Adam brooks in DVDs & Videos

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Ryan Reynolds and a bevy of excellent actresses star in this smart and touching romantic comedy about a little girl trying to understand her father's complicated history with women. Will Hayes (Reynolds) is in the midst of a divorce, and his 11-year-old daughter Maya (Abigail Breslin) wants to understand what went wrong with her parents' relationship. She begs her father to tell her the entire story of how he met her mother. Will begrudgingly agrees, but changes the names of everyone involved, leaving it up to Maya to decipher who in the story is her mother. Thus Will begins his tale, weaving a romantic and amusing maze of missed connections and bad timing with the likes of three beautiful women: Summer (Rachel Weisz), April (Isla Fisher), and Emily (Elizabeth Banks). Will bounces from relationship to relationship, misunderstandings and confusion thwarting him every step of the way. Who will he end up with? Which woman is ultimately right for him? The film keeps Maya and the viewer guessing right until the very end, with a bittersweet but ultimately triumphant surprise twist tying it all together. Reynolds has long outgrown his VAN WILDER days, and does an excellent job of holding his own with the talented Fisher, Weisz, and Banks. The film is certainly a stand-out from the current crop of romantic comedies, in that the women are intelligent, well-drawn characters, and the relationships are painted with a funny, but realistic eye. And blessedly, it doesn't end with the standard blowout wedding that has become the hallmark of such films. DEFINITELY, MAYBE is a smart and sexy take on the complexities of love, and still manages to be kid friendly, while sending a very positive, honest message to children of divorce.

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Ryan Reynolds and a bevy of excellent actresses star in this smart and touching romantic comedy about a little girl trying to understand her father's complicated history with women. Will Hayes (Reynolds) is in the midst of a divorce, and his 11-year-old daughter Maya (Abigail Breslin) wants to understand what went wrong with her parents' relationship. She begs her father to tell her the entire story of how he met her mother. Will begrudgingly agrees, but changes the names of everyone involved, leaving it up to Maya to decipher who in the story is her mother. Thus Will begins his tale, weaving a romantic and amusing maze of missed connections and bad timing with the likes of three beautiful women: Summer (Rachel Weisz), April (Isla Fisher), and Emily (Elizabeth Banks). Will bounces from relationship to relationship, misunderstandings and confusion thwarting him every step of the way. Who will he end up with? Which woman is ultimately right for him? The film keeps Maya and the viewer guessing right until the very end, with a bittersweet but ultimately triumphant surprise twist tying it all together. Reynolds has long outgrown his VAN WILDER days, and does an excellent job of holding his own with the talented Fisher, Weisz, and Banks. The film is certainly a stand-out from the current crop of romantic comedies, in that the women are intelligent, well-drawn characters, and the relationships are painted with a funny, but realistic eye. And blessedly, it doesn't end with the standard blowout wedding that has become the hallmark of such films. DEFINITELY, MAYBE is a smart and sexy take on the complexities of love, and still manages to be kid friendly, while sending a very positive, honest message to children of divorce.

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After his wife dislocates her hip, a young married man hires a live-in nurse and surprisingly both he and his wife become attracted to her. A sensitive comedy about marriage, commitments, and the complications that often come with being in love in the "selfish-eighties."

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With SPANGLISH, writer/director/producer James L. Brooks (AS GOOD AS IT GETS) unfurls yet another accomplished, tender, romantic comedy. Celebrated chef John Clasky (Adam Sandler) is the patriarch of the Clasky household, but the mood swings of his hypersensitive wife, Deborah (Tea Leoni), are what really runs the show. When the Claskys hire the beautiful Flor (Paz Vega) to be their maid, their already rocky relationship faces some even bigger boulders. Spanish-speaking Flor is a sincere, loving single mother whose daughter, Christina (Shelbie Bruce), receives lavish displays of affection from Deborah. Meanwhile, Deborah neglects her own son and daughter in much the same way that her self-absorbed, alcoholic mother, Evelyn (Cloris Leachman), neglected her. Eventually Deborah crosses a line when she betrays her husband with the real estate broker who is helping her search for a beach house. Faced with this challenge, John and Flor, who share a clear attraction to one another, get the chance to explore their feelings. Brooks populates his film with wholly believable characters. On first glance they may seem like broad caricatures (especially in the case of the roles played by Leoni and Leachman), but the characters subvert viewers' expectations by turning into full-fledged, three-dimensional humans by the end of the film. As in PUNCH-DRUNK LOVE, Sandler delivers a performance that shows his wide range of talent.

