80s videos in DVDs & Videos

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Comprised of the best 80s music the UK had to offer, this release includes music videos by The Happy Mondays, Yaz, Erasure, and Echo & the Bunnymen. Synth-pop sensation Erasure was formed in 1985 by Depeche Mode alumnus Vince Clarke with the outrageous singer Andy Bell. Clarke had just ended his duo Yaz with Alison Moyet when she left for a solo career. The Happy Mondays were a critically lauded group, known for their folk-tinged urban pop, which later gained a strong dance influence. Echo & the Bunnymen had a darker post-punk feel, while the seminal Jesus & Mary Chain were known for their hypnotic, feedback-heavy sound and their chaotic live shows.

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Revisit the era of big hair and bad makeup with the videos on the TOTALLY 80s collection. Included is the enduringly refreshing all-girl trio Bananarama, the wacky B52s, and the synth-pop stylings of Howard Jones. Intelligent punk-rockers The Pretenders and the political, sophisticated Fine Young Cannibals round out the bill.

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The 80s saw a diverse array of acts climbing the pop charts, from electro-fetishists to high-haired rockers, the performers hailing from the decade that knew no shame certainly left their mark on popular culture. This collection of videos includes Bananarama, Erasure, The Pretenders, Simply Red, and many others.

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For rock 'n' rollers the 80s was the decade where hair got big, spandex got tight, and MTV propelled several bands to immense fame and fortune. Included on this special low-priced compilation of promo's are Dio, Dokken, White Lion, winger, and more!

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Relive the golden era of 80s pop with this awesome selection of hits from the decade that spawned Miami Vice, the mullet, MTV, and lavish videos on boats featuring scantily clad women, martini's and desert islands! Included here are videos from The Cars, Devo, A-ha, and more, all at a special low price.

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The spirit of the 80s hard rock genre was encapsulated by the constant rotation of outrageous videos that MTV endlessly paraded throughout the decade. Now ESSENTIAl MUSIC VIDEOS present a selection of hard rockin' videos from the decade where ecess all areas was the keyword! Bands featured include Faster Pussycat, Dokken, Dio, and more!

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A selection of '80s music videos from various genres are included on this collection. Among the artists contributing are Olivia Newton-John with "Physical," Night Ranger with "Sister Christian," and the J. Geils Band with "Centerfold."

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A selection of '80s music videos from the heavy metal genre are included on this collection. Among the artists contributing are Rainbow with "Street of Dreams," the Scorpions with "Rock You Like a Hurricane," and Cinderella with "Shake Me."

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The 1980s were a strange time for us all, but they were especially chaotic for SATURDAY NIGHT LIVE. With many of the sketch comedy show's key players gone--including Chevy Chase, Gilda Radner, Bill Murray, John Belushi, and Dan Aykyrod--the program struggled to maintain its hold on the late-night landscape. Enduring sweeping cast changes, network interference, and critical lashings, the show fell into a rut that it only overcame with the return of creator Lorne Michaels. LOST & FOUND fondly revisits this embattled period with rare footage, candid interviews with SNL alumni, and classic '80s musical performances that help imbue the flavor of the era.

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Relive the heady days of the 1980s with this glorious collection of music videos from the era. Among the artists featured are Duran Duran, Soft Cell, the Scorpions, Frankie Goes to Hollywood, and Lionel Richie.

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The 1980s are captured in all their glory with this collection of 50 theatrical trailers from the decade's best movies.

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The popular fascination with 1980's pop music has been rampant in American culture since the late 1990's. PURE 80's is a celebration of the fantastically infectious pop of that decade. A compilation of some of the most popular music videos of the era, it includes gems like Big Country's "In a Big Country," Tears for Fear's "Shout," Night Ranger's "Sister Christian," and Squeeze's "Tempted."

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It's the early 1960s, and new Brit in town Michael Carrington (Maxwell Caulfield) has just arrived at Rydell High School. Michael, a bookish, sappy milquetoast, immediately becomes smitten with Stephanie Zinone (Michelle Pfeiffer), the gorgeous leader of the Pink Ladies, the hippest clique of chicks at Rydell -- who only date the way-cool T-Birds. So if Michael wants to win Stephanie's heart, he'll have to transform himself from a geek to a greaser. Will his plan work?

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A selection of '80s music videos from the new wave genre are included on this collection. Among the artists contributing are Devo with "Whip It," Blondie with "Rapture," and Duran Duran with "Hungry Like the Wolf."

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Follow the Grammy Award-winning band on their musical journey from its native Ireland through the United States - along the streets of Harlem; behind the gates of Elvis Presley's Graceland; into a recording session at the legendary Sun Studios; and center stage at an impromptu live concert in downtown San Francisco. Contains nine songs not included on the hit soundtrack.

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The 1980s produced some formidable pop music, with plenty of alternative sounds crossing over and reaching mainstream status. This compilation offers a taster of five groups who made their mark on the decade. Among them are Tears For Fears, Soft Cell, Buggles, and more!

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John Candy plays a burned-out air-traffic controller, John Chester, who takes his family on a vacation to Florida where everything imaginable goes wrong--and occasionally right as well. Summertime follies lead to a clash with the smug owner of his shabby rental. Improbably but delightfully, this results in a boat race that may bring his put-upon family together and bandage Chester's wounded honor. This 1980s comedy is bolstered by its atypically fine performances, not least Rip Torn as a pirate.

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Ferris Bueller (Matthew Broderick) is a tricky but harmless fast-talker. But he knows how to have fun, which is exactly what he sets out to do when he feigns illness and talks his parents into letting him stay home from school. The perpetually lucky Ferris enlists his hypochondriac best friend, Cameron Frye (Alan Ruck), into springing his girlfriend, Sloane Peterson (Mia Sara), from class, and the three embark on a raucous downtown Chicago adventure. From Wrigley Field to the Art Institute of Chicago to a Polish pride parade, Ferris and his friends make the most of their day off. But Ferris, Sloane, and Cameron might not get away with playing hooky. Ferris's sister, Jeanie (Jennifer Grey), is determined to prove that Ferris is faking sick and make him pay for it, and the bumbling school dean, Ed Rooney (Jeffrey Jones), is sure that Ferris is pulling a fast one. Another classic from writer-director John Hughes (SIXTEEN CANDLES, THE BREAKFAST CLUB), this film features a star turn from Broderick as the charismatic Ferris. Watch for Charlie Sheen as the juvenile delinquent in the police station and comedian Louie Anderson in a brief appearance as a flower deliveryman.

