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The sequel to the racing smash THE FAST AND THE FURIOUS may not have Vin Diesel as its star, but it burns with even higher octane than its predecessor, and a whole lot less extraneous drama. Back in action is undercover cop Brian O'Connor (Paul Walker) whose career has hit the skids since he let Diesel's character escape at the last film's end. He has sunk in status and is now a fringe dweller on the Miami street racing scene. A chance at redemption arrives when the fuzz recruits him to investigate Carter Vellone (Cole Hauser), a top-dog street racer with dangerous drug connections. O'Connor recruits his bickering childhood pal (model/singer Tyrese), now a nitro-burning ex-con from the Diesel school of toughness, to help him pull the bad guys to the curb with a tire-spinning vengeance. John Singleton (BOYZ IN THE HOOD, HIGHER LEARNING) directed, and obviously had great fun delivering, a straight-up racing thriller that's free of the message-bearing pressure of being a "John Singleton film." 2 FAST fairly roars off the screen with comic book exuberance and a cheerful disregard for anything that gets in the way of its forward momentum. Best of all is Tyrese, a natural, laid-back star--he's not afraid to poke fun at his own shirtless model-boy image and amply compensates for the mighty Vin's absence. Rapper Ludacriss is also memorable as O'Connor's mechanic, as is model Devon Akoi as a cute female racer.

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With both impressive scope and incredible detail, PLANET EARTH explores the entire world using high definition cinematography. Boasting a budget of over $25 million, this BBC/Discovery Channel co-production exposes the beauty of the earth and its animal inhabitants from a cuddly panda cub to an attacking shark. David Attenborough narrates, as the vivid documentary takes to the sea, as well as to the mountains, caves, deserts, jungles, and more. With 40 cameramen traveling to 200 locations, this is an epic series that can't be missed. This set contains every episode: "Living Planet," "Mountains," "Fresh Water," "Caves," "Deserts," "Frozen Worlds," "The Great Plains," "Forests," "Jungles," "The Shallow Seas," "Ocean Wide, Ocean Deep," and "Planet Earth - The Future."

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The ordeal of superheroic, singularly dedicated FBI agent Sean Archer (John Travolta) is only beginning after finally capturing his archnemesis, Castor Troy (Nicholas Cage), an elusive, maniacal terrorist who claimed the life of Archer's son. While Troy languishes in a coma, Archer surgically "borrows" Troy's face in an attempt to gather evidence about Troy's last bomb--which is currently ticking away in a Los Angeles office building. Trouble ensues when Troy wakes up faceless, borrows Archer's visage, and makes a mess of Archer's life; all the while, both men struggle to adapt to their new identities while struggling to blow each other away. Another balletically filmed, thematically complex action-smorgasbord from Hong Kong-vet John Woo. Academy Award Nomination: Best Sound Effects Editing.

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With both impressive scope and incredible detail, PLANET EARTH explores the entire world using high definition cinematography. Boasting a budget of over $25 million, this BBC/Discovery Channel co-production exposes the beauty of the earth and its animal inhabitants from a cuddly panda cub to an attacking shark. David Attenborough narrates, as the vivid documentary takes to the sea, as well as to the mountains, caves, deserts, jungles, and more. With 40 cameramen traveling to 200 locations, this is an epic series that can't be missed. This set contains every episode: "Living Planet," "Mountains," "Fresh Water," "Caves," "Deserts," "Frozen Worlds," "The Great Plains," "Forests," "Jungles," "The Shallow Seas," "Ocean Wide, Ocean Deep," and "Planet Earth - The Future."

