NC-17 (MPAA), Borders.com in DVDs & Videos

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After BROKEBACK MOUNTAIN and THE HULK, multitalented director Ang Lee returns to Asia with this Mandarin-language erotic drama. LUST, CAUTION pairs celebrated actor Tony Leung (2046) with gifted neophyte Tang Wei. In 1938, China is occupied by the Japanese, but it's not only the country's neighbors who are hated by the loyal Chinese. The nation's resistance also centers on those who willingly collaborate with Japan. Wong Chia Chi (Tang Wei) is part of an acting group, but their sights are set beyond the stage: they want to use their abilities to attack Mr. Yee (Leung), a known traitor. Wong poses as a businessman's wife, and she begins to lure Mr. Yee in, but they're separated before she has her chance. Three years later, they meet again in Shanghai, and a heated affair begins. As Wong grows closer to Mr. Yee, there is doubt that she can aid in her lover's downfall. At times, LUST, CAUTION evokes memories of Wong Kar-Wai's IN THE MOOD FOR LOVE. Both are heat-filled period films that feature the nearly perfect Leung, but while the earlier picture focused on a love that was never consummated, LUST, CAUTION allows its lovers to realize their passion as often--and in as many ways--as one could imagine. But despite the film's NC-17 rating, it never allows the sex to get in the way of the plot or the images. Director of photography Rodrigo Prieto has worked with directors as diverse and impressive as Oliver Stone, Julie Taymor, Spike Lee, and Alejandro González Iñárritu, and he continues this fine tradition with his second pairing with Lee after BROKEBACK MOUNTAIN. Here Prieto has a head start thanks to beautiful costumes and beautiful people, but this is another film that is simply gorgeous to look at.

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Two young lovers, an American writer and Parisian gentleman, fall in love on the eve of World War II, and together they push the limits of sensuality in search of the "Delta of Venus" - the secret paradise of inner desires. Based on the writings of Anais Nin.

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In Russ Meyer's BEYOND THE VALLEY OF THE DOLLS, all-girl rock band the Kelly Affair moves to Los Angeles in pursuit of fame and fortune. Upon meeting wealthy rock scenester Ronnie "Z-Man" Barzell (John Lazar) at one of his lavish parties, they believe they've met the man who can bring them fame. Changing their name to the Carrie Nations, they navigate their way through a maze of sexual misadventures, drugs, and brushes with some very unpleasant characters only to find that fame comes at a price. Livening up the considerably frantic proceedings are Meyer starlets Edy Williams and Erica Gavin (VIXEN), as well as an appearance by the Strawberry Alarm Clock. Finally invited to work within a major studio (20th Century Fox) following the enormous success of 1968's VIXEN, Meyer, along with screenwriter Roger Ebert, created the ultimate sex, drugs, and rock & roll film of the psychedelic era. An altogether odd mixture of comedy, drama, and left-field shocks punctuated with memorably wacky lines, BEYOND THE VALLEY OF THE DOLLS lets Meyer's reliably decadent formula mingle agreeably with the psychedelia of the time.

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In this tragic drama of consequences, Dermott Mulroney stars as a doctor who can't bear to tell his wife that their newborn daughter suffers from Down Syndrome. Decades later, after claiming the baby was stillborn and surreptitiously charging a nurse to take her to a shelter for the mentally ill, the troubled doctor learns the girl has in fact grown into a bright, attractive woman whose reemergence in his life serves as a flesh-and-blood reminder of his deepest, darkest secret...and causes a fatal rift among the entire family. Emily Watson and Gretchen Mol co-star in this engaging Lifetime Original movie based on Kim Edwards's novel.

