Adam goldberg in DVDs & Videos

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Director Steven Spielberg's World War II tour de force chronicles the journey of a GI squad on a dangerous mission behind enemy lines. Led by Captain John Miller (Tom Hanks), the unit is under orders to track down a soldier, Private Ryan (Matt Damon), so he might return home to his mother in America, where she is grieving the unimaginable loss of her three other sons to the war. The first unforgettable 20 minutes of SAVING PRIVATE RYAN realistically and horrifically depicts the Normandy invasion as Miller. his second-in-command, Sergeant Horvath (Tom Sizemore), and the others in the unit land at Omaha Beach. Before the film began shooting, Hanks and the actors in his squad went through a one-week boot camp in the woods. All the actors, except Hanks, wanted to quit, but Hanks rallied their spirits by reminding them of the incredible tribulations endured by the real veterans of World War II. Production designer Tom Sanders found a beach in Ireland that perfectly matched the landscape of Normandy's. Spielberg gave great credit to the Irish army who helped re-create the Omaha Beach scenes.

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Robert Altman's adaptation of Michael Tolkin's novel gives the notorious director a chance to address perhaps his greatest nemesis: the Hollywood studio system. Disguised as a thriller, the film assembles virtually every famous actor in Hollywood to create an exhilarating blend of real life and fiction. Tim Robbins plays Griffin Mill, a studio executive who begins to fear for his job when upstart Larry Levy's (Peter Gallagher) name becomes a hot topic on the lot. After receiving threatening postcards from an unidentified writer, Griffin tracks down David Kahane (Vincent D'Onofrio), who he thinks is the guilty party. The two argue, with disastrous results. Later, as Griffin struggles to keep his job while trying to distance himself from the law, he finds himself falling in love with Kahane's mysterious girlfriend (Greta Scacchi). THE PLAYER is a vicious satire that exposes the Hollywood industry as fraudulent, weak, and shallow. Altman's film also sends up both the noir genre and filmmaking technique, the latter notably in an extended opening shot which is a sprawling one-take that covers the studio's entire lot and features a series of hysterical pitches by actual screenwriters, including Buck Henry offering forth on his concept for THE GRADUATE 2. Bitter and electric, THE PLAYER ends on an ironic upbeat note that perfectly concludes a stellar picture.

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Director Steven Spielberg's World War II tour de force chronicles the journey of a GI squad on a dangerous mission behind enemy lines. Led by Captain John Miller (Tom Hanks), the unit is under orders to track down a soldier, Private Ryan (Matt Damon), so he might return home to his mother in America, where she is grieving the unimaginable loss of her three other sons to the war. The first unforgettable 20 minutes of SAVING PRIVATE RYAN realistically and horrifically depicts the Normandy invasion as Miller. his second-in-command, Sergeant Horvath (Tom Sizemore), and the others in the unit land at Omaha Beach. Before the film began shooting, Hanks and the actors in his squad went through a one-week boot camp in the woods. All the actors, except Hanks, wanted to quit, but Hanks rallied their spirits by reminding them of the incredible tribulations endured by the real veterans of World War II. Production designer Tom Sanders found a beach in Ireland that perfectly matched the landscape of Normandy's. Spielberg gave great credit to the Irish army who helped re-create the Omaha Beach scenes.

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Director Ron Howard delivers his finest effort with his extraordinary film, A BEAUTIFUL MIND, which won the Academy Award for Best Picture in 2001. Based loosely on Sylvia Nasar's acclaimed biography of mathematician John Forbes Nash, the film is a compelling look at one man's genius, his debilitating mental illness, and the fine line between the two. A BEAUTIFUL MIND begins with Nash (Russell Crowe) at Princeton, where he struggles to think of an original idea, and the stroke of genius that will make him matter. Nash is eccentric, socially awkward, and extremely competitive. Eventually, he finds the inspiration for his innovative and influential work on game theory. He's chosen for a post at MIT, which includes crucial code-breaking work for the US government. There, he meets a beautiful and brilliant student, Alicia (Jennifer Connelly). They marry but their happiness is threatened, as Nash, belatedly diagnosed as schizophrenic, descends into madness. Screenwriter Akiva Goldsman cannily condenses Nash's story, and the film manages to dramatize both Nash's mathematical brilliance and his schizophrenia in a compellingly visual manner. Crowe delivers a strong performance, and has real chemistry with Connelly. The two make the film's story about the power of love believable and moving.