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The 1980s produced some incredible bands, both in terms of their music and their looks. This compilation of material offers the work of five artists from the era, and forms a perfect snapshot of the times. Amongst those contributing are Dexy's Midnight Runners, Level 42, and more!

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Sugar Ray (Richard Pryor) became Quick's (Eddie Murphy) adopted father when an adolescent Quick saved his life. More than two decades later, in 1938, Ray runs the most popular club in Harlem, with Quick as his right hand man. Before long, Bugsy, a white mobster (Michael Lerner) comes knocking for a piece of the club's action in the form of weekly protection money, with a crooked cop (Danny Aiello) as the muscle and a dangerous woman (Jasmine Guy) as the bait. But by fixing a big boxing match, Ray and Quick just may be able to thwart Bugsy's plan and make off with a wad of his cash in the process. Murphy wrote and directed.

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In the 1980s, professional wrestling made the leap from regional sporting event to mainstream cultural phenomenon--due, no doubt, to the visionary leadership of World Wrestling Federation chairman Vince McMahon. Though the McMahon family had been involved in wrestling promotion since the 1930s, it was Vince's 1979 launching of the WWF--and its signature Wrestlemania extravaganza--that vaulted pro wrestling into a golden age marked by some of the greatest stars the entertainment-sport has ever seen. This documentary recounts the amazing legacy of the 1980s WWF through archival footage, interviews, and classic matches with 15 of its most legendary superstars, including Junkyard Dog, Sgt. Slaughter, Greg "The Hammer" Valentine, "Rowdy" Roddy Piper, Jerry "The King" Lawler, Jimmy "Super Fly" Snuka, "Macho Man" Randy Savage, Dusty Rhodes, Ric Flair, and, of course, Hulk Hogan.

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Television host and music reporter Denise Ames presents this collection of interviews with members of some of the biggest bands of 1980s New Wave, including Lawrence Tolhurst of The Cure, Dave Wakeling of The English Beat and General Public, Mike Peters of The Alarm, Jay Aston of Gene Loves Jezebel, and Slim Jim Phantom of Stray Cats.

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WHEN HARRY MET SALLY... tracks a star-crossed pair as they repeatedly drift apart and meet again over a span of 13 years and gradually fall madly, deeply, passionately into friendship, a friendship ever teetering on the edge of love. Harry meets Sally when they share a car ride to New York City upon graduation from the University of Chicago. A few minutes into the trip, the conversation between womanizing, neurotic Harry (Billy Crystal) and driven, equally neurotic Sally (Meg Ryan) becomes heatedly contentious. The question arises: Can a man and a woman be just friends? Harry contends this proposition is impossible, that sex will always come along to screw up the friendship. Sally is aghast and disagrees, proclaiming the idea a distinct possibility. The two part ways rather acrimoniously in New York but before long meet again and eventually decide to indeed be friends. As life's mysterious coincidences pull Harry and Sally closer together, they share mystical, tender moments, confess secrets to each other, console each other, attend major holidays together, and do all the other things couples traditionally do. The question then reemerges: Can Harry and Sally remain mere friends, or will they--must they--fall in love? And can anyone forget Ryan's classic faking-it scene in Katz's Deli?

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When free-spirited but juvenile Walter "Gib" Gibson (John Cusack) meets studious, uptight Alison Bradbury (Daphne Zuniga) at an unnamed Ivy League college, sparks fly; unfortunately, they are mostly of the disastrous variety as all of Gib's attempts at courtship fall painfully apart. Inevitably, the duo is tossed together when they both answer the same ad for a ride to California. While Alison is traveling to reunite with her tidy law school boyfriend, Gib is on the road to meet a beautiful girl his best friend promises him is "a sure thing." Before too long, Gib and Alison's bickering inflames the driver, who promptly deposits the two with their suitcases on the side of a lonely highway thousands of miles from their destination. As the misadventures pile up, the initially contentious pair begin to take a liking to one another--but do these two dare fall in love? Rob Reiner's initial attempt at romantic comedy pays subtle homage, with gentle lyricism, to the classic screwballs of early Hollywood. The film is buoyed by the stellar performances of the two leads, Cusack (in one of his first significant roles) and Zuniga, who are reminiscent of the great studio pairings of the past.

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DESPERATELY SEEKING SUSAN: Rosanna Arquette is Roberta Glass, a bored New Jersey yuppie housewife who finds escapism from her mundane life in the New York personal ad exploits of a flighty bohemian named Susan (Madonna). When Roberta travels to the city to witness an ad-inspired meeting between Susan and her lover Jimmy, she bumps her head, loses her memory, and for all intents and purposes, becomes Susan, thanks to a case of mistaken identity. As a result, she is pursued by crooks and other shady characters through the funky East Village of the early '80's. Quinn is the confused film protectionist who stumbles into the role of Roberta/Susan's protector. Madonna, not quite a superstar when this was filmed, uses this small role to show the sort of charisma she would soon shower upon the world in larger doses. Steven Wright, Giancarlo Esposito, Richard Hell, Ann Magnuson, John Lurie, and Arto Lindsay also turn up in small roles in this screwball '80's love letter to the downtown scene. SOMETHING WILD: Melanie Griffith and Jeff Daniels star in this quirky road movie from director Jonathan Demme (MARRIED TO THE MOB, SILENCE OF THE LAMBS). Charlie Driggs (Daniels) is a timid New York investment broker who lets himself be abducted during his lunch hour by an attractive nut named Lulu (Griffith). While drunk, she drives him to a New Jersey hotel for some kinky sex and petty thievery, and later convinces him to accompany her to Pennsylvania and pose as her husband at her high school reunion. More misadventures ensue, and Charlie gradually finds himself loosening up and falling in love, but then the film makes a sudden left turn with the appearance of Ray (Ray Liotta), Lulu's real husband--a violent ex-convict. As the film's tone oscillates from lightheartedness to darkness, Demme's affection for his characters never wavers, and he keeps things moving with a jubilant soundtrack of global music and a roster of cameo appearances that include directors John Waters and John Sayles, and musicians the Feelies and Sister Carol. It's a comedy, it's a drama, it's a look at the pleasures and dangers of stepping outside the norm, in life and in film.

