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The third in the series of National Lampoon's 'Vacation' films, this sequel concerns the Griswold family's holiday get-together. This time they're trying to have a picture book, old-fashioned Christmastime--even though all the in-laws are dropping by, including Clark's (Chevy Chase) redneck cousin, Eddie (Randy Quaid). Looks like it's going to be a real holly-jolly holiday--if they can make it through.

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The sequel to the racing smash THE FAST AND THE FURIOUS may not have Vin Diesel as its star, but it burns with even higher octane than its predecessor, and a whole lot less extraneous drama. Back in action is undercover cop Brian O'Connor (Paul Walker) whose career has hit the skids since he let Diesel's character escape at the last film's end. He has sunk in status and is now a fringe dweller on the Miami street racing scene. A chance at redemption arrives when the fuzz recruits him to investigate Carter Vellone (Cole Hauser), a top-dog street racer with dangerous drug connections. O'Connor recruits his bickering childhood pal (model/singer Tyrese), now a nitro-burning ex-con from the Diesel school of toughness, to help him pull the bad guys to the curb with a tire-spinning vengeance. John Singleton (BOYZ IN THE HOOD, HIGHER LEARNING) directed, and obviously had great fun delivering, a straight-up racing thriller that's free of the message-bearing pressure of being a "John Singleton film." 2 FAST fairly roars off the screen with comic book exuberance and a cheerful disregard for anything that gets in the way of its forward momentum. Best of all is Tyrese, a natural, laid-back star--he's not afraid to poke fun at his own shirtless model-boy image and amply compensates for the mighty Vin's absence. Rapper Ludacriss is also memorable as O'Connor's mechanic, as is model Devon Akoi as a cute female racer.

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With both impressive scope and incredible detail, PLANET EARTH explores the entire world using high definition cinematography. Boasting a budget of over $25 million, this BBC/Discovery Channel co-production exposes the beauty of the earth and its animal inhabitants from a cuddly panda cub to an attacking shark. David Attenborough narrates, as the vivid documentary takes to the sea, as well as to the mountains, caves, deserts, jungles, and more. With 40 cameramen traveling to 200 locations, this is an epic series that can't be missed. This set contains every episode: "Living Planet," "Mountains," "Fresh Water," "Caves," "Deserts," "Frozen Worlds," "The Great Plains," "Forests," "Jungles," "The Shallow Seas," "Ocean Wide, Ocean Deep," and "Planet Earth - The Future."

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The ordeal of superheroic, singularly dedicated FBI agent Sean Archer (John Travolta) is only beginning after finally capturing his archnemesis, Castor Troy (Nicholas Cage), an elusive, maniacal terrorist who claimed the life of Archer's son. While Troy languishes in a coma, Archer surgically "borrows" Troy's face in an attempt to gather evidence about Troy's last bomb--which is currently ticking away in a Los Angeles office building. Trouble ensues when Troy wakes up faceless, borrows Archer's visage, and makes a mess of Archer's life; all the while, both men struggle to adapt to their new identities while struggling to blow each other away. Another balletically filmed, thematically complex action-smorgasbord from Hong Kong-vet John Woo. Academy Award Nomination: Best Sound Effects Editing.

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With both impressive scope and incredible detail, PLANET EARTH explores the entire world using high definition cinematography. Boasting a budget of over $25 million, this BBC/Discovery Channel co-production exposes the beauty of the earth and its animal inhabitants from a cuddly panda cub to an attacking shark. David Attenborough narrates, as the vivid documentary takes to the sea, as well as to the mountains, caves, deserts, jungles, and more. With 40 cameramen traveling to 200 locations, this is an epic series that can't be missed. This set contains every episode: "Living Planet," "Mountains," "Fresh Water," "Caves," "Deserts," "Frozen Worlds," "The Great Plains," "Forests," "Jungles," "The Shallow Seas," "Ocean Wide, Ocean Deep," and "Planet Earth - The Future."