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Satirist Albert Brooks makes his directorial debut in this hilarious mockumentary that focuses on the day-to-day life of a "typical" American family. Brooks plays himself, a producer who pitches a movie concept about filming a real American family for one year and editing it into a movie. Backed up by a team of psychologists and a respected institute dealing with human behavior, he promises not to let the cameras interfere in any way in their lives. But the problems begin on day one, and Brooks desperately tries to hold his project together. Obsessed with presenting what's "real," he is soon convinced that real life isn't exciting enough for film. Brooks mercilessly parodies the Hollywood persona in this sharp satire of the entertainment industry that presages such later films as EDTV and THE TRUMAN SHOW as well as the television shows THE REAL WORLD, BIG BROTHER, and SURVIVOR.

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This double feature from writer/director/producer James L. Brooks includes SPANGLISH and AS GOOD AS IT GETS. The former centers on celebrated chef John Clasky (Adam Sandler), who is the patriarch of his household, while it is his wife's volatile mood swings that really run the show. When the Claskys hire the beautiful Flor (Paz Vega) to be their maid, their already rocky relationship faces some even bigger boulders. Spanish-speaking Flor is a sincere, loving single mother whose daughter, Christina (Shelbie Bruce), receives lavish displays of affection from Deborah. Meanwhile, Deborah neglects her own son and daughter in much the same way that her self-absorbed, alcoholic mother, Evelyn (Cloris Leachman), neglected her. Eventually Deborah crosses a line when she betrays her husband with the real estate broker who is helping her search for a beach house. Faced with this challenge, John and Flor, who share a clear attraction to one another, get the chance to explore their feelings. AS GOOD AS IT GETS follows the acerbic and outwardly despicable pulp novelist Melvin Udall, who lives in a haze of obsessive-compulsive behavior patterns. He avoids cracks in the sidewalk and rigidly adheres to his regimen of daily breakfasts in the cafe where harried single mom Carol Connelly (Helen Hunt) is the only waitress he'll accept. But his ordered, hermetic world falls apart when his neighbor, a gay painter, needs a babysitter for his cherished dog--and only his long-time nemesis Melvin will do. Then, when the waitress's son's serious illness keeps her from work, Melvin realizes how much he needs her after all.

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In THE INVISIBLE CIRCUS, sixties idealism meets headlong with family conflict and, mysteriously, death. This compelling drama, based on Jennifer Egan's novel, begins in the infamous Summer of '69, when radical hippie Faith O'Connor (Cameron Diaz), and her English boyfriend Wolf (Christopher Eccleston) take off for Europe, feeling that they will change the world for the positive. Faith diligently writes postcards to her younger sister Phoebe (Jordana Brewster). When they suddenly stop, the next Faith's family hears of her is that her body has been found at the bottom of a cliff outside a tiny Portuguese fishing village, the victim of an apparent suicide. Seven years later, Phoebe, a haunted, introverted teenager, still doesn't believe her adventurous, life-loving sister would have taken her own life so, against the wishes of her protective mother (Blythe Danner), Phoebe decides to retrace Faith's journey across Europe, using the postcards she had received from Faith as her only clues to a growing mystery. From a houseboat in Amsterdam to a flat in Paris, Phoebe follows Faith's footsteps right to the end. Along the way, she finds Wolf married and settled into a life of bourgeois complacency, one of the many twists in this chilling, engaging story.

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Ryan Reynolds and a bevy of excellent actresses star in this smart and touching romantic comedy about a little girl trying to understand her father's complicated history with women. Will Hayes (Reynolds) is in the midst of a divorce, and his 11-year-old daughter Maya (Abigail Breslin) wants to understand what went wrong with her parents' relationship. She begs her father to tell her the entire story of how he met her mother. Will begrudgingly agrees, but changes the names of everyone involved, leaving it up to Maya to decipher who in the story is her mother. Thus Will begins his tale, weaving a romantic and amusing maze of missed connections and bad timing with the likes of three beautiful women: Summer (Rachel Weisz), April (Isla Fisher), and Emily (Elizabeth Banks). Will bounces from relationship to relationship, misunderstandings and confusion thwarting him every step of the way. Who will he end up with? Which woman is ultimately right for him? The film keeps Maya and the viewer guessing right until the very end, with a bittersweet but ultimately triumphant surprise twist tying it all together. Reynolds has long outgrown his VAN WILDER days, and does an excellent job of holding his own with the talented Fisher, Weisz, and Banks. The film is certainly a stand-out from the current crop of romantic comedies, in that the women are intelligent, well-drawn characters, and the relationships are painted with a funny, but realistic eye. And blessedly, it doesn't end with the standard blowout wedding that has become the hallmark of such films. DEFINITELY, MAYBE is a smart and sexy take on the complexities of love, and still manages to be kid friendly, while sending a very positive, honest message to children of divorce.