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When the widow of the owner of the Cleveland Indians realizes that she is stuck with a small stadium in a cold climate, she decides that a move to a Southern, warmer climate is called for. Unfortunately the only way she can unload her stadium is due to low attendance, so she needs to plan for a losing and lackluster season. The team of misfits and losers that she has hired, though, decide that if they really pull through, they may not wind up in last place and not be the losers that the owner thinks that they are. This offbeat baseball comedy, starring Tom Berenger, Charlie Sheen, Corbin Bernsen and Rene Russo, was a surprise 1989 hit.

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Television host and music reporter Denise Ames presents this collection of interviews with members of some of the biggest bands of 1980s metal, including Don Dokken of Dokken, Jani Lane of Warrant, Juan Croucler of Ratt, Rudy Sarzo and Carlos Cavazo of Quiet Riot, and Phil Lewis and Steve Riley of L.A. Guns.

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JOHNNY BE GOOD: Football star Johnny is torn between the myriad temptations proferred by by flashy college recruiters and the solemn promise he made to his sweetheart--that they would attend their local university together. YOUNGBLOOD: Dean Youngblood (Rob Lowe), a sensitive young farm boy, fights against the odds as he struggles to succeed in the brutal sport of ice hockey. He soon falls in love with the daughter of his no-nonsense coach, which lies at odds with the fighting which is a necessity in the sport for him to be noticed by professional hockey scouts.

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THE SURE THING: When free-spirited but juvenile Walter "Gib" Gibson (John Cusack) meets studious, uptight Alison Bradbury (Daphne Zuniga) at an unnamed Ivy League college, sparks fly; unfortunately, they are mostly of the disastrous variety as all of Gib's attempts at courtship fall painfully apart. Inevitably, the duo is tossed together when they both answer the same ad for a ride to California. While Alison is traveling to reunite with her tidy law school boyfriend, Gib is on the road to meet a beautiful girl his best friend promises him is "a sure thing." Before too long, Gib and Alison's bickering inflames the driver, who promptly deposits the two with their suitcases on the side of a lonely highway thousands of miles from their destination. As the misadventures pile up, the initially contentious pair begin to take a liking to one another--but do these two dare fall in love? Rob Reiner's initial attempt at romantic comedy pays subtle homage, with gentle lyricism, to the classic screwballs of early Hollywood. The film is buoyed by the stellar performances of the two leads, Cusack (in one of his first significant roles) and Zuniga, who are reminiscent of the great studio pairings of the past. VALLEY GIRL: It's a "totally tubular" scene as a "grody-to-the-max" punk from the wrong side of the Hollywood Hills, Randy (Nicolas Cage), falls for Julie (Deborah Foreman), a mall-dwelling Valley Girl, in this time capsule of 1980s teen vernacular. Julie and Randy become passionately involved; yet, despite her feelings for Randy, Julie succumbs to the peer pressure of her mall-obsessed friends and gets back together with her Valley dude boyfriend, Tommy (Michael Bowen), who whisks Julie off to the Senior Prom. Randy doesn't give up so easily, however, and chases Julie to the prom, with the help of his faithful friend, Fred (Cameron Dye), in an attempt to wrest her back. The sound track features the music of Men at Work, the Clash, and Josie Cotton in this 1980s teen comedy--an era, and topic, that director Coolidge, like her contemporary John Hughes, was fond of chronicling.

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Aussie croc wrangler Mick Dundee (Paul Hogan) is starting to adjust to his crazy new surroundings in New York City with his beautiful new "sheila" Sue Charlton (Linda Kozlowski) when they accidentally get on the bad side of a ruthless drug lord. Their trouble starts when Sue's old flame Bob (Dennis Boutsikaris) is murdered in Colombia for taking pictures of an assassination by drug smugglers. Having sent the photos to Sue, she and Mick are suddenly and inadvertently mixed up in his unfinished business, as the DEA and drug cartel henchman come looking for the film. The urban terrain of New York, however, is no place for the outdoorsy "Croc" and his posse to hide out. So they hightail to for the Australian outback--a place infinitely more familiar to Mick--and even the odds by leading the big city hoods into a rugged landscape where they get a fast, funny and deadly lesson in wilderness survival. Much more an adventure thriller than the "stranger in a strange land" comedy of the first, Mick is still quick with the drawling one-liners, and the obvious warmth between real-life partners Hogan and Kozlowski adds to the fun.

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Beloved children's funnyman Pee-Wee Herman stars in his second full-length feature as a farmer who joins the circus when a giant storm dumps a Big Top on his front yard. Together, Pee-Wee, the animals, and a troupe of daring and talented circus performers put on the best show ever, while love blooms between the shy farm-boy and Gina the trapeze artist (Valeria Golino)--much to the dismay of Pee-Wee's fiancee Winnie (Penelope Ann Miller).

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In Adrian Lyne's FLASHDANCE, a young woman, Alex (Jennifer Beals), strives to achieve success as a classical dancer, but economic forces require her to work as a welder by day and an exotic dancer by night. Standing in her way is an abundance of profound social obstacles, not the least of which is her boss at the welding factory, Nick (Michael Nouri), who is also her boyfriend. Alex strives to be accepted into a prestigious ballet academy, and she is furious when she realizes that her boyfriend might be pulling strings for her behind the scenes. Along the road to self-discovery and independence, Alex also struggles to accept love, come to terms with her own stubbornness, and find the inner strength to turn her lofty dreams into reality. Edited for maximum rhythmic impact, FLASHDANCE is full of glistening bodies and metallic surfaces, powered by Giorgio Moroder's throbbing music and one hit song after another: Michael Sembello's "Maniac," Karen Karmen's "Manhunt," and, notably, Irene Cara's Oscar-winning theme song, "Flashdance...What a Feeling." FLASHDANCE marks the first coproduction between Jerry Bruckheimer and Don Simpson, who geared the film toward the MTV generation.

