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Robert Zemeckis takes a page right out of Hitchcock and runs with it in the spooky supernatural thriller WHAT LIES BENEATH. Dr. Norman Spencer (Harrison Ford) and his wife, Claire (Michelle Pfeiffer), seem to have the perfect life: a loving marriage, a daughter just entering college, and a beautiful home on the water in Vermont. But what lies beneath this idyllic existence are secrets that will rip everything apart. Dr. Spencer is an award-winning scientist whose work is threatening to consume his life; meanwhile, his wife is trying to deal with empty-nest syndrome now that her beloved daughter has gone off to college. Strange things start happening around the house, and Claire starts believing that the man next door murdered his wife and that the wife is trying to contact her from beyond the grave. Dr. Spencer is worried that Claire needs psychological help; he refuses to believe that their house is haunted. But as more and more dangerous events unfold, a frightening truth threatens to destroy everything. Robert Zemeckis's modern-day ghost story trembles with threatening close-ups, a powerful musical score--and lots of terror. And it does for bathtubs what Alfred Hitchcock did for showers.

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Robert Zemeckis takes a page right out of Hitchcock and runs with it in the spooky supernatural thriller WHAT LIES BENEATH. Dr. Norman Spencer (Harrison Ford) and his wife, Claire (Michelle Pfeiffer), seem to have the perfect life: a loving marriage, a daughter just entering college, and a beautiful home on the water in Vermont. But what lies beneath this idyllic existence are secrets that will rip everything apart. Dr. Spencer is an award-winning scientist whose work is threatening to consume his life; meanwhile, his wife is trying to deal with empty-nest syndrome now that her beloved daughter has gone off to college. Strange things start happening around the house, and Claire starts believing that the man next door murdered his wife and that the wife is trying to contact her from beyond the grave. Dr. Spencer is worried that Claire needs psychological help; he refuses to believe that their house is haunted. But as more and more dangerous events unfold, a frightening truth threatens to destroy everything. Robert Zemeckis's modern-day ghost story trembles with threatening close-ups, a powerful musical score--and lots of terror. And it does for bathtubs what Alfred Hitchcock did for showers.

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Old ladies, ventriloquist dummies, decrepit small-towns, and dolls are all exploited for their full creepy potential in DEAD SILENCE, a relatively innocent but thoroughly scary horror feature from the makers of SAW. After a heavily stylized black-and-white opening credit sequence that shows the story's central ghost, Mary Shaw, constructing her beloved ventriloquist dolls back in her heyday, the film transports viewers to the present. As newlyweds Jamie (Ryan Kwanten) and Lisa Ashen putter lovingly about their apartment far from their hometown of Raven's Fair, it is clear that something bad is about to happen. This dread is only further cemented when a knock on the door leads the lovebirds to discover an unmarked box containing a worn but eerily lifelike ventriloquist's dummy. Lisa is all too friendly towards the doll and gets what's coming to her when Jamie goes out to pick up some takeout, returning to find his wife's mangled body (minus her tongue) propped up like the dummy seemingly responsible for her death. With detective Jim Lipton (Donnie Wahlberg) on his heels, and a very guilty dummy in his passenger seat, grieving Jamie returns to Raven's Fair with the hunch that his wife's death is linked to the town's murdered ventriloquist, Mary Shaw. Once grand, Raven's Fair is now in a state of decay, and many of its inhabitants have died mysterious and brutal deaths in the years since Jamie was last home. Jamie arrives at his wealthy father's home, only to find a young new bride (Amber Valetta) by his side. No one wants to talk about Mary Shaw, let alone whisper her name. If Jamie is going to get to the bottom of the Mary Shaw legend, he'll have to face the town's past on his own. Arriving in the midst of the gore/torture trend (SAW, HOSTEL), DEAD SILENCE comes as a breath of fresh air. It's nice to see that a horror movie can still use gore with discretion and deliver a fright through old-fashioned scare tactics and a premise as simple as a ghost story.

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In Andy Tennant's (SWEET HOME ALABAMA, ANNA AND THE KING) delightful romantic comedy HITCH, Will Smith stars as Alex Hitchens, an urban "date doctor" who helps the common man woo the woman of his dreams. Hitch will use any means necessary--dance lessons, back waxing--to instill romantic confidence in his clientele. Why? He was once a lonely wallflower himself, who learned about love and heartbreak the hard way. His latest project, Albert Brennaman (Kevin James), may be his most difficult. Brennaman, a junior accountant prone to clumsiness, has fallen head-over-heels for one of his clients, Allegra Cole (Amber Valleta), a well-known celebrity. To complicate things further, Hitch's dating dogma is shaken when he meets and falls for a beautiful gossip columnist, Sara Melas (Eva Mendes), whose sharp wit easily pierces his cool façade. Conflict arises when Melas uncovers Hitch's true profession and blames him for her best friend being dumped. HITCH is set in affluent hot spots around New York City, making for some splendid visuals. Tennant gets charming performances from all of his leads, especially James, who makes an amazing transition from television's KING OF QUEENS and nearly steals the spotlight from Smith with his talent for physical comedy. Nevertheless, James and Smith have excellent onscreen chemistry. Kevin Bisch's first script is full of clever, contemporary dialogue, alternately pointing out the silliness and the poignancy of love and dating.

