Scott), and sister, Tirzah (Cathy O'Donnell). Judah vows revenge. In BEN-HUR, William Wyler's much-lauded epic, the story of Judah's search for his mother and sister and his quest for revenge intersects with crucial biblical events such as the Sermon on the Mount and the crucifixion. Wyler gets fine performances from Heston, Boyd, Jack Hawkins (as a Roman admiral who befriends Judah), and Hugh Griffith (as an Arab sheik who dreams of racing his beautiful white horses against Messala). Among BEN-HUR's vivid dramatic sequences are a violent sea battle and the famous chariot race that pits Judah against Messala in one of cinema's great action sequences.

starting at

$50
 

starting at

$2
  • product
New York City; the depression. The terraces of the great new apartments of the rich look down into the windows of the tenement poor. A gang of teenagers amuse themselves diving in the river and taunting the son of a rich family. Dave (Joel McCrea) helps Drina (Sylvia Sidney) as she looks after her bother, Tommy (Billy Halop), who is one of the gang. Gangster Baby Face Martin (Humphry Bogart) returns to his old home--but is rejected by his mother (Marjorie Main). Then Martin hatches a plan to make his visit worthwhile. Like the play it is based on, DEAD END is dominated by its tenement set. Director William Wyler and director of photography Gregg Toland emphasize the contrast between the rich family and the poor tenement dwellers. Although scriptwriter Lillian Hellman had to soften Sidney Kingsley's play, the movie's criticism of the social order is still trenchant. DEAD END is notable for its period detail--Dave rests his arms on a pillow while entertaining himself looking out his window; a policeman beats his baton on the sidewalk to call for help. And it contains a vivid vignette from Claire Trevor as Francey, the girl Martin left behind.

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$2
 

starting at

$14
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This enchanting quadruple feature serves as both endless entertainment and a chronicle of Barbra Streisand?s majestic career as one of Hollywood?s most beloved leading ladies. Starting with her debut at age 26 in the biographical musical-comedy FUNNY GIRL (1968) and her heartbreakingly dramatic romance THE WAY WE WERE (1973), this collection then extends to the singing star?s 1990s directorial efforts THE PRINCE OF TIDES and THE MIRROR HAS TWO FACES. See individual titles for complete details.

starting at

$14
 

starting at

$3
  • product
An embittered cop leads a precinct of characters in their grim battle with the city's lowlife while wife Parker suffers from neglect. Based on Sydney Kingsley's Broadway play, this seminal movie was a prototype for everything from "Hill Street Blues" to "NYPD Blue."

starting at

$3
 

starting at

$9
  • product
Sam Dodsworth (Walter Huston) sells his automobile company at great profit. But his success has come at the expense his dutiful wife, Fran (Ruth Chatterton). She persuades him to take her to Europe on the Queen Mary. Sam sits and watches while Fran dances with handsome Cyde Lockert (David Niven). Fran wants to prove she is still young. Sam just wants to relax--he watches the night sky and talks to an attractive divorcée (Mary Astor). To this point DODSWORTH could be a romantic comedy. But it takes a different tack, becoming a penetrating examination of a troubled marriage.

starting at

$9
 

starting at

$14
  • product
Three of the finest dramas ever brought to the screen are included on this collection. The titles featured are a special four-disc release of BEN HUR, the Special Edition of CITIZEN KANE, and a three-disc presentation of THE MALTESE FALCON.

starting at

$14
 

starting at

$16
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The elegant Miss Hepburn in three of her best-loved films--BREAKFAST AT TIFFANY'S, SABRINA, and ROMAN HOLIDAY.

starting at

$16
 

starting at

$17
  • product
New Orleans, 1952. Julie Marsden (Bette Davis) and her fiancé, Preston Dillard (Henry Fonda), have a stormy relationship. He won't go with her--as promised--to collect her decorous white dress for the Olympus ball. In an act of angry defiance, she instead chooses a flamboyant red dress. Pres is dismayed and, at the ball, New Orleans's high society is outraged. Julie and Pres argue, and he leaves. A year passes. New Orleans is stricken by yellow fever. Julie hears Pres has returned. Delighted, she throws a party. But, when Pres arrives, Amy (Margaret Lindsay) is with him, and they are married...

