Diane, PG-13 (MPAA) in DVDs & Videos

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Set in 1966; Produced and released in 1983. Francis Ford Coppola's stylized teen melodrama is based on the popular novel by S. E. Hinton. In 1960s Tulsa, the "right" and "wrong" sides of the tracks are represented by rival gangs, the upscale Socs and the underprivileged Greasers. Darrel Curtis (Patrick Swayze) is doing his best to raise his two younger brothers, Sodapop (Rob Lowe in his first film role) and Ponyboy (C. Thomas Howell). Sensitive Ponyboy is a budding writer in love with Cherry (Diane Lane), the unobtainable beauty from the enemy gang. When Ponyboy's buddy, troubled Johnny Cade (Ralph Macchio), kills one of the Socs in self-defense, their friend Dallas (Matt Dillon) helps the two youths hide out in an abandoned country church. There they live as exiles from a society that doesn't want them. But not all is lost, when Ponyboy, Johnny, and Dallas save some children caught in a fire they become unlikely heroes. The young cast is the jewel of this sensitive, moving film. Tom Cruise and Emilio Estevez play Greasers, and pop singer Leif Garrett plays rich-kid Bob. Dillon also starred that year in another S. E.Hinton adaptation directed by Coppola--the fascinating and extremely entertaining RUMBLE FISH.

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The third in the series of National Lampoon's 'Vacation' films, this sequel concerns the Griswold family's holiday get-together. This time they're trying to have a picture book, old-fashioned Christmastime--even though all the in-laws are dropping by, including Clark's (Chevy Chase) redneck cousin, Eddie (Randy Quaid). Looks like it's going to be a real holly-jolly holiday--if they can make it through.

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Set in 1966; Produced and released in 1983. Francis Ford Coppola's stylized teen melodrama is based on the popular novel by S. E. Hinton. In 1960s Tulsa, the "right" and "wrong" sides of the tracks are represented by rival gangs, the upscale Socs and the underprivileged Greasers. Darrel Curtis (Patrick Swayze) is doing his best to raise his two younger brothers, Sodapop (Rob Lowe in his first film role) and Ponyboy (C. Thomas Howell). Sensitive Ponyboy is a budding writer in love with Cherry (Diane Lane), the unobtainable beauty from the enemy gang. When Ponyboy's buddy, troubled Johnny Cade (Ralph Macchio), kills one of the Socs in self-defense, their friend Dallas (Matt Dillon) helps the two youths hide out in an abandoned country church. There they live as exiles from a society that doesn't want them. But not all is lost, when Ponyboy, Johnny, and Dallas save some children caught in a fire they become unlikely heroes. The young cast is the jewel of this sensitive, moving film. Tom Cruise and Emilio Estevez play Greasers, and pop singer Leif Garrett plays rich-kid Bob. Dillon also starred that year in another S. E.Hinton adaptation directed by Coppola--the fascinating and extremely entertaining RUMBLE FISH.

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Brian Robbins (VARSITY BLUES) directs another sports-related picture with HARDBALL, an uplifting story about a man who finds redemption when he's least expecting it. Keanu Reeves stars as Conor O'Neill, an underachiever whose gambling addiction has gotten him into seemingly insurmountable trouble. Desperate for money, he begs his friend Jimmy (Mike McGlone) to bail him out one more time. Jimmy agrees to give Conor a weekly stipend, but only if Conor agrees to coach a little league baseball team in Chicago's inner city. At first, Conor realizes just how unequipped he is for this particular task, as the assembled team goofs off, fights, and curses, paying no attention to his authority. Eventually, however, he gains their respect, and pretty soon, they're winning games. Meanwhile, off the field, Conor finds himself falling for the children's schoolteacher, Miss Wilkes (Diane Lane). He also places a potentially life-threatening bet with a high-level bookie, but after a miracle saves him and he begins to fully embrace his new role as a coach and father figure, tragedy strikes and teaches Conor a much more valuable life lesson. Based on the non-fiction book by Daniel Coyle, HARDBALL is an uplifting story that gets a boost of energy from its non-professional cast of youngsters.

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This ambitious undertaking, adapting William Shakespeare's classic tale of star-crossed lovers and setting the story in a glossy music-video style in 1990s Florida. Leonardo DiCaprio and Claire Danes play the famous lovers kept apart by rival industrialist families. Bookended by newscastsers reciting Shakespeare's prose as their copy, this clever glam updating of ROMEO AND JULIET is one of the most unusual adaptations of the Bard's work in the history of cinema. The stylish and colorful sets earned the film an Oscar nomination for art direction. John Leguizamo gives a memorable performance as a devilish Tybalt.