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Based on the Hasbro toy line that initially captivated kids in the 1980s, director Michael Bay's TRANSFORMERS finds two warring bands of shape-shifting alien robots renewing their intergalactic conflict on Earth. While the Decepticons, followers of the malevolent Megatron (voiced by Hugo Weaving), strive to take over the planet, the Autobots, led by the valiant Optimus Prime (voiced by Peter Cullen), are intent on protecting humanity. When young Sam Witwicky (Shia LaBeouf) discovers that his new car is really the Autobot Bumblebee (voiced by Mark Ryan), it sets the stage for a massive giant-robot showdown. A shining example of the Hollywood summer blockbuster at its best, TRANSFORMERS combines stunning CGI effects and thrilling action sequences with drama, humor, and a touch of romance. Featuring a large cast that includes Josh Duhamel, Tyrese Gibson, Jon Voight, John Turturro, Anthony Anderson, and Rachael Taylor, the film is anchored by LaBeouf, who always displays an engaging Everyman charm, whether he's running from colossal robots, interacting with his well-meaning parents (hilariously played by Kevin Dunn and Julie White), or pining for his gorgeous classmate (Megan Fox). While some TRANSFORMERS purists may be dismayed by certain aspects of this bold big-screen adaptation (Bumblebee is a Camaro instead of a Volkswagen), the movie balances its spectacle with an admirable amount of substance, giving it an appeal far beyond pre-teen boys and their nostalgic Autobot-loving elders.

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Jon Krakauer's bestselling nonfiction book about the life of Chris McCandless is finally brought to the big screen in INTO THE WILD. Directed by Sean Penn, the film opens in 1992, when Chris (Emile Hirsh) is a promising college graduate. Shortly after graduation, Chris gives his life savings to charity, burns all of his identification, and begins hitchhiking across America, his ultimate goal being Alaska. Citing passages from his heroes, Thoreau and Jack London, he is determined to escape society and get back to nature. He blows from town to town like a tumbleweed, hopping trains, camping with aging hippies (Catherine Keener and Brian Dierker), working briefly with a farmer (Vince Vaughan), and befriending a widowed leather worker (Hal Holbrook). He revels in his newfound freedom, but meanwhile, his parents (Marcia Gay Harden and William Hurt) have no idea where he is, and are sick with worry. While their relationship with Chris was already troubled, they are nonetheless devastated by his disappearance. Chris's sister, Carine (Jane Malone), narrates much of the film, offering her reflections on the effect Chris's absence has on his family. Chris finally makes it to Alaska, where he hikes out to a remote campsite and discovers an abandoned bus. He manages to survive there for a few months living off the land, but he eventually runs out of supplies and becomes trapped, leading to his tragic end. INTO THE WILD bounces around chronologically, jumping back and forth from the start of Chris's journey to his final few weeks living aboard the bus. This works to great effect as the storylines begin to merge and the tension and dread mount, and we see the fate that will eventually befall Chris. Penn obviously had great admiration for his subject, and while the film appears to differ from the book in places, it nevertheless paints a heartbreaking portrait of this young man's short but fascinating life.

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Based on the Hasbro toy line that initially captivated kids in the 1980s, director Michael Bay's TRANSFORMERS finds two warring bands of shape-shifting alien robots renewing their intergalactic conflict on Earth. While the Decepticons, followers of the malevolent Megatron (voiced by Hugo Weaving), strive to take over the planet, the Autobots, led by the valiant Optimus Prime (voiced by Peter Cullen), are intent on protecting humanity. When young Sam Witwicky (Shia LaBeouf) discovers that his new car is really the Autobot Bumblebee (voiced by Mark Ryan), it sets the stage for a massive giant-robot showdown. A shining example of the Hollywood summer blockbuster at its best, TRANSFORMERS combines stunning CGI effects and thrilling action sequences with drama, humor, and a touch of romance. Featuring a large cast that includes Josh Duhamel, Tyrese Gibson, Jon Voight, John Turturro, Anthony Anderson, and Rachael Taylor, the film is anchored by LaBeouf, who always displays an engaging Everyman charm, whether he's running from colossal robots, interacting with his well-meaning parents (hilariously played by Kevin Dunn and Julie White), or pining for his gorgeous classmate (Megan Fox). While some TRANSFORMERS purists may be dismayed by certain aspects of this bold big-screen adaptation (Bumblebee is a Camaro instead of a Volkswagen), the movie balances its spectacle with an admirable amount of substance, giving it an appeal far beyond pre-teen boys and their nostalgic Autobot-loving elders.

starting at

$17
 

starting at

$19
  • product
With both impressive scope and incredible detail, PLANET EARTH explores the entire world using high definition cinematography. Boasting a budget of over $25 million, this BBC/Discovery Channel co-production exposes the beauty of the earth and its animal inhabitants from a cuddly panda cub to an attacking shark. David Attenborough narrates, as the vivid documentary takes to the sea, as well as to the mountains, caves, deserts, jungles, and more. With 40 cameramen traveling to 200 locations, this is an epic series that can't be missed. This set contains every episode: "Living Planet," "Mountains," "Fresh Water," "Caves," "Deserts," "Frozen Worlds," "The Great Plains," "Forests," "Jungles," "The Shallow Seas," "Ocean Wide, Ocean Deep," and "Planet Earth - The Future."

