Abraham polonsky in DVDs & Videos

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A lawyer gets caught in a three way squeeze between his racketeer boss, his racketeer brother, and the anti-crime tactics of a new prosecutor who would like to jail the entire lot. Based on the novel TUCKER'S PEOPLE by Ira Wolfert. Directorial debut for the later black-listed Polonsky.

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Nerve-snapping tension, gritty style and an unsparing look at racial tension unite in this 'thunderbolt of a film' (Los Angeles Examiner) from four-time Oscar winner Robert Wise and writers Abraham Polonsky and Nelson Gidding.
 

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Dietrich and Milland don't strike many sparks, but Marlene's alluringly exotic. A former British spy (Milland) receives a set of gold earrings in the mail and recalls his wartime journey across Germany disguised as a Gypsy by a beautiful Gypsy woman. During the trip, he gathers damaging information against the Nazis as he falls in love with the woman who hides him.

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A lawyer gets caught in a three way squeeze between his racketeer boss, his racketeer brother, and the anti-crime tactics of a new prosecutor who would like to jail the entire lot. Based on the novel TUCKER'S PEOPLE by Ira Wolfert. Directorial debut for the later black-listed Polonsky.
 
  • product
A lawyer gets caught in a three way squeeze between his racketeer boss, his racketeer brother, and the anti-crime tactics of a new prosecutor who would like to jail the entire lot. Based on the novel TUCKER'S PEOPLE by Ira Wolfert. Directorial debut for the later black-listed Polonsky.
 
  • product
A lawyer gets caught in a three way squeeze between his racketeer boss, his racketeer brother, and the anti-crime tactics of a new prosecutor who would like to jail the entire lot. Based on the novel TUCKER'S PEOPLE by Ira Wolfert. Directorial debut for the later black-listed Polonsky.
 
  • product
A lawyer gets caught in a three way squeeze between his racketeer boss, his racketeer brother, and the anti-crime tactics of a new prosecutor who would like to jail the entire lot. Based on the novel TUCKER'S PEOPLE by Ira Wolfert. Directorial debut for the later black-listed Polonsky.
 
  • product
Dietrich and Milland don't strike many sparks, but Marlene's alluringly exotic. A former British spy (Milland) receives a set of gold earrings in the mail and recalls his wartime journey across Germany disguised as a Gypsy by a beautiful Gypsy woman. During the trip, he gathers damaging information against the Nazis as he falls in love with the woman who hides him.
 
  • product
Willie Boy, a Piute Indian (Robert Blake) who kills a man in self-defense, becomes a fugitive from the law. With a massive manhunt gathering on his trail (led by Robert Redford as the sherriff), he in turn is forced into becoming the stereotypical image of the Native American "savage" that led his accusers to naturally assume he was guilty of the crime. This stylish, modern, and critically acclaimed Western with a social conscience marked writer/director Abraham Polonsky's return to film after having been blacklisted in the 1950s during the McCarthy witch hunts. Cinematography is by Academy Award winner Conrad Hall (AMERICAN BEAUTY (2000)).
 
  • product
Willie Boy, a Piute Indian (Robert Blake) who kills a man in self-defense, becomes a fugitive from the law. With a massive manhunt gathering on his trail (led by Robert Redford as the sherriff), he in turn is forced into becoming the stereotypical image of the Native American "savage" that led his accusers to naturally assume he was guilty of the crime. This stylish, modern, and critically acclaimed Western with a social conscience marked writer/director Abraham Polonsky's return to film after having been blacklisted in the 1950s during the McCarthy witch hunts. Cinematography is by Academy Award winner Conrad Hall (AMERICAN BEAUTY (2000)).
 
  • product
Willie Boy, a Piute Indian (Robert Blake) who kills a man in self-defense, becomes a fugitive from the law. With a massive manhunt gathering on his trail (led by Robert Redford as the sherriff), he in turn is forced into becoming the stereotypical image of the Native American "savage" that led his accusers to naturally assume he was guilty of the crime. This stylish, modern, and critically acclaimed Western with a social conscience marked writer/director Abraham Polonsky's return to film after having been blacklisted in the 1950s during the McCarthy witch hunts. Cinematography is by Academy Award winner Conrad Hall (AMERICAN BEAUTY (2000)).
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