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Based on the Hasbro toy line that initially captivated kids in the 1980s, director Michael Bay's TRANSFORMERS finds two warring bands of shape-shifting alien robots renewing their intergalactic conflict on Earth. While the Decepticons, followers of the malevolent Megatron (voiced by Hugo Weaving), strive to take over the planet, the Autobots, led by the valiant Optimus Prime (voiced by Peter Cullen), are intent on protecting humanity. When young Sam Witwicky (Shia LaBeouf) discovers that his new car is really the Autobot Bumblebee (voiced by Mark Ryan), it sets the stage for a massive giant-robot showdown. A shining example of the Hollywood summer blockbuster at its best, TRANSFORMERS combines stunning CGI effects and thrilling action sequences with drama, humor, and a touch of romance. Featuring a large cast that includes Josh Duhamel, Tyrese Gibson, Jon Voight, John Turturro, Anthony Anderson, and Rachael Taylor, the film is anchored by LaBeouf, who always displays an engaging Everyman charm, whether he's running from colossal robots, interacting with his well-meaning parents (hilariously played by Kevin Dunn and Julie White), or pining for his gorgeous classmate (Megan Fox). While some TRANSFORMERS purists may be dismayed by certain aspects of this bold big-screen adaptation (Bumblebee is a Camaro instead of a Volkswagen), the movie balances its spectacle with an admirable amount of substance, giving it an appeal far beyond pre-teen boys and their nostalgic Autobot-loving elders.

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Based on the Hasbro toy line that initially captivated kids in the 1980s, director Michael Bay's TRANSFORMERS finds two warring bands of shape-shifting alien robots renewing their intergalactic conflict on Earth. While the Decepticons, followers of the malevolent Megatron (voiced by Hugo Weaving), strive to take over the planet, the Autobots, led by the valiant Optimus Prime (voiced by Peter Cullen), are intent on protecting humanity. When young Sam Witwicky (Shia LaBeouf) discovers that his new car is really the Autobot Bumblebee (voiced by Mark Ryan), it sets the stage for a massive giant-robot showdown. A shining example of the Hollywood summer blockbuster at its best, TRANSFORMERS combines stunning CGI effects and thrilling action sequences with drama, humor, and a touch of romance. Featuring a large cast that includes Josh Duhamel, Tyrese Gibson, Jon Voight, John Turturro, Anthony Anderson, and Rachael Taylor, the film is anchored by LaBeouf, who always displays an engaging Everyman charm, whether he's running from colossal robots, interacting with his well-meaning parents (hilariously played by Kevin Dunn and Julie White), or pining for his gorgeous classmate (Megan Fox). While some TRANSFORMERS purists may be dismayed by certain aspects of this bold big-screen adaptation (Bumblebee is a Camaro instead of a Volkswagen), the movie balances its spectacle with an admirable amount of substance, giving it an appeal far beyond pre-teen boys and their nostalgic Autobot-loving elders.

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Jon Krakauer's bestselling nonfiction book about the life of Chris McCandless is finally brought to the big screen in INTO THE WILD. Directed by Sean Penn, the film opens in 1992, when Chris (Emile Hirsh) is a promising college graduate. Shortly after graduation, Chris gives his life savings to charity, burns all of his identification, and begins hitchhiking across America, his ultimate goal being Alaska. Citing passages from his heroes, Thoreau and Jack London, he is determined to escape society and get back to nature. He blows from town to town like a tumbleweed, hopping trains, camping with aging hippies (Catherine Keener and Brian Dierker), working briefly with a farmer (Vince Vaughan), and befriending a widowed leather worker (Hal Holbrook). He revels in his newfound freedom, but meanwhile, his parents (Marcia Gay Harden and William Hurt) have no idea where he is, and are sick with worry. While their relationship with Chris was already troubled, they are nonetheless devastated by his disappearance. Chris's sister, Carine (Jane Malone), narrates much of the film, offering her reflections on the effect Chris's absence has on his family. Chris finally makes it to Alaska, where he hikes out to a remote campsite and discovers an abandoned bus. He manages to survive there for a few months living off the land, but he eventually runs out of supplies and becomes trapped, leading to his tragic end. INTO THE WILD bounces around chronologically, jumping back and forth from the start of Chris's journey to his final few weeks living aboard the bus. This works to great effect as the storylines begin to merge and the tension and dread mount, and we see the fate that will eventually befall Chris. Penn obviously had great admiration for his subject, and while the film appears to differ from the book in places, it nevertheless paints a heartbreaking portrait of this young man's short but fascinating life.

