Amber heard amber in DVDs & Videos

Description:

There's no eye-gouging, no biting, and no crotch shots allowed, but everything else goes in NEVER BACK DOWN, an invigorating high school sports/ultimate backyard fighting hybrid. Sean Faris plays Jake, the new kid (with a troubled past) who butts heads with rich alpha-male bully Ryan (Cam Gigandet, channeling Brad Pitt in FIGHT CLUB) at Miami High. Amber Heard plays Baja, the hot blonde who tricks Jake into attending a combination pool party/fight club held at Ryan's MTV cribs-style mansion. Jake doesn't want to fight at first but gets goaded into a blind rage and then gets his butt kicked. Enter Djimon Hounsou as the local fighting instructor who teaches Jake some self-discipline (and how to throw a cement block at the camera from 30 paces). Director Jeff Wadlow clearly harbors nostalgia for the halcyon days of TOP GUN and FLASHDANCE; the emo-rock-scored training montages flow as free as Baja's blonde hair during her frequent slow-motion walks down the hall. Jake even has a wisecracking slacker cameraman sidekick (Evan Peters) who uploads all the fights to the internet. Concerned parents will be glad to know there's not much drinking or kissing, and no matter how hard the punches and roundhouse kicks may be, everybody gets to keep their teeth. Special acting shout-out to Wyatt Smith as Jake's tennis-prodigy kid brother and Leslie Hope as their stressed-out single mom.

Description:

There's no eye-gouging, no biting, and no crotch shots allowed, but everything else goes in NEVER BACK DOWN, an invigorating high school sports/ultimate backyard fighting hybrid. Sean Faris plays Jake, the new kid (with a troubled past) who butts heads with rich alpha-male bully Ryan (Cam Gigandet, channeling Brad Pitt in FIGHT CLUB) at Miami High. Amber Heard plays Baja, the hot blonde who tricks Jake into attending a combination pool party/fight club held at Ryan's MTV cribs-style mansion. Jake doesn't want to fight at first but gets goaded into a blind rage and then gets his butt kicked. Enter Djimon Hounsou as the local fighting instructor who teaches Jake some self-discipline (and how to throw a cement block at the camera from 30 paces). Director Jeff Wadlow clearly harbors nostalgia for the halcyon days of TOP GUN and FLASHDANCE; the emo-rock-scored training montages flow as free as Baja's blonde hair during her frequent slow-motion walks down the hall. Jake even has a wisecracking slacker cameraman sidekick (Evan Peters) who uploads all the fights to the internet. Concerned parents will be glad to know there's not much drinking or kissing, and no matter how hard the punches and roundhouse kicks may be, everybody gets to keep their teeth. Special acting shout-out to Wyatt Smith as Jake's tennis-prodigy kid brother and Leslie Hope as their stressed-out single mom.

Description:

There's no eye-gouging, no biting, and no crotch shots allowed, but everything else goes in NEVER BACK DOWN, an invigorating high school sports/ultimate backyard fighting hybrid. Sean Faris plays Jake, the new kid (with a troubled past) who butts heads with rich alpha-male bully Ryan (Cam Gigandet, channeling Brad Pitt in FIGHT CLUB) at Miami High. Amber Heard plays Baja, the hot blonde who tricks Jake into attending a combination pool party/fight club held at Ryan's MTV cribs-style mansion. Jake doesn't want to fight at first but gets goaded into a blind rage and then gets his butt kicked. Enter Djimon Hounsou as the local fighting instructor who teaches Jake some self-discipline (and how to throw a cement block at the camera from 30 paces). Director Jeff Wadlow clearly harbors nostalgia for the halcyon days of TOP GUN and FLASHDANCE; the emo-rock-scored training montages flow as free as Baja's blonde hair during her frequent slow-motion walks down the hall. Jake even has a wisecracking slacker cameraman sidekick (Evan Peters) who uploads all the fights to the internet. Concerned parents will be glad to know there's not much drinking or kissing, and no matter how hard the punches and roundhouse kicks may be, everybody gets to keep their teeth. Special acting shout-out to Wyatt Smith as Jake's tennis-prodigy kid brother and Leslie Hope as their stressed-out single mom.

