PG-13 (MPAA) in DVDs & Videos

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This amped action drama stars Vin Diesel as Xander (aka Triple X), a rebellious extreme sports star with a mission to defy authority and create anarchy. In the dramatic opening scene of the movie, Xander pulls an outrageous serious of stunts with the help of a band of similar-minded jocks, broadcasts the whole event live onto the Internet with a network of strategically placed digital cameras, and then avoids being captured by the squadron of police who pursue him. When Triple X is later taken into custody, Gibbons (Samuel L. Jackson), a representative from a government agency, hires the chiseled athlete and turns him into a secret agent with a mission to travel to Prague and collapse a dangerous terrorist cell operated by Yorgi (Martin Csokas) and the seductive Yelena (Asia Argento). Triple X is quickly drawn into Yorgi's lair, a stunning chateau situated in the mountains that is equipped with every high-tech modern amenity imaginable, along with a sizeable team of extra-large Slav bodyguards, a laboratory staffed by top scientists, and an always-ready gaggle of gorgeous concubines. Non-stop stunts, pounding hard-core music, elaborate sets, and inventive costumes make this Rob Cohen-directed adrenaline overload a visually exciting, aurally engaging, highly entertaining success.

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To say that Christopher Nolan's THE DARK KNIGHT is the best comic book adaptation does the film a bit of a disservice. It may be a Batman film, but this isn't a kid-friendly action movie full of the bams and pows of the original series. This is a pitch-black thriller with enough drama and tragedy to please even William Shakespeare, but it will certainly keep both comics fans and uninitiated audiences equally happy. THE DARK KNIGHT starts in the wake of BATMAN BEGINS: with the appearance of Batman (Christian Bale), Gotham City's criminal underworld is unnerved. They're also plagued by the new D.A., Harvey Dent (Aaron Eckhart), who, in his quest for justice, remains above the city's corruption. Enter a new villain, the Joker (Heath Ledger), who wants to unite the criminals for a common purpose: to kill Batman. THE DARK KNIGHT is one of the most hyped movies to date, and a lesser film would be crushed under the weight of all that expectation. Some of the publicity stems from the early death of Ledger, who turns in an excellent performance. He provides moments of humor, but this Joker is terrifying, sharing more with classic villains such as Hannibal Lechter than with his comic book predecessors. Eckhart is equally good as Dent, and Maggie Gyllenhaal deserves praise for taking over the role of Rachel Dawes from Katie Holmes. Though there's more emphasis on plot and character development than in most comic book adaptations, that doesn't mean Nolan has skimped on any of the action sequences. Each set piece is done perfectly, leaving the audience breathless. THE DARK KNIGHT is filmmaking at its best; its subject matter may be dark and depressing, but it's tough not to feel exhilarated by its artistry when the credits begin to roll.

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Ice Cube replaces Vin Diesel for this hard-bangin' sequel which favors fists, cars, and snooping over the original's heavy dose of extreme sports stunts. NSA agent Gibbons (Samuel Jackson, back from the original) finds his group under attack by well-armed, well-informed combatants, forcing him to activate a new XXX, Darius Stone (Cube), an old Navy Seal buddy currently cooling his heels in an army prison. It turns out there's a plan to whack the president (Peter Strauss) and a deranged secretary of defense played by Willem Dafoe is behind it. What's more important is the cool way Darius knows how to land a speeding boat on a bridge, then walk away in slow motion as it blows up behind him. Other great scenes include a tank battle on an aircraft carrier and a race with a bullet train that makes THE FRENCH CONNECTION look like a turtle race. There's some hilarious dialogue, such as when Darius recruits his old D.C. car-jacking buddies to ride into battle against the corrupt militia, leading to the "first tank-jacking in history." Scott Speedman plays a sympathetic Fed; Lola Jackson and Sunny Mabrey are the sexy chicks. There's lots of greal looking cars, cool gadgets, and pumpin' rap-crunk music. Director Lee Tamahori also helmed James Bond's DIE ANOTHER DAY and the 1997 thriller THE EDGE.

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The third in the series of National Lampoon's 'Vacation' films, this sequel concerns the Griswold family's holiday get-together. This time they're trying to have a picture book, old-fashioned Christmastime--even though all the in-laws are dropping by, including Clark's (Chevy Chase) redneck cousin, Eddie (Randy Quaid). Looks like it's going to be a real holly-jolly holiday--if they can make it through.

