Diane in DVDs & Videos

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The third in the series of National Lampoon's 'Vacation' films, this sequel concerns the Griswold family's holiday get-together. This time they're trying to have a picture book, old-fashioned Christmastime--even though all the in-laws are dropping by, including Clark's (Chevy Chase) redneck cousin, Eddie (Randy Quaid). Looks like it's going to be a real holly-jolly holiday--if they can make it through.

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Set in 1966; Produced and released in 1983. Francis Ford Coppola's stylized teen melodrama is based on the popular novel by S. E. Hinton. In 1960s Tulsa, the "right" and "wrong" sides of the tracks are represented by rival gangs, the upscale Socs and the underprivileged Greasers. Darrel Curtis (Patrick Swayze) is doing his best to raise his two younger brothers, Sodapop (Rob Lowe in his first film role) and Ponyboy (C. Thomas Howell). Sensitive Ponyboy is a budding writer in love with Cherry (Diane Lane), the unobtainable beauty from the enemy gang. When Ponyboy's buddy, troubled Johnny Cade (Ralph Macchio), kills one of the Socs in self-defense, their friend Dallas (Matt Dillon) helps the two youths hide out in an abandoned country church. There they live as exiles from a society that doesn't want them. But not all is lost, when Ponyboy, Johnny, and Dallas save some children caught in a fire they become unlikely heroes. The young cast is the jewel of this sensitive, moving film. Tom Cruise and Emilio Estevez play Greasers, and pop singer Leif Garrett plays rich-kid Bob. Dillon also starred that year in another S. E.Hinton adaptation directed by Coppola--the fascinating and extremely entertaining RUMBLE FISH.

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A heartwarming coming-of-age tale set in 1940s Yazoo, Mississippi. Willie Morris (Frankie Muniz) is an introverted eight-year-old whose best friend is Dink Jenkins (Luke Wilson), a high school football star. Willie's mother convinces his stern father to buy Willie a puppy for his ninth birthday, in light of the fact that Dink has left Yazoo to fight in the war. Immediately, Willie's world brightens. When he stumbles upon a team of evil bootleggers and welcomes home a despondent Dink, he must learn a very valuable lesson about life. Based on Morris' memoir, MY DOG SKIP should have even the most hardened viewer reaching for the tissues.

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Set in 1966; Produced and released in 1983. Francis Ford Coppola's stylized teen melodrama is based on the popular novel by S. E. Hinton. In 1960s Tulsa, the "right" and "wrong" sides of the tracks are represented by rival gangs, the upscale Socs and the underprivileged Greasers. Darrel Curtis (Patrick Swayze) is doing his best to raise his two younger brothers, Sodapop (Rob Lowe in his first film role) and Ponyboy (C. Thomas Howell). Sensitive Ponyboy is a budding writer in love with Cherry (Diane Lane), the unobtainable beauty from the enemy gang. When Ponyboy's buddy, troubled Johnny Cade (Ralph Macchio), kills one of the Socs in self-defense, their friend Dallas (Matt Dillon) helps the two youths hide out in an abandoned country church. There they live as exiles from a society that doesn't want them. But not all is lost, when Ponyboy, Johnny, and Dallas save some children caught in a fire they become unlikely heroes. The young cast is the jewel of this sensitive, moving film. Tom Cruise and Emilio Estevez play Greasers, and pop singer Leif Garrett plays rich-kid Bob. Dillon also starred that year in another S. E.Hinton adaptation directed by Coppola--the fascinating and extremely entertaining RUMBLE FISH.

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Produced under the supervision of director Francis Ford Coppola and cinematographer Gordon Willis, this boxed set presents THE GODFATHER trilogy in visually restored versions with remastered audio. Please see individual titles--THE GODFATHER, THE GODFATHER PART II, and THE GODFATHER PART III--for complete synopsis information.

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All three of Francis Ford Coppola's classic films detailing the trials and tribulations of the Corleone family and their involvement in the world of organized crime come to DVD in this collection. Each film is given widescreen treatment with commentary from Coppola himself. The fifth disc contains over three hours of exclusive bonus features, including several behind-the-scenes featurettes. See individual film titles for descriptions.

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Produced under the supervision of director Francis Ford Coppola and cinematographer Gordon Willis, this boxed set presents THE GODFATHER trilogy in visually restored versions with remastered audio. Please see individual titles--THE GODFATHER, THE GODFATHER PART II, and THE GODFATHER PART III--for complete synopsis information.

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Quentin Tarantino's long-gestating (and much anticipated) World War II epic is sure to delight fans of his artful touch with dialogue and visuals. Brad Pitt stars as Lieutenant Aldo Raine, an American soldier who leads a band of Jewish-American troops in their brutal, violent revenge against the Nazis. NATIONAL TREASURE?s Diane Kruger also stars as a German actress and double agent who is in on the group?s biggest plan yet. Michael Fassbender, Eli Roth, Til Schweiger, and Mike Myers are also featured in INGLOURIOUS BASTERDS? large cast.

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The life and times of Charlie Chaplin, the legendary film maker. Academy Award Nominations: 3, including Best Actor--Robert Downey Jr.

