NC-17 (MPAA) in DVDs & Videos

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High-strung, statuesque Nomi Mallone (Elizabeth Berkely) is determined to be a dancer in Las Vegas, whatever it takes--but she starts out as a stripper. Through her seamstress roommate (Gina Ravera), Nomi catches the attention of the voracious bisexual Cristal (Gina Gershon), star of an extravagant pagan sex show called "Goddess" which plays nightly at the swanky Stardust Casino. Through Cristal's influence, Nomi gets a chance to audition for "Goddess" and is soon involved in all sorts of sordid backstage goings-on, including bitchy dueling with Cristal over Stardust head honcho Zack (Kyle McLachlan). Maligned by many critics upon its original release, SHOWGIRLS has since become a true camp classic, revived for midnight showings and beloved for its decadence, high nudity yield, and outrageously catty dialogue (courtesy of screenwriter Joe Eszterhas). Its director is Paul Verhoeven (ROBOCOP, TOTAL RECALL), so one can safely assume SHOWGIRLS' over-the-top hostility and sexuality is meant to be a satire of American culture. One of the first big-budget Hollywood movies to be released with an NC-17 rating, its lack of box office success meant few others would have the guts to follow.

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In this tragic drama of consequences, Dermott Mulroney stars as a doctor who can't bear to tell his wife that their newborn daughter suffers from Down Syndrome. Decades later, after claiming the baby was stillborn and surreptitiously charging a nurse to take her to a shelter for the mentally ill, the troubled doctor learns the girl has in fact grown into a bright, attractive woman whose reemergence in his life serves as a flesh-and-blood reminder of his deepest, darkest secret...and causes a fatal rift among the entire family. Emily Watson and Gretchen Mol co-star in this engaging Lifetime Original movie based on Kim Edwards's novel.

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After BROKEBACK MOUNTAIN and THE HULK, multitalented director Ang Lee returns to Asia with this Mandarin-language erotic drama. LUST, CAUTION pairs celebrated actor Tony Leung (2046) with gifted neophyte Tang Wei. In 1938, China is occupied by the Japanese, but it's not only the country's neighbors who are hated by the loyal Chinese. The nation's resistance also centers on those who willingly collaborate with Japan. Wong Chia Chi (Tang Wei) is part of an acting group, but their sights are set beyond the stage: they want to use their abilities to attack Mr. Yee (Leung), a known traitor. Wong poses as a businessman's wife, and she begins to lure Mr. Yee in, but they're separated before she has her chance. Three years later, they meet again in Shanghai, and a heated affair begins. As Wong grows closer to Mr. Yee, there is doubt that she can aid in her lover's downfall. At times, LUST, CAUTION evokes memories of Wong Kar-Wai's IN THE MOOD FOR LOVE. Both are heat-filled period films that feature the nearly perfect Leung, but while the earlier picture focused on a love that was never consummated, LUST, CAUTION allows its lovers to realize their passion as often--and in as many ways--as one could imagine. But despite the film's NC-17 rating, it never allows the sex to get in the way of the plot or the images. Director of photography Rodrigo Prieto has worked with directors as diverse and impressive as Oliver Stone, Julie Taymor, Spike Lee, and Alejandro González Iñárritu, and he continues this fine tradition with his second pairing with Lee after BROKEBACK MOUNTAIN. Here Prieto has a head start thanks to beautiful costumes and beautiful people, but this is another film that is simply gorgeous to look at.

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After BROKEBACK MOUNTAIN and THE HULK, multitalented director Ang Lee returns to Asia with this Mandarin-language erotic drama. LUST, CAUTION pairs celebrated actor Tony Leung (2046) with gifted neophyte Tang Wei. In 1938, China is occupied by the Japanese, but it's not only the country's neighbors who are hated by the loyal Chinese. The nation's resistance also centers on those who willingly collaborate with Japan. Wong Chia Chi (Tang Wei) is part of an acting group, but their sights are set beyond the stage: they want to use their abilities to attack Mr. Yee (Leung), a known traitor. Wong poses as a businessman's wife, and she begins to lure Mr. Yee in, but they're separated before she has her chance. Three years later, they meet again in Shanghai, and a heated affair begins. As Wong grows closer to Mr. Yee, there is doubt that she can aid in her lover's downfall. At times, LUST, CAUTION evokes memories of Wong Kar-Wai's IN THE MOOD FOR LOVE. Both are heat-filled period films that feature the nearly perfect Leung, but while the earlier picture focused on a love that was never consummated, LUST, CAUTION allows its lovers to realize their passion as often--and in as many ways--as one could imagine. But despite the film's NC-17 rating, it never allows the sex to get in the way of the plot or the images. Director of photography Rodrigo Prieto has worked with directors as diverse and impressive as Oliver Stone, Julie Taymor, Spike Lee, and Alejandro González Iñárritu, and he continues this fine tradition with his second pairing with Lee after BROKEBACK MOUNTAIN. Here Prieto has a head start thanks to beautiful costumes and beautiful people, but this is another film that is simply gorgeous to look at.