Description:

The first film based on a book by postmodern transgressor Bret Easton Ellis to also count the author?s name among its screenwriting credits, THE INFORMERS is lit with a cold, cologne-commercial sheen not unlike the one that charged AMERICAN PSYCHO (2000) with a sensation of sharp disconnect. But rather than an absurdist satire (an approach that director Gregor Jordan rejected by excising the original script?s vampire subplot and oddly lighthearted tone), this sprawlingly dreamlike drama is an interlinking-narrative mosaic about (mostly) young and rich lost-soul Californians who, tragically, barely register as they struggle below a thick layer of decadent superficiality in the mid-1980s. That it?s closer in mood and subject matter to the early Ellis adaptation LESS THAN ZERO (1987) than to such later interpretations as PSYCHO might be a reflection of the source material, a collection of short stories that Ellis wrote in college a full decade before they were published in 1994. THE INFORMERS?s ensemble cast consists of the up-and-comers (Jon Foster, Lou Taylor Pucci) that populate the cadre of fair-haired kids who sleep with each other to vainly suppress their depression, and, as the broken adults who surround them, a bevy of veteran actors known for riding the line between character performer and movie star (Billy Bob Thornton, Mickey Rourke, Kim Basinger). From both camps come characters whose buried longings and heartbreaking battles with morality only flicker and occasional twist just below their dead gazes. Brad Renfro is an exception, however, as a compromised hotel doorman--the addled heart he wears on his sleeve leads to a lonely redemption. Something similar can be said about the not-quite-so-noble Informers frontman Brian Metro (Mel Raido): as the British rock star tours California, his tortured hotel-room debauchery sends a cascade of strangely galvanizing sadness over the movie?s adjacent storylines.

Description:

The first film based on a book by postmodern transgressor Bret Easton Ellis to also count the author?s name among its screenwriting credits, THE INFORMERS is lit with a cold, cologne-commercial sheen not unlike the one that charged AMERICAN PSYCHO (2000) with a sensation of sharp disconnect. But rather than an absurdist satire (an approach that director Gregor Jordan rejected by excising the original script?s vampire subplot and oddly lighthearted tone), this sprawlingly dreamlike drama is an interlinking-narrative mosaic about (mostly) young and rich lost-soul Californians who, tragically, barely register as they struggle below a thick layer of decadent superficiality in the mid-1980s. That it?s closer in mood and subject matter to the early Ellis adaptation LESS THAN ZERO (1987) than to such later interpretations as PSYCHO might be a reflection of the source material, a collection of short stories that Ellis wrote in college a full decade before they were published in 1994. THE INFORMERS?s ensemble cast consists of the up-and-comers (Jon Foster, Lou Taylor Pucci) that populate the cadre of fair-haired kids who sleep with each other to vainly suppress their depression, and, as the broken adults who surround them, a bevy of veteran actors known for riding the line between character performer and movie star (Billy Bob Thornton, Mickey Rourke, Kim Basinger). From both camps come characters whose buried longings and heartbreaking battles with morality only flicker and occasional twist just below their dead gazes. Brad Renfro is an exception, however, as a compromised hotel doorman--the addled heart he wears on his sleeve leads to a lonely redemption. Something similar can be said about the not-quite-so-noble Informers frontman Brian Metro (Mel Raido): as the British rock star tours California, his tortured hotel-room debauchery sends a cascade of strangely galvanizing sadness over the movie?s adjacent storylines.

Description:

In 1646 an amazing drug was in circulation that enhanced the sexual experience to amazing proportions. However, a disturbing number of blood-drained corpses began to turn up, and the Church discovered that the "orgasm drug" had some disturbing side effects. Under it's influence, people were driven to drink human blood, and turned into animals, so the Church effectively rid the world of the drug and it's resultant vampires--or so it was thought. Now, the modern-day college party scene is buzzing with word of this powerful stimulant, but its dark side effects remain unknown. How many young people will have to die before the drug's true nature is discovered?

Description:

This end-of-the millennium comedy boasts a quartet of young talents: Amber Heard (NEVER BACK DOWN), Alexa Vega (SLEEPOVER), Leighton Meester (GOSSIP GIRLS), and Melonie Diaz (BE KIND REWIND). These girls in the class of 1999 are just about to graduate, but they don't intend on waiting for college to cut loose, as drugs and sex beckon. Their futures and the year 2000 loom, but in the meantime, there are keg stands and hookups to be done.

Description:

Amber Heard stars in this teen horror romp as Mandy Lane, a plain girl whose summertime metamorphosis into a hottie gets her invited away for the weekend with the popular kids. Once in the isolated location, the teens start dissapearing one by one.

Description:

Jake (Sean Faris) is the new kid in school. When a beautiful girl (Amber Heard) befriends him, Jake thinks he's set. But instead, her fight-club boyfriend, Ryan (Cam Gigandet), smacks Jake a bloody, black-eyed welcome. Jake then turns to a mixed...

Description:

Jake (Sean Faris) is the new kid in school. When a beautiful girl (Amber Heard) befriends him, Jake thinks he's set. But instead, her fight-club boyfriend, Ryan (Cam Gigandet), smacks Jake a bloody, black-eyed welcome. Jake then turns to a mixed...

