John Ford, CD Universe in DVDs & Videos

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One of John Ford's most cherished projects, THE QUIET MAN took years to finance but became one of his greatest box-office successes and an enduringly beloved classic. John Wayne stars as Sean Thornton, a retired American boxing champion trying to put tragedy behind him by returning to Innisfree, the bucolic Irish village of his birth. He purchases his birthplace from its current owner, enraging the wealthy and bellicose Red Will Danaher (Victor McLaglen), who had designs on the property. On arriving at his cottage, Thornton finds it being swept out by Mary Kate Danaher (Maureen O'Hara), a redheaded vision from whom he steals a not completely unwelcome kiss. After engaging in a subterfuge involving a horse race, some of the locals manage to get the disgruntled Red Will to allow his sister to be courted by the American. But the courtship ritual of the village is only the first of many local practices that the bewildered Thornton must endure if he is to have Mary Kate. Wayne gives a surprisingly nuanced performance as the fish out of water, and he is perfectly matched with the radiantly rambunctious O'Hara. The rest of the cast is splendid as well, and the lush color photography garnered an Academy Award for Winston Hoch. John Ford also won an Oscar for his directing, and it's impossible not to be charmed by the artistry with which he weaves his rollicking, robust tale.

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Mogambo

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Clark Gable reprises his role as veteran big-game trapper and guide Vic Marswell in John Ford's remake of RED DUST, the actor's 1932 hit. After a brief fling with Eloise Kelly (Ava Gardner), an adventurer temporarily stranded in Kenya, Vic is hired as a guide by British anthropologist Donald Nordley (Donald Sinden)--who has come to study the gorilla--and his wife, Linda (Grace Kelly). Linda is immediately attracted to Vic and begins flirting with him furiously, behavior that goes unnoticed by her preoccupied husband but not the jealous Eloise, who manages to get in a few verbal jabs at dinner. While walking through the jungle, Vic saves Linda from an attacking panther, and although she tacitly offers herself to him, he passes. As the group's safari heads into gorilla country, the sexual tension between Vic and Linda increases, but her husband's absorption in simian affairs prevents repercussions. However, the gorillas do not reciprocate Donald's interest, and when one of them attacks the scientist, Vic has a chance to be rid of his mild-mannered rival. One of Ford's least typical projects, this comedy of jungle manners includes none of his characteristic themes, but the sardonic John Lee Mahin script, the easy rapport between Gable and Gardner, and the striking photography of the African veldt make it a film well worth watching.

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This set features John Wayne in action from an arid Japanese island to verdant Ireland. The first volume of the JOHN WAYNE COLLECTION features FLYING TIGERS, THE QUIET MAN, SANDS OF IWO JIMA, and WAKE OF THE RED WITCH. Please see individual titles for synopsis information.

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Arrowsmith [DVD]

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John Ford's adaptation of the Sinclair Lewis Nobel Prize-winning novel stars Ronald Colman as the idealistic Martin Arrowsmith. Although a brilliant medical student, Arrowsmith's chances of pursuing a research fellowship are sidetracked by his marriage to nurse Leora Tozer (Helen Hayes). The couple returns to Leora's small Minnesota hometown, where Arrowsmith establishes a medical practice while continuing to do research on his own. After a few years, he discovers the cure for a bovine disease, which lands him a job doing research with former mentor Dr. Max Gottlief (A.E. Anson) in New York. Scientist Gustavus Sondelius (Richard Bennett), a friend of the researchers', informs them that a plague is devouring the West Indies. Eager to test a new serum, Arrowsmith accompanies the scientist to the islands, reluctantly taking Leora along. Although the white population refuses to participate in the experiment, a black doctor persuades the native people to take the serum. In the course of his research, Arrowsmith meets Joyce Lanyon (Myrna Loy), the daughter of a plantation owner--and finds himself irresistibly drawn to her. Colman, Hayes, and Bennett contribute fine performances, and the supporting cast, particularly John Qualen and Beulah Bondi, are outstanding. Ford, famous for his sublime visual sense in handling epic material, displays a deft directorial touch in the quiet, intimate ARROWSMITH, creating a wrenching portrait of a man struggling to do right while shrouded in a mist of moral ambiguity.