starting at

$17
 

starting at

$33
  • product
Bette Davis displays all her estimable talents in this collection of five classic films featuring the talented star. The titles included are: DARK VICTORY, THE LETTER, MR. SKEFFINGTON, NOW, VOYAGER, and THE STAR. See individual titles for synopsis information.

starting at

$33
 

starting at

$40
  • product
GOODBYE, MR. CHIPS: Based on the novel by James Hilton, GOODBYE, MR. CHIPS is the story of a shy English schoolmaster who dedicates his life to his boys. In an Oscar-winning performance, Robert Donat plays Mr. Chipping, a young classics scholar en route to his first assignment at the reputable Brookfield school. Although his first interactions with the boys go miserably, he remains determined to become headmaster. But Chipping is simply too stuck on propriety to ever become popular with the students. Depressed, Chipping goes hiking in the Tyrols, where he meets Katherine Ellis (Greer Garson, in her first screen role). The two meet again on the Danube in Vienna, where they waltz the night away and kiss for the first time. Katherine becomes Mrs. Chipping, and she renames him Mr. Chips when they return together to Brookfield. Over time, the charming Mrs. Chipping turns Mr. Chips into an amiable gentleman who is adored by his pupils. But just when the world looks its rosiest, the depths of tragedy await Mr. Chips. Directed by Sam Wood, highly regarded for his handling of collegiate subjects and tearjerking themes, GOODBYE, MR. CHIPS was one of the most critically acclaimed films of 1939. MRS. MINIVER: A moving drama about a middle-class English family learning to cope with war, told in a series of dramatic vignettes. The family, headed by the lovely and gracious matriarch, endures the departure of the father for the beaches at Dunkirk, the discovery of a wounded Nazi pilot, the death of the daughter-in-law in an air raid, and the entry of the son into the Royal Air Force. The scenes culminate in a morale-boosting final speech that President Franklin Roosevelt ordered printed and air-dropped over war-torn Europe. Condensed from the novel by Jan Struther. Academy Award Nominations: 12, including Best Actor--Walter Pidgeon. Academy Awards: 6, including Best Picture, Best Director, Best Actress--Greer Garson, Best (Adapted) Screenplay, Best Supporting Actress--Teresa Wright.

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$40
 

starting at

$50
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Three Academy Award Winners for Best Picture are included in this collection of important Hollywood dramas. CASABLANCA (1942), GONE WITH THE WIND (1939), and BEN-HUR (1959) are the features in this compilation. Please see individual titles for further details.

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$50
 

starting at

$58
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JEZEBEL: New Orleans, 1952. Julie Marsden (Bette Davis) and her fiancé, Preston Dillard (Henry Fonda), have a stormy relationship. He won't go with her--as promised--to collect her decorous white dress for the Olympus ball. In an act of angry defiance, she instead chooses a flamboyant red dress. Pres is dismayed and, at the ball, New Orleans's high society is outraged. Julie and Pres argue, and he leaves. A year passes. New Orleans is stricken by yellow fever. Julie hears Pres has returned. Delighted, she throws a party. But, when Pres arrives, Amy (Margaret Lindsay) is with him, and they are married... THE LETTER: It's nighttime in Malaysia. A full moon is shining. The camera glides along, from left to right, along the exterior of a plantation, past sleeping workers. In the background there is a white house. Suddenly a shot breaks the silence. A bird takes flight. Startled, a dog twists around. A man stumbles onto the veranda, followed by a woman. She holds a gun and keeps firing till she has no more bullets and the body is still. She shuts herself in her room and sends for her husband and the authorities. Why has Leslie Crosbie shot Geoffrey Hammond? NOW, VOYAGER: A shy, sheltered spinster is brought out of her shell by her psychiatrist and falls in love with a handsome, suave man in this tale of romantic tragedy. Academy Award Nominations: 3, including Best Actress--Bette Davis, Best Supporting Actress--Gladys Cooper. Academy Awards: Best Scoring of a Dramatic or Comedy Picture.