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The third in the series of National Lampoon's 'Vacation' films, this sequel concerns the Griswold family's holiday get-together. This time they're trying to have a picture book, old-fashioned Christmastime--even though all the in-laws are dropping by, including Clark's (Chevy Chase) redneck cousin, Eddie (Randy Quaid). Looks like it's going to be a real holly-jolly holiday--if they can make it through.

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Diane Lane and Richard Gere team up for the third time (after COTTON CLUB and UNFAITHFUL) for this three-hankie romance based on a Nicholas Sparks novel. Adrienne Willis (Lane) feels her life falling apart around her: her unfaithful husband (Christopher Meloni, LAW & ORDER: SVU) is begging to come home, and her teenage daughter (Mae Whitman, HOPE FLOATS) can't stand to be around her. When her friend (Viola Davis, ANTWONE FISHER) asks her to watch her bed and breakfast in the picturesque town of Rodanthe, Adrienne leaps at the chance to get away. But since it's late in the season, there's only one guest: the handsome Dr. Paul Flanner (Gere), who is quiet about his reason for coming to the town. Driven together by a powerful hurricane, Adrienne and Paul find love and comfort in each other's arms. Cinematic romances between grown-ups are rare, and this finely cast drama will appeal to people who love films like THE BRIDGES OF MADISON COUNTY and other adaptations of Sparks's books, particularly MESSAGE IN A BOTTLE. Gere and Lane are both veterans (who look none the worse for wear), and they have perfected starring in relationship-driven films. But the North Carolina town of Rodanthe deserves plenty of praise as well, since it takes a starring role. Director of photography Affonso Beato (a frequent collaborator with Pedro Almodovar) shoots the beautiful beaches and the welcoming inn with such affection that it's hard not to see it as the perfect place to fall in love.

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Diane Keaton lights up the screen as an overbearing, matchmaking single mother in this slightly offbeat romantic comedy from director Michael Lehmann (HEATHERS, THE TRUTH ABOUT CATS AND DOGS). The film is a lot of fun, with both Keaton and Mandy Moore delivering energetic performances as a loveable and pretty believable mother-daughter team. After seeing two of her three stunning daughters (Piper Perabo, Lauren Graham) happily marry, Daphne Wilder (Keaton) focuses all her worries on Milly (Moore), her youngest, most insecure, and unlucky-in-love offspring. Twentysomething Milly has got her career as a chef figured out, but is clueless when it comes to love, attracting a never-ending slew of married, cheating, and closeted men. Taking matters into her own hands, Daphne places a personal ad for her daughter, interviewing the suitors herself and settling on one particularly promising young man named Jason. Meanwhile, clueless to her mother's plans, Milly starts to fall for Johnny, a cute musician who in spite of treating Milly like gold, is hardly what Daphne has in mind for her daughter's future. As Milly becomes increasingly involved with both men, Daphne must face whether maybe she could still have her own romantic life at age 60, instead of just living vicariously through her grown daughters. Unabashedly a chick flick, BECAUSE I SAID SO's intended audience is clearly female, but that's not to say it's all soft. The movie's girl talk includes frank discussions about sex and orgasms, demonstrating the unusually close relationships between the film's women and distinguishing the film from others in its genre. While following a vague romantic-comedy arc, the film also explores the bonds between women, focusing more on the mother-daughter relationship at the heart of the film than on any of the male love interests.

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Catherine Marshall's acclaimed novel returns to the small screen in the two-part miniseries "Christy - Choices of the Heart," which has been split for release into CHRISTY - A CHANGE OF SEASONS, and CHRISTY - A NEW BEGINNING. In the first part of this timeless story, the isolated mountain town of Cutter Gap is shattered by an outbreak of typhoid, which causes the townfolk to reconsider their ideas of faith and community.

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THE GLASS HOUSE, director Daniel Sackheim's sleek neo-noir thriller, is a modern Hansel and Gretel story with elements borrowed from HAMLET, set in California. As it opens, Ruby (Leelee Sobieski) watches unflinchingly while her friends cover their eyes from the horrors of a slasher movie. She deals with her over-concerned parents with cool resourcefulness. But, then her parents die in a car crash. Ruby learns from the family lawyer (Bruce Dern) that she and her younger brother Rhett (Trevor Morgan) will be well provided for, and will live with their sympathetic ex-neighbors Terry and Erin Glass (Stellan Skarsgård and Diane Lane). Terry and Erin's new home is a modern mansion--all steel and glass--built on the cliffs of Malibu. But, all is not well beneath the cool surfaces of THE GLASS HOUSE. Ruby has to decide whether it is her imagination, or is she being watched as she undresses; and whether Terry is making a pass at her, or just fastening her seat belt; and whether Erin is shooting up drugs, or simply taking insulin to combat her diabetes; and whether Terry is really being menaced by well-dressed thugs. Leelee Sobieski plays Ruby with steely resolve as she tries to deal with the mysteries of THE GLASS HOUSE.