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Zucker, Abrahams, and Zucker--of AIRPLANE! and NAKED GUN fame--wrote and directed this genre-hopping slapstick juggernaut which lampoons World War II spy films and Elvis movies, making many other satirical stops along the way. East Germany is planning a cultural festival, and invites rock-and-roll singer Nick Rivers (Val Kilmer) (but only after Leonard Bernstein can't make it). The festival, however is a mere distraction so that the Germans can launch a secret attack on a submarine fleet without being detected. Nick soon finds himself involved with the French resistance, encountering slapstick gags and film parodies every time he turns around.

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Sue Charlton (Linda Kozlowski), a reporter for Newsday, travels Down Under to write a feature on Australia and its people. She gets a tip to visit a free-spirited bush ranger who was attacked by a crocodile, which he then killed with his bare hands. So Sue heads into the red sands and squalid swamps of Northern Territory outback to a tiny fly-blown burg called Walkabout Creek, where she is greeted by Wally (John Meillon) of Never-Never Safaris. Wally takes her to the pub to meet the infamous Michael J. "Crocodile" "Mick" Dundee (Paul Hogan), who charms her with his swagger and grit. He offers to lead her though the bush, as she's "just a Sheila," to where he was attacked. This comment raises her city-girl feminist hackles and she strikes out alone. But when Mick saves her from the grasp of a toothy reptile, she ducks under his wing and into his heart, and invites him to return with her to New York City. Here in the sophisticated urban jungles of Manhattan, the bushman has finally met his match, as he endures New York streets of the 1980s, filled with drug dealers, muggers, transvestites, and prostitutes. Sue finally gets more than just a story as the "wonder from down under" rocks the Big Apple to its core.

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Fitness guru Richard Simmons will help you get in shape and work off the pounds with this collection of classic songs from the 1980s. Includes such tunes as "Freeway of Love," "Maniac" and "Upside Down." There's nothing like your favorite songs to help you get inspired to give that workout your all.

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A slapstick spoof of police thrillers and action films by the makers of AIRPLANE, THE NAKED GUN stars Leslie Nielsen as Lt. Frank Drebin. This comic cop and master car-crasher must protect Queen Elizabeth II when world terrorists target her for assassination during her visit to the U.S. Despite this high-level assignment, Frank still has time to fall in love with a younger woman (Priscilla Presley), and nearly destroy the world several times over while trying to save it. Considerably more successful than the TV series it was based on (POLICE SQUAD!), this zany parody led to two sequels and a comedy career for Leslie Nielsen, then known mainly for his role in FORBIDDEN PLANET.

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EDDIE AND THE CRUISERS: Back in the early 1960s, Eddie and the Cruisers, a (fictitious) rock band, was the hottest act around. However, in 1964 the group broke up, following the apparent suicide of the band's charismatic lead singer Eddie Wilson, who drove off a bridge. His body was never found. After 20 years, TV reporter Maggie Foley decides to do an investigative story on the band. At the same time, she searches for the missing tapes of the group's last recording, which could provide clues to Eddie's disappearance. The more Maggie researches her story, however, the more she suspects that Eddie Wilson may still be alive... EDDIE AND THE CRUISERS 2: EDDIE LIVES!: The rock star who disappeared when his car ran off the road years ago is living in Canada with a new identity. As the president of Eddie's old record company plans to make millions from the "Lost Tapes" of Eddie and the Cruisers, Eddie is starting up a new band which is soon discovered...and so is Eddie, who must come to terms with himself and his music.

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The classic comic strip and cartoon hero comes to life in Robert Altman's film adaptation of the adventures of the spinach-munching sailor. After he's thrown from his ship during a storm, Popeye (Robin Williams) finds refuge in a quaint seaside town. There he rents a room from the Oyls and meets their daughter Olive (the perfectly cast Shelley Duvall). Olive is engaged to Captain Bluto (Paul Smith), a bully and ruffian who is in charge of collecting taxes for the mysterious Commandant. Popeye, who was orphaned at an early age, is in the midst of a desperate search for his missing father, but what he doesn't realize is that the shipwreck has brought him unexpectedly close to his final destination. In bringing his own distinct vision to E. C. Segar's legendary hero, Altman creates an atmosphere that is breezy, loose, and filled with slapstick shenanigans. Williams portrays Popeye with a physically comic flair that is both honest and energetic--as do the rest of the cast members, including frequent Altman contributors Duvall, Paul Dooley, and David Arkin. Harry Nilsson's songs add to the lighthearted affair, making POPEYE an enjoyable family viewing experience all around.

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Cheech and Chong attempt to raise money to save a bankrupt film festival group by hosting a "dope-a-thon." This riotous comedy features the crazy duo in all of the characters made famous by their albums and concerts.

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John Travolta and Debra Winger star in this cowboy version of SATURDAY NIGHT FEVER, in which all the action takes place at Gilley's country-western bar, a rough-and-tumble honky-tonk in the heart of Houston. Travolta plays Bud, a young country farmer who moves to the city to find work at an oil refinery and finds love with Sissy (Winger), a cowgirl of easy virtue and spirit. The two country-western singles fall in love on the dance floor of Gilley's and quickly marry only to discover that their workaday life is harder to cope with than they imagined, lightened only by hard-drinking weekends of glory at Gilley's, where they're both local heroes, line-dancin' and struttin' their stuff until dawn. In between crowd-pleasing rides on the club's mechanical bull, Bud and Sissy struggle to keep their new romance alive despite the competitive attentions of a new cowboy in town, a bull-riding ex-convict (Scott Glenn) who has his eye on Sissy. James Bridges's hard-driving drama glimmers with the intensity of the super saloon, capturing the wild and rough life of the modern cowboy. The soundtrack features musical performances from such greats as Bonnie Raitt, Mickey Gilley, Boz Scaggs, Kenny Rogers, and the Charlie Daniels Band.

