R mpaa in DVDs & Videos

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This set contains parts one and two of the sci-fi trilogy from Russian director Timur Bekmambetov. NIGHT WATCH: The first part of a trilogy, NIGHT WATCH is an old-fashioned good vs. evil parable that relies on some thoroughly modern special effects to ensnare its audience. Set in present-day Moscow, the movie begins with a quick skip back through the centuries to inform us how a delicate truce was struck between the forces of Light and Dark. These forces still exist in Moscow, with both sides keeping a close eye on each other as they attempt to disguise themselves from the earth's mere mortals. NIGHT WATCH's central character is Anton Gorodetsky (Konstantin Khabensky), who is defined as an "Other" by the legions of Light and Dark. Anton and his cohorts live as vampires, and await the arrival of a virgin who will announce the resumption of hostilities between the forces of Light and Dark; as the film progresses, it becomes apparent that an epic battle is just around the corner. DAY WATCH: This sequel to the Russian film NIGHT WATCH centers on an epic battle between forces of good and evil. An uneasy truce has kept the armies at bay for centuries, but that peace is about to end, and it will pit vampires, psychics, and witches against one another. Both factions, the Day Watch and the Night Watch, have beings of extraordinary power called "Great Others," and if these two people meet, a supernatural war will begin. Anton Gorodetsky (Konstantin Khabensky) finds himself torn between his son, the dark side's Great Other, and the woman he loves, the champion for the Light Others. DAY WATCH (DNEVNOI DOZOR) explodes in the mind-bending space between THE MATRIX and UNDERWORLD.

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"Some names have been changed to protect the guilty." Such is the cheeky spirit of THE BANK JOB, a solidly entertaining British heist film based on England's famous walkie-talkie bank job. The year is 1971 and Michael X--emerging black activist and budding crime lord--has British authorities over a barrel after he gets hold of sexually incriminating photos of royal Princess Margaret. Desperate to recover the photos, the government pressures troubled model Martine Love (Saffron Burrows) to recruit a team and steal the bank safety deposit box containing the photos. Martine promptly enlists small-time con man and old flame Terry Leather (Jason Statham), luring him and his crew with the promise of millions. But also in their loot is a ledger detailing payoffs made to crooked cops by reputed gangster Porn King Vogel (David Suchet). Leather and mates soon find themselves on the run from both the British spy community and the ruthless British underworld, needing to stay one step ahead if they are to stay alive. Veteran director Roger Donaldson (THE WORLD'S FASTEST INDIAN, NO WAY OUT) deftly juggles the shifting intricacies and loyalties of THE BANK JOB's plot, balancing backroom politics with bank caper humor and cringe-inducing criminal brutality. Statham (LOCK, STOCK & TWO SMOKING BARRELS) is excellent as the petty criminal who finds himself in over his head, and who will need some quick thinking and a whole lot of guts to protect his friends and family. Briskly paced and lively in its handling of some serious intrigue, THE BANK JOB is an enjoyable entry in the bank robbery genre.

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This sequel to the Russian film NIGHT WATCH centers on an epic battle between forces of good and evil. An uneasy truce has kept the armies at bay for centuries, but that peace is about to end, and it will pit vampires, psychics, and witches against one another. Both factions, the Day Watch and the Night Watch, have beings of extraordinary power called "Great Others," and if these two people meet, a supernatural war will begin. Anton Gorodetsky (Konstantin Khabensky) finds himself torn between his son, the dark side's Great Other, and the woman he loves, the champion for the Light Others. DAY WATCH (DNEVNOI DOZOR) explodes in the mind-bending space between THE MATRIX and UNDERWORLD. The Russian film boasts the same visual verve as THE MATRIX, and it's just as revolutionary. Director Timur Bekmambetov is operating on a completely different level of creativity than most of his peers, fashioning a unique world and jaw-dropping set pieces. The fate of the universe hangs in the balance, but DAY WATCH doesn't take itself too seriously. From humor in the subtitles themselves to jokes at the expense of the Russian bureaucracy, there's a lot of fun to be had at the dawn of the apocalypse. Though NIGHT WATCH was an enjoyable experience, Bekmambetov ups the ante with this sequel, improving on the original in every way. DAY WATCH may clock in at an epic 140 minutes, but it's a tight film filled with action and style.