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The Last Hurrah [DVD]

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John Ford's gripping portrait of the twilight of politician Frank Skeffington--adapted from the Edwin O'Connor novel based on the life of celebrated Boston mayor James Curley--reflects the director's abiding pessimism about the fate of American cities. Skeffington (Spencer Tracy) is about to begin his fifth and likely last campaign for mayor of a city in New England. A champion of the poor and downtrodden (especially if they happen to be Irish), the mayor is not above a bit of corruption if it will bring them comfort, a policy that has earned the enmity of both the city's WASP faction and the clergy. The mayor's journalist nephew, Adam Caulfield (Jeffrey Hunter), accompanies him to a wake and observes the dual nature of the politician: He shamelessly works the crowd for support but later pressures grasping undertaker Johnny Degnan (Bob Sweeney) into reducing the exorbitant funeral costs. Upon hearing that some bankers have reneged on providing a loan for a slum clearance project, Skeffington bursts into their elitist private club and gives them hell. Tracy and an excellent supporting cast, including Pat O'Brien, John Carradine, Frank McHugh, Donald Crisp, and Basil Rathbone, enliven Ford's nostalgic tribute. Curley, who considered the film an invasion of privacy, sued the studio, which settled out of court.

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The Long Gray Line [DVD]

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John Ford cast former matinee idol Tyrone Power against type in the true story of Marty Maher, a humble Irish immigrant who rose through the ranks to become one of West Point's most revered instructors. Arriving at the hallowed military academy near the turn of the 20th century, Maher first gets a job as a cafeteria dishwasher but realizes that the enlisted men receive better treatment and quickly becomes one. The life of military discipline is no easier for the Irishman, and he soon finds himself in the guardhouse after getting in a fight with an officer he mistakenly accuses of a crime. Upon his release, Capt. Herman Koehler (Ward Bond), who saw the fight and admired his pugilistic skill, offers Marty a job as the school's boxing coach. Koehler also introduces him to the quiet Irish-born cook, Mary (Maureen O'Hara), who will become his wife. As the years pass, Marty's role expands beyond his place in the athletic department as he gradually becomes one of the most beloved characters in the school's history, a second father to thousands of grateful cadets. This warmly sentimental, typically Fordian tribute to a life of service--the director's first film following a year off because of eye surgery--features a fine performance by Power as the volatile, big hearted Hibernian.

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This collection of John Ford films includes CHEYENNE AUTUMN, THE INFORMER, THE LOST PATROL, MARY OF SCOTLAND, and SERGEANT RUTLEDGE. Please see individual titles for synopsis information.

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Five of the best movies of the dashing and talented screen legend Clark Gable are gathered together in this collection. The titles included are: BOOM TOWN, CHINA SEAS, DANCING LADY, MOGAMBO, and SAN FRANCISCO.

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John Ford's memorable screen version of John Steinbeck's epic novel of the Great Depression--often regarded as the director's best film--stars Henry Fonda as Tom Joad. After having served a brief prison sentence for manslaughter, Joad arrives at his family's Oklahoma farm only to find it abandoned. Muley (John Qualen), a neighbor now nearly mad with grief, tells Tom of the drought that has transformed the farmland of Oklahoma into a desert and of the preying land agents who have plowed under the shacks of the sharecroppers. Joined by former hellfire preacher Casy (John Carradine), Tom finds his extended family, including Pa (Charles Grapewin) and his indomitable Ma (Jane Darwell), packing their ramshackle truck to seek work in the fields of California. As the family treks across the country, their dissolution begins with the deaths of Tom's grandparents at close intervals. When they arrive in California, the Joads find only an abundance of poverty-stricken migrants like themselves and little in the way of potential work. Yet, ever resilient, they maintain their dignity, hoping for the best. Among the talented cast, Fonda does perhaps the best work of his career, as does Qualen in the film's most haunting sequence. Director of photography Gregg Toland captures the suffering and the weathered, luminous nobility of the Joads and the other uprooted, drifting families, creating striking images equal to the best work of Dorothea Lange and Walker Evans. In a stirring film that stands as a microcosm of the depression experience of millions, Ford gives poverty a human face in a way that was rare then and even rarer in the decades to follow as Hollywood films with a sense of class consciousness dwindled like a species nearing extinction.