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Old ladies, ventriloquist dummies, decrepit small-towns, and dolls are all exploited for their full creepy potential in DEAD SILENCE, a relatively innocent but thoroughly scary horror feature from the makers of SAW. After a heavily stylized black-and-white opening credit sequence that shows the story's central ghost, Mary Shaw, constructing her beloved ventriloquist dolls back in her heyday, the film transports viewers to the present. As newlyweds Jamie (Ryan Kwanten) and Lisa Ashen putter lovingly about their apartment far from their hometown of Raven's Fair, it is clear that something bad is about to happen. This dread is only further cemented when a knock on the door leads the lovebirds to discover an unmarked box containing a worn but eerily lifelike ventriloquist's dummy. Lisa is all too friendly towards the doll and gets what's coming to her when Jamie goes out to pick up some takeout, returning to find his wife's mangled body (minus her tongue) propped up like the dummy seemingly responsible for her death. With detective Jim Lipton (Donnie Wahlberg) on his heels, and a very guilty dummy in his passenger seat, grieving Jamie returns to Raven's Fair with the hunch that his wife's death is linked to the town's murdered ventriloquist, Mary Shaw. Once grand, Raven's Fair is now in a state of decay, and many of its inhabitants have died mysterious and brutal deaths in the years since Jamie was last home. Jamie arrives at his wealthy father's home, only to find a young new bride (Amber Valetta) by his side. No one wants to talk about Mary Shaw, let alone whisper her name. If Jamie is going to get to the bottom of the Mary Shaw legend, he'll have to face the town's past on his own. Arriving in the midst of the gore/torture trend (SAW, HOSTEL), DEAD SILENCE comes as a breath of fresh air. It's nice to see that a horror movie can still use gore with discretion and deliver a fright through old-fashioned scare tactics and a premise as simple as a ghost story.

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It's Max Keeble's (Alex D. Linz) first day of seventh grade. He's a good kid who only wants to fit in. But nothing seems to be going his way. The ice cream man tries to foil Max's delivery of the newspaper. The animal shelter where Max bottle-raised a chimp is closing. The school bully, Troy (Noel Fisher), humiliates Max in front of everybody. Principal Jindraike (Larry Miller) threatens Max because he disrupts the school assembly. And to top it off, Max's parents tell him that they're planning to move to Chicago at the end of the week. With the help of his two kooky friends, Megan (Zena Grey) and Robe (Josh Peck), Max contrives an elaborate retaliation at school. Among other things, the threesome initiate an unusually slimy food fight in the cafeteria, and they terrorize Troy by dressing up as a television character called McGoogle the Highland Frog (reminiscent of Barney). When Max finds out that his parents have changed their minds about moving to Chicago, he must apologize for all the mayhem he's caused and say he's sorry to all of the students and teachers whose feelings he hurt. Actor Linz plays Max with a winning gusto and Miller is funny as a power hungry bureaucrat. Pop music stars Lil' Romeo and Myra have small roles as Max's classmates.

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Old ladies, ventriloquist dummies, decrepit small-towns, and dolls are all exploited for their full creepy potential in DEAD SILENCE, a relatively innocent but thoroughly scary horror feature from the makers of SAW. After a heavily stylized black-and-white opening credit sequence that shows the story's central ghost, Mary Shaw, constructing her beloved ventriloquist dolls back in her heyday, the film transports viewers to the present. As newlyweds Jamie (Ryan Kwanten) and Lisa Ashen putter lovingly about their apartment far from their hometown of Raven's Fair, it is clear that something bad is about to happen. This dread is only further cemented when a knock on the door leads the lovebirds to discover an unmarked box containing a worn but eerily lifelike ventriloquist's dummy. Lisa is all too friendly towards the doll and gets what's coming to her when Jamie goes out to pick up some takeout, returning to find his wife's mangled body (minus her tongue) propped up like the dummy seemingly responsible for her death. With detective Jim Lipton (Donnie Wahlberg) on his heels, and a very guilty dummy in his passenger seat, grieving Jamie returns to Raven's Fair with the hunch that his wife's death is linked to the town's murdered ventriloquist, Mary Shaw. Once grand, Raven's Fair is now in a state of decay, and many of its inhabitants have died mysterious and brutal deaths in the years since Jamie was last home. Jamie arrives at his wealthy father's home, only to find a young new bride (Amber Valetta) by his side. No one wants to talk about Mary Shaw, let alone whisper her name. If Jamie is going to get to the bottom of the Mary Shaw legend, he'll have to face the town's past on his own. Arriving in the midst of the gore/torture trend (SAW, HOSTEL), DEAD SILENCE comes as a breath of fresh air. It's nice to see that a horror movie can still use gore with discretion and deliver a fright through old-fashioned scare tactics and a premise as simple as a ghost story.

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Sandra Bullock (CRASH, MISS CONGENIALITY) stars as a housewife troubled by a tragic premonition in Mennan Yapo's thriller. Linda Hanson's life revolves around her beloved daughters (Shyann McClure and Courtney Taylor Burness) and her husband, Jim (Julian McMahon, CHARMED). The familiar, picture-perfect terrain of her existence is abruptly shattered when she is informed that Jim has died in a gruesome car accident, and Linda spends the rest of the day in shock. When she awakes the next morning to find Jim calmly eating breakfast in the kitchen, however, she is even more disturbed. As the week progresses, Linda wakes up to find Jim alive again or dead again in an increasingly complex pattern that she struggles to make sense of. Linda realizes she's in the midst of a premonition and decides she must try to save Jim, but when she finds out he might have been cheating on her, her resolve is seriously tested. PREMONITION should appeal to fans of Christopher Nolan's MEMENTO and M. Night Shyamalan's THE SIXTH SENSE, as it too presents an intriguing puzzle for the audience to solve. Despite a few plot holes, the film provides an interesting take on the mutability of time. The notion of a mysterious unknown beneath the mundanity of everyday life is attractive, and the exploration of time as twistable--rather than linear--is fascinating. Nia Long (ALFIE) plays Linda's best friend, and Amber Valetta (HITCH) plays the other woman in Jim's life.