Description:

The first film based on a book by postmodern transgressor Bret Easton Ellis to also count the author?s name among its screenwriting credits, THE INFORMERS is lit with a cold, cologne-commercial sheen not unlike the one that charged AMERICAN PSYCHO (2000) with a sensation of sharp disconnect. But rather than an absurdist satire (an approach that director Gregor Jordan rejected by excising the original script?s vampire subplot and oddly lighthearted tone), this sprawlingly dreamlike drama is an interlinking-narrative mosaic about (mostly) young and rich lost-soul Californians who, tragically, barely register as they struggle below a thick layer of decadent superficiality in the mid-1980s. That it?s closer in mood and subject matter to the early Ellis adaptation LESS THAN ZERO (1987) than to such later interpretations as PSYCHO might be a reflection of the source material, a collection of short stories that Ellis wrote in college a full decade before they were published in 1994. THE INFORMERS?s ensemble cast consists of the up-and-comers (Jon Foster, Lou Taylor Pucci) that populate the cadre of fair-haired kids who sleep with each other to vainly suppress their depression, and, as the broken adults who surround them, a bevy of veteran actors known for riding the line between character performer and movie star (Billy Bob Thornton, Mickey Rourke, Kim Basinger). From both camps come characters whose buried longings and heartbreaking battles with morality only flicker and occasional twist just below their dead gazes. Brad Renfro is an exception, however, as a compromised hotel doorman--the addled heart he wears on his sleeve leads to a lonely redemption. Something similar can be said about the not-quite-so-noble Informers frontman Brian Metro (Mel Raido): as the British rock star tours California, his tortured hotel-room debauchery sends a cascade of strangely galvanizing sadness over the movie?s adjacent storylines.

Description:

The first film based on a book by postmodern transgressor Bret Easton Ellis to also count the author?s name among its screenwriting credits, THE INFORMERS is lit with a cold, cologne-commercial sheen not unlike the one that charged AMERICAN PSYCHO (2000) with a sensation of sharp disconnect. But rather than an absurdist satire (an approach that director Gregor Jordan rejected by excising the original script?s vampire subplot and oddly lighthearted tone), this sprawlingly dreamlike drama is an interlinking-narrative mosaic about (mostly) young and rich lost-soul Californians who, tragically, barely register as they struggle below a thick layer of decadent superficiality in the mid-1980s. That it?s closer in mood and subject matter to the early Ellis adaptation LESS THAN ZERO (1987) than to such later interpretations as PSYCHO might be a reflection of the source material, a collection of short stories that Ellis wrote in college a full decade before they were published in 1994. THE INFORMERS?s ensemble cast consists of the up-and-comers (Jon Foster, Lou Taylor Pucci) that populate the cadre of fair-haired kids who sleep with each other to vainly suppress their depression, and, as the broken adults who surround them, a bevy of veteran actors known for riding the line between character performer and movie star (Billy Bob Thornton, Mickey Rourke, Kim Basinger). From both camps come characters whose buried longings and heartbreaking battles with morality only flicker and occasional twist just below their dead gazes. Brad Renfro is an exception, however, as a compromised hotel doorman--the addled heart he wears on his sleeve leads to a lonely redemption. Something similar can be said about the not-quite-so-noble Informers frontman Brian Metro (Mel Raido): as the British rock star tours California, his tortured hotel-room debauchery sends a cascade of strangely galvanizing sadness over the movie?s adjacent storylines.

Description:

There's no eye-gouging, no biting, and no crotch shots allowed, but everything else goes in NEVER BACK DOWN, an invigorating high school sports/ultimate backyard fighting hybrid. Sean Faris plays Jake, the new kid (with a troubled past) who butts heads with rich alpha-male bully Ryan (Cam Gigandet, channeling Brad Pitt in FIGHT CLUB) at Miami High. Amber Heard plays Baja, the hot blonde who tricks Jake into attending a combination pool party/fight club held at Ryan's MTV cribs-style mansion. Jake doesn't want to fight at first but gets goaded into a blind rage and then gets his butt kicked. Enter Djimon Hounsou as the local fighting instructor who teaches Jake some self-discipline (and how to throw a cement block at the camera from 30 paces). Director Jeff Wadlow clearly harbors nostalgia for the halcyon days of TOP GUN and FLASHDANCE; the emo-rock-scored training montages flow as free as Baja's blonde hair during her frequent slow-motion walks down the hall. Jake even has a wisecracking slacker cameraman sidekick (Evan Peters) who uploads all the fights to the internet. Concerned parents will be glad to know there's not much drinking or kissing, and no matter how hard the punches and roundhouse kicks may be, everybody gets to keep their teeth. Special acting shout-out to Wyatt Smith as Jake's tennis-prodigy kid brother and Leslie Hope as their stressed-out single mom.