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This classic tale of teen rebellion features a delightful combination of dance choreography and realistic, touching performances. When teenager Ren (Kevin Bacon) and his family move from big-city Chicago to a small midwestern town, he's in for a real case of culture shock. Though he tries hard to fit in, the streetwise Ren can't quite believe he's living in a place where rock music and dancing are illegal. There is one small pleasure, however: Ariel (Lori Singer), a troubled but lovely blonde--who also has a jealous boyfriend. In fact, it is Ariel's dad (John Lithgow), a Bible-thumping minister, who is responsible for keeping the town dance-free. Ren and his classmates want to do away with this ordinance--especially since the senior prom is around the corner--but only Ren has the courage to initiate a battle. Ren's pent-up frustrations cause a confrontation with Rev. Shaw Moore and the local town council as he takes on the small-town establishment struggling to abolish the outmoded ban and revitalize the spirit of the repressed townspeople. Herb Ross's fast-paced drama is filled with such hit songs as the title track and "Let's Hear It for the Boy" and is a classic of 1980s Brat Pack cinema.

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Riding high after the box office success of SHAMPOO and HEAVEN CAN WAIT, Warren Beatty used his seemingly limitless power to write, produce, direct, and star in this epic historical romance. The film recounts a particularly eventful period in the life of notorious American communist John Reed (Beatty), who journeyed to Russia to witness the Bolshevik Revolution firsthand. Before that, he met the already wed Louise Bryant (Diane Keaton) in Portland in 1915. However, they shared such a mutual attraction for words, and each other, that soon Bryant was living with Reed in New York City. It was here where they befriended some of the early 20th Century's most recognizable faces: Eugene O'Neill (Jack Nicholson), Emma Goldman (Maureen Stapleton), Max Eastman (Richard Herrmann), and Horace Whigham (George Plimpton). Yet Reed's commitment to his craft caused an endless friction in the relationship, until Louise found her own journalistic voice, leading the couple to Russia at a crucial moment in history. But just when they appeared to have come to a perfect place in their relationship, tragedy struck. REDS is one of the last vestiges of early Hollywood, a broad, sweeping spectacle that is simultaneously thought provoking and unabashedly entertaining. Beatty inserts fascinating interviews with actual participants from that earlier era throughout the film to provide even more context and insight. At a time when Ronald Reagan had just become the president of the United States, Beatty's sympathetic portrait of notorious American communist John Reed seemed even more daring. Yet, as it continues to age, the film only continues to grow in relevance, assuring its rightful place at the top of the Hollywood canon.

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The wild and crazy crew is in the sky again, and this time there's a mad bomber on board, the engines aren't working, and the angel of death keeps popping up in the cockpit. But worst of all, the flight attendants suddenly discover that they're completely out of coffee!

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Jodie Foster won deserved acclaim for her performance as Sarah Tobias, a hard-living, fiercely independent woman is gang raped in the back of a local bar. She finds herself battling the legal system not once but twice, as she and her attorney Kathryn Murphy (Kelly McGillis) go after her attackers and the onlookers whose cheering fueled and encouraged the assault. Based on a true story which occurred in New Bedford, Massachusetts. Academy Awards: Best Actress--Jodie Foster.

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Australian Peter Weir's first Hollywood film tells the story of John Book (Harrison Ford), a Philadelphia cop whose life is altered while trying to help Rachel (Kelly McGillis), an Amish woman, and her son Samuel (Lukas Haas), who witnesses a murder in a Philadelphia train station bathroom. After discovering that the murder was committed by a member of his force, Book travels to Lancaster County with Rachel and Samuel and poses as a member of the Amish community to hide from his murderous police peers. While there, love blooms between Rachel and Book, and he finds himself drawn in by the honesty and simplicity of the old-world Amish lifestyle. Fine performances and beautiful cinematography are prevalent throughout.

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Richard Gere is Julian Kay, a slick emotionally and spiritually deprived L.A. hustler in AMERICAN GIGOLO. While servicing an upscale clientele in the Hollywood area, he becomes involved with a rich senator's wife (Lauren Hutton), their relationship extending beyond Julian's normal encounters. Little does he know he is about to be framed for murder, forcing him to rely on alibis from Madame Anne (Nina Van Pallandt), a crooked pimp (Bill Duke), or the senator's wife herself. A stylishly sleazy look at moral decay and redemption, director Paul Schrader combines a European cinematic sensibility with his usual themes of moral drift and emotional alienation in this vivid portrait of early 1980s chic Hollywood decadence.

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Keith (Eric Stoltz) is finishing up with high school. A sensitive loner, he prefers to work on his art over going to sporting events and hanging with the cool crowd. Instead, he platonically whiles away the hours with Watts (Mary Stuart Masterson), the pixieish drummer girl he's known since grade school. But Keith does have one popular obsession: Amanda Jones (Lea Thompson), the most desired girl in school--and girlfriend of obnoxious rich guy Hardy Jens (Craig Scheffer). When Hardy and Amanda part ways, Keith finally has his chance---and true blue Watts will do all that she can, even it that means biting her tongue and suppressing her true feelings for her longtime friend. John Hughes' follow-up to the classic PRETTY IN PINK takes essentially the same story and flips the gender roles, with another positive "follow-your-heart" message and a great soundtrack featuring the Jesus & Mary Chain, Flesh For Lulu, and the March Violets.

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This Oscar-winning film is both eccentrically funny and an old-fashioned tearjerker. The story centers around the volatile relationship between a mother and daughter spanning 30 years. The various permutations of their lives are examined, including the daughter's bout with terminal cancer. TERMS OF ENDEARMENT is a deeply observed drama about the intimate relationship between a mother and daughter, based on the novel by Larry McMurtry. Shirley MacLaine and Debra Winger are at their absolute best, with terrific support from Jack Nicholson, Jeff Daniels, and John Lithgow. Academy Award Nominations: 11, including Best Actress--Debra Winger and Best Supporting Actor--John Lithgow. Academy Awards: 5, including Best Picture, Best Director, Best Actress--Shirley MacLaine, Best (Adapted) Screenplay, Best Supporting Actor--Jack Nicholson.