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Director Ron Howard casts comedian Jim Carrey in the title role in this live-action adaptation of the famous Christmas tale by Dr. Seuss, giving this rendition of HOW THE GRINCH STOLE CHRISTMAS a delightfully manic spin. Carrey is virtually unrecognizable in his elaborate green makeup, but his anarchic comic touch is unmistakable. He manages to fully embody the grumpy title character, while still supplying his own comedic touches, and it is his performance that makes the film a treat for adults and children alike. The candy-colored set design for the town of Whoville and the jubilant score contribute to the overall feeling of innocuous fantasy that the Grinch disrupts with his dastardly deeds. The familiar story of the Grinch stealing every present in town on Christmas Eve has been expanded to incorporate flashbacks to the Grinch's childhood, which serve to explain his hostility toward the Whos. As Cindy Lou-Who, a little girl so sweet she sees goodness even in the Grinch, young Taylor Momsen strikes just the right note of adorable ingenuousness. Howard gets the performance the film needs from her, as her character makes the Grinch's eventual change of heart both believable and touching.

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Director Ron Howard casts comedian Jim Carrey in the title role in this live-action adaptation of the famous Christmas tale by Dr. Seuss, giving this rendition of HOW THE GRINCH STOLE CHRISTMAS a delightfully manic spin. Carrey is virtually unrecognizable in his elaborate green makeup, but his anarchic comic touch is unmistakable. He manages to fully embody the grumpy title character, while still supplying his own comedic touches, and it is his performance that makes the film a treat for adults and children alike. The candy-colored set design for the town of Whoville and the jubilant score contribute to the overall feeling of innocuous fantasy that the Grinch disrupts with his dastardly deeds. The familiar story of the Grinch stealing every present in town on Christmas Eve has been expanded to incorporate flashbacks to the Grinch's childhood, which serve to explain his hostility toward the Whos. As Cindy Lou-Who, a little girl so sweet she sees goodness even in the Grinch, young Taylor Momsen strikes just the right note of adorable ingenuousness. Howard gets the performance the film needs from her, as her character makes the Grinch's eventual change of heart both believable and touching.

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FBI agent Art Jeffries (Bruce Willis), wrongfully disgraced after taking the fall for a botched undercover job, defends a ten-year-old autistic boy from a national security agent (Alec Baldwin) who orders the boy assassinated after he innocently cracks the purportedly uncrackable "Mercury" code.

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The personal and professional adventures of Tony Soprano (James Gandolfini) continue in this sixth, and final, season of episodes. As the show builds to its climax, Tony finds his life in danger as Phil Leotardo (Frank Vincent) assumes control of the Mafia following the death of Johnny Sack (Vince Curatola). As the tension escalates even Tony's faithful henchmen, Christopher (Michael Imperioli), Paulie (Tony Sirico), and Silvio (Steve Van Zandt) find their lives in danger. Meanwhile, the various story arcs concerning Tony's family--Anthony Jr. (Robert Iler), Meadow (Jamie Lynn Sigler), and Carmela (Edie Falco)--all build towards the show's controversial ending. As always, the ever-reliable Dr. Melfi (Lorraine Bracco) is on hand to beat off Tony's advances and steady his nerves through her therapy sessions. The final set of episodes from season six of the show are included here.

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Director Sam Raimi follows up his 1998 hit A SIMPLE PLAN with a movie that completes Mr. Costner's unofficial trilogy of baseball films. Told almost entirely in flashback, the film concerns an already legendary 40 year-old pitcher, Billy Chapel, pitching the last game of his career that also marks the end of what has been, at best, a mediocre season. Going up against the Yankees, Billy remembers, while on the mound, his failed affair with the woman he still loves (Preston). As the game unfolds and it becomes apparent that he's on track to pitch a perfect game, Billy begins to wonder if he can win her back, and if his ailing arm can make it through nine innings.