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Nicolas Cage stars as Jack Campbell, a career-driven workaholic who has everything: an exciting job, a Ferarri, a closetful of Zegna suits, and the attention of any woman he wants. His life changes when, after working a full day on Christmas Eve, he intervenes in a convenience store holdup. The apparent criminal, Cash (Cheadle), speaks to Jack in epigrams about his satisfaction with life. When Jack wakes up the next day, he's suddenly living in a New Jersey suburb, where he's married to his college sweetheart (Leoni) and is the father of two children. At first he is aghast, but Jack soon warms to his new life even though he knows that it cannot last. Unabashedly sentimental, the film is also a great comedy, as Cage gives a superb performance that makes the most of his character's obvious disgust with his suburban surroundings and even allows for a few moments of hysterics reminiscent of VAMPIRE'S KISS. Filled with great performances (notably Ms. Leoni's role as Jack's wife), inspired comedy, and a premise that suggests a slightly darker version of classics like A CHRISTMAS CAROL and IT'S A WONDERFUL LIFE, THE FAMILY MAN is an affecting and entertaining holiday film.

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In Andy Tennant's (SWEET HOME ALABAMA, ANNA AND THE KING) delightful romantic comedy HITCH, Will Smith stars as Alex Hitchens, an urban "date doctor" who helps the common man woo the woman of his dreams. Hitch will use any means necessary--dance lessons, back waxing--to instill romantic confidence in his clientele. Why? He was once a lonely wallflower himself, who learned about love and heartbreak the hard way. His latest project, Albert Brennaman (Kevin James), may be his most difficult. Brennaman, a junior accountant prone to clumsiness, has fallen head-over-heels for one of his clients, Allegra Cole (Amber Valleta), a well-known celebrity. To complicate things further, Hitch's dating dogma is shaken when he meets and falls for a beautiful gossip columnist, Sara Melas (Eva Mendes), whose sharp wit easily pierces his cool façade. Conflict arises when Melas uncovers Hitch's true profession and blames him for her best friend being dumped. HITCH is set in affluent hot spots around New York City, making for some splendid visuals. Tennant gets charming performances from all of his leads, especially James, who makes an amazing transition from television's KING OF QUEENS and nearly steals the spotlight from Smith with his talent for physical comedy. Nevertheless, James and Smith have excellent onscreen chemistry. Kevin Bisch's first script is full of clever, contemporary dialogue, alternately pointing out the silliness and the poignancy of love and dating.

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Sandra Bullock (CRASH, MISS CONGENIALITY) stars as a housewife troubled by a tragic premonition in Mennan Yapo's thriller. Linda Hanson's life revolves around her beloved daughters (Shyann McClure and Courtney Taylor Burness) and her husband, Jim (Julian McMahon, CHARMED). The familiar, picture-perfect terrain of her existence is abruptly shattered when she is informed that Jim has died in a gruesome car accident, and Linda spends the rest of the day in shock. When she awakes the next morning to find Jim calmly eating breakfast in the kitchen, however, she is even more disturbed. As the week progresses, Linda wakes up to find Jim alive again or dead again in an increasingly complex pattern that she struggles to make sense of. Linda realizes she's in the midst of a premonition and decides she must try to save Jim, but when she finds out he might have been cheating on her, her resolve is seriously tested. PREMONITION should appeal to fans of Christopher Nolan's MEMENTO and M. Night Shyamalan's THE SIXTH SENSE, as it too presents an intriguing puzzle for the audience to solve. Despite a few plot holes, the film provides an interesting take on the mutability of time. The notion of a mysterious unknown beneath the mundanity of everyday life is attractive, and the exploration of time as twistable--rather than linear--is fascinating. Nia Long (ALFIE) plays Linda's best friend, and Amber Valetta (HITCH) plays the other woman in Jim's life.

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Ben Affleck stars in this lighthearted comedy as Jack, a slick Hollywood agent with his work all in line but his personal life in shambles. When he signs up for a self-help course, his colleague gets wind of it, and he finds his attempts at self-improvement are the source of the world's laughter. Directed by Mike Binder, MAN ABOUT TOWN also stars Rebecca Romijn and John Cleese.

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Brendan Fraser, Michael Keaton, and Amber Valetta star in this drama about a bitter salesman (Keaton) who finds his polar opposite in his bright young business partner (Brendan Fraser). But after meeting the love object of his young partner, the cynical older man starts craving her for himself.

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In Andy Tennant's (SWEET HOME ALABAMA, ANNA AND THE KING) delightful romantic comedy HITCH, Will Smith stars as Alex Hitchens, an urban "date doctor" who helps the common man woo the woman of his dreams. Hitch will use any means necessary--dance lessons, back waxing--to instill romantic confidence in his clientele. Why? He was once a lonely wallflower himself, who learned about love and heartbreak the hard way. His latest project, Albert Brennaman (Kevin James), may be his most difficult. Brennaman, a junior accountant prone to clumsiness, has fallen head-over-heels for one of his clients, Allegra Cole (Amber Valleta), a well-known celebrity. To complicate things further, Hitch's dating dogma is shaken when he meets and falls for a beautiful gossip columnist, Sara Melas (Eva Mendes), whose sharp wit easily pierces his cool façade. Conflict arises when Melas uncovers Hitch's true profession and blames him for her best friend being dumped. HITCH is set in affluent hot spots around New York City, making for some splendid visuals. Tennant gets charming performances from all of his leads, especially James, who makes an amazing transition from television's KING OF QUEENS and nearly steals the spotlight from Smith with his talent for physical comedy. Nevertheless, James and Smith have excellent onscreen chemistry. Kevin Bisch's first script is full of clever, contemporary dialogue, alternately pointing out the silliness and the poignancy of love and dating.