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Two young lovers, an American writer and Parisian gentleman, fall in love on the eve of World War II, and together they push the limits of sensuality in search of the "Delta of Venus" - the secret paradise of inner desires. Based on the writings of Anais Nin.

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In Russ Meyer's BEYOND THE VALLEY OF THE DOLLS, all-girl rock band the Kelly Affair moves to Los Angeles in pursuit of fame and fortune. Upon meeting wealthy rock scenester Ronnie "Z-Man" Barzell (John Lazar) at one of his lavish parties, they believe they've met the man who can bring them fame. Changing their name to the Carrie Nations, they navigate their way through a maze of sexual misadventures, drugs, and brushes with some very unpleasant characters only to find that fame comes at a price. Livening up the considerably frantic proceedings are Meyer starlets Edy Williams and Erica Gavin (VIXEN), as well as an appearance by the Strawberry Alarm Clock. Finally invited to work within a major studio (20th Century Fox) following the enormous success of 1968's VIXEN, Meyer, along with screenwriter Roger Ebert, created the ultimate sex, drugs, and rock & roll film of the psychedelic era. An altogether odd mixture of comedy, drama, and left-field shocks punctuated with memorably wacky lines, BEYOND THE VALLEY OF THE DOLLS lets Meyer's reliably decadent formula mingle agreeably with the psychedelia of the time.

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An arresting Japanese model seeks to indulge her fantasy of having calligraphy inked on her body, a whim based partly on her father's habit of painting poetry on her face when she was a girl and partly on readings from the 10th-century erotica tome "The Pillow Book." But the tables are turned when she meets a bisexual English translator who wants to be her canvas instead. An assault on the senses in the best Greenaway tradition, featuring frames-within-frames, elaborate costuming and production design, painterly shot composition, and utterly frank scenes of nudity and violence.

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A comedy/drama about a struggling New York actor who is confronted by his girlfriends when they discover that he has been two-timing both of them with each other. Verbal fireworks ensue as he awkwardly tries to defend himself. In the process, questions about love and sexual commitment are raised and, just as quickly, discarded as new ones arise.

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Based on Jean Rhys' "prequel" to Charlotte Bronte's 1847 novel JANE EYRE, this haunting and beautiful film explores the mystery of Rochester's first wife, the tragic, attic-dwelling figure from Bronte's novel. When Rochester (Nathaniel Parker) marries Antoinette Cosway (Karina Lombard), a Jamaican woman, their fiery passion and her nightmarish visions of the past drive her to madness and him to withdraw in an attempt to regain his sense of self.

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Rosario Dawson produces and stars in DESCENT, a project directed by her real-life friend Talia Lugacy, and one close to the actress's heart. A very dark film, DESCENT assures viewers from the very first frame that something is going to go wrong. There's just something off about the colors, the sets, the slow-moving dialogue. Many critics have said the film begins with Dawson as a carefree college girl navigating the fun, party-filled world of college. But Dawson's character, Maya, is not your typical sorority girl. Instead, she's a smart, serious student who spends much of her time alone and has apparently not had a date in months. So when a good-looking guy named Jared asks her out and will not take no for an answer, she reluctantly accepts, having no idea that their short-lived romance will culminate in his date-raping her in a basement. DESCENT is about revenge and also about the downward spiral that a young woman endures as a result of being sexually violated. Rather than telling anyone about the rape, Maya keeps it to herself, transforming step by step into a girl unlike the one she was before. Trading in her studious ways for a lifestyle of nightclubs, drugs, and risky sex, Maya blames herself for what happened and seems intent on self-destruction. Lugacy's film spans several months but inches along at a slow pace due to the simplicity of the plot. The majority of the film's drama takes place inside its protagonist and in the final revenge scene. The film's final take will prompt discussion among viewers, who are left to interpret whether revenge itself can actually heal wounds or just open new ones.