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When Deepa Mehta first began filming WATER in 2000, angry fundamentalist mobs burned her sets and threatened her life. The Indian government claimed it could not protect her, and the project had to wait four years before finally filming in Sri Lanka. Her film has raised the ire of extremists because it challenges the Hindu customs that dictate that widows, considered half-dead after the loss of their husbands, must be closeted in holy ashrams--a practice that still exists today. Set in the 1930s, the film tells the story of eight-year old Chuyia, whose husband dies before she even meets him. Her parents shave her head and whisk her away to a house of widows where the women sleep on the ground and beg in the streets to earn their puny portion of rice. Chuyia, feisty and resilient, comes into this world like a ray of light, and soon the women are rethinking their mute acceptance of their fate. Her closest friend and ally is the lovely Kalyani, and soon a forbidden romance begins to develop between Kalyani and Narayana, a young Brahmin man who, following the teachings of Gandhi, has denounced injustice. The film is sumptuously beautiful, Chuyia is utterly winsome, and despite the harsh social issues at its heart, it often feels light and lively: Chuyia and Kalyani play games and dance, Chuyia steals sweets for a dying old widow, the women dance and paint each other's faces during a color festival, and the Cinderella-story romance between Kalyani and Narayana shimmers with the promise of salvation and happiness. Mehta, however, knows it would be disingenuous to allow such an easy resolution to such a dire situation, and the final chapter of WATER takes a tragic turn.

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THE FUGITIVE: In this near-perfect suspense movie adapted from the popular 1960s television series that starred David Janssen, renowned vascular surgeon Dr. Richard Kimble (Harrison Ford) has been falsely accused and convicted--on circumstantial evidence--of his wife's (Sela Ward) murder. While Kimble is being transported to prison, another convict stabs an inattentive guard, causing a massive wreck. Kimble escapes but is hunted by tough U.S. marshal Sam Gerard (Tommy Lee Jones). The fugitive from injustice attempts to set the record straight: he transforms himself into a jack-of-all-trades and a man of a thousand faces in a desperate attempt to uncover the truth about his wife's murder and track down the real killer. Spectacular special effects and a pulse-pounding performance by Ford turned Andrew Davis's thrilling film into a blockbuster at the box office, leading to a sequel, U.S. MARSHALS. U.S. MARSHALLS: Tommy Lee Jones reprises his Oscar-nominated role as lawman Sam Gerard in THE FUGITIVE. This time, his lamster is a former Secret Service agent accused, perhaps wrongfully, of the cold-blooded murder of two of his unit members. As the chase unfolds, Gerard becomes more and more fascinated by his highly trained and intelligent quarry--and more convinced of his innocence.

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Featuring spectacular special effects set amidst the backdrop of one of the most tragic events of the 20th century, James Cameron's award-winning TITANIC stands as one of the greatest Hollywood spectaculars of all time. Beginning with an undersea expedition in the 1990s, in which scuba divers are searching the sunken ship for lost relics, a painting of young Rose DeWitt Bukater (Kate Winslet) is found. This triggers a flashback to the young woman's story as it happened on the doomed Titanic. Rose is a daughter of privilege on her way to be married to an arrogant but wealthy young man (Billy Zane). Despairing, Rose finds herself falling in love with Jack Dawson (Leonardo DiCaprio), a carefree and poor young artist who is also aboard. When the great ship strikes an iceberg and begins to sink, Rose and Jack have only each other as their world falls apart around them. Director James Cameron spared no expense in bringing his simple yet powerful love story to life, building a 90% scale model of the ship, fussing over the tiniest details, and ultimately spending some $200 million dollars. A worldwide smash, TITANIC received fourteen Academy Award nominations and 11 wins, including Best Picture. Despite all the lavish sets and special effects, the film would be nothing without the emotional core provided by stars Winslet and DiCaprio, who give star making performances as the tragic young lovers.