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Was Diane Arbus a brilliant innovator whose photographs captured the beauty in the most desperate of subjects? Or was she an exploiter of "freaks," shilling pictures of the deformed as a modern-day sideshow? Regardless of where one stands on her work, few can argue its impact on the art world. In FUR: AN IMAGINARY PORTRAIT OF DIANE ARBUS, director Steven Shainberg makes a bold first attempt at bringing the artist to the big screen. The film opens with Arbus (Nicole Kidman) living as a depressed housewife in a ritzy Park Avenue apartment. Assisting her husband Allen (Ty Burrell) in his photography studio, Arbus helps him shoot ads for women's magazines. One night, after spying her mysterious next door neighbor--a sharply dressed man with a hood over his face--Arbus decides to heed her husband's advice to step out and take some photos of her own. She climbs the stairs to her neighbor's apartment with the intention of taking his portrait, and there she meets Lionel (Robert Downey, Jr.). Lionel suffers from hypertrichosis, a disease that causes thick hair to grow over every inch of his body, including his face. He and Arbus strike up a flirtatious friendship, and he introduces her to the underworld of New York. They party with dwarves, dominatrixes, and circus performers--all future subjects of Arbus photographs. Arbus's marriage soon begins to fall apart, and her relationship with Lionel builds towards a traumatic, but transformative, end. In an unusual twist, screenwriter Erin Cressida Wilson has completely fabricated the character of Lionel, and his ensuing effect on Arbus. He is Wilson's fantastical idea of what might have spurred Arbus's metamorphosis from repressed housewife to daring documentarian of those living on the fringe. As the title states, this isn't a biopic--it's an "imaginary portrait," and while some might take exception to FUR's surreal spin on reality, others might find the unconventional film a fitting tribute to the always unconventional artist.

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George and Nina Banks have just settled down since their daughter Annie's wedding when life hurls another milestone at them - a grandchild. Once again they're scrambling to do everything right for their expecting daughter while facing the midlife crisis of being called "grandparents."

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Like a cross between TWIN PEAKS and THE GRAPES OF WRATH, HBO's acclaimed television drama CARNIVALE sets an allegorical fable about the mythic battle between good and evil against the surreal backdrop of a Depression-era traveling circus. Having lost both his farm and his mother to the 1930s Dust Bowl, prison escapee Ben Hawkins (Nick Stahl, IN THE BEDROOM) joins an itinerant carnival in a desperate bid to escape poverty, the police, and his own discomfort with his miraculous healing powers. Ben's story is juxtaposed with that of California preacher Justin Crowe (Clancy Brown, THE SHAWSHANK REDEMPTION), whose evangelical ministries with his sister, Iris (Amy Madigan), take on increasingly sinister overtones and hint at an eventual confrontation with young Hawkins through the mysterious figure of former circus showman and WWI veteran Henry Scudder (John Savage). This release includes the first two seasons of the show.

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Set in 1914 amid the muddy trenches and flying shrapnel of World War I, JOYEUX NOEL is a touching tale of an unlikely, if fleeting, reconciliation amid battle. French director Christian Carion begins his movie--which is based on a true event--by highlighting how startlingly close the warring factions are located to one another. Trenches occupied by French and Scottish troops lay a mere hairbreadth away from their German counterparts, to the point where an alarm clock in the French trench can be heard in all three dugouts. Carion adds a generous helping of gallows humor to this and similar scenes, although he makes sure to carefully rein in the comical elements of the movie to portray the fear that grips the men as they face their enemies. Suddenly, and entirely accidentally, Christmas Day brings a magical event that would forever sear the history books with a moment of humanity in the midst of bloody battle. The Germans place Christmas trees above their trench simply to get them out of the way, while Scottish bagpipers play along to the operatic voices they hear wafting over from the German camp. Then, as if by magic, all the men are united in No Man's Land for a festive celebration. The men tentatively make friends, show each other pictures of faraway lovers, and play soccer across the snowy landscape, all the while knowing that the coming days may find them killing one another. Carion crafts an emotional picture in JOYEUX NOEL, but never shirks from highlighting the horrific fates that possibly await his collection of characters. Although the occasion around which the film revolves is celebratory, JOYEUX NOEL is full of suitably melancholy antiwar sentiments, making for utterly compelling viewing.

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Riding high after the box office success of SHAMPOO and HEAVEN CAN WAIT, Warren Beatty used his seemingly limitless power to write, produce, direct, and star in this epic historical romance. The film recounts a particularly eventful period in the life of notorious American communist John Reed (Beatty), who journeyed to Russia to witness the Bolshevik Revolution firsthand. Before that, he met the already wed Louise Bryant (Diane Keaton) in Portland in 1915. However, they shared such a mutual attraction for words, and each other, that soon Bryant was living with Reed in New York City. It was here where they befriended some of the early 20th Century's most recognizable faces: Eugene O'Neill (Jack Nicholson), Emma Goldman (Maureen Stapleton), Max Eastman (Richard Herrmann), and Horace Whigham (George Plimpton). Yet Reed's commitment to his craft caused an endless friction in the relationship, until Louise found her own journalistic voice, leading the couple to Russia at a crucial moment in history. But just when they appeared to have come to a perfect place in their relationship, tragedy struck. REDS is one of the last vestiges of early Hollywood, a broad, sweeping spectacle that is simultaneously thought provoking and unabashedly entertaining. Beatty inserts fascinating interviews with actual participants from that earlier era throughout the film to provide even more context and insight. At a time when Ronald Reagan had just become the president of the United States, Beatty's sympathetic portrait of notorious American communist John Reed seemed even more daring. Yet, as it continues to age, the film only continues to grow in relevance, assuring its rightful place at the top of the Hollywood canon.