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Baltimore director John Waters's outrageous 1971 debut PINK FLAMINGOS burst onto the filmmaking scene like the ample flesh of its drag-queen star through the seams of a lamé dress. Conceived as a way to garner attention for Waters's fledgling career, this paean to bad taste certainly did just that--so much so that decades later, the film still retains the power to shock with its gleeful demolition of every known human taboo. Waters's attempt at making the most vile and offensive movie ever made is aptly mirrored in his characters' competition for the title of "Filthiest Person Alive." Overweight transvestite and Waters muse Divine (aka Glen Milstead) stars as the current record holder, Babs Johnson, who lives in a trailer park with her trashy friend Cotton (Mary Vivian Pearce), incestuous son Crackers (Danny Mills), and mentally-stunted mother Edie (Edith Massey), who spends her time in a playpen and is obsessed with eggs. Vying for Babs's filthy title is evil middle-class couple Raymond (David Lochary) and Connie Marble (Mink Stole), who fund porno shops, sell heroin to grade-schoolers, and run a white-slave trade that involves kidnapping young women, imprisoning them in their dungeon-like basement, raping and impregnating them, and selling their babies to lesbian couples. In between, there's sex with chickens, whistling rectums, actual fellatio, and canine excrement--ensuring not only gross-out comedy par excellence, but a total assault on bourgeois respectability that rivals the comparatively mild critique of UN CHIEN ANDALOU or L'AGE D'OR. Disgusting, hilarious, and utterly fabulous, PINK FLAMINGOS is guerrilla filmmaking at its finest.

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In a strange, secluded chateau, a woman know only as O (Corinne Clery) is introduced to sadomasochism by her lover: he whips her, chains her, and watches her make love to and beat up others. In the process of "proving her love" for him, she gives up everything- even agreeing to be branded -- to provide him with pleasure. This adaptation of Pauline Reage's best-selling erotic novel was directed by Just Jaecklin (EMMANUELLE).

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$17
 

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A comedy/drama about a struggling New York actor who is confronted by his girlfriends when they discover that he has been two-timing both of them with each other. Verbal fireworks ensue as he awkwardly tries to defend himself. In the process, questions about love and sexual commitment are raised and, just as quickly, discarded as new ones arise.

starting at

$4
 

starting at

$4
  • product
Set in the Spring of 1968; Produced and Released in 2003/2004. Bernardo Bertolucci's THE DREAMERS centers on three university students who adore the Cinematheque Francaise, and are fascinated by '60s culture--the music of Janis Joplin and Jimi Hendrix, the films of Jean-Luc Godard, and the writings of Susan Sontag and Chairman Mao. Their philosophical conversations about sexuality, love, politics, activism, and the Vietnam War; and their daily activities--going to the cinema, protesting in support of Henri Langlois, lounging around naked, and smoking dope--are a realistic reflection of the mood and energy of that era. The plot involves Parisians Theo (Louis Garrel) and Isa (Eva Green), a brother-sister team with a strangely intimate connection. They befriend their American classmate Matthew (Michael Pitt), and invite him to stay at their apartment for a month while their parents are on vacation. The trio is so engrossed by their film studies that they act out scenes in an ongoing game of trivia, referencing classics like Sam Fuller's SHOCK CORRIDOR, Godard's BANDE A PART, and Frank Tashlin's THE GIRL CAN'T HELP IT. They challenge each other through mind games, deeply personal discussions, and sexual dares. Outside their sheltered apartment, the streets are teaming with violence leading up to the May 1968 Paris uprising. Nouvelle Vague icon Bertolucci weaves clips from classic films into this artful and entertaining movie, while a hard-rock '60s soundtrack adds a palpable edginess.

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SOUTH PARK creator Parker stars as Joe Young, a Mormon missionary in Los Angeles who stumbles into the porn industry, where he's offered the part of sexual superhero Orgazmo. Joe stays so that he can raise enough money to marry his sweetheart, Lisa, but complications ensue when Orgazmo turns out to be a hit and Lisa discovers the hidden truth. A wacky farce for juvenile adults.

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Acclaimed director Atom Egoyan adapts Rupert Holmes's novel about a celebrity journalist who attempts to uncloset some old Hollywood skeletons.