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Based on the Hasbro toy line that initially captivated kids in the 1980s, director Michael Bay's TRANSFORMERS finds two warring bands of shape-shifting alien robots renewing their intergalactic conflict on Earth. While the Decepticons, followers of the malevolent Megatron (voiced by Hugo Weaving), strive to take over the planet, the Autobots, led by the valiant Optimus Prime (voiced by Peter Cullen), are intent on protecting humanity. When young Sam Witwicky (Shia LaBeouf) discovers that his new car is really the Autobot Bumblebee (voiced by Mark Ryan), it sets the stage for a massive giant-robot showdown. A shining example of the Hollywood summer blockbuster at its best, TRANSFORMERS combines stunning CGI effects and thrilling action sequences with drama, humor, and a touch of romance. Featuring a large cast that includes Josh Duhamel, Tyrese Gibson, Jon Voight, John Turturro, Anthony Anderson, and Rachael Taylor, the film is anchored by LaBeouf, who always displays an engaging Everyman charm, whether he's running from colossal robots, interacting with his well-meaning parents (hilariously played by Kevin Dunn and Julie White), or pining for his gorgeous classmate (Megan Fox). While some TRANSFORMERS purists may be dismayed by certain aspects of this bold big-screen adaptation (Bumblebee is a Camaro instead of a Volkswagen), the movie balances its spectacle with an admirable amount of substance, giving it an appeal far beyond pre-teen boys and their nostalgic Autobot-loving elders.

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High school romance is difficult enough to navigate when both people are human. But for 17-year-old Bella Swan (Kristen Stewart, INTO THE WILD) and Edward Cullen (Robert Pattinson, HARRY POTTER AND THE GOBLET OF FIRE), Edward's life as a vampire complicates things even more. At first, when Bella moves from sunny Phoenix to the rainiest corner of Washington State, she isn't sure where she fits in at her new high school. Then she meets Edward, an ethereal beauty of a boy whose unnatural speed and strength lead Bella to the conclusion that her new crush is one of the undead. Suddenly, Bella's boring life is transformed; she's surrounded by love and danger in equal parts, thanks to the hunger of Edward and others of his kind. TWILIGHT is based on the first book in the addictive series by author Stephenie Meyer. Director Catherine Hardwicke (THIRTEEN) certainly knows her audience, which is primarily the teenage girls who worship the book and its characters. There are plenty of swoonworthy shots of Pattinson's perfectly pale Edward, and his romance with Stewart's nicely acted Bella will cause many a sigh among the devoted fans. While TWILIGHT is primarily a love story in the ROMEO AND JULIET mold, there's also plenty of action and horror to be found. Blood flows (this is a vampire movie, after all), but the small amount of gore shouldn't be too much for the squeamish viewers--and it might even draw a boy or two to the screen. The film's record-breaking box office take alone is proof that the film's appeal isn't limited to screaming teen girls.

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THE PROPOSAL could have been a strictly script-by-numbers affair, but hilarious performances by Sandra Bullock and Ryan Reynolds improve this romantic comedy. Publishing powerhouse Margaret Tate (Bullock, TWO WEEKS NOTICE) is used to getting her way. She bullies her ambitious assistant, Andrew Paxton (Reynolds, DEFINITELY, MAYBE), earning the ire of all the underlings at Colden Books in New York City. But Margaret, a native Canadian, finds her career in jeopardy when she is denied a visa and learns she will be sent northward. She forces Andrew to become her fiancé, but she?ll have to take a trip home to Alaska with him to prove to U.S. Immigration that their impending union is genuine. What ensues is a combination of GREEN CARD, THE DEVIL WEARS PRADA, and GREEN ACRES, with the hell-in-heels boss trying to fake a romance with her assistant as she struggles to survive as a city girl in the country. However, THE PROPOSAL proves to be more than the sum of its parts; Bullock has been one of Julia Roberts?s successors to the America?s-sweetheart crown since she starred in SPEED, but this comedy has her challenging her image with hilarious ease. Reynolds--who could be just window-dressing with his good looks and easy charm--is an excellent foil who is just as adept with sarcasm as he is with a smile. The two stars are supported by an impressive cast, including Betty White as Andrew?s scheming 90-year-old grandmother, Craig T. Nelson as his disappointed father, and THE OFFICE?s Oscar Nunez as an ubiquitous resident of his hometown. THE PROPOSAL may offer few surprises in the way of plot, but the on-screen talent keeps the film feeling fresh.

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Dan Brown?s novels are packed with fascinating historical tidbits which he ingeniously twists into plots that are so intricate and complex that there is a constant need to inform the reader with exposition, often leaving little room for character development. There is a bit of this stilted quality to ANGELS AND DEMONS, the second of Brown?s novels to be brought to the big screen by the tandem of Ron Howard and Tom Hanks, but more than enough intense action to keep the eyes of the audience as busy as their minds. The details of the plot are as diabolical as any in Hollywood history: after the pope?s death, a nefarious organization stashes an antimatter bomb somewhere in the Vatican, threatening to annihilate the conclave of cardinals who are meeting to elect the papal successor. To pass the time until the bomb will detonate, the enemy begins to torture and kill a few of the individual cardinals, but there is a pattern to the grotesque executions, involving hidden sculptural symbols and secret architectural clues. Unfortunately for the church, the man most capable of deciphering the code is the American "symbologist" Robert Langdon (Hanks), who happens to be an affirmed atheist. The script is filled with amazing details about the centuries-old conflict between the church and the Illuminati (whose members included Galileo, Michelangelo, and Bernini), which Hanks uncovers as he breathlessly races between various landmarks in Rome, always a step behind the sinister assassin. The secondary cast consists almost entirely of European actors, including Ewan McGregor, Stellan Skarsgaard, and Armin Mueller-Stahl, who betray so little emotion that it is impossible to tell who is a part of the conspiracy until long after the explosive climax.