Description:

There's no eye-gouging, no biting, and no crotch shots allowed, but everything else goes in NEVER BACK DOWN, an invigorating high school sports/ultimate backyard fighting hybrid. Sean Faris plays Jake, the new kid (with a troubled past) who butts heads with rich alpha-male bully Ryan (Cam Gigandet, channeling Brad Pitt in FIGHT CLUB) at Miami High. Amber Heard plays Baja, the hot blonde who tricks Jake into attending a combination pool party/fight club held at Ryan's MTV cribs-style mansion. Jake doesn't want to fight at first but gets goaded into a blind rage and then gets his butt kicked. Enter Djimon Hounsou as the local fighting instructor who teaches Jake some self-discipline (and how to throw a cement block at the camera from 30 paces). Director Jeff Wadlow clearly harbors nostalgia for the halcyon days of TOP GUN and FLASHDANCE; the emo-rock-scored training montages flow as free as Baja's blonde hair during her frequent slow-motion walks down the hall. Jake even has a wisecracking slacker cameraman sidekick (Evan Peters) who uploads all the fights to the internet. Concerned parents will be glad to know there's not much drinking or kissing, and no matter how hard the punches and roundhouse kicks may be, everybody gets to keep their teeth. Special acting shout-out to Wyatt Smith as Jake's tennis-prodigy kid brother and Leslie Hope as their stressed-out single mom.

Description:

There's no eye-gouging, no biting, and no crotch shots allowed, but everything else goes in NEVER BACK DOWN, an invigorating high school sports/ultimate backyard fighting hybrid. Sean Faris plays Jake, the new kid (with a troubled past) who butts heads with rich alpha-male bully Ryan (Cam Gigandet, channeling Brad Pitt in FIGHT CLUB) at Miami High. Amber Heard plays Baja, the hot blonde who tricks Jake into attending a combination pool party/fight club held at Ryan's MTV cribs-style mansion. Jake doesn't want to fight at first but gets goaded into a blind rage and then gets his butt kicked. Enter Djimon Hounsou as the local fighting instructor who teaches Jake some self-discipline (and how to throw a cement block at the camera from 30 paces). Director Jeff Wadlow clearly harbors nostalgia for the halcyon days of TOP GUN and FLASHDANCE; the emo-rock-scored training montages flow as free as Baja's blonde hair during her frequent slow-motion walks down the hall. Jake even has a wisecracking slacker cameraman sidekick (Evan Peters) who uploads all the fights to the internet. Concerned parents will be glad to know there's not much drinking or kissing, and no matter how hard the punches and roundhouse kicks may be, everybody gets to keep their teeth. Special acting shout-out to Wyatt Smith as Jake's tennis-prodigy kid brother and Leslie Hope as their stressed-out single mom.

Description:

In 1646 an amazing drug was in circulation that enhanced the sexual experience to amazing proportions. However, a disturbing number of blood-drained corpses began to turn up, and the Church discovered that the "orgasm drug" had some disturbing side effects. Under it's influence, people were driven to drink human blood, and turned into animals, so the Church effectively rid the world of the drug and it's resultant vampires--or so it was thought. Now, the modern-day college party scene is buzzing with word of this powerful stimulant, but its dark side effects remain unknown. How many young people will have to die before the drug's true nature is discovered?

Description:

A cowardly shut-in named Columbus (Jesse Eisenberg) is forced to join up with a seasoned zombie-slayer named Tallahassee (Woody Harrelson) in order to survive the zombie apocalypse. As Tallahassee sets out on a mission to find the last Twinkie on Earth, the duo meets up with Wichita (Emma Stone) and Little Rock (Abigail Breslin), two young girls who have resorted to some rather unorthodox methods to survive amidst the chaos. Reluctant partners in the battle against the undead, all four soon begin to wonder if it might be better to simply take their chances alone.

Description:

PROM NIGHT director Nelson McCormick tackles another horror remake with this update of the 1987 thriller. This time, it's NIP/TUCK's Dylan Walsh stepping into the sticky shoes of the stepfather, and GOSSIP GIRL's Penn Badgley is the young man who suspects him of murderous malice.

Description:

Amber Heard stars in this teen horror romp as Mandy Lane, a plain girl whose summertime metamorphosis into a hottie gets her invited away for the weekend with the popular kids. Once in the isolated location, the teens start dissapearing one by one.

Description:

This end-of-the millennium comedy boasts a quartet of young talents: Amber Heard (NEVER BACK DOWN), Alexa Vega (SLEEPOVER), Leighton Meester (GOSSIP GIRLS), and Melonie Diaz (BE KIND REWIND). These girls in the class of 1999 are just about to graduate, but they don't intend on waiting for college to cut loose, as drugs and sex beckon. Their futures and the year 2000 loom, but in the meantime, there are keg stands and hookups to be done.