starting at

$13
 

starting at

$4
  • product
With SPANGLISH, writer/director/producer James L. Brooks (AS GOOD AS IT GETS) unfurls yet another accomplished, tender, romantic comedy. Celebrated chef John Clasky (Adam Sandler) is the patriarch of the Clasky household, but the mood swings of his hypersensitive wife, Deborah (Tea Leoni), are what really runs the show. When the Claskys hire the beautiful Flor (Paz Vega) to be their maid, their already rocky relationship faces some even bigger boulders. Spanish-speaking Flor is a sincere, loving single mother whose daughter, Christina (Shelbie Bruce), receives lavish displays of affection from Deborah. Meanwhile, Deborah neglects her own son and daughter in much the same way that her self-absorbed, alcoholic mother, Evelyn (Cloris Leachman), neglected her. Eventually Deborah crosses a line when she betrays her husband with the real estate broker who is helping her search for a beach house. Faced with this challenge, John and Flor, who share a clear attraction to one another, get the chance to explore their feelings. Brooks populates his film with wholly believable characters. On first glance they may seem like broad caricatures (especially in the case of the roles played by Leoni and Leachman), but the characters subvert viewers' expectations by turning into full-fledged, three-dimensional humans by the end of the film. As in PUNCH-DRUNK LOVE, Sandler delivers a performance that shows his wide range of talent.

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The science fiction series OUTER LIMITS had a brief run of only two seasons in the 1960s, but its influence on television is undeniable. Its huge cult following would eventually spawn a new OUTER LIMITS series in the 1990s. This collection comprises the second season of the original series and includes guest stars such as Ted Knight, James Shigeta, Robert Duvall, June Havoc, William Shatner, and many other recognizable faces. This third volume presents another set of episodes.

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It's a return to the classic disaster films of yore in this modest-budgeted thriller that combines a train wreck, flooding, and an earthquake. When an L.A. subway train becomes trapped underground during an earthquake, the tunnels begin to fill with water. Racing against the clock, a subway worker (Ted McGinley) tries to find a way to save himself and the passengers on the train.

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ANGER MANAGEMENT, directed by Peter Segal, looks into the life of Dave Buznik (Adam Sandler), an executive assistant at a pet clothing company. The mild-mannered but overly passive Dave is in love with his girlfriend, Linda (Marisa Tomei), yet his anxious personality keeps him from taking things further, both in their relationship and in his career. However, Dave's life takes a strange turn when he is wrongly accused of "air rage" on a flight and sentenced to mandatory anger management classes. Eccentric anger guru Buddy Rydell (Jack Nicholson) becomes Dave's therapist, but when Buddy abruptly moves in with Dave, the doctor-patient relationship takes an unusual turn. AS GOOD AS IT GETS: Acerbic and outwardly despicable pulp novelist Melvin Udall lives in a haze of obsessive-compulsive behavior patterns, avoiding cracks in the sidewalk and rigidly adhering to his regimen of daily breakfasts in the cafe where harried single mom Carol Connelly (Helen Hunt) is the only waitress he'll accept. But his ordered, hermetic world falls apart when his neighbor, a gay painter, needs a babysitter for his cherished dog--and only his long-time nemesis Melvin will do. Then, when the waitress's son's serious illness keeps her from work, Melvin realizes how much he needs her after all. James L. Brooks' feel-good comedy garnered 7 Academy Award Nominations, including Best Supporting Actor--Greg Kinnear, Best Film Editing, Best Original Score (Musical/Comedy), and Best Screenplay Written Directly for the Screen. Academy Awards: Best Actor--Jack Nicholson and Best Actress--Helen Hunt.