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$196
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When Lockwood (Miles Mander) arrives at WUTHERING HEIGHTS, it is dark and snowing. Lockwood needs shelter--but he is not welcome. His host, Heathcliff (Laurence Olivier), is ungracious, if not positively hostile. Lockwood wakes in the night and, as he tries to close a window, feels hands clasping at his. He screams for help. Heathcliff arrives, then plunges into the night. Lockwood wonders what this means, and Ellen (Flora Robson) begins to tell him the story of Heathcliff and Cathy Earnshaw (Merle Oberon), how they came together on the Yorkshire moors and how their passion was thwarted.

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$196
 

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$3
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Perhaps the most memorable film about the aftermath of World War II, THE BEST YEARS OF OUR LIVES unfolds with the homecoming of three veterans to the same small town. The leads all touch emotional truths: Myrna Loy seems able to express longing, joy, fear and surprise--mostly with her back turned--in a particularly poignant welcome home. The movie never glosses over the reality of altered lives and the inability to communicate the experience of war on the front lines or the home front. A landmark achievement. WWII vet Harold Russell, who lost his hands in the war, is the only person to win two Oscars for the same role, Best Supporting Actor and a special Oscar "for bringing hope and courage to his fellow veterans through his appearance."

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Indiana, 1862. Quakers Jess and Eliza Birdwell (Gary Cooper and Dorothy McGuire) live on their family farm. There are only minor ruffles in their quiet life--youngest son, Little Jess, has a running battle with the pet goose, Samantha; Eliza disapproves when Jess turns their weekly buggy ride to worship into a race with neighbor Sam Jordan (Robert Middleton). But the Civil War threatens their calm. Will the Quaker men defend themselves against the invading Confederate Army? Their oldest son, Josh (Anthony Perkins), is torn between beliefs and desires. And what will Jess do when put to the test?

starting at

$5
 

starting at

$5
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When Lockwood (Miles Mander) arrives at WUTHERING HEIGHTS, it is dark and snowing. Lockwood needs shelter--but he is not welcome. His host, Heathcliff (Laurence Olivier), is ungracious, if not positively hostile. Lockwood wakes in the night and, as he tries to close a window, feels hands clasping at his. He screams for help. Heathcliff arrives, then plunges into the night. Lockwood wonders what this means, and Ellen (Flora Robson) begins to tell him the story of Heathcliff and Cathy Earnshaw (Merle Oberon), how they came together on the Yorkshire moors and how their passion was thwarted.

starting at

$5
 

starting at

$2
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New Orleans, 1952. Julie Marsden (Bette Davis) and her fiancé, Preston Dillard (Henry Fonda), have a stormy relationship. He won't go with her--as promised--to collect her decorous white dress for the Olympus ball. In an act of angry defiance, she instead chooses a flamboyant red dress. Pres is dismayed and, at the ball, New Orleans's high society is outraged. Julie and Pres argue, and he leaves. A year passes. New Orleans is stricken by yellow fever. Julie hears Pres has returned. Delighted, she throws a party. But, when Pres arrives, Amy (Margaret Lindsay) is with him, and they are married...

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$2
 

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$4
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An esteemed film adaptation of Lillian Hellman's play involving the corrupt machinations of a wealthy Southern family. Vicious queen bee Regina Giddens (Bette Davis) and her two greedy brothers scheme mercilessly in their attempt to make a fortune on a new cotton mill. In the process Regina is more than willing to crush anyone who stands in their way--including her own husband.