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How Green Was My Valley [DVD]

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In John Ford's HOW GREEN IS MY VALLEY, Huw Morgan, now a middle-aged man leaving the mining town of Cwm Rhondda, recalls the events that most impressed themselves upon his younger self (Roddy McDowall). His first memories are of the marriage of his brother, Ivor (Patric Knowles), and the burgeoning romance of his sister, Angharad (Maureen O'Hara), and the new preacher, Mr. Gruffydd (Walter Pidgeon). Still too young to work in the local coal mine like his father, Gwilym (Donald Crisp), and his five older brothers, he senses the seriousness of an imminent strike by the rift it creates between his father and the other boys when three of them move out of the family abode. During the tensions of the strike, Huw saves his mother (Sara Allgood) from drowning and in so doing loses the use of his legs. As Gruffydd aids in Huw's recovery, insisting on a positive attitude, he suggests that it is only the first of many trials the boy will have to face. Richard Llewellyn's nostalgic novel, with its Fordian themes of family and community, could hardly have found a better director. While the acting and writing are excellent, this is truly Ford's film, one in which his brilliantly chosen groupings and compositions are the most expressive elements. Possibly the most moving film of Ford's career, HOW GREEN IS MY VALLEY received five Oscars, including Best Picture and Best Director.

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Shirley Temple considered this the best among her films, a belief seconded by critic Andrew Sarris, who regarded it more highly than director John Ford's contemporaneous masterpiece THE INFORMER. She stars as Priscilla Williams, a young girl traveling with her mother, Joyce, to join her paternal grandfather (C. Aubrey Smith), a British army colonel, at the post he commands in northern India. Upon arrival, they witness the capture of Khoda Khan (Cesar Romero), leader of the rebel Indian faction. Priscilla plays at being a soldier and is even given a uniform and allowed to drill by the genial Sergeant MacDuff (Victor McLaglen), but her gruff grandfather disapproves and insists she remain apart from the troops. She eventually charms him, along with everyone else on the post, including Khoda Khan, whom she wins over by returning a talisman he's dropped. When the attractive Lieutenant Brandes (Michael Whalen) deserts his post to take Joyce to a dance, Khan escapes, and Brandes is arrested. As hostilities with the rebels mount, Priscilla and servant Mohammet Dihn (Willie Fung)--actually an Indian spy--take off for Khoda Khan's stronghold. Departing from the Kipling story, Ford places Temple in a military setting with a wonderfully expansive feeling not unlike that of his classic cavalry films. The high production values and excellent supporting cast further illuminate Temple's eternally fresh and ebullient allure in this irresistible gem from Hollywood's golden age. Comedian Jerry Seinfeld has observed that the phrase "family entertainment" is an oxymoron, but in the case of this delightful film he's mistaken.

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Screen legend Henry Fonda has four of his films gathered together for this collection. The titles included are: ADVISE AND CONSENT, BATTLE OF THE BULGE, MISTER ROBERTS, and THE WRONG MAN. Please see individual titles for synopsis information.