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Pretty but poor, Andie's (Molly Ringwald) a good student who develops a crush on Blane (Andrew McCarthy), the sensitive, well-born preppie. But Blane runs with a fast crowd of haughty rich kids, the kind of clique Andie and her new wavy best friend Duckie (Jon Cryer) can't stand. Going against her fretting father (Harry Dean Stanton), peer pressure and social expectations, she decides to date him. But their big plans for the senior prom ultimately fall apart when Blane heeds his friend Steff's (James Spader) warning to "quit slumming." Will Blane find the courage to claim what he really wants and give up the so-called friends he doesn't need? This classic 1980s teen film from the master of the genre, writer-producer John Hughes features plenty of great '80s pop tunes from the Psychedelic Furs, The Smiths, Echo and The Bunnymen, New Order, and more. The continued success of Hughes' films and actors ushered in the era of the "brat pack" and teen films as pop culture.

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While his wife (Anne Archer) and daughter are out of town, successful attorney Dan Gallagher (Michael Douglas) has a one-night stand with Alex Forrest (Glenn Close), the publishing executive he has just met. He has no idea what he's getting into. Immediately after the encounter, Dan wants to put the experience behind him, but Alex refuses to let go of their relationship. Driven to madness by his rejection, she turns to violently harassing both Dan and his family. This terrifying morality play, which takes the consequences of infidelity to new heights of horror, became one of 1987's biggest box-office successes. Academy Award Nominations: 6, including Best Picture, Best Director, Best Actress--Glenn Close, Best Supporting Actress--Anne Archer, Best (Adapted) Screenplay.

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Devastated by the loss of their older son, well-to-do suburban couple Calvin (Donald Sutherland) and Beth (Mary Tyler Moore) are trying to rebuild their lives after their younger son, Conrad (Timothy Hutton), attempts suicide. While Beth, who always favored the elder son, retreats into an icy, emotionless shell, Calvin tries to draw Conrad back into the family and into life as a teenager. Conrad sings in the choir and returns to the swim team, but both his brother's death and his own experiences traumatize him. Conrad reluctantly begins therapy sessions with Berger (Judd Hirsch), which allow him some respite from the unbearable grief and guilt he carries with him. As Conrad makes strides, Calvin realizes that he no longer knows his wife and is both saddened and angered by how seemingly emotionless she has become. A classic portrait of family life in the face of tragedy, Robert Redford's award-winning directorial debut is moving and thought provoking. Based on the novel by Judith Guest, the film features the debuts of Timothy Hutton and Elizabeth McGovern as well as breakthrough performances from Mary Tyler Moore and Donald Sutherland.

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The spoof comedy that set the gold standard for all that followed it, AIRPLANE takes shots at the slew of disaster movies that peppered cinemas in the 70s. When the passengers and crew of a jet are incapacitated due to food poisoning, a rogue pilot (who has a drinking problem and is afraid of flying) must cooperate with his ex-girlfriend turned stewardess to bring the plane to a safe landing. No disaster flick cliche is left unroasted, and the musical score itself takes a less than reverent look at overly melodramatic compositions.

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Two young men enjoy the last days of their boyhood before enlisting in the military during the time of the Second World War. A tender, bittersweet tale of lost innocence and the horrible trauma of social violence.

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Golf is like life--you need confidence to win. Legendary golfer David Leadbetter shares both physical and mental tips for achieving lower scores on the greens.

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Acting fireworks are on display as Robert DeNiro and Meryl Streep play Frank Raftis and Molly Gilmore, two everyday people who meet by chance on a commuter train bound for New York and fall desperately in love--despite the fact that they are both married. The stellar supporting cast includes Diane Wiest (HANNAH AND HER SISTERS) and Jane Kaczmarek (TV's MALCOLM IN THE MIDDLE). De Niro and Streep previously starred together in THE DEER HUNTER (1978).

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This collection of classic Mexican cinema presents a double feature of action-packed crime dramas from the 1980s: POLICIA JUDICIAL FEDERAL (1985) and PISTOLEROS FAMOSOS III (1985). Both are presented in Spanish without subtitles.

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This collection of classic Mexican cinema presents a trio of action-packed crime dramas from the 1980s: LA NOCHE DE LA BESTIA (1988), POLICIA JUDICIAL FEDERAL (1985), and PISTOLEROS FAMOSOS III (1985). All are presented in Spanish without subtitles.

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After their 1960s golden age and the subsequent slump of the 1970s, baseball's St. Louis Cardinals went through another renaissance under the 1980s stewardship of manager Whitey Herzog. With the help of a star-studded roster that included Ozzie "The Wizard of Oz" Smith, Willie McGee, John Tudor, Tom Herr, Jack Clark, Bruce Sutter, Keith Hernandez, Terry Pendleton, and Joaquin Andujar, Herzog's legendary brand of managing--affectionately known as Whiteyball--netted the Cards three more National League pennants and their first World Series championship since 1967. This collection relives all three of the Cardinals' 1980s-era World Series appearances through interviews and game highlights from the winning 1982 series against the Milwaukee Brewers, the deafening 1987 series against the Minnesota Twins, and 1985's infamous "I-70" series against interstate rivals the Kansas City Royals, which featured Game Six's controversial "The Call."

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Zack Mayo (Richard Gere) has nothing--the son of an alcoholic, indifferent military father, he's grown up in the Philippines living on top of a brothel. But after college he decides he wants more and, despite his father's mockery, enrolls in the navy's Officer Candidate School to become a jet pilot. His sergeant, brilliantly played by Louis Gossett Jr., makes his life a living hell from day one, but Zack won't quit. The candidates are warned to stay away from the local girls looking for naval husbands, but Zack and his bunkmate, Sid (David Keith), find themselves falling for two friends, Paula (Debra Winger) and Lynette (Lisa Blount), who work at the local paper mill. Zack fights his feelings for Paula, determined to let nothing sway him from his goals. But as the hellish weeks of training go by, Zack begins to see that maybe he can't do it alone--and that what's getting him through are his friends in the ranks, and the girl he's been pushing away. Widely acclaimed at the time of its release, director Taylor Hackford's inspiring film is a romance for the ages.