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Bringing John Berendt's international best-selling novel, MIDNIGHT IN THE GARDEN OF GOOD AND EVIL, to the screen must have been a challenge. The book is essentially an anecdotal travelogue of the fascinating city of Savannah, Georgia. The filmmakers decided to add a character, John Kelso (well played by John Cusack), a writer from New York, who's meant to represent Berendt's point of view. They also put most of the focus of the narrative on the murder trial of local millionaire socialite Jim Williams (the redoubtable Kevin Spacey). This is slightly problematic in that Kelso, a mere observer, now becomes the central character of the film. But director Clint Eastwood (straying from his usual milieu, and, atypically, not appearing the film) and writer John Lee Hancock still manage to capture the quirky spirit of the book. They're greatly aided in this regard by the lush images of cinematographer Jack N. Green and the detailed work of production designer Henry Bumstead, who create just the right atmosphere for the small city and its environs. The strong cast, including actual Savannah residents such as sparkplug transsexual the Lady Chablis, makes the film an enjoyable idyll in a strange yet welcoming place.

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Steven Soderbergh explodes onto the scene with this provocative, intelligent drama about infidelity and voyeurism. Ann Milaney (Andie MacDowell) lives in a comfortable Louisiana home with her lawyer husband, John (Peter Gallagher). She spends her days fretting over the insurmountable problems of the world and her own unfocused sense of melancholy. Although she doesn't know it, she has a good reason to be upset: John is having a torrid affair with her younger, more extroverted sister, Cynthia (the sexy Laura San Giacomo). When Graham Dalton (James Spader), an old college pal of John's, comes to visit, all three are momentarily distracted from personal problems and intrigues as they scrutinize the odd outsider. Ann soon discovers that Graham has some strange habits and problems of his own. Plagued by impotency since the calamitous breakup of his last relationship, the young drifter finds sexual gratification by videotaping women willing to talk about their sexual past and fantasies in front of the camera. A chain of attraction and jealousy develops as the four interconnect in several varied pairings, culminating with Ann's decision to become Graham's latest subject. Soderbergh's highly influential debut independent feature plays like a dangerous thriller that builds in tension until everyone's secrets are bitterly exposed.

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Terrence Malick returns to Hollywood after a two-decade hiatus with this adaptation of the classic WWII novel by James Jones. The story follows the efforts of an army platoon to capture the Japanese-controlled island of Guadalcanal in the Pacific Ocean, which will have a major effect on the outcome of the war. The members of C-for-Charlie Company are all fighting for different reasons: some to achieve glory, some to fight for democracy, and some simply to remain alive. They spend the quieter moments reflecting upon their existence, searching for meaning amid the senselessness of war. Malick's reputation as one of cinema's most brilliant directors, based on his masterworks BADLANDS and DAYS OF HEAVEN, enabled him to pull together one of the largest ensemble all-star casts in Hollywood history. The result is a sprawling epic that carries itself like a poem read in a dream, a feeling that is greatly enhanced by John Toll's floating camerawork and Hans Zimmer's haunting score. Rather than concentrating solely on the violence and destruction of war, Malick uses the situation to address philosophical questions such as man versus nature, war versus peace, and good versus evil. THE THIN RED LINE proves that after a 20-year layoff, Malick hasn't lost a step.

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Julius St. John is an up and coming Jamaican DJ with big dreams of making it big in the United States. When he joins the company of a deadly American Don, it is like he has made a pact with the devil himself and finds that his future and his dreams could be jeopardized.

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This two pack features two of the ultimate "slacker" films, FAST TIMES AT RIDGEMONT HIGH and DAZED AND CONFUSED. Please see individual titles for complete story descriptions.

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Gia
America's first supermodel Gia Carangi lives hard and dies young in the glamorous, excessive urban wilds of 1970s New York City. Adapted by Cristofer and novelist Jay McInerney from the biography "Thing of Beauty" by Stephen Fried. Made for HBO. Available in rated and unrated versions.