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The Grapes of Wrath [DVD]

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John Ford's memorable screen version of John Steinbeck's epic novel of the Great Depression--often regarded as the director's best film--stars Henry Fonda as Tom Joad. After having served a brief prison sentence for manslaughter, Joad arrives at his family's Oklahoma farm only to find it abandoned. Muley (John Qualen), a neighbor now nearly mad with grief, tells Tom of the drought that has transformed the farmland of Oklahoma into a desert and of the preying land agents who have plowed under the shacks of the sharecroppers. Joined by former hellfire preacher Casy (John Carradine), Tom finds his extended family, including Pa (Charles Grapewin) and his indomitable Ma (Jane Darwell), packing their ramshackle truck to seek work in the fields of California. As the family treks across the country, their dissolution begins with the deaths of Tom's grandparents at close intervals. When they arrive in California, the Joads find only an abundance of poverty-stricken migrants like themselves and little in the way of potential work. Yet, ever resilient, they maintain their dignity, hoping for the best. Among the talented cast, Fonda does perhaps the best work of his career, as does Qualen in the film's most haunting sequence. Director of photography Gregg Toland captures the suffering and the weathered, luminous nobility of the Joads and the other uprooted, drifting families, creating striking images equal to the best work of Dorothea Lange and Walker Evans. In a stirring film that stands as a microcosm of the depression experience of millions, Ford gives poverty a human face in a way that was rare then and even rarer in the decades to follow as Hollywood films with a sense of class consciousness dwindled like a species nearing extinction.

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Young Mr. Lincoln

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John Ford's film on the early career of Abraham Lincoln, which centers on an apocryphal murder trial, impressed even the great Sergei Eisenstein. It stars Henry Fonda as the title character, who opts for the law after receiving encouragement from his early, ill-fated love, Anne Rutledge (Pauline Moore). Too poor to own even a horse, he arrives in Springfield on a mule and soon establishes a law practice with friend John Stuart (Edwin Maxwell). At a July 4th celebration, a man is murdered in a brawl, and the accused are Matt and Adam Clay (Richard Cromwell and Eddie Quillan), two brothers of a family that Lincoln knows. After saving the two men from a lynch mob, Lincoln becomes their defending attorney, a difficult task since each man claims guilt to spare the other. Admiring his courage, Mary Todd (Marjorie Weaver) invites him to her sister's soiree and expresses an intense interest in his future. More pressing is his meeting with Abigail Clay (Alice Brady), who understandably refuses to tell Lincoln which of her sons is the killer. Although entirely fictional, Ford's fable conveys the essence of the great man's character: honesty, humor, wisdom, and a shrewdness that knew how to take a back road to reach the high road. A triumph of acting, writing, and direction, YOUNG MR. LINCOLN features one of Fonda's greatest screen performances.

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This collection contains the following award-winning features: GENTLEMAN'S AGREEMENT, THE FRENCH CONNECTION, ALL ABOUT EVE, THE SOUND OF MUSIC, and HOW GREEN WAS MY VALLEY. Please see individual titles for synopsis information.

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What Price Glory? [DVD]

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Two American soldiers fighting in World War II France both fall in love with the same woman, an innkeepers daughter. The question becomes who they'll destroy first, the enemy or each other? War and women are the two forces pulling on Captain Flagg and Sergeant Quirt. During the First World War, Flagg waits for Quirt to train his recruits. In the meantime, Flagg spends his days wooing Charmaine, an innkeeper's beautiful daughter. When Flagg leaves for Paris to re-enter the fighting, the still-at-home Quirt takes a liking to Charmaine. What follows is a romantic triangle set against the backdrop of war, as Flagg and Quirt keep trading places until each discovers whom the other has been courting.

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They Were Expendable [DVD]