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With both impressive scope and incredible detail, PLANET EARTH explores the entire world using high definition cinematography. Boasting a budget of over $25 million, this BBC/Discovery Channel co-production exposes the beauty of the earth and its animal inhabitants from a cuddly panda cub to an attacking shark. David Attenborough narrates, as the vivid documentary takes to the sea, as well as to the mountains, caves, deserts, jungles, and more. With 40 cameramen traveling to 200 locations, this is an epic series that can't be missed. This set contains every episode: "Living Planet," "Mountains," "Fresh Water," "Caves," "Deserts," "Frozen Worlds," "The Great Plains," "Forests," "Jungles," "The Shallow Seas," "Ocean Wide, Ocean Deep," and "Planet Earth - The Future."

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Everyone's favorite plastic slasher doll, Chucky (voiced by Brad Dourif), returns for a fifth installment of this popular horror series. Apparently Chucky and his equally murderous bride, Tiffany (voiced by Jennifer Tilly), had a child, which has grown up in a cage as part of a heavy-metal ventriloquist act in England. Eventually it (one never learns its exact gender) escapes to Los Angeles to revive mom and pop, whose doll corpses are being used for a movie based on their previous killing spree. Jennifer Tilly shows up as herself, and she's great--hamming it up as a floozy actress so desperate for the part in rapper Redman's latest film that she lures him home for a casting couch tryst, with hilarious (and fatal) results. Meanwhile, the child of Chucky is horrified by the violent murders its parents are so fond of committing and, with a little help from a 12-step book, tries to help them kick the homicide habit. Of course it's hard when there are so many deserving targets around, including John Waters as a scuzzy paparazzi. In sum, this is one crazy sequel; it's got a refreshing lack of morals, a light heart, and a clever script with a lot of great insider jokes for buffs. The gore is extreme though, including eviscerations, beheadings, melting flesh, and other raunchy business that makes its R rating well-earned (no true Chucky fan would have it any other way, of course). Rappers Eminem and Big Pun contributed tracks to the score.

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The adventures of the young Clark Kent (Tom Welling) continue in this complete sixth season of episodes from SMALLVILLE. The season begins with Earth in danger, as Zod (Michael Rosenbaum), who is inhabiting Lex Luthor's body, tries to transform the planet into a new version of Krypton. As the season progresses an intriguing love triangle between Clark, Lana Lang (Kristin Kreuk), and Lex develops; a few new characters enter the fray; and Lex's evil streak builds until he starts to resemble the classic character from Superman mythology. This season also sees Clark assembling the Justice League, which propels the show even further towards the comic books of old, and the season ends with a dramatic cliffhanger that suggests further new and exciting possibilities for SMALLVILLE.

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Director Robert Zemeckis mines the epic Old English poem for his latest action adventure to feature performance capture animation. The medieval tale was adapted for the screen by Neil Gaiman and Roger Avery, and no doubt it bears little resemblance to the text you studied in high school. So the story goes, King Hrothgar (Anthony Hopkins) and his people are being terrorized by the horrific monster Grendel (Crispin Glover). Hrothgar puts out a call to any brave man who can come and slay the monster. Enter Beowulf (Ray Winstone) and his brave band of soldiers. Beowulf is a mighty warrior, and he quickly dispatches Grendel, but in doing so he enrages Grendel's mother--played here by an extremely sexy and serpentine Angelina Jolie. Beowulf journeys out to lay waste to Grendel's mother as well, but soon finds his resolve tested by great temptation. His choice ultimately brings about a new curse--one far worse than Grendel--and he must live with regret, until the day finally comes when he is given a chance for redemption. Zemeckis first utilized performance capture in the magical Christmas story POLAR EXPRESS, but one certainly shouldn't expect any dancing elves in BEOWULF. The film features enough gore and bloodshed to rival a teen slasher film, and in the 3D versions, the viewer is sometimes given the perspective of blood actually raining down upon them. However, if one can stomach the ooze and innards, the 3D effects are truly something to behold, as spears and dragons seem to soar mere inches from your face. No doubt poetry purists will have much to haggle with in this violent, sexed-up version of the tale, but teenage boys everywhere are likely to queue up multiple times--if not to see Grendel, then to eyeball his mother.