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  • product
Sandra Bullock (CRASH, MISS CONGENIALITY) stars as a housewife troubled by a tragic premonition in Mennan Yapo's thriller. Linda Hanson's life revolves around her beloved daughters (Shyann McClure and Courtney Taylor Burness) and her husband, Jim (Julian McMahon, CHARMED). The familiar, picture-perfect terrain of her existence is abruptly shattered when she is informed that Jim has died in a gruesome car accident, and Linda spends the rest of the day in shock. When she awakes the next morning to find Jim calmly eating breakfast in the kitchen, however, she is even more disturbed. As the week progresses, Linda wakes up to find Jim alive again or dead again in an increasingly complex pattern that she struggles to make sense of. Linda realizes she's in the midst of a premonition and decides she must try to save Jim, but when she finds out he might have been cheating on her, her resolve is seriously tested. PREMONITION should appeal to fans of Christopher Nolan's MEMENTO and M. Night Shyamalan's THE SIXTH SENSE, as it too presents an intriguing puzzle for the audience to solve. Despite a few plot holes, the film provides an interesting take on the mutability of time. The notion of a mysterious unknown beneath the mundanity of everyday life is attractive, and the exploration of time as twistable--rather than linear--is fascinating. Nia Long (ALFIE) plays Linda's best friend, and Amber Valetta (HITCH) plays the other woman in Jim's life.

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$5
 

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$9
  • product
In Andy Tennant's (SWEET HOME ALABAMA, ANNA AND THE KING) delightful romantic comedy HITCH, Will Smith stars as Alex Hitchens, an urban "date doctor" who helps the common man woo the woman of his dreams. Hitch will use any means necessary--dance lessons, back waxing--to instill romantic confidence in his clientele. Why? He was once a lonely wallflower himself, who learned about love and heartbreak the hard way. His latest project, Albert Brennaman (Kevin James), may be his most difficult. Brennaman, a junior accountant prone to clumsiness, has fallen head-over-heels for one of his clients, Allegra Cole (Amber Valleta), a well-known celebrity. To complicate things further, Hitch's dating dogma is shaken when he meets and falls for a beautiful gossip columnist, Sara Melas (Eva Mendes), whose sharp wit easily pierces his cool façade. Conflict arises when Melas uncovers Hitch's true profession and blames him for her best friend being dumped. HITCH is set in affluent hot spots around New York City, making for some splendid visuals. Tennant gets charming performances from all of his leads, especially James, who makes an amazing transition from television's KING OF QUEENS and nearly steals the spotlight from Smith with his talent for physical comedy. Nevertheless, James and Smith have excellent onscreen chemistry. Kevin Bisch's first script is full of clever, contemporary dialogue, alternately pointing out the silliness and the poignancy of love and dating.

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A former Special Forces agent, Frank (Jason Statham) now works as a driver for a family in Miami. But when their young son is kidnapped, Frank will stop at nothing to find the criminals who are holding him for ransom and get the boy back. This high-action adventure is directed by Louis Leterrier and written by Luc Besson.

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A former Special Forces agent, Frank (Jason Statham) now works as a driver for a family in Miami. But when their young son is kidnapped, Frank will stop at nothing to find the criminals who are holding him for ransom and get the boy back. This high-action adventure is directed by Louis Leterrier and written by Luc Besson.

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This triple feature is a veritable one-stop shop for physics-defying, mind-bending action and adventure. Join action junkie Jason Statham as Frank Martin, a man who gets caught up in one outrageous stunt after another when tasked with delivering packages for some unseemly sorts in THE TRANSPORTER and THE TRANSPORTER 2. Then, Hayden Christiansen stars as a young man who discovers his ability to "jump" through space and time in the sci-fi thriller JUMPER, directed by Doug Liman (THE BOURNE IDENTITY). See individual titles for complete information.

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A former Special Forces agent, Frank (Jason Statham) now works as a driver for a family in Miami. But when their young son is kidnapped, Frank will stop at nothing to find the criminals who are holding him for ransom and get the boy back. This high-action adventure is directed by Louis Leterrier and written by Luc Besson.

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Old ladies, ventriloquist dummies, decrepit small-towns, and dolls are all exploited for their full creepy potential in DEAD SILENCE, a relatively innocent but thoroughly scary horror feature from the makers of SAW. After a heavily stylized black-and-white opening credit sequence that shows the story's central ghost, Mary Shaw, constructing her beloved ventriloquist dolls back in her heyday, the film transports viewers to the present. As newlyweds Jamie (Ryan Kwanten) and Lisa Ashen putter lovingly about their apartment far from their hometown of Raven's Fair, it is clear that something bad is about to happen. This dread is only further cemented when a knock on the door leads the lovebirds to discover an unmarked box containing a worn but eerily lifelike ventriloquist's dummy. Lisa is all too friendly towards the doll and gets what's coming to her when Jamie goes out to pick up some takeout, returning to find his wife's mangled body (minus her tongue) propped up like the dummy seemingly responsible for her death. With detective Jim Lipton (Donnie Wahlberg) on his heels, and a very guilty dummy in his passenger seat, grieving Jamie returns to Raven's Fair with the hunch that his wife's death is linked to the town's murdered ventriloquist, Mary Shaw. Once grand, Raven's Fair is now in a state of decay, and many of its inhabitants have died mysterious and brutal deaths in the years since Jamie was last home. Jamie arrives at his wealthy father's home, only to find a young new bride (Amber Valetta) by his side. No one wants to talk about Mary Shaw, let alone whisper her name. If Jamie is going to get to the bottom of the Mary Shaw legend, he'll have to face the town's past on his own. Arriving in the midst of the gore/torture trend (SAW, HOSTEL), DEAD SILENCE comes as a breath of fresh air. It's nice to see that a horror movie can still use gore with discretion and deliver a fright through old-fashioned scare tactics and a premise as simple as a ghost story.

starting at

$7
 

starting at

$4
  • product
Sandra Bullock (CRASH, MISS CONGENIALITY) stars as a housewife troubled by a tragic premonition in Mennan Yapo's thriller. Linda Hanson's life revolves around her beloved daughters (Shyann McClure and Courtney Taylor Burness) and her husband, Jim (Julian McMahon, CHARMED). The familiar, picture-perfect terrain of her existence is abruptly shattered when she is informed that Jim has died in a gruesome car accident, and Linda spends the rest of the day in shock. When she awakes the next morning to find Jim calmly eating breakfast in the kitchen, however, she is even more disturbed. As the week progresses, Linda wakes up to find Jim alive again or dead again in an increasingly complex pattern that she struggles to make sense of. Linda realizes she's in the midst of a premonition and decides she must try to save Jim, but when she finds out he might have been cheating on her, her resolve is seriously tested. PREMONITION should appeal to fans of Christopher Nolan's MEMENTO and M. Night Shyamalan's THE SIXTH SENSE, as it too presents an intriguing puzzle for the audience to solve. Despite a few plot holes, the film provides an interesting take on the mutability of time. The notion of a mysterious unknown beneath the mundanity of everyday life is attractive, and the exploration of time as twistable--rather than linear--is fascinating. Nia Long (ALFIE) plays Linda's best friend, and Amber Valetta (HITCH) plays the other woman in Jim's life.