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$4
 

starting at

$15
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When Lockwood (Miles Mander) arrives at WUTHERING HEIGHTS, it is dark and snowing. Lockwood needs shelter--but he is not welcome. His host, Heathcliff (Laurence Olivier), is ungracious, if not positively hostile. Lockwood wakes in the night and, as he tries to close a window, feels hands clasping at his. He screams for help. Heathcliff arrives, then plunges into the night. Lockwood wonders what this means, and Ellen (Flora Robson) begins to tell him the story of Heathcliff and Cathy Earnshaw (Merle Oberon), how they came together on the Yorkshire moors and how their passion was thwarted.

starting at

$15
 
  • product
Perhaps the most memorable film about the aftermath of World War II, THE BEST YEARS OF OUR LIVES unfolds with the homecoming of three veterans to the same small town. The leads all touch emotional truths: Myrna Loy seems able to express longing, joy, fear and surprise--mostly with her back turned--in a particularly poignant welcome home. The movie never glosses over the reality of altered lives and the inability to communicate the experience of war on the front lines or the home front. A landmark achievement. WWII vet Harold Russell, who lost his hands in the war, is the only person to win two Oscars for the same role, Best Supporting Actor and a special Oscar "for bringing hope and courage to his fellow veterans through his appearance."
 
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Anno Domini: the seventh year of Augustus Caesar's reign. In the Roman province of Judea, Jews return to the city of their birth for the census. A bright star in the night over Bethlehem marks the birth of Jesus Christ. Years later, Roman commander Messala (Stephen Boyd), who was brought up in Judea, takes command of the Roman garrison in Jerusalem. His Jewish boyhood friend Judah Ben-Hur (Charlton Heston) greets him. Messala is delighted. But when Judah refuses to name Jewish patriots, Messala sentences him to the slave galleys and imprisons his mother, Miriam (Martha Scott), and sister, Tirzah (Cathy O'Donnell). Judah vows revenge. In BEN-HUR, William Wyler's much-lauded epic, the story of Judah's search for his mother and sister and his quest for revenge intersects with crucial biblical events such as the Sermon on the Mount and the crucifixion. Wyler gets fine performances from Heston, Boyd, Jack Hawkins (as a Roman admiral who befriends Judah), and Hugh Griffith (as an Arab sheik who dreams of racing his beautiful white horses against Messala). Among BEN-HUR's vivid dramatic sequences are a violent sea battle and the famous chariot race that pits Judah against Messala in one of cinema's great action sequences.
 
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An embittered cop leads a precinct of characters in their grim battle with the city's lowlife while wife Parker suffers from neglect. Based on Sydney Kingsley's Broadway play, this seminal movie was a prototype for everything from "Hill Street Blues" to "NYPD Blue."
 
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Anno Domini: the seventh year of Augustus Caesar's reign. In the Roman province of Judea, Jews return to the city of their birth for the census. A bright star in the night over Bethlehem marks the birth of Jesus Christ. Years later, Roman commander Messala (Stephen Boyd), who was brought up in Judea, takes command of the Roman garrison in Jerusalem. His Jewish boyhood friend Judah Ben-Hur (Charlton Heston) greets him. Messala is delighted. But when Judah refuses to name Jewish patriots, Messala sentences him to the slave galleys and imprisons his mother, Miriam (Martha Scott), and sister, Tirzah (Cathy O'Donnell). Judah vows revenge. In BEN-HUR, William Wyler's much-lauded epic, the story of Judah's search for his mother and sister and his quest for revenge intersects with crucial biblical events such as the Sermon on the Mount and the crucifixion. Wyler gets fine performances from Heston, Boyd, Jack Hawkins (as a Roman admiral who befriends Judah), and Hugh Griffith (as an Arab sheik who dreams of racing his beautiful white horses against Messala). Among BEN-HUR's vivid dramatic sequences are a violent sea battle and the famous chariot race that pits Judah against Messala in one of cinema's great action sequences.
 