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Going boldly where no man had gone before, Gene Roddenberry's cult phenomenon STAR TREK debuted in 1966 and reflected that decade's optimistic preoccupation with space travel. Set in the 23rd century, the series chronicled the intergalactic adventures of the U.S.S. Enterprise on its five-year mission to explore the outer reaches of space. Encountering a now-iconic assembly of innovative alien life forms such as the Klingons, Romulans, Tribbles, and Khan Noonian Singh, the ship's jumpsuited crew was a then unheard-of font of multiculturism: Asian Sulu (George Takei), African-American Uhura (Nichelle Nichols), and Scotsman Montgomery Scott (James Doohan). But it was the contrasting personalities of cooly logical Vulcan Mr. Spock (Leonard Nimoy), emotionally intuitive medical officer Leonard "Bones" McCoy (DeForest Kelley), and womanizing ship captain James T. Kirk (William Shatner in definitive overacting mode) that lent the series much of its charm--and spawned a rabid cult following that continues to fuel costume sales and convention bookings to this very day. This collection includes the groundbreaking series' first season. Beam me up, Scotty!

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Celebrating the triumphs and tribulations of the lovable loser is no easy thing, but filmmaker Jared Hess seems to thrive in this specific cinematic exercise. Working fresh off the success of NAPOLEON DYNAMITE, Hess finds a similarly endearing hero-without-a-clue in Ignacio, played by Jack Black (HIGH FIDELITY, KING KONG), the title character in NACHO LIBRE. Ignacio, growing up in a poor monastery in Mexico, has dreamed of being a professional wrestler since childhood. This obsession has led him to a thankless adult existence as monastery whipping-boy and chef, serving stale, day-old nacho chips to finicky orphans. In an effort to earn the respect of new nun-hottie Sister Encarnacion (Ana De La Reguera) and escape the monastery into the greedy excess of pro wrestling, Ignacio enters a local amateur competition. Along the way, he picks up the notably scrawny yet tough street urchin Esqueleto (Hector Jimenez) as his tag-team partner. The duo hilariously loses badly and repeatedly to all manner of local wrestling oddities. It is only when Ignacio recognizes a higher goal than money and glory that he can truly compete with his professional idols, including the dreaded and evil champion Ramses. Co-written with Hess's writing partner and wife, Jerusha, and noted screenwriter Mike White (CHUCK & BUCK, SCHOOL OF ROCK), NACHO LIBRE is stocked with real-life wrestlers doing their thing. Jack Black's over-the-top physical humor blends in perfectly with repeated viewings of his "stretchie pants" and timely flatulence. In concert, the elements fuse to distill a comedy that should appeal to all ages eager to be pinned down in a full-nelson by laughter.

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Alex Fletcher (Hugh Grant) is a cynical and self-deprecating former pop idol (the hilarious opening video introduces his '80s new wave band Pop!) who is now playing the nostalgia circuit, but has maintained enough dignity to turn down an appearance on a "Battle of the '80s Has-Beens" TV reality show. Sophie Fisher (Drew Barrymore) is a gifted writer with deep inferiority issues who's been hired to water Fletcher's plants, and ends up becoming his emergency fill-in lyricist for a song he needs to deliver to teen queen singer Cora (Haley Bennett) in four days. Despite this contrived "cute meet," the film, to its great credit, deftly avoids many possible rom-com tropes in favor of organic, character-driven conflicts and comic situations. Alex and Sophie fall in love, struggle over their song, and wrestle with their own respective resistance to romantic happiness, while simultaneously coping with the frustrations of the creative process and the demands of the music industry. The two leads (aided by great comic sidekick turns from Brad Garrett and Kristen Johnston) manage to pull all this off with a lightness of touch that makes the characters' vulnerability appealing and not pathetic. The original songs by Adam Schlesinger (the go-to guy for singer-songwriter film music) is charming and catchy.

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Director Robert Zemeckis mines the epic Old English poem for his latest action adventure to feature performance capture animation. The medieval tale was adapted for the screen by Neil Gaiman and Roger Avery, and no doubt it bears little resemblance to the text you studied in high school. So the story goes, King Hrothgar (Anthony Hopkins) and his people are being terrorized by the horrific monster Grendel (Crispin Glover). Hrothgar puts out a call to any brave man who can come and slay the monster. Enter Beowulf (Ray Winstone) and his brave band of soldiers. Beowulf is a mighty warrior, and he quickly dispatches Grendel, but in doing so he enrages Grendel's mother--played here by an extremely sexy and serpentine Angelina Jolie. Beowulf journeys out to lay waste to Grendel's mother as well, but soon finds his resolve tested by great temptation. His choice ultimately brings about a new curse--one far worse than Grendel--and he must live with regret, until the day finally comes when he is given a chance for redemption. Zemeckis first utilized performance capture in the magical Christmas story POLAR EXPRESS, but one certainly shouldn't expect any dancing elves in BEOWULF. The film features enough gore and bloodshed to rival a teen slasher film, and in the 3D versions, the viewer is sometimes given the perspective of blood actually raining down upon them. However, if one can stomach the ooze and innards, the 3D effects are truly something to behold, as spears and dragons seem to soar mere inches from your face. No doubt poetry purists will have much to haggle with in this violent, sexed-up version of the tale, but teenage boys everywhere are likely to queue up multiple times--if not to see Grendel, then to eyeball his mother.