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Product DetailsOriginal Title:The Last TimeActors: Amber Valletta - Brendan Fraser - Don Lincoln - Elton LeBlanc - Michael LernerCondition: USEDFormat: DVDDirector: Michael CaleoRuntime: 96 minsLanguage: EnglishDiscs/Cassettes: 1Genre:...
 

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A former Special Forces agent, Frank (Jason Statham) now works as a driver for a family in Miami. But when their young son is kidnapped, Frank will stop at nothing to find the criminals who are holding him for ransom and get the boy back. This high-action adventure is directed by Louis Leterrier and written by Luc Besson.

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$4
 

starting at

$94
  • product
A former Special Forces agent, Frank (Jason Statham) now works as a driver for a family in Miami. But when their young son is kidnapped, Frank will stop at nothing to find the criminals who are holding him for ransom and get the boy back. This high-action adventure is directed by Louis Leterrier and written by Luc Besson.

starting at

$94
 
  • product
Old ladies, ventriloquist dummies, decrepit small-towns, and dolls are all exploited for their full creepy potential in DEAD SILENCE, a relatively innocent but thoroughly scary horror feature from the makers of SAW. After a heavily stylized black-and-white opening credit sequence that shows the story's central ghost, Mary Shaw, constructing her beloved ventriloquist dolls back in her heyday, the film transports viewers to the present. As newlyweds Jamie (Ryan Kwanten) and Lisa Ashen putter lovingly about their apartment far from their hometown of Raven's Fair, it is clear that something bad is about to happen. This dread is only further cemented when a knock on the door leads the lovebirds to discover an unmarked box containing a worn but eerily lifelike ventriloquist's dummy. Lisa is all too friendly towards the doll and gets what's coming to her when Jamie goes out to pick up some takeout, returning to find his wife's mangled body (minus her tongue) propped up like the dummy seemingly responsible for her death. With detective Jim Lipton (Donnie Wahlberg) on his heels, and a very guilty dummy in his passenger seat, grieving Jamie returns to Raven's Fair with the hunch that his wife's death is linked to the town's murdered ventriloquist, Mary Shaw. Once grand, Raven's Fair is now in a state of decay, and many of its inhabitants have died mysterious and brutal deaths in the years since Jamie was last home. Jamie arrives at his wealthy father's home, only to find a young new bride (Amber Valetta) by his side. No one wants to talk about Mary Shaw, let alone whisper her name. If Jamie is going to get to the bottom of the Mary Shaw legend, he'll have to face the town's past on his own. Arriving in the midst of the gore/torture trend (SAW, HOSTEL), DEAD SILENCE comes as a breath of fresh air. It's nice to see that a horror movie can still use gore with discretion and deliver a fright through old-fashioned scare tactics and a premise as simple as a ghost story.
 
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Robert Zemeckis takes a page right out of Hitchcock and runs with it in the spooky supernatural thriller WHAT LIES BENEATH. Dr. Norman Spencer (Harrison Ford) and his wife, Claire (Michelle Pfeiffer), seem to have the perfect life: a loving marriage, a daughter just entering college, and a beautiful home on the water in Vermont. But what lies beneath this idyllic existence are secrets that will rip everything apart. Dr. Spencer is an award-winning scientist whose work is threatening to consume his life; meanwhile, his wife is trying to deal with empty-nest syndrome now that her beloved daughter has gone off to college. Strange things start happening around the house, and Claire starts believing that the man next door murdered his wife and that the wife is trying to contact her from beyond the grave. Dr. Spencer is worried that Claire needs psychological help; he refuses to believe that their house is haunted. But as more and more dangerous events unfold, a frightening truth threatens to destroy everything. Robert Zemeckis's modern-day ghost story trembles with threatening close-ups, a powerful musical score--and lots of terror. And it does for bathtubs what Alfred Hitchcock did for showers.
 
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Robert Zemeckis takes a page right out of Hitchcock and runs with it in the spooky supernatural thriller WHAT LIES BENEATH. Dr. Norman Spencer (Harrison Ford) and his wife, Claire (Michelle Pfeiffer), seem to have the perfect life: a loving marriage, a daughter just entering college, and a beautiful home on the water in Vermont. But what lies beneath this idyllic existence are secrets that will rip everything apart. Dr. Spencer is an award-winning scientist whose work is threatening to consume his life; meanwhile, his wife is trying to deal with empty-nest syndrome now that her beloved daughter has gone off to college. Strange things start happening around the house, and Claire starts believing that the man next door murdered his wife and that the wife is trying to contact her from beyond the grave. Dr. Spencer is worried that Claire needs psychological help; he refuses to believe that their house is haunted. But as more and more dangerous events unfold, a frightening truth threatens to destroy everything. Robert Zemeckis's modern-day ghost story trembles with threatening close-ups, a powerful musical score--and lots of terror. And it does for bathtubs what Alfred Hitchcock did for showers.
 