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Caught up in the permanent nighttime of the habitual methamphetamine user, Danny Parker (Val Kilmer) and his friends close the curtains so they can't tell what time of day it is. But while his associates revel in their highs, Danny is haunted by his previous life as Tom Van Allen, a trumpet player who lost his wife (Chandra West) in the crossfire of a shoot out. In an effort to find his wife's killer, Tom became a police informant, adopting a heavily-tattooed disguise. When he discovers that a Mexican drug lord has put a hit out on him, Danny decides to pull one last score--unfortunately involving Pooh-Bear (Vincent D'Onofrio), a childlike kingpin with a penchant for torture and a yawning void where his nose once was. D.J. Caruso's debut is a beautifully photographed punk-noir set against the backdrop of a gang of speed freaks in contemporary L.A. Opening with a brief history of methamphetamine, THE SALTON SEA immediately establishes an original tone for its kaleidoscopic tour through well-traveled territory. Taking its cue from the wave of mid-1990s crime films, the script by Tony Gayton (MURDER BY NUMBERS) delivers the usual doses of hip "gallows" humor, but also infuses the proceedings with dollops of pain and loss, often shifting the tone to that of the more soulful, responsible crime films of the 1970s.

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Director Ron Howard delivers his finest effort with his extraordinary film, A BEAUTIFUL MIND, which won the Academy Award for Best Picture in 2001. Based loosely on Sylvia Nasar's acclaimed biography of mathematician John Forbes Nash, the film is a compelling look at one man's genius, his debilitating mental illness, and the fine line between the two. A BEAUTIFUL MIND begins with Nash (Russell Crowe) at Princeton, where he struggles to think of an original idea, and the stroke of genius that will make him matter. Nash is eccentric, socially awkward, and extremely competitive. Eventually, he finds the inspiration for his innovative and influential work on game theory. He's chosen for a post at MIT, which includes crucial code-breaking work for the US government. There, he meets a beautiful and brilliant student, Alicia (Jennifer Connelly). They marry but their happiness is threatened, as Nash, belatedly diagnosed as schizophrenic, descends into madness. Screenwriter Akiva Goldsman cannily condenses Nash's story, and the film manages to dramatize both Nash's mathematical brilliance and his schizophrenia in a compellingly visual manner. Crowe delivers a strong performance, and has real chemistry with Connelly. The two make the film's story about the power of love believable and moving.

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$5
 

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Director Richard Linklater presents this computer-animated, dreamlike, meandering film about a college-age man (Wiley Wiggins) who floats in and out of a series of philosophical discussions and ethereal experiences, meeting an interesting cast of characters along the way. Each character that Wiley meets engages him in an existential discussion. Wiley listens, observes, and occasionally responds. Then he glumly shuffles off to his next encounter. At times, he wakes up in his bed and rubs his eyes, appearing to start a new day. But eventually viewers learn that Wiley is dreaming throughout the film, and is trying to learn to control his dreams--and accomplish lucid dreaming, or simply wake up. Visually, WAKING LIFE is nothing short of fantastic. Linklater stays true to his Indie style--jerky camera, drifting gaze, and steady head shots that allow non-actors to talk straight into the camera. To achieve the floating feeling of the dream sequences, he first tried taking aerial shots from a helicopter, then opted for the smoother effect of a hot air balloon. He shot the film on digital video, edited it, then called on 30 animators to finish it. The characters in the film move and gesticulate like live action, but they are animated with odd color schemes and surreal lines that make them cartoony caricatures. WAKING LIFE is a superb work that should be applauded for its atmospheric elements (lovely images of New York and Austin), its amusing bohemian dialogues, and its unique animation.

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The achingly hip I LOVE YOUR WORK arrives with trappings familiar to any keen-eyed independent film fan. With a cast that includes Giovanni Ribisi (LOST IN TRANSLATION) and Franke Potente (RUN LOLA RUN), a big-star-in-a-cameo-role appearance (in this case, Vince Vaughn), and the by now obligatory roles for people you wouldn't expect to see in such a movie (Jason Lee, Elvis Costello), Adam Goldberg's debut feature is positively dripping in cool, and he seems to have looked up every contact in his Rolodex for I LOVE YOUR WORK--even calling on the Flaming Lips' Steven Drozd to carve out a few songs for the soundtrack. Ribisi stars as Gray Evans, a hip movie star who--between endless loft parties and frolics with his wife Mia Lang (Potente)--worries he is being stalked. Grappling with dreams about an ex-girlfriend (played by Christina Ricci) and obsessed with a young filmmaker, John (Joshua Jackson), who reminds Gray of his pre-fame self, he hires an investigator (Jared Harris) to help calm his insecurities. After setting out his stall, Goldberg subsequently takes his audience on a disquieting thrill-ride through Gray's life, beautifully capturing the preternatural world he inhabits. As Gray becomes more and more obsessed with John and John's girlfriend, Jane (Marisa Coughlan), Goldberg steers the movie into bizzaro-world, with hints of work by directors such as David Lynch coming thick and fast. While Goldberg's film playfully struggles to reflect the dizzy confusion of its chief protagonist, story threads are left dangling, and the audience are made to do a lot of work; but it's a rewarding experience for those who are willing to delve into this excellent meditation on celebrity culture at the dawn of the 21st century.