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A laid-back high school coach (Mark Harmon) reluctantly forfeits a Hawaiian vacation to teach remedial English to a class of likable misfits. This goofy comedy tells the sweetly inspiring story of the group of high school slackers who seem destined to fail until they land in the coach's class. As both students and teacher accept the fact that they must complete the course, all learn a great deal about themselves, their priorities, and friendship.

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Eddie Murphy follows up his hot streak of BEVERLY HILLS COP and TRADING PLACES with this mystical action-comedy directed by Michael Ritchie. Murphy plays Chandler "Chan" Jarrell, a man who tracks down lost children for a living. When the beautiful Kee Nang (Charlotte Lewis), a Tibetan priestess, approaches him with the flattering yet disarming declaration that he is "the chosen one," his quest for the illustrious golden child (J. L. Reate) begins. Along the way, Chan uncovers secrets within Chinatown's underbelly and encounters a seemingly endless parade of bizarre and dangerous situations, most often spearheaded by Sardo Numpsa (Charles Dance), the devil's main henchman. It's up to Chan to locate the golden child, then protect him from the evil Sardo, who won't rest until he sees to it that the boy is in his clutches. Not surprisingly, THE GOLDEN CHILD is a comedian's showcase. As Murphy ad-libs his way to the rescue, it appears that Ritchie allowed him the comfort of improvisation throughout the film's production, and that trust in his star pays off. The result is a laugh-out-loud crowd pleaser with a heavy dose of action that alludes to the mystical Asian dramas of the past.

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Filmed live during two concerts at Madison Square Garden, Murphy is showcased in a series of uproarious celebrity impressions, observations on the 1980s lifestyle, remembrances of his childhood, and much more.

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In this modern-day fairy tale, Eddie Murphy stars as a wealthy and pampered African prince who comes to America in search of a bride. His destination, of course, is Queens, New York. Accompanied by his closest companion (Arsenio Hall), the Prince quickly finds a job, new friends, new digs, new enemies, and more trouble than he ever imagined. COMING TO AMERICA is a hysterical fable with Murphy and Hall playing hilarious multiple roles with the help of astounding makeup effects.

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Jake Briggs (Kevin Bacon) has been in love with Kristy Bainbridge (Elizabeth McGovern) since he was a teenager. They marry right after college and embark on their new life together, with all of its ups and downs. Told largely through the eyes of narrator Jake, a would-be author who is prone to fits of fanciful, humorous hallucination--such as lawn-mowing neighbors breaking into song--this John Hughes film deals with the trials and tribulations of growing up and the responsibilities that come with marriage, adulthood, jobs, and children. Alec Baldwin appears as Davis McDonald, Jake's best friend, who is living life in the fast lane in New York, making Jake doubt his complacent, suburban lifestyle. Bacon and McGovern are believable as wide-eyed newlyweds dealing with the realities of "happily ever after," such as finding a job, paying the mortgage, and dealing with in-laws. The closing credits are enlivened by a parade of celebrities, including Kirstie Alley, Ted Danson, Woody Harrelson, Olivia Newton-John, Stewart Copeland, Dan Aykroyd, Bill Murray, John Candy, Penny Marshall, Ally Sheedy, and many others.

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Prep-schooler Dan Bartlett (John Cusack) is crushed when he fails a chemistry exam, preventing him from going on a Caribbean vacation with his girlfriend. At the last minute, his teacher passes him, and he sets off to meet up with the girl and her parents. Unfortunately, a series of travel misadventures causes him to remain several steps behind them. Circumstances lead him to become the first mate of a roguish sailor of fortune (Robert Loggia), who helps him try to catch up to his wayward lady love's boat. Meanwhile, she is busy fending off the unwanted advances of a comically persistent young man (Ben Stiller).

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In this screwball comedy of manners, millionaire commodity brokers Randolph and Mortimer Duke (Don Ameche and Ralph Bellamy) wager a bet that pits environment vs. biology and turns the lives of their two unsuspecting victims upside down. Eddie Murphy costars as Billy Ray Valentine, a streetwise hustler who gets dragged off the street and into the proper life of top Duke Bros. broker Louis Winthorpe III (Dan Aykroyd), who in turn gets tossed out of his posh townhouse and onto the mean city streets. The comic team of Murphy and Aykroyd is deliriously funny as they both struggle to comprehend their new lives. Billy Ray is forced to learn proper etiquette, manners, and business sense while uptight Louis scrambles to make it on the streets, befriending a prostitute (Jamie Lee Curtis) who takes him in and saves him from starvation--or worse. When the two innocent victims realize the scheming brothers' plot, they unite and devise a fabulous revenge to prove that their lives can't be controlled by the power-grubbing Duke brothers. The film features outstanding work by Denholm Elliott as the butler and Curtis as the prostitute with a heart of gold. Curtis especially shines in the scene in which she removes all of her hustler accoutrements to reveal her true looks.

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A group of blackmailed guests gather in a remote mansion, hosted by a daffy butler (Tim Curry), in this campy adaptation of the popular board game. Suspicions flare when their ostensible extortionist, Mr. Boddy, appears--and drops dead in the study. Hidden passageways, double entendres, and creative murder weapons come into play as bodies drop, disappear, and reappear on one dark and stormy night. An all-star cast assume the roles of Professor Plum (Christopher Lloyd), Mrs. White (Madeline Kahn), Miss Scarlet (Lesley Ann Warren), and the rest of the multicolored bunch as the one-liners fly in this jaunty whodunit. It all concludes with three alternate endings that let viewers decide who the real murderer was.

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A flashy, singing cowpoke (Tom Berenger) rides into town to perform heroic deeds and put an end to bad guys in this good-natured spoof of 1940s B-Westerns that includes all the expected stereotypes of dashing heroes in white hats, helpless damsels in distress, and devious outlaws wearing black. Berenger turns in a charming lead performance and Andy Griffith is hilariously cast against type as an evil cattle baron.