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Director Oliver Stone chalks up an ambitious entry on his biopic résumé (past entries include films about Jim Morrison, Richard Nixon, and JFK, among others) with this cinematic treatise on the life of the mighty Alexander the Great. Despite his early death at 32, Alexander packed some unimaginable conquests into his limited years, ruling over a huge chunk of the globe. Stone draws on a voice-over narration provided by Anthony Hopkins, in the character of Ptolemy, one of Alexander's generals, to describe some of the battles. Thus, Stone shifts the weight of the film to focus on the personality of Alexander (Colin Farrell), a man who is stricken by overwhelming personal insecurities that contrast with his bold achievements. Complex dealings with his mother (Angelina Jolie) and father (Val Kilmer) plague him, as does his turbulent relationship with his wife, Roxane (Rosario Dawson). His connection with his best friend, Hephaestion (Jared Leto), is ambiguous, with Stone touching on their vaunted homosexuality via some shared tender moments. As these personal battles are played out, Ptolemy fills the historic gaps in the narrative by charting the conflicts that raged at Alexander's behest. Eventually, Stone lets loose with an epic on-screen battle, which sees Alexander's troops rumble across India in another country-conquering quest. But while his minions struggle, and Alexander demands success, it becomes clear that he is his own worst enemy, with his only real threat coming from a tempestuous struggle with his own ego. Stone's summation of the great leader paints a picture of an embittered and solitary figure who was able to rule everyone but himself. This extended version of Stone's movie includes an additional 45 minutes of footage, all restored by the director himself.

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Based on the graphic novel by Frank Miller and Lynn Varley, 300 takes over the screen like an invading horde. With all the gushing blood of a horror movie and the scope of a classic epic, the second film from Zack Snyder (who helmed the 2004 remake of DAWN OF THE DEAD) is an impressive visual spectacle. Gerard Butler (THE PHANTOM OF THE OPERA) plays Leonidas, the king of ancient Sparta. The city is famous for its warrior philosophy, and Leonidas won't kneel to the demands of Persia's King Xerxes (LOST's Rodrigo Santoro). Instead, Leonidas leads his 300-strong army against Xerxes's army of millions. Meanwhile, his wife (Lena Headley, THE BROTHERS GRIMM) campaigns in Sparta for the city to send reinforcements as she butts heads with the treacherous Theron (Dominic West, THE WIRE). With its gore and scale, 300 marks director Snyder as a possible successor to Peter Jackson's throne. Jackson also got his start in horror with BAD TASTE and DEAD ALIVE, and the two men share a penchant for ambitious battle scenes. The huge fights in 300 rival Jackson's efforts in the LORD OF THE RINGS films. David Wenham, who starred in two of the Tolkien-based films, plays Dilios, one of the Spartan soldiers. Though the cast doesn't boast any A-list stars, the actors ably fill their larger-than-life roles. In a film filled with men, Headley stands out as Queen Gorgo. She matches her warrior husband in strength, while showing love toward Leonidas and their son. Though there are scenes that demonstrate the humanity of the characters, 300 is undeniably about bravery and blood, and it succeeds because of the stylish depictions of both.

