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Diane, Woody Allen, Woody Allen, PG (MPAA), Borders.com in DVDs & Videos

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Manhattan Murder Mystery
 

Manhattan Murder Mystery

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Manhattan Murder Mystery
Woody Allen and Diane Keaton join forces again in this charming riff on such murder mystery classics as REAR WINDOW, DOUBLE INDEMNITY, and THE LADY FROM SHANGHAI. Allen and Keaton play Larry and Carol Lipton, a New York couple reevaluating their life together after their only son goes off to college. Carol thinks they have fallen into a boring life, but when one of their neighbors suddenly dies, Carol starts wondering if foul play was involved. Thrust further into the mystery by their friends Ted (Alan Alda) and Marcia (Anjelica Huston), the Liptons soon find themselves in the middle of murder and mayhem, with their relationship--as well as their lives--hanging in the balance. Seeing Allen and Keaton interact onscreen again, after a hiatus of several years, is a joy. The film moves at a fast pace, with Allen's trademark fabulous shots of New York landmarks. But the ending, which marvelously mimics the famous ending from Orson Welles's THE LADY FROM SHANGHAI, is a tour de force that should not be missed.

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Love and Death [DVD]
 

Love and Death [DVD]

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Love and Death [DVD]
The bridge between Woody Allen's early slapstick satires and his later romantic comedies and dramas, LOVE AND DEATH is also a broad parody of his numerous influences. The film tells the tale of Boris Grushenko (the filmmaker himself), a cowardly Russian who miraculously survives the Napoleonic Wars only to discover that his heroism does nothing to advance his romantic prospects with his philosophical cousin Sonia (Diane Keaton). Her convoluted reasoning dictates that the pair of them must attempt to assassinate the French dictator, a proposal Boris agrees to in the hopes that he will finally win Sonia's love through the act. The contrast between Sonia's analytical mind and Boris's lustful one provides Allen with numerous opportunities to joke about gender differences, but it is the multiple parodies of both literature and film that drive LOVE AND DEATH's comedic narrative. The most obvious target in the film is Russian literature: many jokes are built around the blend of fatalistic philosophy, historical narratives, and complex familial and character relationships that characterize novels by such authors as Fyodor Dostoevsky and Leo Tolstoy (the most obvious source for the film being his WAR AND PEACE). However, the filmmakers that have influenced Allen are also parodied; themes and even shots are taken directly from the work of Ingmar Bergman and Sergei Eisenstein. The musical score is assembled from compositions by Prokofiev, who wrote the scores for Eisenstein's later sound films, which were also heavily affected by Russian literature and history. Finally, the quick-witted, under-the-radar verbal hijinks in the film (like in other Allen films) bear the mark of the Marx Brothers, perhaps the most famous Jewish comedians aside from Allen himself. Although LOVE AND DEATH is not among the most well-known of Allen's comedies, there are few films that lay bare the influences of a master filmmaker as readily as this.

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