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Destined to be a Christmas classic, Thomas Bezucha's dazzling dramedy, THE FAMILY STONE, manages to be both warmhearted and sentimental while possessing a razor-sharp hilarious mean streak. The fairly conventional story centers on Sarah Jessica Parker's uptight career woman, Meredith, and her run-in with the eponymous Stone family. With her permanently pursed lips and severe bun, SJP looks and acts the anti-Carrie Bradshaw here as, armed with cell phone and business-suit collection, she gears up to meet her fiance's oddball family, a tight-knit, colorful clan who border on bohemian. Matriarch Sybil (Diane Keaton) and patriarch Kelly (Craig T. Nelson) are a loving couple whose diverse children are affectionate and respectful. When Meredith's humorless aura infects the homestead, it is mom Sybil and sister Amy (Rachel McAdams), who sense a romantic mismatch and attack her venomously, sparking a tete-a-tete-a-tete between three feisty females. While this Battle Royal is waged, dramatic subplots brew in the background, one involving the deaf and gay brother Thad's desire to adopt a child, and the other a rather devastating secret on the verge of exposure. It is in the emergence of Meredith's refreshingly calm and breezy younger sister, Julie (Claire Danes), entering the film with a dramatic fall from a bus exit, that brings all conflict to a head.

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Jodie Foster and Anthony Hopkins will likely be forever associated with their roles in this bone-chilling masterpiece, based on the novel by Thomas Harris and directed by Jonathan Demme. FBI trainee Clarice Starling (Foster) is sent by her supervisor (Scott Glenn) to interview ferociously intelligent serial killer Hannibal "The Cannibal" Lechter (Hopkins) at his cell in a Maryland mental hospital. The FBI hopes Lechter can provide insight into the mind of killer-at-large, Buffalo Bill (Ted Levine), whose current abductee happens to be the daughter of a senator. Intrigued by Clairice, Lechter demands information about her personal life and in exchange for clues, and the two begin to form a strangely intimate connection, with a girl's life hanging in the balance. Starling is gradually revealed as a woman struggling out of her own darkness, bound to aid the dysfunctional males around her on their own paths of transformation, liberation, and destruction. This is a film of brilliant and disturbing beauty that transcends its B-movie origins (though it does honor them with a cameo appearance by Roger Corman). Its enduring influence has led to a slew of similarly dark-toned serial killer films, and a sequel, HANNIBAL (2001).

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Like a cross between CSI: CRIME SCENE INVESTIGATION and Darren Aronofsky's indie feature PI, the CBS television series NUMB3RS blends crime-drama with mathematics for a smart and creepy spin on the police-detective genre. Executive produced by Ridley Scott (ALIEN) and Tony Scott (TRUE ROMANCE), the series centers on a pragmatically minded FBI agent, Don Eppes (NORTHERN EXPOSURE's Rob Morrow), who invites his math-genius younger brother, Charlie (David Krumholz), to help him solve challenging cases using mathematical theories based on equations and probability. Dark and moody with a near-cinematic feel, NUMB3RS has won both fans and acclaim for its innovative approach to the conventional crime-drama formula. This collection presents the series' fourth season in its entirety, beginning with some startling revelations about a member of their team.

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Arguably the standard bearer for the teen sex comedies of the early 1980s, this story of the sexual misadventures of Gary, a hapless, embarrassingly chaste pizza delivery guy hoping to "lose it," has it all: gratuitous pizza parlor settings, a Devo soundtrack, a locker room "penis" contest, weird exchange students, crab lice, a fat-kid schlmiel, and Diane Franklin as the Nice New Girl in Town (a role she reprises in 1985's "Better Off Dead"). Look for treble-voiced Kimmy Robertson (Lucy from TV's "Twin Peaks") as the story's actual nice girl, whom Gary passes up in the climactic kegger scene.

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This bittersweet story of childhood innocence and friendship stars Robin Williams as Jack Powell, a boy who grows four times faster than normal. By the time Jack reaches his 10th birthday, he looks like a 40-year-old man. After years of being tutored at home by Mr. Woodruff (Bill Cosby), Jack convinces his overprotective parents (Diane Lane and Brian Kerwin) to send him to public school. The children are less than friendly, but with the help of his fifth grade teacher (Jennifer Lopez), Jack wins the kids over. Robin Williams is heartbreaking as a 10-year-old overcoming a unique physical disability.

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Barbara Hershey and William L. Petersen star in this 1998 made-for-television drama, based on the fascinating true story behind the unusual staircase in a New Mexico church.

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