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J.J. Abrams, creator of small-screen hits ALIAS and LOST, makes his feature film debut with the third installment of this successful series based on the hit 1960s television show. Secret Agent Ethan Hunt (Tom Cruise) has decided to take it easy and lead a somewhat normal life. He's even found his perfect woman, Julia (Michelle Monaghan), and is engaged. But when newbie agent Lindsey Farris (Keri Russell)--whom Hunt mentored--goes missing while on assignment, the reluctant agent finds himself back in business. Soon, with his old buddy Luther (Ving Rhames) in tow, along with team members Zhen (Maggie Q) and Declan (Jonathan Rhys Meyers), Hunt is traversing the globe on the trail of Farris's captor, Owen Davian (Philip Seymour Hoffman), an elusive international weapons dealer. The stakes increase when the villainous Davian gets a hold of Hunt's fiancée and uses her as a bargaining chip. A raucous combination of spectacular chases, explosions, amazing stunts, and elaborate schemes takes the Impossible Mission Force (IMF) team to Berlin, the Vatican, and Shanghai. With fascinating hi-tech tools these secret agents can impersonate virtually anyone, scale walls in an instant, infiltrate the tightest security system, and blow up the evidence when they're done. But facing their most formidable foe ever, Hunt and his fellow agents are fighting the clock to keep Julia alive and get Davian the mysterious weapon he is demanding. Cruise's personal involvement in the stunts lends a nice air of authenticity to Hunt, who also shows his emotional side in this outing as he juggles his secret life and his new love, as well as possible betrayal by someone inside the IMF. Laurence Fishburne also stars as IMF's Director Brassel, and Billy Crudup appears as his somewhat timid right-hand man, Musgrave.

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The 1982 Tony-Award-winning musical DREAMGIRLS shimmies its way to the big screen with a stellar cast and undeniable sheen. Set in 1960s Detroit, DREAMGIRLS follows the commercial and cultural struggles of the R&B recording industry, through the rise of the Dreamettes (later shortened to just the Dreams) from backup singers to headlining international superstars. The trio--Deena (Beyoncé Knowles), Effie (Jennifer Hudson), and Lorrell (Anika Noni Rose)--soon discover the harsh reality behind the glamour of fame and fortune, as the group's controlling and shady manager, Curtis Taylor Jr. (Jamie Foxx), uses them to help build his musical empire and capture his dream of crossing over from R&B to the pop charts. He sacrifices Effie's immense talent as lead singer for Deena's stunning, more mainstream look to sell the sound, pushing marketable appeal over musical artisanship--and compromising the ambitions of his protégés. Since its Broadway debut, DREAMGIRLS has been widely rumored to be inspired by the hugely successful girl-group the Supremes, as well as some of Motown's biggest players. Knowles's Deena portrays a Diana Ross-like character, radiant in miraculous recreations of the hairstyles and fashions that made Ross timeless, while Foxx's Taylor exemplifies the style of influential Motown Records founder Berry Gordy Jr. Former AMERICAN IDOL contestant Jennifer Hudson makes her feature-film debut delivering a knockout performance as the larger-than-life Effie, and Eddie Murphy is believable as the misunderstood James Brown-like character of Jimmy "Thunder" Early. Vibrant with colorful costumes and sleek backdrops, the film flows effortlessly from dialogue to musical numbers, each song capturing the richness of the talented cast and the essence of the era, endlessly soaring with fast-paced excitement and nonstop emotion.

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In I AM LEGEND, Will Smith joins the ranks of Vincent Price (in 1964's THE LAST MAN ON EARTH) and Charlton Heston (in 1971's OMEGA MAN) as the star of an adaptation of Richard Matheson's 1954 novel of the same name. Often surprising in its focus on loneliness and loss, this thoughtful, eerie, and restrained sci-fi horror film provides a parade of startling visuals, but never allows special effects to overcome the human element. Smith, in a strong performance very different from his usual persona, is Robert Neville, the lone survivor in a New York City where streets are overgrown and deer gambol among deserted automobiles. Following an epidemic, the Earth's population has been turned into an army of nocturnal zombies. Immune to the virus, military scientist Neville searches for a cure in his Washington Square townhouse. Haunted by visions of his family leaving quarantined Manhattan two years prior, he drives through the city with his German Shepherd, Sam, by day and barricades his home from the monsters nightly. But when Anna (Alice Braga)--another immune stranger-finds him, they will have to fight the onslaught twice as hard. Akiva Goldsman and Mark Protosevich's emotionally-charged script showcases the charisma of Smith, who commands the screen alone for most of the picture (aside Abbey, a talented German Shepherd). Director Francis Lawrence (CONSTANTINE) uses music minimally, wisely allowing the eerie cityscapes to remain mostly silent. The set pieces, including an overgrown, deserted Times Square and a lion hunting a deer in the Flatrion District, are goosebump-inducing moments of stark beauty. Though some may question the rendering of the monsters in CGI instead of using actors, it does allow them to be frighteningly acrobatic. A chilling and effective adaptation of a horror classic, I AM LEGEND is also a thought-provoking piece of Hollywood filmmaking.