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Sylvia Stickles's (Tracey Ullman) Baltimore neighborhood is becoming overrun with perverts, and she is very concerned. But that changes when Sylvia gets in a car accident, receiving a hard blow to the head that leaves her sexually voracious. Luckily, she gets a quick fix from Ray Ray (Johnny Knoxville), a tow-truck driver whom she soon discovers to be a high priest of sexual perversion. In the midst of searching indiscriminately for satisfaction and finally relating to her overly buxom, exhibitionist teenage daughter, Clarice (Selma Blair), Sylvia finds herself on the opposite side of a war for decency being waged by the neighborhood "neuters," in which every sexual encounter is an act of revolution! Nearly 35 years from the revolutionary PINK FLAMINGOS, John Waters proves that, even after showing his gentler side (HAIRSPRAY, CRY-BABY), he's not getting soft in his old age. Once again proving his gift for inspired casting--Chris Isaak plays Sylvia's husband and Suzanne Shepherd plays her mother--he creates a virtual comedic catalogue of strange sexual practices sure to please longtime fans and win over the uninitiated. While Waters is no-doubt pleased to have earned a taboo NC-17 rating (mostly for language), he also presents some good-natured fun in the midst of the pervasive perversity.

starting at

$4
 

starting at

$5
  • product
Set in the Spring of 1968; Produced and Released in 2003/2004. Bernardo Bertolucci's THE DREAMERS centers on three university students who adore the Cinematheque Francaise, and are fascinated by '60s culture--the music of Janis Joplin and Jimi Hendrix, the films of Jean-Luc Godard, and the writings of Susan Sontag and Chairman Mao. Their philosophical conversations about sexuality, love, politics, activism, and the Vietnam War; and their daily activities--going to the cinema, protesting in support of Henri Langlois, lounging around naked, and smoking dope--are a realistic reflection of the mood and energy of that era. The plot involves Parisians Theo (Louis Garrel) and Isa (Eva Green), a brother-sister team with a strangely intimate connection. They befriend their American classmate Matthew (Michael Pitt), and invite him to stay at their apartment for a month while their parents are on vacation. The trio is so engrossed by their film studies that they act out scenes in an ongoing game of trivia, referencing classics like Sam Fuller's SHOCK CORRIDOR, Godard's BANDE A PART, and Frank Tashlin's THE GIRL CAN'T HELP IT. They challenge each other through mind games, deeply personal discussions, and sexual dares. Outside their sheltered apartment, the streets are teaming with violence leading up to the May 1968 Paris uprising. Nouvelle Vague icon Bertolucci weaves clips from classic films into this artful and entertaining movie, while a hard-rock '60s soundtrack adds a palpable edginess.

starting at

$5
 

starting at

$4
  • product
Enter the world of the Dice Man at your own risk. He's lewd, crude and his comedy routines are definitely not for the timid. As a matter of fact, he's a real equal opportunity offender.

starting at

$4
 

starting at

$2
  • product
Sylvia Stickles's (Tracey Ullman) Baltimore neighborhood is becoming overrun with perverts, and she is very concerned. But that changes when Sylvia gets in a car accident, receiving a hard blow to the head that leaves her sexually voracious. Luckily, she gets a quick fix from Ray Ray (Johnny Knoxville), a tow-truck driver whom she soon discovers to be a high priest of sexual perversion. In the midst of searching indiscriminately for satisfaction and finally relating to her overly buxom, exhibitionist teenage daughter, Clarice (Selma Blair), Sylvia finds herself on the opposite side of a war for decency being waged by the neighborhood "neuters," in which every sexual encounter is an act of revolution! Nearly 35 years from the revolutionary PINK FLAMINGOS, John Waters proves that, even after showing his gentler side (HAIRSPRAY, CRY-BABY), he's not getting soft in his old age. Once again proving his gift for inspired casting--Chris Isaak plays Sylvia's husband and Suzanne Shepherd plays her mother--he creates a virtual comedic catalogue of strange sexual practices sure to please longtime fans and win over the uninitiated. While Waters is no-doubt pleased to have earned a taboo NC-17 rating (mostly for language), he also presents some good-natured fun in the midst of the pervasive perversity.

starting at

$2
Deals on NC-17 (MPAA) in DVDs & Videos. Visit BizRate to find the best deals on DVDs & Videos. See which DVDs & Videos stores have the NC-17 (MPAA) that you want. Read reviews on DVDs & Videos merchants and buy with confidence. Find savings on Essential Holiday Collection: The Polar Express/National Lampoon's Christmas Vacation/Elf/AChristmas - Toshiba SD-4200 Progressive Scan DVD Player.