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Katherine Heigl (GREY'S ANATOMY) and Seth Rogen star in this hilarious and touching comedy as two mismatched people brought together by a one-night-stand that results in an accidental pregnancy. Using many of the same actors from his previous film, THE 40-YEAR OLD VIRGIN, and his cult television series' UNDECLARED and FREAKS AND GEEKS, director Judd Apatow once again finds fresh humor in relationships and sex. Young, bright, and talented, Alison (Heigl) has everything going for her. After being promoted to an on-camera role at E! Television, Alison goes out to celebrate with her older sister, Debbie (Leslie Mann). Not long into the evening Debbie is called home to her kids, leaving Alison in the eager company of charming slacker Ben (Rogen). In the dark of the nightclub and in the ensuing drunk hours, Ben seems like a great guy. But in the sober light of day, Alison quickly discovers the man in her bed is nothing more than an overgrown child with no job, no money, and the social habits of a teenager. Brushing him off politely as a one-time affair, Alison goes on with her life, until two months later she realizes that the unthinkable has happened. Apatow establishes the differences between his protagonists early in the film, bringing their contrasting worlds to life with stellar performances by secondary characters. Paul Rudd has never been better in his role as Alison's bitter brother-in-law, whose somewhat dysfunctional marriage to Alison's feisty but insecure sister unfolds in parallel to Alison and Ben's story. Meanwhile, Ben's home resembles a frat house, and his friends (Jay Baruchel, Jason Segel, Jonah Hill, and Martin Starr), while hilarious, are hardly role models. KNOCKED UP will have audiences cracking up from start to finish, and it also deals with some serious issues about commitment, life choices, and becoming an adult. The film asks universal questions in a sweet and touching way, achieving a sad humor that distinguishes it from other films of its genre.

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In 1994, writer-director Kevin Smith scored a surprise indie hit with the low-budget, black-and-white CLERKS, which won awards at the Sundance and Cannes Film Festivals and has attracted a growing cult audience over the years. Following such movies as MALLRATS, CHASING AMY, and DOGMA, Smith returns to his roots for CLERKS II, a very funny, very raunchy sequel. It's been more than 10 years, but Dante Hicks (Brian O'Halloran) and Randal Graves (Jeff Anderson) are still working at the same Quick Stop video and convenience store in New Jersey--until it burns down. They both end up finding jobs at the nearby Mooby's, a fast-food joint (with the motto "I'm Eating It!") managed by Becky (Rosario Dawson). While Dante gets prepared to move to Florida to marry Emma (Smith's real-life wife, Jennifer Schwalbach), Randal harasses geeky "Funployee of the Month" Elias (Trevor Fehrman), a dweeb who worships the Transformers and believes, much to Randal's consternation, that THE LORD OF THE RINGS is superior to STAR WARS. Also back are Jay (Jason Mewes) and Silent Bob (Smith), who contribute their own warped world view of sex, drugs, and rock & roll. The film features a string of cameos by familiar faces from other Smith films, including Jason Lee, Ben Affleck, Walter Flanagan, and producer Scott Mosier, as well as Kevin Weisman (ALIAS), Ethan Suplee (MY NAME IS EARL), and Wanda Sykes (CURB YOUR ENTHUSIASM); and the excellent soundtrack ranges from Talking Heads and the Smashing Pumpkins to King Diamond and Smith vet Alanis Morissette. And beware the donkey.

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Deals on Hd dvds in DVDs & Videos. Visit BizRate to find the best deals on DVDs & Videos. See which DVDs & Videos stores have the Hd dvds that you want. Read reviews on DVDs & Videos merchants and buy with confidence. Find savings on National Lampoon's Christmas Vacation (Special Edition) [DVD] - 2 Fast 2 Furious [HD DVD].