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In remaking the 1996 French thriller L'APPARTEMENT, director Paul McGuigan transplants the story to the snow-covered Windy City, Chicago. Josh Hartnett is Matthew, a good-looking young man who has a great job and an even greater girlfriend. But just before he's about to get on a plane to China and score his first major account, the past comes back to haunt him. Matthew runs into his good friend Luke (Matthew Lillard), who is dating a mysterious actress, Alex (Rose Byrne). Suddenly he is reminded of Lisa (Diane Kruger), a beautiful dancer he dated years before. But the day after he asked her to move in with him, Lisa disappeared. Now Matthew's search for his long lost love is renewed. The harder he looks, the more the truth gradually, and devastatingly, begins to reveal itself. McGuigan's stylish, convoluted thriller shifts between the past and present, preventing viewers from solving the puzzle until the film's closing act. Featuring an outstanding soundtrack from some of modern rock's most celebrated artists (Coldplay, Mazzy Star, Broken Social Scene), WICKER PARK also boasts engaging performances from its cast of pretty young faces.

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New York City newspaper reporter Gwen Cummings (Sandra Bullock) likes to party. But at her sister Lily's (Elizabeth Perkins) wedding, she parties a little too much, makes a spectacle of herself, and ends up driving a commandeered limousine into a neighbor's front porch. In lieu of prison, Gwen is sent to a rehabilitation program at Serenity Glen, where cell phones are banned and patients chant for inspiration. Surrounded by other addicts, Gwen finds herself dealing with personal issues she has denied for years. Eventually, she realizes that in living under a cloud of alcohol, she wasn't truly living. Dapper Brit Dominic West plays Jasper, Gwen's charming partner in love and partying, and Viggo Mortensen appears as her potential love interest, Eddie Boone, a professional baseball player with an addiction to booze and women. Betty Thomas, known more for her work directing comedies (THE BRADY BUNCH MOVIE, PRIVATE PARTS), guides 28 DAYS with the hand of an assured dramatist. Perennial good girl Bullock is surprisingly believable as a party girl in need of a wake-up call.

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Juliette Lewis and Giovanni Ribisi perform admirably as developmentally different young adults who meet and fall in love. As the friends and family of the challenged, the supporting cast shows plenty of the expected love, support, and well-meaning anxiety, but also some refreshingly realistic impatience, frustration, and embarrassment.

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The life and times of Charlie Chaplin, the legendary film maker. Academy Award Nominations: 3, including Best Actor--Robert Downey Jr.

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While tending to her brother's latest neurotic crisis, Aggie snow runs into her high school hearthrob, who happens to be a U.S. Senator running for president. Though they clash on political issues, the couple falls in love and the Senator announces Aggie as his bride-to-be during his campaign for the White House in this good-nature political satire.

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Diane Lane and Richard Gere team up for the third time (after COTTON CLUB and UNFAITHFUL) for this three-hankie romance based on a Nicholas Sparks novel. Adrienne Willis (Lane) feels her life falling apart around her: her unfaithful husband (Christopher Meloni, LAW & ORDER: SVU) is begging to come home, and her teenage daughter (Mae Whitman, HOPE FLOATS) can't stand to be around her. When her friend (Viola Davis, ANTWONE FISHER) asks her to watch her bed and breakfast in the picturesque town of Rodanthe, Adrienne leaps at the chance to get away. But since it's late in the season, there's only one guest: the handsome Dr. Paul Flanner (Gere), who is quiet about his reason for coming to the town. Driven together by a powerful hurricane, Adrienne and Paul find love and comfort in each other's arms. Cinematic romances between grown-ups are rare, and this finely cast drama will appeal to people who love films like THE BRIDGES OF MADISON COUNTY and other adaptations of Sparks's books, particularly MESSAGE IN A BOTTLE. Gere and Lane are both veterans (who look none the worse for wear), and they have perfected starring in relationship-driven films. But the North Carolina town of Rodanthe deserves plenty of praise as well, since it takes a starring role. Director of photography Affonso Beato (a frequent collaborator with Pedro Almodovar) shoots the beautiful beaches and the welcoming inn with such affection that it's hard not to see it as the perfect place to fall in love.