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These films have been packaged together to demonstrate the superior sound and vision of the HD DVD format. The titles included are BLAZING SADDLES, THE DEPARTED, GOODFELLAS, and SUPERMAN: THE MOVIE.

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Based on the graphic novel by Frank Miller and Lynn Varley, 300 takes over the screen like an invading horde. With all the gushing blood of a horror movie and the scope of a classic epic, the second film from Zack Snyder (who helmed the 2004 remake of DAWN OF THE DEAD) is an impressive visual spectacle. Gerard Butler (THE PHANTOM OF THE OPERA) plays Leonidas, the king of ancient Sparta. The city is famous for its warrior philosophy, and Leonidas won't kneel to the demands of Persia's King Xerxes (LOST's Rodrigo Santoro). Instead, Leonidas leads his 300-strong army against Xerxes's army of millions. Meanwhile, his wife (Lena Headley, THE BROTHERS GRIMM) campaigns in Sparta for the city to send reinforcements as she butts heads with the treacherous Theron (Dominic West, THE WIRE). With its gore and scale, 300 marks director Snyder as a possible successor to Peter Jackson's throne. Jackson also got his start in horror with BAD TASTE and DEAD ALIVE, and the two men share a penchant for ambitious battle scenes. The huge fights in 300 rival Jackson's efforts in the LORD OF THE RINGS films. David Wenham, who starred in two of the Tolkien-based films, plays Dilios, one of the Spartan soldiers. Though the cast doesn't boast any A-list stars, the actors ably fill their larger-than-life roles. In a film filled with men, Headley stands out as Queen Gorgo. She matches her warrior husband in strength, while showing love toward Leonidas and their son. Though there are scenes that demonstrate the humanity of the characters, 300 is undeniably about bravery and blood, and it succeeds because of the stylish depictions of both.

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This soothing program combines beautiful natural photography, computer-generated imagery, and a relaxing soundtrack.

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$15
 

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The personal and professional adventures of Tony Soprano (James Gandolfini) continue in this sixth, and final, season of episodes. As the show builds to its climax, Tony finds his life in danger as Phil Leotardo (Frank Vincent) assumes control of the Mafia following the death of Johnny Sack (Vince Curatola). As the tension escalates even Tony's faithful henchmen, Christopher (Michael Imperioli), Paulie (Tony Sirico), and Silvio (Steve Van Zandt) find their lives in danger. Meanwhile, the various story arcs concerning Tony's family--Anthony Jr. (Robert Iler), Meadow (Jamie Lynn Sigler), and Carmela (Edie Falco)--all build towards the show's controversial ending. As always, the ever-reliable Dr. Melfi (Lorraine Bracco) is on hand to beat off Tony's advances and steady his nerves through her therapy sessions. The final set of episodes from season six of the show are included here.

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Deals on Hd dvds in DVDs & Videos. Visit BizRate to find the best deals on DVDs & Videos. See which DVDs & Videos stores have the Hd dvds that you want. Read reviews on DVDs & Videos merchants and buy with confidence. Find savings on 2 Fast 2 Furious [HD DVD] - Planet Earth - The Complete Collection (4-Disc Set) [HD DVD].