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It's Max Keeble's (Alex D. Linz) first day of seventh grade. He's a good kid who only wants to fit in. But nothing seems to be going his way. The ice cream man tries to foil Max's delivery of the newspaper. The animal shelter where Max bottle-raised a chimp is closing. The school bully, Troy (Noel Fisher), humiliates Max in front of everybody. Principal Jindraike (Larry Miller) threatens Max because he disrupts the school assembly. And to top it off, Max's parents tell him that they're planning to move to Chicago at the end of the week. With the help of his two kooky friends, Megan (Zena Grey) and Robe (Josh Peck), Max contrives an elaborate retaliation at school. Among other things, the threesome initiate an unusually slimy food fight in the cafeteria, and they terrorize Troy by dressing up as a television character called McGoogle the Highland Frog (reminiscent of Barney). When Max finds out that his parents have changed their minds about moving to Chicago, he must apologize for all the mayhem he's caused and say he's sorry to all of the students and teachers whose feelings he hurt. Actor Linz plays Max with a winning gusto and Miller is funny as a power hungry bureaucrat. Pop music stars Lil' Romeo and Myra have small roles as Max's classmates.
 
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Goodhearted comedy takes the lead in EDTV and THE FAMILY MAN. See individual titles for synopsis information.
 
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In Andy Tennant's (SWEET HOME ALABAMA, ANNA AND THE KING) delightful romantic comedy HITCH, Will Smith stars as Alex Hitchens, an urban "date doctor" who helps the common man woo the woman of his dreams. Hitch will use any means necessary--dance lessons, back waxing--to instill romantic confidence in his clientele. Why? He was once a lonely wallflower himself, who learned about love and heartbreak the hard way. His latest project, Albert Brennaman (Kevin James), may be his most difficult. Brennaman, a junior accountant prone to clumsiness, has fallen head-over-heels for one of his clients, Allegra Cole (Amber Valleta), a well-known celebrity. To complicate things further, Hitch's dating dogma is shaken when he meets and falls for a beautiful gossip columnist, Sara Melas (Eva Mendes), whose sharp wit easily pierces his cool façade. Conflict arises when Melas uncovers Hitch's true profession and blames him for her best friend being dumped. HITCH is set in affluent hot spots around New York City, making for some splendid visuals. Tennant gets charming performances from all of his leads, especially James, who makes an amazing transition from television's KING OF QUEENS and nearly steals the spotlight from Smith with his talent for physical comedy. Nevertheless, James and Smith have excellent onscreen chemistry. Kevin Bisch's first script is full of clever, contemporary dialogue, alternately pointing out the silliness and the poignancy of love and dating.
 
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Sandra Bullock (CRASH, MISS CONGENIALITY) stars as a housewife troubled by a tragic premonition in Mennan Yapo's thriller. Linda Hanson's life revolves around her beloved daughters (Shyann McClure and Courtney Taylor Burness) and her husband, Jim (Julian McMahon, CHARMED). The familiar, picture-perfect terrain of her existence is abruptly shattered when she is informed that Jim has died in a gruesome car accident, and Linda spends the rest of the day in shock. When she awakes the next morning to find Jim calmly eating breakfast in the kitchen, however, she is even more disturbed. As the week progresses, Linda wakes up to find Jim alive again or dead again in an increasingly complex pattern that she struggles to make sense of. Linda realizes she's in the midst of a premonition and decides she must try to save Jim, but when she finds out he might have been cheating on her, her resolve is seriously tested. PREMONITION should appeal to fans of Christopher Nolan's MEMENTO and M. Night Shyamalan's THE SIXTH SENSE, as it too presents an intriguing puzzle for the audience to solve. Despite a few plot holes, the film provides an interesting take on the mutability of time. The notion of a mysterious unknown beneath the mundanity of everyday life is attractive, and the exploration of time as twistable--rather than linear--is fascinating. Nia Long (ALFIE) plays Linda's best friend, and Amber Valetta (HITCH) plays the other woman in Jim's life.
 
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In Andy Tennant's (SWEET HOME ALABAMA, ANNA AND THE KING) delightful romantic comedy HITCH, Will Smith stars as Alex Hitchens, an urban "date doctor" who helps the common man woo the woman of his dreams. Hitch will use any means necessary--dance lessons, back waxing--to instill romantic confidence in his clientele. Why? He was once a lonely wallflower himself, who learned about love and heartbreak the hard way. His latest project, Albert Brennaman (Kevin James), may be his most difficult. Brennaman, a junior accountant prone to clumsiness, has fallen head-over-heels for one of his clients, Allegra Cole (Amber Valleta), a well-known celebrity. To complicate things further, Hitch's dating dogma is shaken when he meets and falls for a beautiful gossip columnist, Sara Melas (Eva Mendes), whose sharp wit easily pierces his cool façade. Conflict arises when Melas uncovers Hitch's true profession and blames him for her best friend being dumped. HITCH is set in affluent hot spots around New York City, making for some splendid visuals. Tennant gets charming performances from all of his leads, especially James, who makes an amazing transition from television's KING OF QUEENS and nearly steals the spotlight from Smith with his talent for physical comedy. Nevertheless, James and Smith have excellent onscreen chemistry. Kevin Bisch's first script is full of clever, contemporary dialogue, alternately pointing out the silliness and the poignancy of love and dating.
 
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Nicolas Cage stars as Jack Campbell, a career-driven workaholic who has everything: an exciting job, a Ferarri, a closetful of Zegna suits, and the attention of any woman he wants. His life changes when, after working a full day on Christmas Eve, he intervenes in a convenience store holdup. The apparent criminal, Cash (Cheadle), speaks to Jack in epigrams about his satisfaction with life. When Jack wakes up the next day, he's suddenly living in a New Jersey suburb, where he's married to his college sweetheart (Leoni) and is the father of two children. At first he is aghast, but Jack soon warms to his new life even though he knows that it cannot last. Unabashedly sentimental, the film is also a great comedy, as Cage gives a superb performance that makes the most of his character's obvious disgust with his suburban surroundings and even allows for a few moments of hysterics reminiscent of VAMPIRE'S KISS. Filled with great performances (notably Ms. Leoni's role as Jack's wife), inspired comedy, and a premise that suggests a slightly darker version of classics like A CHRISTMAS CAROL and IT'S A WONDERFUL LIFE, THE FAMILY MAN is an affecting and entertaining holiday film.
 