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SPANGLISH centers on celebrated chef John Clasky (Adam Sandler), who is the patriarch of his household, while his wife's volatile mood swings are what really run the show. When the Claskys hire the beautiful Flor (Paz Vega) to be their maid, their already rocky relationship faces some even bigger boulders. Spanish-speaking Flor is a sincere, loving single mother whose daughter, Christina (Shelbie Bruce), receives lavish displays of affection from Deborah. Meanwhile, Deborah neglects her own son and daughter in much the same way that her self-absorbed, alcoholic mother, Evelyn (Cloris Leachman), neglected her. Eventually Deborah crosses a line when she betrays her husband with the real estate broker who is helping her search for a beach house. Faced with this challenge, John and Flor, who share a clear attraction to one another, get the chance to explore their feelings. 50 FIRST DATES: Scatological and sentimental, satirical and sincere, 50 FIRST DATES pairs Adam Sandler with Drew Barrymore in this romantic comedy about the power of love and short-term memory loss in Hawaii. Henry Roth (Sandler), the local marina veterinarian, only dates tourists because he's afraid of commitment--that is, until he meets Lucy (Barrymore). Unfortunately, Lucy lost her short-term memory months ago in a car accident, and for her, each day is October the 13th. She follows the same routine every day--breakfast at the same restaurant, pineapple-picking with her dad, and eventually bed time, where sleep wipes away her short-term memory. Henry, however, refuses to be forgotten, and as his puppy love matures, he embarks on a quest to restore her memory, or at least be a part of her everyday routine. But vying for Lucy's attention isn't always easy. Sandler explores various neophytic approaches before making a video for Lucy to watch every morning, reminding her of who she is and what she's doing. The film includes a trademark Sandler ballad as Henry serenades Lucy with his ukulele and a series of familiar salacious puns. Rob Schneider plays Henry's best friend, a goofy native stoner whose physical hijinks earn numerous laughs, and a cameo by Dan Akroyd as Lucy's doctor rounds out the cast.

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Ryan Reynolds and a bevy of excellent actresses star in this smart and touching romantic comedy about a little girl trying to understand her father's complicated history with women. Will Hayes (Reynolds) is in the midst of a divorce, and his 11-year-old daughter Maya (Abigail Breslin) wants to understand what went wrong with her parents' relationship. She begs her father to tell her the entire story of how he met her mother. Will begrudgingly agrees, but changes the names of everyone involved, leaving it up to Maya to decipher who in the story is her mother. Thus Will begins his tale, weaving a romantic and amusing maze of missed connections and bad timing with the likes of three beautiful women: Summer (Rachel Weisz), April (Isla Fisher), and Emily (Elizabeth Banks). Will bounces from relationship to relationship, misunderstandings and confusion thwarting him every step of the way. Who will he end up with? Which woman is ultimately right for him? The film keeps Maya and the viewer guessing right until the very end, with a bittersweet but ultimately triumphant surprise twist tying it all together. Reynolds has long outgrown his VAN WILDER days, and does an excellent job of holding his own with the talented Fisher, Weisz, and Banks. The film is certainly a stand-out from the current crop of romantic comedies, in that the women are intelligent, well-drawn characters, and the relationships are painted with a funny, but realistic eye. And blessedly, it doesn't end with the standard blowout wedding that has become the hallmark of such films. DEFINITELY, MAYBE is a smart and sexy take on the complexities of love, and still manages to be kid friendly, while sending a very positive, honest message to children of divorce.

starting at

$20
 
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This live broadcast was recorded following President Bush's third primetime speech. Joining Charlie from Washington are Adam Nagourney and David Brooks of The New York Times, and Ken Duberstein, former White House chief of staff for President Reagan....
 
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An hour with actor Adam Sandler and director James L. Brooks. Their new film is Spanglish, a story of colliding cultures in Los Angeles. This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.
 
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This live broadcast was recorded following President Bush's third primetime speech. Joining Charlie from Washington are Adam Nagourney and David Brooks of The New York Times, and Ken Duberstein, former White House chief of staff for President Reagan....
 
store rating:
  • product
An hour with actor Adam Sandler and director James L. Brooks. Their new film is Spanglish, a story of colliding cultures in Los Angeles. This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.
 
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A discussion about politics after the Iowa Caucuses with David Brooks of The New York Times, Adam Nagourney of The New York Times, Paul Begala of CNN and Lylah Holmes of Columbia University Graduate School of Journalism. This product is manufactured on...
 
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Included in this product is a collegiate highlight DVD featuring several of the incoming new players and superstars on the team, such as DE Chris Long, WR Brooks Foster, QB Brock Berlin, DT Adam Carriker, DT Clifton Ryan, CB Jonathan Wade, CB Tye Hill,...
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