Woody Allen, Woody Allen, iNetVideo.com in DVDs & Videos

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A melange of sentimental musical vignettes about the various members of a madcap Manhattan family, who attempt by turns to find romance. Allen returns to his improvisational comic vein, reportedly springing the musical numbers on his nonmusical stars--only Barrymore was dubbed--shortly before production began.

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In 2005, famed New York City filmmaker Woody Allen made MATCH POINT, a murder mystery set in London, starring Scarlett Johansson. Allen remains in London for the follow-up, the murder mystery SCOOP, again with Johansson, but this time he jumps in front of the camera as well. Woody plays Sid "Splendini" Waterman, a pathetic magician who somehow conjures up the ghost of Joe Strombel (Ian McShane), a recently deceased ace reporter who has been given a great scoop from beyond the grave. Strombel's spirit links onto young journalism student Sondra Pransky (Johansson), demanding that she get the story--and get it right. Pretending to be father and daughter, Sid and Sondra get into the good graces of Peter Lyman (Hugh Jackman), a wealthy British lord who just might be the Tarot Card Killer, a madman who has been terrifying London by brutally murdering prostitutes. Against her better judgment, Pransky starts falling for the charming playboy even as she gathers more and more evidence that points to him as the probable killer. Jackman and Johansson have an intoxicating on-screen romantic chemistry that is a terrific counterpoint to the manic energy she shares with Allen. While MATCH POINT was an homage to Alfred Hitchcock's STRANGERS ON A TRAIN, the comedy-thriller SCOOP pays tribute to the master director's FRENZY and NOTORIOUS. Allen also manages to get one of his favorite characters--Death (Peter Mastin) into the film. The score includes works by Tchaikovsky, Strauss, and Grieg as well as swinging numbers by Xavier Cugat and Lester Lanin.

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Jason Biggs and Christina Ricci star as a mismatched couple in Woody Allen's funny and well-made romantic comedy ANYTHING ELSE. Biggs plays Jerry Falk, a young comedy writer looking to make it big, while Ricci is Amanda, a self-absorbed free spirit whom men go wild for. They fall for each other instantly near the beginning of the film, then spend the rest of the movie trying to work out their very complex and complicated relationship, especially after her mother (Stockard Channing) moves in to their small apartment to live with them. With echoes of such classic Allen fare as ANNIE HALL, ANYTHING ELSE is a lighthearted look at young love in the Big Apple. Allen himself stars as David Dobel, an older comedy writer who mentors Jerry, often on walks through Central Park, but it seems that Dobel has a bit of an anger management problem. Once again, New York City is virtually a character unto itself, as Allen includes scenes in such Gotham places as the Village Vanguard jazz club, Isabella's restaurant, Roosevelt Island, Sheepshead Bay, and the Quad Cinema. Good supporting work is turned in by Danny DeVito as Falk's manager. The soundtrack includes songs by Billie Holiday, Ravi Shankar, Teddy Wilson, Lester Young, Moby, and Diana Krall, who appears in the film.

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Woody Allen's delightful farce deals with the misadventures of three couples who spend the weekend together in the country. They all seem to end up in love with the wrong person.

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Marking perhaps his first public consideration of himself as an artist, Woody Allen's STARDUST MEMORIES is also a bold narrative exercise that recalls the European cinema that Allen admires. Allen stars as Sandy Bates, a celebrated filmmaker who travels to a weekend retrospective of his films. There, he is assaulted by his fans and critics, and can only find refuge in the companionship of his friend's wife Daisy (Jessica Harper of SUSPIRIA fame), and in his memories of an intense relationship with beautiful but insane Dorrie (Charlotte Rampling). As the weekend continues, he struggles with his feelings of inadequacy, haunted by the repeated comment "I liked your earlier, funny films better." The most obvious point of reference for the film, as many have pointed out, is Fellini's 8 1/2: both deal with filmmakers questioning their own purpose and path, both combine comedy and pathos, and Allen's use of black and white cinematography and scenes of absurdity seem lifted almost directly from Fellini's film. Allen's examination of his career employs a nearly plotless structure, driven more by character and theme, with a rather daring temporal editing structure that causes his memories of the past to flow neatly into the present. It differs from his later films that deal with similar thematic material, such as the caustic DECONSTRUCTING HARRY and CELEBRITY, in that Allen seems to place equal blame on both himself and those he feels expect too much from him. STARDUST MEMORIES is truly unique, a film made by an artist on the edge of a divide in his career and considering if his actions are worthwhile or even legitimate. Although it may not be for everyone, for anyone with even a passing interest in Allen it must be seen.