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JEZEBEL: New Orleans, 1952. Julie Marsden (Bette Davis) and her fiancé, Preston Dillard (Henry Fonda), have a stormy relationship. He won't go with her--as promised--to collect her decorous white dress for the Olympus ball. In an act of angry defiance, she instead chooses a flamboyant red dress. Pres is dismayed and, at the ball, New Orleans's high society is outraged. Julie and Pres argue, and he leaves. A year passes. New Orleans is stricken by yellow fever. Julie hears Pres has returned. Delighted, she throws a party. But, when Pres arrives, Amy (Margaret Lindsay) is with him, and they are married... THE LETTER: It's nighttime in Malaysia. A full moon is shining. The camera glides along, from left to right, along the exterior of a plantation, past sleeping workers. In the background there is a white house. Suddenly a shot breaks the silence. A bird takes flight. Startled, a dog twists around. A man stumbles onto the veranda, followed by a woman. She holds a gun and keeps firing till she has no more bullets and the body is still. She shuts herself in her room and sends for her husband and the authorities. Why has Leslie Crosbie shot Geoffrey Hammond? NOW, VOYAGER: A shy, sheltered spinster is brought out of her shell by her psychiatrist and falls in love with a handsome, suave man in this tale of romantic tragedy. Academy Award Nominations: 3, including Best Actress--Bette Davis, Best Supporting Actress--Gladys Cooper. Academy Awards: Best Scoring of a Dramatic or Comedy Picture.
 
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JEZEBEL: New Orleans, 1952. Julie Marsden (Bette Davis) and her fiancé, Preston Dillard (Henry Fonda), have a stormy relationship. He won't go with her--as promised--to collect her decorous white dress for the Olympus ball. In an act of angry defiance, she instead chooses a flamboyant red dress. Pres is dismayed and, at the ball, New Orleans's high society is outraged. Julie and Pres argue, and he leaves. A year passes. New Orleans is stricken by yellow fever. Julie hears Pres has returned. Delighted, she throws a party. But, when Pres arrives, Amy (Margaret Lindsay) is with him, and they are married... THE LETTER: It's nighttime in Malaysia. A full moon is shining. The camera glides along, from left to right, along the exterior of a plantation, past sleeping workers. In the background there is a white house. Suddenly a shot breaks the silence. A bird takes flight. Startled, a dog twists around. A man stumbles onto the veranda, followed by a woman. She holds a gun and keeps firing till she has no more bullets and the body is still. She shuts herself in her room and sends for her husband and the authorities. Why has Leslie Crosbie shot Geoffrey Hammond? NOW, VOYAGER: A shy, sheltered spinster is brought out of her shell by her psychiatrist and falls in love with a handsome, suave man in this tale of romantic tragedy. Academy Award Nominations: 3, including Best Actress--Bette Davis, Best Supporting Actress--Gladys Cooper. Academy Awards: Best Scoring of a Dramatic or Comedy Picture.
 
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A sterling performance by Olivier is the centerpiece of this drama based on the novel SISTER CARRIE by Theodore Dreiser. When a farm girl follows her dreams to turn-of-the-century Chicago, she enters a bleak world of grueling, poorly-paid factory work. Determined to better her condition, she attaches herself to a salesman and then to a married restaurant manager who loses everything in order to keep her. As she ascends to success in the footlights, she leaves behind the man who rescued her.
 
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Director William Wyler's tense crime drama is set in a quiet midwestern town. In the middle of a summer's day, three escaped convicts--Glen (Humphrey Bogart), his brother Hal (Dewey Martin), and the threatening Sam (Robert Middleton)--blunder into a suburban home. There they confront Eleanor Hilliard (Martha Scott). Soon the rest of Eleanor's family return--first her accountant husband, Dan (Fredric March), and daughter, Cindy (Mary Murphy), then her young son, Ralphie (Richard Eyer). To the family's horror, the convicts decide to stay in their home until Glen's girl arrives with help. The police, led by Deputy Bard (Arthur Kennedy), have lost the trail of the convicts. Everyone waits: the convicts for help, the Hilliards for the convicts to leave, and the police for them to reappear. Then Glen's girl runs into trouble. Using his trademark long takes and claustrophobically confining most of the action to the beleaguered Hilliards's home, Wyler and veteran director of photography Lee Garmes create an atmosphere of tension. At first it seems the Hilliards will be rescued if the police discover the whereabouts of the convicts. Then it becomes clear that things will get much worse for the family if the police do arrive.
 