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As its explicit title suggests, Kevin Smith's ZACK AND MIRI MAKE A PORNO is a foul-mouthed and filthy film that probably isn't fit for the very young, the very old, or the easily offended. But for those who enjoy Smith's brand of humor, this raunchy but romantic comedy could be the perfect date movie (though perhaps not for a first date). With mountains of past-due bills piling up, Zack (Seth Rogen, KNOCKED UP) and his roommate/childhood friend Miri (Elizabeth Banks, SCRUBS) aren't sure how they're going to stay in their Pittsburgh apartment. But a chance encounter at their 10-year reunion gives them the idea to make a porn movie. When it comes time for the friends to do the deed, they realize that perhaps they're more than just friends. With all the talk of sexual positions and bodily functions, it'd be easy to say that Smith is hopping on the Judd Apatow bandwagon that has dominated the box office in the latter half of the aughts with KNOCKED UP and THE 40-YEAR-OLD VIRGIN, and ZACK AND MIRI even features a few Apatow alumni. But Smith perfected this schtick down back in the '90s with CLERKS, when some of Apatow's fans were still in diapers. ZACK AND MIRI is most reminscent of Smith's own CHASING AMY; there are plenty of gag- or giggle-inducing moments, but Smith's script is also surprisingly sweet. Rogen and Banks make a perfect couple, and the always hilarious Rogen could be Smith's new Ben Affleck or Jason Lee.

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The silver-screen version of SEX AND THE CITY is sure to inspire lust, though it may not be after its sexy male cast. Instead, Carrie Bradshaw (Sarah Jessica Parker) and her friends wear enviable fashions from the industry's biggest names such as Zac Posen, Louis Vuitton, and, of course, Manolo Blahnik, and their gorgeous clothes--and accessories--threaten to steal the show. But for fans of the series' wit, drama, and sex, there's plenty to like in this romantic comedy filled with familiar characters. Though four years have passed since the events of the series, not much has changed as the film begins: Carrie and Mr. Big (Chris Noth) are happy as they search for an apartment, Charlotte (Kristin Davis) is blissful with her husband (Evan Handler) and adopted daughter, Samantha (Kim Cattrall) is still with actor Smith Jerrod (Jason Lewis), and Miranda (Cynthia Nixon) is trying to balance life as a mother, wife, and lawyer as she lives in Brooklyn with Steve (David Eigenberg). But Carrie and Big's apartment hunt leads them down the road to marriage, and the destination may not be quite everything Carrie hoped for. Though the film runs nearly two and a half hours, it flies by the way a marathon of episodes would for the devoted. Even minor characters from the show--Vogue editor Enid Frick (Candice Bergen), beloved Carrie pal Stanford Blatch (Willie Garson), and hyper wedding planner Anthony Marentino (Mario Canton)--make fan-pleasing appearances. SEX AND THE CITY is full of glitz, glamour, and giggles, but be sure to have a tissue nearby. These characters have become like friends to fans, and it's tough not to tear up when things don't go exactly as they'd hoped.

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LONDON: When his former girlfriend leaves for New York City to live with her new boyfriend, Syd (Chris Evans) decides to rudely interrupt her going-away party by turning up with a small mountain of cocaine and his drug dealer in tow. Most of the movie takes place in the bathroom at the party--where Syd entertains the guests and shares his drug stash with them. LONDON is a stark look at the effect love can have on a man. But there are a few twists and turns in store as the movie lurches toward a surprising conclusion. SPUN: Ross (Jason Schwartzman) is an addict badly in need of some speed. He pays a visit to his dealer, Spider Mike (John Leguizamo), where he encounters fellow "tweakers" Nikki (Brittany Murphy), a stripper named Frisbee (Patrick Fugit), a metalhead, and Cookie (Mena Suvari), Mike's girlfriend. But the trip turns into an odyssey when Mike can't find his stash. Nikki tells Ross that her boyfriend, a crazed cowboy known as the Cook (Mickey Rourke), can supply whatever he needs. The two of them visit the Cook at his motel lab, and Ross quickly gets his fix. Ross, however, is put into service as The Cook's errand boy and chauffeur, with only brief periods of freedom to check up on the stripper girlfriend he left tied to his bed back at his apartment. Ross's three days without sleep reach a feverish head when it becomes evident that two cops (Peter Stormare and Alexis Arquette) have raided Spider Mike's pad in search of the Cook. This relentlessly crude and graphic feature from Swedish music video director Jonas Ackerlund is not for the faint-of-heart. Lightening-fast edits, sexually explicit animation, Farrelly-Brothers-level rudeness, and a pervasive sense of nihilism swirl together to create a morally empty Los Angeles of seedy abodes and cinder block strip malls inhabited by corrupt cops and thrill-seeking lawbreakers. Set to a memorable score by Billy Corgan, Mickey Rourke's memorable turn paves the way for a game young cast.