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After BROKEBACK MOUNTAIN and THE HULK, multitalented director Ang Lee returns to Asia with this Mandarin-language erotic drama. LUST, CAUTION pairs celebrated actor Tony Leung (2046) with gifted neophyte Tang Wei. In 1938, China is occupied by the Japanese, but it's not only the country's neighbors who are hated by the loyal Chinese. The nation's resistance also centers on those who willingly collaborate with Japan. Wong Chia Chi (Tang Wei) is part of an acting group, but their sights are set beyond the stage: they want to use their abilities to attack Mr. Yee (Leung), a known traitor. Wong poses as a businessman's wife, and she begins to lure Mr. Yee in, but they're separated before she has her chance. Three years later, they meet again in Shanghai, and a heated affair begins. As Wong grows closer to Mr. Yee, there is doubt that she can aid in her lover's downfall. At times, LUST, CAUTION evokes memories of Wong Kar-Wai's IN THE MOOD FOR LOVE. Both are heat-filled period films that feature the nearly perfect Leung, but while the earlier picture focused on a love that was never consummated, LUST, CAUTION allows its lovers to realize their passion as often--and in as many ways--as one could imagine. But despite the film's NC-17 rating, it never allows the sex to get in the way of the plot or the images. Director of photography Rodrigo Prieto has worked with directors as diverse and impressive as Oliver Stone, Julie Taymor, Spike Lee, and Alejandro González Iñárritu, and he continues this fine tradition with his second pairing with Lee after BROKEBACK MOUNTAIN. Here Prieto has a head start thanks to beautiful costumes and beautiful people, but this is another film that is simply gorgeous to look at.

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Originally famed for its sexual frankness, Bernardo Bertolucci's LAST TANGO IN PARIS has managed to endure due to its sophisticated storytelling and brave lead performances. Marlon Brando incorporated details from his own life into the character of Paul, the globetrotting American who finally settled into a marriage and proprietorship of a fleabag hotel in Paris. But when his wife commits suicide, Paul goes into an existential tailspin. One day, while wandering through an apartment that is available for rent, he encounters Jeanne (Maria Schneider), a lovely Parisian girl (she's 20 to Paul's 45) who is also viewing the apartment. The two become intimate and have a heated affair, carried on without names, in the apartment where they first met. While Paul clearly hopes to forget about his wife, Jeanne is simply overwhelmed by her fiancé (Jean-Pierre Leaud, in a somewhat Bertolucci-satirizing role), a filmmaker who wants her to be his subject and inspiration. Nothing is taboo in their relationship, but confrontation comes when Paul breaks the spell of impersonality. Brando's monologue beside his dead wife has sent many a film student into a paroxysm of pleasure in this groundbreaking erotic drama from acclaimed director Bertolucci (THE CONFORMIST, THE LAST EMPEROR).

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A comedy/drama about a struggling New York actor who is confronted by his girlfriends when they discover that he has been two-timing both of them with each other. Verbal fireworks ensue as he awkwardly tries to defend himself. In the process, questions about love and sexual commitment are raised and, just as quickly, discarded as new ones arise.

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Sylvia Stickles's (Tracey Ullman) Baltimore neighborhood is becoming overrun with perverts, and she is very concerned. But that changes when Sylvia gets in a car accident, receiving a hard blow to the head that leaves her sexually voracious. Luckily, she gets a quick fix from Ray Ray (Johnny Knoxville), a tow-truck driver whom she soon discovers to be a high priest of sexual perversion. In the midst of searching indiscriminately for satisfaction and finally relating to her overly buxom, exhibitionist teenage daughter, Clarice (Selma Blair), Sylvia finds herself on the opposite side of a war for decency being waged by the neighborhood "neuters," in which every sexual encounter is an act of revolution! Nearly 35 years from the revolutionary PINK FLAMINGOS, John Waters proves that, even after showing his gentler side (HAIRSPRAY, CRY-BABY), he's not getting soft in his old age. Once again proving his gift for inspired casting--Chris Isaak plays Sylvia's husband and Suzanne Shepherd plays her mother--he creates a virtual comedic catalogue of strange sexual practices sure to please longtime fans and win over the uninitiated. While Waters is no-doubt pleased to have earned a taboo NC-17 rating (mostly for language), he also presents some good-natured fun in the midst of the pervasive perversity.

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SOUTH PARK creator Parker stars as Joe Young, a Mormon missionary in Los Angeles who stumbles into the porn industry, where he's offered the part of sexual superhero Orgazmo. Joe stays so that he can raise enough money to marry his sweetheart, Lisa, but complications ensue when Orgazmo turns out to be a hit and Lisa discovers the hidden truth. A wacky farce for juvenile adults.

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Acclaimed director Atom Egoyan adapts Rupert Holmes's novel about a celebrity journalist who attempts to uncloset some old Hollywood skeletons.

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Acclaimed director Atom Egoyan adapts Rupert Holmes's novel about a celebrity journalist who attempts to uncloset some old Hollywood skeletons.