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Director Ron Howard delivers his finest effort with his extraordinary film, A BEAUTIFUL MIND, which won the Academy Award for Best Picture in 2001. Based loosely on Sylvia Nasar's acclaimed biography of mathematician John Forbes Nash, the film is a compelling look at one man's genius, his debilitating mental illness, and the fine line between the two. A BEAUTIFUL MIND begins with Nash (Russell Crowe) at Princeton, where he struggles to think of an original idea, and the stroke of genius that will make him matter. Nash is eccentric, socially awkward, and extremely competitive. Eventually, he finds the inspiration for his innovative and influential work on game theory. He's chosen for a post at MIT, which includes crucial code-breaking work for the US government. There, he meets a beautiful and brilliant student, Alicia (Jennifer Connelly). They marry but their happiness is threatened, as Nash, belatedly diagnosed as schizophrenic, descends into madness. Screenwriter Akiva Goldsman cannily condenses Nash's story, and the film manages to dramatize both Nash's mathematical brilliance and his schizophrenia in a compellingly visual manner. Crowe delivers a strong performance, and has real chemistry with Connelly. The two make the film's story about the power of love believable and moving.

starting at

$4
 

starting at

$10
  • product
Director Ron Howard delivers his finest effort with his extraordinary film, A BEAUTIFUL MIND, which won the Academy Award for Best Picture in 2001. Based loosely on Sylvia Nasar's acclaimed biography of mathematician John Forbes Nash, the film is a compelling look at one man's genius, his debilitating mental illness, and the fine line between the two. A BEAUTIFUL MIND begins with Nash (Russell Crowe) at Princeton, where he struggles to think of an original idea, and the stroke of genius that will make him matter. Nash is eccentric, socially awkward, and extremely competitive. Eventually, he finds the inspiration for his innovative and influential work on game theory. He's chosen for a post at MIT, which includes crucial code-breaking work for the US government. There, he meets a beautiful and brilliant student, Alicia (Jennifer Connelly). They marry but their happiness is threatened, as Nash, belatedly diagnosed as schizophrenic, descends into madness. Screenwriter Akiva Goldsman cannily condenses Nash's story, and the film manages to dramatize both Nash's mathematical brilliance and his schizophrenia in a compellingly visual manner. Crowe delivers a strong performance, and has real chemistry with Connelly. The two make the film's story about the power of love believable and moving.

starting at

$10
 

starting at

$11
  • product
Director Steven Spielberg's World War II tour de force chronicles the journey of a GI squad on a dangerous mission behind enemy lines. Led by Captain John Miller (Tom Hanks), the unit is under orders to track down a soldier, Private Ryan (Matt Damon), so he might return home to his mother in America, where she is grieving the unimaginable loss of her three other sons to the war. The first unforgettable 20 minutes of SAVING PRIVATE RYAN realistically and horrifically depicts the Normandy invasion as Miller. his second-in-command, Sergeant Horvath (Tom Sizemore), and the others in the unit land at Omaha Beach. Before the film began shooting, Hanks and the actors in his squad went through a one-week boot camp in the woods. All the actors, except Hanks, wanted to quit, but Hanks rallied their spirits by reminding them of the incredible tribulations endured by the real veterans of World War II. Production designer Tom Sanders found a beach in Ireland that perfectly matched the landscape of Normandy's. Spielberg gave great credit to the Irish army who helped re-create the Omaha Beach scenes.