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In the sparkling comedy SOMETHING'S GOTTA GIVE directed by Nancy Meyers (WHAT WOMEN WANT), divorced, successful playwright Erica Barry (Diane Keaton) has given up on finding a fulfilling romantic relationship. When her beautiful young daughter Marin (Amanda Peet) visits the family's Hamptons home with her aging, lothario boyfriend Harry Sanborn (Jack Nicholson), Erica's plight as a mature, single woman comes into stark focus. Harry exclusively dates young women, which infuriates Erica. Though initially they repel each other, things change when Harry has a heart attack and Erica comes to his aid. The two make peace and discover a smoldering attraction to one another. However, love never comes without complications. Harry still has a romantic obligation to Marin, and Erica gets a taste of Harry's lifestyle when the sexy young doctor Julian (Keanu Reeves) hits on her. Whether Erica and Harry can reconcile their differences provides the premise for an elegant, touching, and amusing tale. In their first movie together since REDS, Keaton and Nicholson share natural chemistry, each giving powerful and moving performances under Meyers' expert direction.

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The life and triumph of Burt Munro, the elderly Kiwi man who, at the far from spritely age of 68, broke motorcycle racing records in Utah, has fueled director Roger Donaldson's creative energy for years. In the early 1970s, just a few years after Munro's incredible triumph, Donaldson directed OFFERINGS TO THE GOD OF SPEED, a documentary on the sensational senior. Here, with the help of the fine actors Anthony Hopkins and Diane Ladd, the director brings the story to vivid, dramatic life yet again, constructing a gripping and inspirational narrative. Hopkins's Munro is a rich and magnetic character, a man who wears his notable physical ailments (which include an embarrassing prostate condition and deficient eardrums) like quirky idiosyncrasies rather than debilitating defects. An active playboy, Munro is a lovable character in his small New Zealand town, an attractively unique old man with a zest for life and a love of his vintage motorcycle--a bright red 1920 Indian model. After racing his own times obsessively every day, he becomes determined to live out his dream of participating in the annual Speed Week motorcycle event at Utah's Bonneville Salt Flats. Through local support and innovative fundraising, Munro is finally able to afford the long nautical journey across the world to Mormon-land and, beating all the incredible odds, not only enter the race but break its records with a jaw-dropping speed of 201 miles an hour. Besides telling a classic tale of individual triumph, THE WORLD'S FASTEST INDIAN offers a sociological look at the American West of the late 1960s, an iconic landscape peppered with colorful characters that include a wizened Native American and a generous drag queen, both of whom help the eccentric elder on his quixotic quest.

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John Cusack and Diane Lane star in this romantic comedy titled after a personal ad on the Internet. Eight months after getting divorced, downtrodden preschool teacher Sarah (Lane) is wary of re-entering the dating pool. Seeing her reluctance as a cry for help, Sarah's large, jovial family plans an intervention. While Sarah does not appreciate being bombarded by photographs and phone numbers of potential mates (half of whom are married), even she can see that her most meaningful relationship should not be with her brother's dog--a loveable Newfoundland named Mother Theresa. After Sara answers personal ads with less-than-thrilling results, her sister Carol (Elizabeth Perkins) takes things into her own hands, secretly posting an online-dating profile on Sarah's behalf. In a familiar montage of first-date scenarios, Sarah meets one unappealing prospective bachelor after another: one who can't stop talking about himself, another who can't stop crying, one with an affinity for bondage, etc. But when she meets recently divorced Jake (Cusack), something clicks. While their meeting is somewhat awkward, it makes enough of an impression on Jake that he wants a second chance. From here, the two embark on a clumsy courtship complicated by misunderstandings, mishaps, and another equally charming suitor, Bob (Dermot Mulroney). While doing her best to navigate the unfamiliar world of modern-day romance, Sarah learns that sometimes finding Mr. Right means taking a chance. Christopher Plummer and Stockard Channing are excellent in their respective roles as Sarah's widowed father, Bill, and his new girlfriend (a compulsive Internet-dater) Dolly.

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Who hasn't dreamed at least once of running off to a foreign country and starting a new life? That's exactly what Frances (Diane Lane) does in UNDER THE TUSCAN SUN, directed by Audrey Wells (GUINEVERE). Traveling in Tuscany after a heart-wrenching divorce, Frances surprises herself by making an offer on a rundown villa--the biggest impulse purchase of her life. With the help of a warmhearted, smitten real estate agent and a local contractor with a team of Polish workers, her 300-year-old house is slowly transformed into a home. Along the way, she encounters a larger-than-life British ex-patriot, kind and generous neighbors, and a charming Italian man or two. Essentially, the film is an affirmation that good things can happen if one lets them--and that sometimes what seems like a terrible mistake or a crazy idea is a really a blessing. Lane is completely engaging as Frances, second-guessing her speedy purchase, looking for love, and rediscovering herself. Based on the book by Frances Mayes, the film was shot on location in Rome, Florence, Positano, and Cortona in Italy. The breathtaking scenery is sure to have viewers saving their pennies for next year's vacation--or their Tuscan dream house.

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