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$4
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Set in the Spring of 1968; Produced and Released in 2003/2004. Bernardo Bertolucci's THE DREAMERS centers on three university students who adore the Cinematheque Francaise, and are fascinated by '60s culture--the music of Janis Joplin and Jimi Hendrix, the films of Jean-Luc Godard, and the writings of Susan Sontag and Chairman Mao. Their philosophical conversations about sexuality, love, politics, activism, and the Vietnam War; and their daily activities--going to the cinema, protesting in support of Henri Langlois, lounging around naked, and smoking dope--are a realistic reflection of the mood and energy of that era. The plot involves Parisians Theo (Louis Garrel) and Isa (Eva Green), a brother-sister team with a strangely intimate connection. They befriend their American classmate Matthew (Michael Pitt), and invite him to stay at their apartment for a month while their parents are on vacation. The trio is so engrossed by their film studies that they act out scenes in an ongoing game of trivia, referencing classics like Sam Fuller's SHOCK CORRIDOR, Godard's BANDE A PART, and Frank Tashlin's THE GIRL CAN'T HELP IT. They challenge each other through mind games, deeply personal discussions, and sexual dares. Outside their sheltered apartment, the streets are teaming with violence leading up to the May 1968 Paris uprising. Nouvelle Vague icon Bertolucci weaves clips from classic films into this artful and entertaining movie, while a hard-rock '60s soundtrack adds a palpable edginess.

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$4
 

starting at

$5
  • product
A comedy/drama about a struggling New York actor who is confronted by his girlfriends when they discover that he has been two-timing both of them with each other. Verbal fireworks ensue as he awkwardly tries to defend himself. In the process, questions about love and sexual commitment are raised and, just as quickly, discarded as new ones arise.

starting at

$5
 

starting at

$6
  • product
Baltimore director John Waters's outrageous 1971 debut PINK FLAMINGOS burst onto the filmmaking scene like the ample flesh of its drag-queen star through the seams of a lamé dress. Conceived as a way to garner attention for Waters's fledgling career, this paean to bad taste certainly did just that--so much so that decades later, the film still retains the power to shock with its gleeful demolition of every known human taboo. Waters's attempt at making the most vile and offensive movie ever made is aptly mirrored in his characters' competition for the title of "Filthiest Person Alive." Overweight transvestite and Waters muse Divine (aka Glen Milstead) stars as the current record holder, Babs Johnson, who lives in a trailer park with her trashy friend Cotton (Mary Vivian Pearce), incestuous son Crackers (Danny Mills), and mentally-stunted mother Edie (Edith Massey), who spends her time in a playpen and is obsessed with eggs. Vying for Babs's filthy title is evil middle-class couple Raymond (David Lochary) and Connie Marble (Mink Stole), who fund porno shops, sell heroin to grade-schoolers, and run a white-slave trade that involves kidnapping young women, imprisoning them in their dungeon-like basement, raping and impregnating them, and selling their babies to lesbian couples. In between, there's sex with chickens, whistling rectums, actual fellatio, and canine excrement--ensuring not only gross-out comedy par excellence, but a total assault on bourgeois respectability that rivals the comparatively mild critique of UN CHIEN ANDALOU or L'AGE D'OR. Disgusting, hilarious, and utterly fabulous, PINK FLAMINGOS is guerrilla filmmaking at its finest.

starting at

$6
 

starting at

$5
  • product
Set in the Spring of 1968; Produced and Released in 2003/2004. Bernardo Bertolucci's THE DREAMERS centers on three university students who adore the Cinematheque Francaise, and are fascinated by '60s culture--the music of Janis Joplin and Jimi Hendrix, the films of Jean-Luc Godard, and the writings of Susan Sontag and Chairman Mao. Their philosophical conversations about sexuality, love, politics, activism, and the Vietnam War; and their daily activities--going to the cinema, protesting in support of Henri Langlois, lounging around naked, and smoking dope--are a realistic reflection of the mood and energy of that era. The plot involves Parisians Theo (Louis Garrel) and Isa (Eva Green), a brother-sister team with a strangely intimate connection. They befriend their American classmate Matthew (Michael Pitt), and invite him to stay at their apartment for a month while their parents are on vacation. The trio is so engrossed by their film studies that they act out scenes in an ongoing game of trivia, referencing classics like Sam Fuller's SHOCK CORRIDOR, Godard's BANDE A PART, and Frank Tashlin's THE GIRL CAN'T HELP IT. They challenge each other through mind games, deeply personal discussions, and sexual dares. Outside their sheltered apartment, the streets are teaming with violence leading up to the May 1968 Paris uprising. Nouvelle Vague icon Bertolucci weaves clips from classic films into this artful and entertaining movie, while a hard-rock '60s soundtrack adds a palpable edginess.