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John Ford's poetic adaptation of William White's book about a PT boat squadron in the South Pacific during World War II may be the best feature film on the war in that theater and is considered by some scholars, including British director Lindsay Anderson, as Ford's greatest work. Just before the outbreak of the war, Lt. John Brickley (Robert Montgomery) is assigned to take his Motor Torpedo Boat Squadron to Manila Bay to defend against a possible Japanese attack in the Philippines. Once there, he finds that the top brass, amused by the idea that the small crafts can be of use in combat, relegates the PT boat to messenger duty. Angered by that reaction, Brickley and his crew must wait for the war to begin to show what they can do. When it does, they shoot down three Japanese planes during an attack on their base, but when the base is closed Brick's squadron is reassigned to Bataan, where they once again are ordered to run messages, and Brickley's fiery executive officer, Lt. Rusty Ryan (John Wayne), fed up with such meaningless duty, asks to be transferred to a destroyer. The embodiment of Milton's tag that "they also serve who stand and wait," Ford's elegiac film pays tribute to all who donned a uniform during the war, whatever their role. Montgomery, who shared in the film's direction, gives the best noncomic performance of his career as the evenhanded CO. But in a visually arresting film that could provide a formidable emotional impact even without the use of sound, it's the eloquent compositions of director of photography Joseph H. August that resonate most powerfully.

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This film collection is devoted to legendary director John Ford. Included are the films DRUMS ALONG THE MOHAWK, THE GRAPES OF WRATH, MY DARLING CLEMENTINE, HOW GREEN WAS MY VALLEY, and the documentary BECOMING JOHN FORD. See individual titles for synopsis information.

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Two classic World War II films combine on this 2-Pack. THEY WERE EXPENDABLE: John Ford's poetic adaptation of William White's book about a PT boat squadron in the South Pacific during World War II may be the best feature film on the war in that theater and is considered by some scholars, including British director Lindsay Anderson, as Ford's greatest work. Just before the outbreak of the war, Lt. John Brickley (Robert Montgomery) is assigned to take his Motor Torpedo Boat Squadron to Manila Bay to defend against a possible Japanese attack in the Philippines. Once there, he finds that the top brass, amused by the idea that the small crafts can be of use in combat, relegates the PT boat to messenger duty. Angered by that reaction, Brickley and his crew must wait for the war to begin to show what they can do. When it does, they shoot down three Japanese planes during an attack on their base, but when the base is closed Brick's squadron is reassigned to Bataan, where they once again are ordered to run messages, and Brickley's fiery executive officer, Lt. Rusty Ryan (John Wayne), fed up with such meaningless duty, asks to be transferred to a destroyer. The embodiment of Milton's tag that "they also serve who stand and wait," Ford's elegiac film pays tribute to all who donned a uniform during the war, whatever their role. Montgomery, who shared in the film's direction, gives the best noncomic performance of his career as the evenhanded CO. But in a visually arresting film that could provide a formidable emotional impact even without the use of sound, it's the eloquent compositions of director of photography Joseph H. August that resonate most powerfully. FLYING LEATHERNECKS: Action-packed war film utilizing actual battle footage to create a tense drama. Two US Marine fighter pilots try to fight their own personal battles, while still banding together to fight the war. Wayne delivers a standard performance as the flying officer whose determination is hated by his men as well as the enemy.

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The Wings of Eagles [DVD]

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John Ford's biopic of his friend Frank "Spig" Wead stars John Wayne as the decorated naval hero who went on to become the screenwriter of such films as Ford's THEY WERE EXPENDABLE and Howard Hawks's CEILING ZERO. After World War I, Frank strives to demonstrate the potential of seaplanes for use in warfare to the navy by winning a number of competitions. As the pilot's star rises, he spends time working and indulging in adolescent horseplay with his buddies while his wife, Minnie (Maureen O'Hara), languishes at home with the children that Frank barely knows. On the night when a much desired assignment to command a fighter squadron finally comes through, the pilot is paralyzed after an accidental fall. Ashamed of his condition, Frank refuses to accept consolation or help from his wife or family and will allow only his military mates, Jughead Carson (Dan Dailey) and John Price (Ken Curtis), to aid his long rehabilitation. After a bout of depression, he begins to write of his experiences, slowly transforming himself into a professional author. THE WINGS OF EAGLES features an endearing mix of low comedy and high drama expertly interwoven by Ford, who also allows a delightful spoof of himself in the form of Ward Bond's hilarious portrayal of a Fordian director named John Dodge.

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