starting at

$11
 

starting at

$17
  • product
Richard Linklater's DAZED AND CONFUSED takes a hysterical, nostalgic cross-clique look at high school social development. On the last day of school in May 1976, students at a suburban Texas high school wait, lackadaisically, for classes to end. The restless almost-seniors--an eclectic group of stone-heads, fraternal jocks, and snobby sorority girls--can't wait to haze the incoming freshman, an annual event as harrowing for freshman boys as it is humiliating for girls. Amidst this teenage wasteland of drugs, partying, and rock and roll is football star Pink (Jason London), who saves scrawny pre-frosh Mitch (Wiley Wiggins) from being paddled to oblivion by upper-classmates. But Pink has his own battles: he's struggling over the head coach's demand that football players sign a pledge to abstain from sex and all psychoactive substances. When a wild end-of-the-year party is cancelled, the students end up congregating at a beer-blast in the back woods, organized by aging hang-about Wooderson (Matthew McConaughey). In the same way that George Lucas assembled a cast of fresh young faces for AMERICAN GRAFFITI, Linklater here creates an unforgettable cast of characters that are immediately familiar to anyone who has ever been through high school.

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$17
 

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THE HEBREW HAMMER is a holiday movie that is most definitely not for kids. Adam Goldberg stars as Mordechai Jefferson Carver, also known as the Hebrew Hammer, a private detective who has an overbearing mother (Nora Dunn) and a propensity to whine when things get difficult. He is hired by Bloomenbergensteinthal (Peter Coyote), chief of the Jewish Justice League, to prevent Damian Claus (Andy Dick) from killing Hanukkah. The Semitic Stallion seeks out help in the form of the Kwanzaa Liberation Front, headed by Mohammed Ali (Mario Van Peebles in a great afro), while also falling for the JJL chief's daughter, Esther (Judy Greer). Damian, who has his father brutally murdered by reindeer, Santa (Richard Riehle), is supported by his right-hand man, low-grade hood Tiny Tim (Sean Whalen). It's hard to tell which side Jamal is on--but this foul-mouthed decadent elf is played by Tony Cox, who handles a similar role in the later BAD SANTA. The ultimate battle between good and evil awaits in this riotous Jewxploitation film that never met a stereotype or offensive joke it didn't like. Writer-director Jonathan Kesselman's debut feature film pays homage to SHAFT, SWEET SWEETBACK'S BAADASSSS SONG, and other blaxploitation favorites, filled with shootouts, curses, and sex, so leave the children at home. But don't look away for a second or you'll miss another groan-inducing hysterical joke or funny cameo. And the theme song, a takeoff on Isaac Hayes's theme from SHAFT, is a classic.

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This contemporary romantic comedy perfectly captures the fears, foibles, and confusion facing modern twentysomethings looking for love. Eli (Dan Bucantinsky) and Tom (Richard Ruccolo) are complete opposites, set up by their two straight best friends, Jackie (Sasha Alexander) and Brett (Adam Goldberg). Opposites attract in this charming romantic tale, but not without a very bumpy ride. Eli and his sister (Christina Ricci) are the products of therapist parents who over-express, over-analyze and idealize love. Opposite from Eli, Tom is a detached, promiscuous alcoholic unable to express the slightest emotion. The two share a night of physical attraction but after constant bickering they quickly conclude that they cannot have a meaningful relationship. Despite a few chance encounters, the seemingly polar opposites quickly fall back into their single routines: Eli hits therapy and Tom hits the bars. Meanwhile, a blooming relationship and subsequent engagement between Jackie and Brett forces the estranged Eli and Tom to face one another. ALL OVER THE GUY is a charming romantic comedy packed with witty dialogue from costar and screenwriter Bucantinsky, and featuring a star-studded supporting cast that includes Lisa Kudrow, Christina Ricci, Joanna Kerns, and Andrea Martin.

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Richard Linklater's DAZED AND CONFUSED takes a hysterical, nostalgic cross-clique look at high school social development. On the last day of school in May 1976, students at a suburban Texas high school wait, lackadaisically, for classes to end. The restless almost-seniors--an eclectic group of stone-heads, fraternal jocks, and snobby sorority girls--can't wait to haze the incoming freshman, an annual event as harrowing for freshman boys as it is humiliating for girls. Amidst this teenage wasteland of drugs, partying, and rock and roll is football star Pink (Jason London), who saves scrawny pre-frosh Mitch (Wiley Wiggins) from being paddled to oblivion by upper-classmates. But Pink has his own battles: he's struggling over the head coach's demand that football players sign a pledge to abstain from sex and all psychoactive substances. When a wild end-of-the-year party is cancelled, the students end up congregating at a beer-blast in the back woods, organized by aging hang-about Wooderson (Matthew McConaughey). In the same way that George Lucas assembled a cast of fresh young faces for AMERICAN GRAFFITI, Linklater here creates an unforgettable cast of characters that are immediately familiar to anyone who has ever been through high school.