starting at

$5
 

starting at

$6
  • product
An interesting cast fills out this solemn production based on the play by Martin Sherman (who also wrote the screenplay). During WWII, a Berlin homosexual is caught up in the Nazi hysteria. After being forced to kill his lover, he is placed in a prison camp, where he lies so he will be classified as Jewish rather than homosexual. After a series a constitution-breaking incidents, his love for a fellow male prisoner brings him to admit his true nature. Features Mick Jagger in a brief role as a drag queen.

starting at

$6
 

starting at

$3
  • product
Sylvia Stickles's (Tracey Ullman) Baltimore neighborhood is becoming overrun with perverts, and she is very concerned. But that changes when Sylvia gets in a car accident, receiving a hard blow to the head that leaves her sexually voracious. Luckily, she gets a quick fix from Ray Ray (Johnny Knoxville), a tow-truck driver whom she soon discovers to be a high priest of sexual perversion. In the midst of searching indiscriminately for satisfaction and finally relating to her overly buxom, exhibitionist teenage daughter, Clarice (Selma Blair), Sylvia finds herself on the opposite side of a war for decency being waged by the neighborhood "neuters," in which every sexual encounter is an act of revolution! Nearly 35 years from the revolutionary PINK FLAMINGOS, John Waters proves that, even after showing his gentler side (HAIRSPRAY, CRY-BABY), he's not getting soft in his old age. Once again proving his gift for inspired casting--Chris Isaak plays Sylvia's husband and Suzanne Shepherd plays her mother--he creates a virtual comedic catalogue of strange sexual practices sure to please longtime fans and win over the uninitiated. While Waters is no-doubt pleased to have earned a taboo NC-17 rating (mostly for language), he also presents some good-natured fun in the midst of the pervasive perversity.

starting at

$3
 

starting at

$5
  • product
Enter the world of the Dice Man at your own risk. He's lewd, crude and his comedy routines are definitely not for the timid. As a matter of fact, he's a real equal opportunity offender.

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$5
 

starting at

$9
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After surviving a head-on car collision that triggers a raw sexual awakening, a bored, nihilistic television producer assembles a following of other bored, death-obsessed nihilists who seek kinky thrills by investigating the ostensible erotic basis of the twisted metal, skid marks, and adrenaline rushes of auto smash-ups. Based on the eponymous novel by J. G. Ballard. The film's controversial thesis won accolades from some (a Cannes Special Prize) and censure from others. Available in rated and unrated versions.

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$9
 

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$5
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Christmas 1960. When the parents of Dawn Davenport (Divine) neglect to get the deviant high schooler the one Yuletide gift she longs for--a pair of cha-cha heels--the girl throws the tree over on her mother and leaves, only to have a sexual encounter with a slob (also Divine) who picks her up hitchhiking. Nine months later, Dawn births a daughter, Taffy (Mink Stole). Dawn's life turns around when she enters a beauty salon run by flamboyant couple Donald (David Lochary) and Donna Dasher (Mary Vivian Pearce). There she meets Gator (Michael Potter), a hairdresser whom she marries even though his aunt Ida (Edith Massey) wishes he was gay. With their philosophy that "crime equals beauty," the Dashers turn Dawn into their own private superstar, photographing her committing outrageous acts. After Aunt Ida disfigures Dawn's face with acid, Dawn becomes increasingly crazed, committing murderous acts until her serial killer status begins to catch up with her. John Waters's follow-up to PINK FLAMINGOS is a tribute to both the juvenile delinquent films of the 1950s and the director's undying fascination with serial killers. Though it has a much more structured narrative than his previous works, FEMALE TROUBLE retains the inspired lunacy that made Waters a midnight-movie legend. The theme of a female murderer becoming a media sensation would resurface 20 years later in SERIAL MOM.

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$5
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