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It's Max Keeble's (Alex D. Linz) first day of seventh grade. He's a good kid who only wants to fit in. But nothing seems to be going his way. The ice cream man tries to foil Max's delivery of the newspaper. The animal shelter where Max bottle-raised a chimp is closing. The school bully, Troy (Noel Fisher), humiliates Max in front of everybody. Principal Jindraike (Larry Miller) threatens Max because he disrupts the school assembly. And to top it off, Max's parents tell him that they're planning to move to Chicago at the end of the week. With the help of his two kooky friends, Megan (Zena Grey) and Robe (Josh Peck), Max contrives an elaborate retaliation at school. Among other things, the threesome initiate an unusually slimy food fight in the cafeteria, and they terrorize Troy by dressing up as a television character called McGoogle the Highland Frog (reminiscent of Barney). When Max finds out that his parents have changed their minds about moving to Chicago, he must apologize for all the mayhem he's caused and say he's sorry to all of the students and teachers whose feelings he hurt. Actor Linz plays Max with a winning gusto and Miller is funny as a power hungry bureaucrat. Pop music stars Lil' Romeo and Myra have small roles as Max's classmates.
 
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Nicolas Cage stars as Jack Campbell, a career-driven workaholic who has everything: an exciting job, a Ferarri, a closetful of Zegna suits, and the attention of any woman he wants. His life changes when, after working a full day on Christmas Eve, he intervenes in a convenience store holdup. The apparent criminal, Cash (Cheadle), speaks to Jack in epigrams about his satisfaction with life. When Jack wakes up the next day, he's suddenly living in a New Jersey suburb, where he's married to his college sweetheart (Leoni) and is the father of two children. At first he is aghast, but Jack soon warms to his new life even though he knows that it cannot last. Unabashedly sentimental, the film is also a great comedy, as Cage gives a superb performance that makes the most of his character's obvious disgust with his suburban surroundings and even allows for a few moments of hysterics reminiscent of VAMPIRE'S KISS. Filled with great performances (notably Ms. Leoni's role as Jack's wife), inspired comedy, and a premise that suggests a slightly darker version of classics like A CHRISTMAS CAROL and IT'S A WONDERFUL LIFE, THE FAMILY MAN is an affecting and entertaining holiday film.
 
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It's Max Keeble's (Alex D. Linz) first day of seventh grade. He's a good kid who only wants to fit in. But nothing seems to be going his way. The ice cream man tries to foil Max's delivery of the newspaper. The animal shelter where Max bottle-raised a chimp is closing. The school bully, Troy (Noel Fisher), humiliates Max in front of everybody. Principal Jindraike (Larry Miller) threatens Max because he disrupts the school assembly. And to top it off, Max's parents tell him that they're planning to move to Chicago at the end of the week. With the help of his two kooky friends, Megan (Zena Grey) and Robe (Josh Peck), Max contrives an elaborate retaliation at school. Among other things, the threesome initiate an unusually slimy food fight in the cafeteria, and they terrorize Troy by dressing up as a television character called McGoogle the Highland Frog (reminiscent of Barney). When Max finds out that his parents have changed their minds about moving to Chicago, he must apologize for all the mayhem he's caused and say he's sorry to all of the students and teachers whose feelings he hurt. Actor Linz plays Max with a winning gusto and Miller is funny as a power hungry bureaucrat. Pop music stars Lil' Romeo and Myra have small roles as Max's classmates.
 
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Nicolas Cage stars as Jack Campbell, a career-driven workaholic who has everything: an exciting job, a Ferarri, a closetful of Zegna suits, and the attention of any woman he wants. His life changes when, after working a full day on Christmas Eve, he intervenes in a convenience store holdup. The apparent criminal, Cash (Cheadle), speaks to Jack in epigrams about his satisfaction with life. When Jack wakes up the next day, he's suddenly living in a New Jersey suburb, where he's married to his college sweetheart (Leoni) and is the father of two children. At first he is aghast, but Jack soon warms to his new life even though he knows that it cannot last. Unabashedly sentimental, the film is also a great comedy, as Cage gives a superb performance that makes the most of his character's obvious disgust with his suburban surroundings and even allows for a few moments of hysterics reminiscent of VAMPIRE'S KISS. Filled with great performances (notably Ms. Leoni's role as Jack's wife), inspired comedy, and a premise that suggests a slightly darker version of classics like A CHRISTMAS CAROL and IT'S A WONDERFUL LIFE, THE FAMILY MAN is an affecting and entertaining holiday film.
 
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Nicolas Cage stars as Jack Campbell, a career-driven workaholic who has everything: an exciting job, a Ferarri, a closetful of Zegna suits, and the attention of any woman he wants. His life changes when, after working a full day on Christmas Eve, he intervenes in a convenience store holdup. The apparent criminal, Cash (Cheadle), speaks to Jack in epigrams about his satisfaction with life. When Jack wakes up the next day, he's suddenly living in a New Jersey suburb, where he's married to his college sweetheart (Leoni) and is the father of two children. At first he is aghast, but Jack soon warms to his new life even though he knows that it cannot last. Unabashedly sentimental, the film is also a great comedy, as Cage gives a superb performance that makes the most of his character's obvious disgust with his suburban surroundings and even allows for a few moments of hysterics reminiscent of VAMPIRE'S KISS. Filled with great performances (notably Ms. Leoni's role as Jack's wife), inspired comedy, and a premise that suggests a slightly darker version of classics like A CHRISTMAS CAROL and IT'S A WONDERFUL LIFE, THE FAMILY MAN is an affecting and entertaining holiday film.
 