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The elegant Miss Hepburn in three of her best-loved films--BREAKFAST AT TIFFANY'S, SABRINA, and ROMAN HOLIDAY.
 
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The elegant Miss Hepburn in three of her best-loved films--BREAKFAST AT TIFFANY'S, SABRINA, and ROMAN HOLIDAY.
 
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A sterling performance by Olivier is the centerpiece of this drama based on the novel SISTER CARRIE by Theodore Dreiser. When a farm girl follows her dreams to turn-of-the-century Chicago, she enters a bleak world of grueling, poorly-paid factory work. Determined to better her condition, she attaches herself to a salesman and then to a married restaurant manager who loses everything in order to keep her. As she ascends to success in the footlights, she leaves behind the man who rescued her.
 
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Karen Wright (Audrey Hepburn) and Martha Dobie (Shirley MacLaine) are just beginning to succeed in their struggle to make the Wright-Dobie School for Girls a going concern. Karen believes she will soon be able to marry Joe Cardin (James Garner). However, Karen has to discipline Mary Tilford (Karen Balkin). Mary always wants her own way and, worse, is a congenital liar. Mary complains to her grandmother Mrs. Tilford (Fay Bainter). To lend strength to her complaint, Mary repeats part of a conversation that she overheard, but barely understood--a conversation in which Martha's aunt Lily (Miriam Hopkins) accused Martha of having an unnatural attachment to Karen. Mrs. Tilford is horrified and spreads the word to the parents of the other girls--with disastrous results. THE CHILDREN'S HOUR is William Wyler's second version of Lillian Hellman's controversial 1934 Broadway play. In Wyler's first version, THESE THREE, made in 1936, the lesbian theme was entirely suppressed. In contrast, THE CHILDREN'S HOUR, somewhat belatedly, allowed the theme out of Hollywood's closet. THE CHILDREN'S HOUR is clearly set in the 1960s but retains many of the 1930s attitudes toward lesbianism--the result is a movie that hovers curiously between the 1930s and the 1960s.
 
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When Lockwood (Miles Mander) arrives at WUTHERING HEIGHTS, it is dark and snowing. Lockwood needs shelter--but he is not welcome. His host, Heathcliff (Laurence Olivier), is ungracious, if not positively hostile. Lockwood wakes in the night and, as he tries to close a window, feels hands clasping at his. He screams for help. Heathcliff arrives, then plunges into the night. Lockwood wonders what this means, and Ellen (Flora Robson) begins to tell him the story of Heathcliff and Cathy Earnshaw (Merle Oberon), how they came together on the Yorkshire moors and how their passion was thwarted.
 
  • product
A moving drama about a middle-class English family learning to cope with war, told in a series of dramatic vignettes. The family, headed by the lovely and gracious matriarch, endures the departure of the father for the beaches at Dunkirk, the discovery of a wounded Nazi pilot, the death of the daughter-in-law in an air raid, and the entry of the son into the Royal Air Force. The scenes culminate in a morale-boosting final speech that President Franklin Roosevelt ordered printed and air-dropped over war-torn Europe. Condensed from the novel by Jan Struther. Academy Award Nominations: 12, including Best Actor--Walter Pidgeon. Academy Awards: 6, including Best Picture, Best Director, Best Actress--Greer Garson, Best (Adapted) Screenplay, Best Supporting Actress--Teresa Wright.
 
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A moving drama about a middle-class English family learning to cope with war, told in a series of dramatic vignettes. The family, headed by the lovely and gracious matriarch, endures the departure of the father for the beaches at Dunkirk, the discovery of a wounded Nazi pilot, the death of the daughter-in-law in an air raid, and the entry of the son into the Royal Air Force. The scenes culminate in a morale-boosting final speech that President Franklin Roosevelt ordered printed and air-dropped over war-torn Europe. Condensed from the novel by Jan Struther. Academy Award Nominations: 12, including Best Actor--Walter Pidgeon. Academy Awards: 6, including Best Picture, Best Director, Best Actress--Greer Garson, Best (Adapted) Screenplay, Best Supporting Actress--Teresa Wright.
 