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For both comic book fans and those who can't tell the Green Lantern from the Green Arrow, IRON MAN is the type of summer blockbuster whose appeal lasts far beyond the season. Robert Downey Jr. stars as Tony Stark, a billionaire playboy and genius who puts as much effort into chasing skirts as he puts into chasing his next big idea. A trip to Afghanistan to sell weapons quickly devolves into chaos, and Stark finds himself at the mercy of a warlord who wants him to build a missile. Instead, Stark creates a powerful suit of armor, turning him into Iron Man and allowing him to escape. When he returns to America, his assistant Pepper Pots (Gwyneth Paltrow), friend Rhodey (Terrence Howard), and right-hand man Obadiah Stane (Jeff Bridges) all marvel at the change in the man they knew. IRON MAN is the first film to be self-financed by Marvel Studios, and they should be proud of their freshman effort. They didn't take any obvious routes with choosing the cast or crew, and it pays off. Director Jon Favreau, who also has a small role in the film, is best known for directing ELF, but his first action-driven effort is nearly flawless. Casting Downey was gutsy but inspired: this is his first big action picture as well, but the wit he displays in films such as the cult hit KISS KISS, BANG BANG works perfectly for the character of Stark. IRON MAN features nods to its beloved source material, as well as to the classic animated series of the 1960s. But even for the uninitiated, this film provides an interesting entry into the Marvel superhero's universe. Audiences who keep watching after the credits have rolled will be rewarded with a bonus scene.

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XXX

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XXX
This amped action drama stars Vin Diesel as Xander (aka Triple X), a rebellious extreme sports star with a mission to defy authority and create anarchy. In the dramatic opening scene of the movie, Xander pulls an outrageous serious of stunts with the help of a band of similar-minded jocks, broadcasts the whole event live onto the Internet with a network of strategically placed digital cameras, and then avoids being captured by the squadron of police who pursue him. When Triple X is later taken into custody, Gibbons (Samuel L. Jackson), a representative from a government agency, hires the chiseled athlete and turns him into a secret agent with a mission to travel to Prague and collapse a dangerous terrorist cell operated by Yorgi (Martin Csokas) and the seductive Yelena (Asia Argento). Triple X is quickly drawn into Yorgi's lair, a stunning chateau situated in the mountains that is equipped with every high-tech modern amenity imaginable, along with a sizeable team of extra-large Slav bodyguards, a laboratory staffed by top scientists, and an always-ready gaggle of gorgeous concubines. Non-stop stunts, pounding hard-core music, elaborate sets, and inventive costumes make this Rob Cohen-directed adrenaline overload a visually exciting, aurally engaging, highly entertaining success.

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Set in 1966; Produced and released in 1983. Francis Ford Coppola's stylized teen melodrama is based on the popular novel by S. E. Hinton. In 1960s Tulsa, the "right" and "wrong" sides of the tracks are represented by rival gangs, the upscale Socs and the underprivileged Greasers. Darrel Curtis (Patrick Swayze) is doing his best to raise his two younger brothers, Sodapop (Rob Lowe in his first film role) and Ponyboy (C. Thomas Howell). Sensitive Ponyboy is a budding writer in love with Cherry (Diane Lane), the unobtainable beauty from the enemy gang. When Ponyboy's buddy, troubled Johnny Cade (Ralph Macchio), kills one of the Socs in self-defense, their friend Dallas (Matt Dillon) helps the two youths hide out in an abandoned country church. There they live as exiles from a society that doesn't want them. But not all is lost, when Ponyboy, Johnny, and Dallas save some children caught in a fire they become unlikely heroes. The young cast is the jewel of this sensitive, moving film. Tom Cruise and Emilio Estevez play Greasers, and pop singer Leif Garrett plays rich-kid Bob. Dillon also starred that year in another S. E.Hinton adaptation directed by Coppola--the fascinating and extremely entertaining RUMBLE FISH.