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This triple feature is a veritable one-stop shop for physics-defying, mind-bending action and adventure. Join action junkie Jason Statham as Frank Martin, a man who gets caught up in one outrageous stunt after another when tasked with delivering packages for some unseemly sorts in THE TRANSPORTER and THE TRANSPORTER 2. Then, Hayden Christiansen stars as a young man who discovers his ability to "jump" through space and time in the sci-fi thriller JUMPER, directed by Doug Liman (THE BOURNE IDENTITY). See individual titles for complete information.
 
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A former Special Forces agent, Frank (Jason Statham) now works as a driver for a family in Miami. But when their young son is kidnapped, Frank will stop at nothing to find the criminals who are holding him for ransom and get the boy back. This high-action adventure is directed by Louis Leterrier and written by Luc Besson.
 
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A former Special Forces agent, Frank (Jason Statham) now works as a driver for a family in Miami. But when their young son is kidnapped, Frank will stop at nothing to find the criminals who are holding him for ransom and get the boy back. This high-action adventure is directed by Louis Leterrier and written by Luc Besson.
 
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A former Special Forces agent, Frank (Jason Statham) now works as a driver for a family in Miami. But when their young son is kidnapped, Frank will stop at nothing to find the criminals who are holding him for ransom and get the boy back. This high-action adventure is directed by Louis Leterrier and written by Luc Besson.
 
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A former Special Forces agent, Frank (Jason Statham) now works as a driver for a family in Miami. But when their young son is kidnapped, Frank will stop at nothing to find the criminals who are holding him for ransom and get the boy back. This high-action adventure is directed by Louis Leterrier and written by Luc Besson.
 
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A former Special Forces agent, Frank (Jason Statham) now works as a driver for a family in Miami. But when their young son is kidnapped, Frank will stop at nothing to find the criminals who are holding him for ransom and get the boy back. This high-action adventure is directed by Louis Leterrier and written by Luc Besson.
 
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A former Special Forces agent, Frank (Jason Statham) now works as a driver for a family in Miami. But when their young son is kidnapped, Frank will stop at nothing to find the criminals who are holding him for ransom and get the boy back. This high-action adventure is directed by Louis Leterrier and written by Luc Besson.
 
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A former Special Forces agent, Frank (Jason Statham) now works as a driver for a family in Miami. But when their young son is kidnapped, Frank will stop at nothing to find the criminals who are holding him for ransom and get the boy back. This high-action adventure is directed by Louis Leterrier and written by Luc Besson.
 
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MALCOLM IN THE MIDDLE's Frankie Muniz is all grown up in this drama set in the 1970s. At 17, Brooklyn resident Jake Stein (Muniz) heads south to Miami to live with his estranged father (Harvey Keitel). The future writer is drawn to the city's A-list, where he meets and befriends a stunning model (Amber Valletta).
 
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Nicolas Cage stars as Jack Campbell, a career-driven workaholic who has everything: an exciting job, a Ferarri, a closetful of Zegna suits, and the attention of any woman he wants. His life changes when, after working a full day on Christmas Eve, he intervenes in a convenience store holdup. The apparent criminal, Cash (Cheadle), speaks to Jack in epigrams about his satisfaction with life. When Jack wakes up the next day, he's suddenly living in a New Jersey suburb, where he's married to his college sweetheart (Leoni) and is the father of two children. At first he is aghast, but Jack soon warms to his new life even though he knows that it cannot last. Unabashedly sentimental, the film is also a great comedy, as Cage gives a superb performance that makes the most of his character's obvious disgust with his suburban surroundings and even allows for a few moments of hysterics reminiscent of VAMPIRE'S KISS. Filled with great performances (notably Ms. Leoni's role as Jack's wife), inspired comedy, and a premise that suggests a slightly darker version of classics like A CHRISTMAS CAROL and IT'S A WONDERFUL LIFE, THE FAMILY MAN is an affecting and entertaining holiday film.
 
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Nicolas Cage stars as Jack Campbell, a career-driven workaholic who has everything: an exciting job, a Ferarri, a closetful of Zegna suits, and the attention of any woman he wants. His life changes when, after working a full day on Christmas Eve, he intervenes in a convenience store holdup. The apparent criminal, Cash (Cheadle), speaks to Jack in epigrams about his satisfaction with life. When Jack wakes up the next day, he's suddenly living in a New Jersey suburb, where he's married to his college sweetheart (Leoni) and is the father of two children. At first he is aghast, but Jack soon warms to his new life even though he knows that it cannot last. Unabashedly sentimental, the film is also a great comedy, as Cage gives a superb performance that makes the most of his character's obvious disgust with his suburban surroundings and even allows for a few moments of hysterics reminiscent of VAMPIRE'S KISS. Filled with great performances (notably Ms. Leoni's role as Jack's wife), inspired comedy, and a premise that suggests a slightly darker version of classics like A CHRISTMAS CAROL and IT'S A WONDERFUL LIFE, THE FAMILY MAN is an affecting and entertaining holiday film.
 
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Brendan Fraser, Michael Keaton, and Amber Valetta star in this drama about a bitter salesman (Keaton) who finds his polar opposite in his bright young business partner (Brendan Fraser). But after meeting the love object of his young partner, the cynical older man starts craving her for himself.
 
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A man (Jackie Chan) is forced to defend some neighborhood children who have been put in his care against spies looking for a stolen secret code in this Relativity Media family action film. ARE WE THERE YET? helmer Brian Levant directs from a script by Jonathan Bernstein and Jim Greer.
 
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After directing the frenzied CRANK, Mark Neveldine and Brian Taylor helm another adrenaline-fueled film with this thriller. 300's Gerard Butler stars as Kable, a man living in a near-future dystopia driven by online games. Kable is the world's best player at its biggest game, where players take control of real people, but the competition really begins when he tries to fight the system itself.
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