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An esteemed film adaptation of Lillian Hellman's play involving the corrupt machinations of a wealthy Southern family. Vicious queen bee Regina Giddens (Bette Davis) and her two greedy brothers scheme mercilessly in their attempt to make a fortune on a new cotton mill. In the process Regina is more than willing to crush anyone who stands in their way--including her own husband.
 
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After his wife has an affair with a white policeman, a wealthy black man files for divorce. A violent tale of racism in the south.
 
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It's nighttime in Malaysia. A full moon is shining. The camera glides along, from left to right, along the exterior of a plantation, past sleeping workers. In the background there is a white house. Suddenly a shot breaks the silence. A bird takes flight. Startled, a dog twists around. A man stumbles onto the veranda, followed by a woman. She holds a gun and keeps firing till she has no more bullets and the body is still. She shuts herself in her room and sends for her husband and the authorities. Why has Leslie Crosbie shot Geoffrey Hammond?
 
  • product
New Orleans, 1952. Julie Marsden (Bette Davis) and her fiancé, Preston Dillard (Henry Fonda), have a stormy relationship. He won't go with her--as promised--to collect her decorous white dress for the Olympus ball. In an act of angry defiance, she instead chooses a flamboyant red dress. Pres is dismayed and, at the ball, New Orleans's high society is outraged. Julie and Pres argue, and he leaves. A year passes. New Orleans is stricken by yellow fever. Julie hears Pres has returned. Delighted, she throws a party. But, when Pres arrives, Amy (Margaret Lindsay) is with him, and they are married...
 
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A superb cinematic version of the Henry James' novel "Washington Square." After discovering that his bride-to-be is going to be disinherited, a handsome young fortune hunter jilts her on the night of their elopement. Years later, when the woman's fortune is secured, the man returns and again asks for her hand, but his erstwhile sweetheart has other plans for him. Copeland's score is magnificent. Academy Award Nominations: 8, including Best Picture; Best Director.
 
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Indiana, 1862. Quakers Jess and Eliza Birdwell (Gary Cooper and Dorothy McGuire) live on their family farm. There are only minor ruffles in their quiet life--youngest son, Little Jess, has a running battle with the pet goose, Samantha; Eliza disapproves when Jess turns their weekly buggy ride to worship into a race with neighbor Sam Jordan (Robert Middleton). But the Civil War threatens their calm. Will the Quaker men defend themselves against the invading Confederate Army? Their oldest son, Josh (Anthony Perkins), is torn between beliefs and desires. And what will Jess do when put to the test?
 
  • product
Indiana, 1862. Quakers Jess and Eliza Birdwell (Gary Cooper and Dorothy McGuire) live on their family farm. There are only minor ruffles in their quiet life--youngest son, Little Jess, has a running battle with the pet goose, Samantha; Eliza disapproves when Jess turns their weekly buggy ride to worship into a race with neighbor Sam Jordan (Robert Middleton). But the Civil War threatens their calm. Will the Quaker men defend themselves against the invading Confederate Army? Their oldest son, Josh (Anthony Perkins), is torn between beliefs and desires. And what will Jess do when put to the test?
 
  • product
Sam Dodsworth (Walter Huston) sells his automobile company at great profit. But his success has come at the expense his dutiful wife, Fran (Ruth Chatterton). She persuades him to take her to Europe on the Queen Mary. Sam sits and watches while Fran dances with handsome Cyde Lockert (David Niven). Fran wants to prove she is still young. Sam just wants to relax--he watches the night sky and talks to an attractive divorcée (Mary Astor). To this point DODSWORTH could be a romantic comedy. But it takes a different tack, becoming a penetrating examination of a troubled marriage.
 
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Sam Dodsworth (Walter Huston) sells his automobile company at great profit. But his success has come at the expense his dutiful wife, Fran (Ruth Chatterton). She persuades him to take her to Europe on the Queen Mary. Sam sits and watches while Fran dances with handsome Cyde Lockert (David Niven). Fran wants to prove she is still young. Sam just wants to relax--he watches the night sky and talks to an attractive divorcée (Mary Astor). To this point DODSWORTH could be a romantic comedy. But it takes a different tack, becoming a penetrating examination of a troubled marriage.
 