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Based on the Hasbro toy line that initially captivated kids in the 1980s, director Michael Bay's TRANSFORMERS finds two warring bands of shape-shifting alien robots renewing their intergalactic conflict on Earth. While the Decepticons, followers of the malevolent Megatron (voiced by Hugo Weaving), strive to take over the planet, the Autobots, led by the valiant Optimus Prime (voiced by Peter Cullen), are intent on protecting humanity. When young Sam Witwicky (Shia LaBeouf) discovers that his new car is really the Autobot Bumblebee (voiced by Mark Ryan), it sets the stage for a massive giant-robot showdown. A shining example of the Hollywood summer blockbuster at its best, TRANSFORMERS combines stunning CGI effects and thrilling action sequences with drama, humor, and a touch of romance. Featuring a large cast that includes Josh Duhamel, Tyrese Gibson, Jon Voight, John Turturro, Anthony Anderson, and Rachael Taylor, the film is anchored by LaBeouf, who always displays an engaging Everyman charm, whether he's running from colossal robots, interacting with his well-meaning parents (hilariously played by Kevin Dunn and Julie White), or pining for his gorgeous classmate (Megan Fox). While some TRANSFORMERS purists may be dismayed by certain aspects of this bold big-screen adaptation (Bumblebee is a Camaro instead of a Volkswagen), the movie balances its spectacle with an admirable amount of substance, giving it an appeal far beyond pre-teen boys and their nostalgic Autobot-loving elders.

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With the success of the live-action film TRANSFORMERS, the robots in disguise proved that there was too much action for just one film. This sequel promises more in the epic battle between the Autobots and the Decepticons.

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This collection presents four comedic looks into the world of cheerleading competitions: the original BRING IT ON, starring Kirsten Dunst, and its successors BRING IT ON AGAIN, BRING IT ON: ALL OR NOTHING, and BRING IT ON: IN IT TO WIN IT. Please see individual titles for synopsis information.

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Documentarian Seth Gordon (THE KING OF KONG: A FISTFUL OF QUARTERS) makes his feature film directorial debut with FOUR CHRISTMASES. Kate (Reese Witherspoon) and Brad (Vince Vaughn) are a happily unmarried couple who avoid spending Christmas with their families at all costs and instead travel to exotic locales. But when they find themselves fogged in at the San Francisco airport and their flight to Fiji cancelled, they have no choice but to spend the holiday with their divorced parents and the rest of their dysfunctional relatives. From his wrestling brothers and cradle-robbing mother to her oversexed grandmother and perfect sister, the couple is forced to face their worst nightmare head-on. Kate and Brad's greatest fears are realized as their families share their most personal secrets. This film addresses broader themes of how people really know each other and the importance of connecting with family, no matter how crazy they might be. Vaughn and Witherspoon have nice chemistry as a couple that thought they had everything they wanted, improvising and playing off of each other well. Robert Duvall and Sissy Spacek appear as Brad's parents, while Jon Voight and Mary Steenburgen play Kate's parents. Jon Favreau and Tim McGraw are a hoot as Brad's tormenting brothers, and Kristen Chenoweth fits the bill as Kate's sister. Parents should be aware that the film includes adult language and themes, and some comments about Santa that may upset young children.

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In this period romantic drama, Sanin (Timothy Hutton), an aristocratic young man, fights a duel for the hand of Gemma (Valeria Golino), a young bride-to-be. He plans to sell his family estate to finance the wedding, but his plans go awry when he falls prey to married seductress Maria (Nastassja Kinski). She feigns interest in buying the estate as a way to be nearer Sanin, and he must fight against the possibility of losing both women.

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New Jersey wedding chanteur Robbie Hart loses all hope after being abandoned at the altar by his fiancee Linda. Enter Julia, an effervescent ray of light in the shape of a catering-service waitress, who enlists Robbie's help in planning her own wedding--to a sleazy, DeLorean-driving junk bond salesman who tomcats around and treats women like unfeeling slabs of meat. Can our hero win Julia over before she elopes to Las Vegas? Will Billy Idol save the day? And, most importantly, will the fluffy romantic storyline be completely overpowered by the weighty mid-1980s cultural references? THE WEDDING SINGER is cheesy fun for the nostalgically inclined. Steve Buscemi tries to steal the film in an uncredited role as a drunk best man, but that honor actually goes to Alexis Arquette, as "George."

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