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$6
 

starting at

$3
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After his Los apartment is robbed, selfish hedonist Rick (Jake Busey) flies off the handle and leaves behind his loyal girlfriend Tamara (Natasha Lyonne) and his best friend Jack (Adam Goldberg) in favor of a hedonistic road trip. He begins in Los Angeles, where he acquires a sidekick in the more reserved Jules (Crispin Glover). In Palm Springs, he has spends a brief, educational experience with his favorite porn star, Ginger (Jennifer Tilly). Through various intoxicating beverages and substances, Rick and Jules learn a little bit about themselves, their lives, and each other. Based on the 1993 novel by Bruce Craven, who co-wrote the screenplay.

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A normal video store clerk, Ed (McConaughey), doesn't realize what he's getting himself into when he allows a television executive (DeGeneres) to begin filming his life 24 hours a day. The resulting media circus makes for an entertaining social commentary about how important (and, perhaps, detrimental) an issue television has become in our lives.

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Ben Affleck stars in this lighthearted comedy as Jack, a slick Hollywood agent with his work all in line but his personal life in shambles. When he signs up for a self-help course, his colleague gets wind of it, and he finds his attempts at self-improvement are the source of the world's laughter. Directed by Mike Binder, MAN ABOUT TOWN also stars Rebecca Romijn and John Cleese.

starting at

$5
 

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$5
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Richard Linklater's DAZED AND CONFUSED takes a hysterical, nostalgic cross-clique look at high school social development. On the last day of school in May 1976, students at a suburban Texas high school wait, lackadaisically, for classes to end. The restless almost-seniors--an eclectic group of stone-heads, fraternal jocks, and snobby sorority girls--can't wait to haze the incoming freshman, an annual event as harrowing for freshman boys as it is humiliating for girls. Amidst this teenage wasteland of drugs, partying, and rock and roll is football star Pink (Jason London), who saves scrawny pre-frosh Mitch (Wiley Wiggins) from being paddled to oblivion by upper-classmates. But Pink has his own battles: he's struggling over the head coach's demand that football players sign a pledge to abstain from sex and all psychoactive substances. When a wild end-of-the-year party is cancelled, the students end up congregating at a beer-blast in the back woods, organized by aging hang-about Wooderson (Matthew McConaughey). In the same way that George Lucas assembled a cast of fresh young faces for AMERICAN GRAFFITI, Linklater here creates an unforgettable cast of characters that are immediately familiar to anyone who has ever been through high school.

starting at

$5
 

starting at

$6
  • product
Julie Delpy's breezily hilarious feature follows French-born Marion (Delpy) and Jack (Adam Goldberg), her American boyfriend (of two years), on a two-day stop through Paris, where Marion has purchased a tiny apartment one floor up from her rowdy, eccentric parents (played with great ability by Delpy's actual parents). Just passing through after an Italian getaway, the lovebirds are unprepared for the many relationship tests soon thrown their way in the notoriously romantic city. Avoiding the metro on account of Jack's terrorism fears, the couple treks about the city by foot and cabs, getting into several vicious brawls with French cabbies, waiters, and a string of men from Marion's past. When Jack discovers how many of Marion's so called "friends" she used to be intimate with, the trip becomes overshadowed by paranoia. This suspicion would be easy to brush off if only Jack spoke the language, or if all of Marion's exes didn't insist on multiplying. Delpy, who penned, directed, and stars in the feature, has created a truly charming film. Thanks to clever writing and great chemistry, Delpy and Goldberg's onscreen relationship feels completely natural and genuine. Delpy saves her characters from being too precious by balancing their entertaining dialogue with human flaws. Though a story with this premise could easily veer off into a typical culture clash comedy, 2 DAYS IN PARIS moves past that to explore the problems of relationships at large in a lyrical way. While in the same general vein of the classic talk-heavy Richard Linklater film BEFORE SUNRISE, 2 DAYS IN PARIS has more in common with the film's somber 2004 sequel, BEFORE SUNSET (which Delpy co-wrote). That said, the film counters its thoughtful scenes with lighthearted ones, so it never becomes contrived or bogged down. Like BEFORE SUNSET, 2 DAYS BEFORE PARIS leads up to a whimsical conclusion which is beautiful in its simplicity. The film pulls off what Marion, a photographer, struggles with throughout, torn between the compulsion to capture a moment on film while desiring to be really in the moment itself.

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