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A lovable schlub of a Broadway agent struggles to revive the sagging careers of of his motley clients. His misguided efforts to get a fading lounge singer's career back on track land him right in the middle of a gangland battle.

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MIGHTY APHRODITE is Woody Allen's stab at Greek comedy/tragedy, and it is wildly successful. Allen stars as Lenny Weinrib, a sportswriter married to ambitious Amanda Sloan (Helena Bonham Carter), who desperately wants her own art gallery in New York City and is willing to play the game to get it. Amanda convinces a reluctant Lenny to adopt, and they end up with beautiful Max. Lenny soon becomes obsessed with finding out who Max's biological parents are, and he is not exactly happy when he discovers that the mother is a high-pitched actress wanna-be who is also a minor porn star and hooker (Mira Sorvino, in an Oscar-winning performance). Lenny is determined to turn her life around--but at the same time is forced to examine his own marriage, which is failing. Allen intersperses New York City vignettes with hysterical scenes of a Greek chorus, led by F. Murray Abraham, chiming in about Lenny's life, comparing it to Greek drama, and breaking out into song-and-dance numbers. The scenes in which the two worlds meet--both in New York and in the Greek theater, are wonderfully witty and incisive. This charming light comedy from Woody Allen also features fine cameo appearances by Olympia Dukakis, David Ogden Stiers, Jack Warden, and Tony Sirico.

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A killer lurks in the dark corners of an odd little European town--a mysterious stranger who brutally strangles his victims. When the circus comes to visit, the madman steps up his pace, commencing a ghastly murder spree. Meanwhile, a nondescript local man named Kleinman finds himself accused of the crimes by an angry mob. And every effort Kleinman makes to clear himself ends up making him look more and more guilty. Woody Allen's black-and-white mood piece is dark and eerie and very funny, with new twists and turns lurking behind each shadow. Once again he has amassed a stellar, eclectic cast, including John Cusack, Kathy Bates, Jodie Foster, Donald Pleasence, John Malkovich, Fred Gwynne, Lily Tomlin, and Madonna, among others.

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Woody Allen combined the best parts of his earlier films in creating HANNAH AND HER SISTERS, his 1986 masterwork about the changing relationships among three sisters living in New York City. Hannah (Mia Farrow) has put her acting career aside in order to take care of her family with second husband Elliot (Michael Caine in an Oscar-winning performance). Elliot has fallen in love with Hannah's sister Lee (Barbara Hershey), who herself is feeling suffocated by her cynical, mean-spirited loner of a lover, played with great intensity by Ingmar Bergman regular Max von Sydow. Meanwhile, third sister Holly (Oscar winnner Dianne Wiest) is struggling to find her own voice, working as a caterer while she tries to get her own acting career going. And in the middle of everything is Mickey (Woody Allen at his most neurotic), a television writer who is divorced from Hannah, has dated Holly, and, when he suspects he might have a brain tumor, decides to reevaluate his life and his faith in God. HANNAH AND HER SISTERS is Allen's most fully realized, optimistic adult comedy. He won a well-deserved Oscar for his marvelous screenplay, filled with his trademark sharp, witty dialogue, his undying passion for New York (its culture, architecture, music, romance), and some of his most well developed characters. The cast is extraordinary, the music illuminating, the settings magnificent. Taking place over the course of a few Thanksgivings, Allen's insightful, wonderful film is a thoroughly enjoyable mature look at the trials, tribulations, and triumphs of family life.

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