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Small-time drug dealer and Vice Lords gang member Greg Yance gets a second shot at living straight when he's sentenced to a rigorous prison boot camp. Based on a true story. Produced for HBO.

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Longtime sweethearts David (Woody Harrelson), an architect, and Diana (Demi Moore), a real estate agent, find themselves on hard times when financial troubles bring them to the verge of losing their house, which David designed. Taking their last $5,000, they go to Vegas in hopes of multiplying their money. Luck fails them, but they are faced with a major moral dilemma when billionaire John Gage (Robert Redford) spots Diana in the casino and offers her $1,000,000 to spend the night with him. What ensues causes them to question their relationship more than anything they've ever encountered. Based on the novel by Jack Engelhard.

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LEGENDS OF THE FALL: Director Edward Zwick's epic romance, set against the backdrop of WWI and the wide sky and rugged terrain of Montana, stars Anthony Hopkins as William Ludlow, an idealistic retired colonel who disapproves of the war and the army's indecent treatment of Native Americans. Abandoned by his blue-blooded wife, Ludlow raises his three sons in the remote foothills of Montana with the help of Native American friends. Before the war, Samuel (Henry Thomas) brings home his fiancée from the East Coast, Susannah (Julia Ormond), a stunning beauty who can ride, rope, and hunt like the Ludlow boys. When the war breaks out, Samuel, the youngest and most idealistic son, enlists in the army. Brothers Alfred (Aidan Quinn) and Tristan (Brad Pitt) follow suit, more as protectors than as cohorts. Despite their best efforts, however, Samuel dies in battle. Upon returning home, Tristan becomes involved with Susannah, who is devastated by her loss but profoundly attracted to the brooding brother. However, tormented by his inability to save his little brother's life, Tristan abandons her and sets out on a long journey of self-discovery. During his absence, Alfred reveals his own passion for Susannah. Although she does not reciprocate his feelings, Susannah--who has despaired of ever seeing Tristan again--agrees to become his wife. Ultimately, Tristan does return, setting off a dangerous conflict between the brothers. A RIVER RUNS THROUGH IT: Fly-fishing figures prominently in this poignant tale of two brothers growing up in Montana in the early 20th century under the stern rule of their minister father. While both boys rebel, Norman (Craig Sheffer) channels his rebellion into writing, but Paul (Brad Pitt) descends onto a slippery path of self-destruction. The beautiful scenery of Montana is used to full effect with the awesome cinematography of Philippe Rousselot. Directed by Robert Redford, this adaptation of Norman Maclean's classic autobiography also features Tom Skerritt and Brenda Blethyn as the Reverend and Mrs. Maclean. DEVIL'S OWN: THE DEVIL'S OWN, Alan J. Pakula's last film, is a character-driven thriller that confronts suspense and gritty realism head-on. Harrison Ford plays Tom O'Meara, an Irish-American cop in New York who opens his home and family to Francis "Frankie" McGuire (Brad Pitt), whom they believe is a refuge-seeking immigrant from Belfast. They later discover that their visitor is an IRA rebel on a terrorist mission. Buoyed by tense, strong performances from both stars, the film is ultimately a tragedy that explores the unexpected friendship of two men of similar ethnic roots, yet of different places, times, and values, and the cruel and senseless cycle of violence they face.