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All Neal Page (Steve Martin) wants to do is make it home from a business trip in New York City and spend Thanksgiving with his family in Chicago. Instead, he finds himself rerouted from New York's La Guardia Airport to Wichita, Kansas. With no other options, Neal decides to share a room in a fleabag hotel with Del Griffith (John Candy), a shower-curtain-ring salesman and fellow stranded traveler. Although Neal finds Del to be a buffoon, he just can't seem to get away from him. To make matters worse, all their efforts to get back to Chicago fail as trains break down and rental cars catch on fire. Along the way they encounter crazy cabbies, redneck truck drivers, and oversexed bus passengers. John Hughes's (SIXTEEN CANDLES, THE BREAKFAST CLUB) first film to feature adults after his success with teen films features fine performances from Martin and Candy. Kevin Bacon, who appeared in Hughes's next film, SHE'S HAVING A BABY, makes a small but humorous appearance, as does Edie McClurg, known for her role as the high school secretary in FERRIS BUELLER'S DAY OFF.

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The comic actions begins in a trashy hotel in Alabama. There a spirited hustler is picked up by an equally cheerful drifter.

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TEEN WITCH: A sweet young teenage girl wants to get the most popular boy in school to notice her. But how? All the hairdos and hip clothes in the world don't work. It may just take some of that old black magic to get him under her spell. THE HEAVENLY KID: The spirit of a young man who was killed in an auto accident must earn his "ticket to heaven" by helping a mortal through a life crisis. When he successfully completes his mission, he will become "The Heavenly Kid."

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THE FLAMINGO KID: Jeffrey Willis, an 18-year-old from a working class family, gets a job as a cabana boy at an exclusive Rockaway beach club in New York. There he experiences a new world of wealth, snobbery, and leisure. THE LAST AMERICAN VIRGIN: Arguably the standard bearer for the teen sex comedies of the early 1980s, this story of the sexual misadventures of Gary, a hapless, embarrassingly chaste pizza delivery guy hoping to "lose it," has it all: gratuitous pizza parlor settings, a Devo soundtrack, a locker room penis contest, weird exchange students, crab lice, a fat-kid schlemiel, and Diane Franklin as the Nice New Girl in Town (a role she reprises in 1985's BETTER OFF DEAD). Look for treble-voiced Kimmy Robertson (Lucy from TV's "Twin Peaks") as the story's actual nice girl, whom Gary passes up in the climactic kegger scene.

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Lane Myer's (John Cusack) dreams are shattered when his girlfriend Beth (Amanda Wyss) decides she prefers the company of a sleazy ski jock over his own. This disheartening news leads Lane to attempt to take his own life in various ways--all of which never seem to work out. But if he can beat Beth's new boyfriend in a ski run down the treacherous K-12, he may be able to win her back. Along the way, Lane also encounters a beautiful French exchange student, a nasal spray-snorting neighbor, a rabid newspaper boy, and dancing hamburgers. "Savage" Steve Holland (ONE CRAZY SUMMER) directs this 1985 cult favorite.

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Overcome by the drudgery of everyday domestic life, housewife Shirley Valentine (Pauline Collins) wishes for a change of pace. When her best friend Jane (Alison Steadman) invites her on a free trip to Greece, she simply cannot refuse. After a few days of lounging on golden Mediterranean beaches, Shirley is back to her sprightly old self, and when she meets Costas Caldes (Tom Conti), the two engage in an unforgettable love affair which will change their lives forever. Director Lewis Gilbert does an amazing job converting this one woman stage play into an exotic and heartfelt film. As always, Gilbert impresses with his unique fly-by cinematography, beautifully displaying the lidos and sandbars of the Aegean Sea. Best of all, however, are the effortless performances from Pauline Collins and Tom Conti, as their characters fall in love and go from frustrated adults to giddy teenagers, proving it's never too begin life again.

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MAKING THE GRADE: Eddie (Judd Nelson) is a street kid from New Jersey who gets the chance of a lifetime when the heir to a vast estate offers him a great deal of money if he will go to school for him while his preppy benefactor high-tails it to Europe. When the breakdancing city kid is thrown in with a class of snooty preppies, the wild comedy begins. ZAPPED: A young high school student develops telekinetic powers as a result of an accidental explosion in science lab. He learns to utilize his new found ability in a variety of creatively funny ways.

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A bored housewife who reads romantic thrillers for excitement wins a writing contest with the grand prize of a trip to Paris. There she meets with a strange accident which causes her to believe that she is the famous character of the novels she reads.

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This triple feature thoroughly represents the array of comedy output during the 1980s, a decade in which the genre reigned supreme. If it wasn't the silly spoofery of Mel Brooks's SPACEBALLS, it was the classic farce of DIRTY ROTTEN SCOUNDRELS or the time-traveling teenage satire of BILL AND TED'S EXCELLENT ADVENTURE. Fortunately, perennial children of the '80s can get all three right here. See individual titles for complete details.

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While the giant cell phones and simple arcade games of the 1980s are usually celebrated as charming pop-culture artifacts, these now-dated objects were once major technological advances. This History Channel special traces the roots of these inventions, and explores the ways in which the decade's major players (including Sony and Apple) set the stage for a massive digital revolution.

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CLASS: A delightful comedy/drama about the outrageous sexual exploits of two young prep school students (Rob Lowe and Andrew McCarthy) who's friendship is painfully tested when one of them has an affair with the other's seductive mother (Jacqueline Bisset). SECRET ADMIRER: A love letter written by a moonstruck high school girl falls into the wrong hands, setting into motion a series of comic events.

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Deals on 80s videos in DVDs & Videos. Visit BizRate to find the best deals on DVDs & Videos. See which DVDs & Videos stores have the 80s videos that you want. Read reviews on DVDs & Videos merchants and buy with confidence. Find savings on Essential Music Videos - 80s UK [DVD] - Essential Music Videos - Totally 80s.