  • product
Sam Dodsworth (Walter Huston) sells his automobile company at great profit. But his success has come at the expense his dutiful wife, Fran (Ruth Chatterton). She persuades him to take her to Europe on the Queen Mary. Sam sits and watches while Fran dances with handsome Cyde Lockert (David Niven). Fran wants to prove she is still young. Sam just wants to relax--he watches the night sky and talks to an attractive divorcée (Mary Astor). To this point DODSWORTH could be a romantic comedy. But it takes a different tack, becoming a penetrating examination of a troubled marriage.
 
  • product
Director William Wyler's tense crime drama is set in a quiet midwestern town. In the middle of a summer's day, three escaped convicts--Glen (Humphrey Bogart), his brother Hal (Dewey Martin), and the threatening Sam (Robert Middleton)--blunder into a suburban home. There they confront Eleanor Hilliard (Martha Scott). Soon the rest of Eleanor's family return--first her accountant husband, Dan (Fredric March), and daughter, Cindy (Mary Murphy), then her young son, Ralphie (Richard Eyer). To the family's horror, the convicts decide to stay in their home until Glen's girl arrives with help. The police, led by Deputy Bard (Arthur Kennedy), have lost the trail of the convicts. Everyone waits: the convicts for help, the Hilliards for the convicts to leave, and the police for them to reappear. Then Glen's girl runs into trouble. Using his trademark long takes and claustrophobically confining most of the action to the beleaguered Hilliards's home, Wyler and veteran director of photography Lee Garmes create an atmosphere of tension. At first it seems the Hilliards will be rescued if the police discover the whereabouts of the convicts. Then it becomes clear that things will get much worse for the family if the police do arrive.
 
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Upon winning a sweepstakes prize, Freddie Clegg (Terence Stamp), an inconspicuous and deeply troubled young man, spends his time capturing and cataloging butterflies. Meeting lovely art student Miranda Grey (Samantha Eggar), he has now found another creature he wishes to possess. Exercising maniacal patience, Freddie manages to bag his prey using a handkerchief soaked in chloroform. He brings Miranda to his isolated farmhouse and holds her prisoner, all the while trying to convince her to love him. This frightening tale of obsessive admiration is one of the key cinematic works in understanding the class and cultural clashes of the 1960s. Samantha Eggar's liberated woman, open about sex and knowledgeable about art, frustrates Terence Stamp's repressed captor, adding further tension to the situation. Nearing the end of a brilliant career, director William Wyler made an uncharacteristic choice to adapt John Fowles' disturbing novel as the follow-up to another bold work, his adaptation of THE CHILDREN'S HOUR (1961).
 
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Perhaps the most memorable film about the aftermath of World War II, THE BEST YEARS OF OUR LIVES unfolds with the homecoming of three veterans to the same small town. The leads all touch emotional truths: Myrna Loy seems able to express longing, joy, fear and surprise--mostly with her back turned--in a particularly poignant welcome home. The movie never glosses over the reality of altered lives and the inability to communicate the experience of war on the front lines or the home front. A landmark achievement. WWII vet Harold Russell, who lost his hands in the war, is the only person to win two Oscars for the same role, Best Supporting Actor and a special Oscar "for bringing hope and courage to his fellow veterans through his appearance."
 
  • product
Perhaps the most memorable film about the aftermath of World War II, THE BEST YEARS OF OUR LIVES unfolds with the homecoming of three veterans to the same small town. The leads all touch emotional truths: Myrna Loy seems able to express longing, joy, fear and surprise--mostly with her back turned--in a particularly poignant welcome home. The movie never glosses over the reality of altered lives and the inability to communicate the experience of war on the front lines or the home front. A landmark achievement. WWII vet Harold Russell, who lost his hands in the war, is the only person to win two Oscars for the same role, Best Supporting Actor and a special Oscar "for bringing hope and courage to his fellow veterans through his appearance."
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