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In this epic drama exploring Chicano life in East Los Angeles, Miklo (Damian Chapa), Cruz (Jesse Borrego), and Paco (Benjamin Bratt) are three young cousins raised as brothers. Miklo, born of a Chicano mother and a white father, is Chicano on the inside, but feels betrayed by his white skin and blue eyes that keep him on the fringes of his Chicano heritage. Desperate to belong to what he feels is his true family, he'll do anything to be a part of his cousins' gang--his "family." But a retaliatory attack on a rival gang sends Miklo, out on probation, back to prison, and he finds himself in San Quentin. As he serves his time and tries to find a place in the Latino power group in prison--La Onda--his hotheaded cousin Paco turns to a career in law enforcement, while Cruz makes his way as a successful artist. Cruz's career hits a dead end after he gets addicted to drugs and inadvertently causes a tragedy that alientates him from his family. With their respective paths drawing the family apart, the three men must find out who they are, and whether they can hold on to the bond that once united them. Benjamin Bratt and Jesse Borrego turn in believable, moving portrayals as Miklo's cousins in this decade-spanning drama loosely based on actual prison gang riots in the 1980s.

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Following up his hit DUDE, WHERE'S MY CAR? writer-director Danny Leiner has come up with the riotous road-trip comedy HAROLD & KUMAR GO TO WHITE CASTLE. Harold (John Cho) has graduated college and is now working at a cubicle, where he is abused by other workers and forced to do their jobs for them. Kumar (Kal Penn) is expected to go to medical school to follow in the footsteps of his father and brother, but he'd rather spend his time partying. The entire film takes place in one night, as wild Kumar is determined to get a sack of burgers at White Castle, even though his more staid roommate would prefer to stay home and finish a project for his officemates. While Kumar seeks fun and adventure, lusting after nearly every woman he meets, Harold dreams only of Maria (Paula Garces), the woman down the hall whom he likes but is too afraid to talk to. Harold & Kumar's excellent adventure includes an outrageous bathroom scene in a college; a cop who takes his job way too seriously; a group of extreme, rad dudes who harass Harold, Kumar, and a convenience store manager; LAW & ORDER: SVU's Chris Meloni as an incredibly disgusting possible psycho; and Neil Patrick Harris playing himself, making fun of his Doogie Howser image. In addition to plenty of raunchy--and very funny--references to sex, drugs, and rock & roll, Leiner also takes on stereotypes and the meaning of love.

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Ridley Scott's romantic thriller stars Mimi Rogers as ravishing New York socialite Claire Gregory and Tom Berenger as blue-collar police detective Mike Keegan. After Claire witnesses a high-profile murder, Mike is among the rotating group of detectives assigned to protect her.The simple, straightforward cop is awed both by Claire's beauty and by the endless rooms of her lavish apartment. A quiet attraction develops between the two, but neither of these otherwise committed people is willing to act on it. However, the detective's wife, Ellie (Lorraine Bracco), realizes what's happening and reacts accordingly. When Mike accompanies Claire to a museum benefit one evening, the killer, Joey Venza (Andreas Katsulas), confronts her in the ladies' room. He threatens to kill her if she identifies him in a police line-up the next day and then turns himself in to the police. Although she goes through with the identification, Venza is released on a technicality, and Claire nows needs protection more than ever. Bracco is wonderful as the cop's spirited wife.

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This collection of titles featuring the master of martial arts, Bruce Lee, includes THE BIG BOSS, FIST OF FURY, WAY OF THE DRAGON, GAME OF DEATH, and GAME OF DEATH II. See individual titles for details.

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Radio's larger-than-life bad boy, and self-proclaimed "King of All Media," Howard Stern exposes his "Private Parts" in this adaptation of his best-selling autobiography. Tracing his evolution from hopelessly geeky student to top-rated shock jock, the film not only chronicles his legendarily off-color on-air demeanor (Lesbian Dial-a-Date; frequent nude guests) and his continuous battles with management over content and co-hosts, but it also examines his unexpectedly touching and sincere relationship with his wife, Alison.

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Deals on R mpaa in DVDs & Videos. Visit BizRate to find the best deals on DVDs & Videos. See which DVDs & Videos stores have the R mpaa that you want. Read reviews on DVDs & Videos merchants and buy with confidence. Find savings on Day Watch/Night Watch (2-Disc Set) [DVD] - The Bank Job (2-Disc Set - Standard Definition Digital Copy Included) [Blu-ray Disc].