PG-13 (MPAA), Amazon Marketplace in DVDs & Videos

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High school romance is difficult enough to navigate when both people are human. But for 17-year-old Bella Swan (Kristen Stewart, INTO THE WILD) and Edward Cullen (Robert Pattinson, HARRY POTTER AND THE GOBLET OF FIRE), Edward's life as a vampire complicates things even more. At first, when Bella moves from sunny Phoenix to the rainiest corner of Washington State, she isn't sure where she fits in at her new high school. Then she meets Edward, an ethereal beauty of a boy whose unnatural speed and strength lead Bella to the conclusion that her new crush is one of the undead. Suddenly, Bella's boring life is transformed; she's surrounded by love and danger in equal parts, thanks to the hunger of Edward and others of his kind. TWILIGHT is based on the first book in the addictive series by author Stephenie Meyer. Director Catherine Hardwicke (THIRTEEN) certainly knows her audience, which is primarily the teenage girls who worship the book and its characters. There are plenty of swoonworthy shots of Pattinson's perfectly pale Edward, and his romance with Stewart's nicely acted Bella will cause many a sigh among the devoted fans. While TWILIGHT is primarily a love story in the ROMEO AND JULIET mold, there's also plenty of action and horror to be found. Blood flows (this is a vampire movie, after all), but the small amount of gore shouldn't be too much for the squeamish viewers--and it might even draw a boy or two to the screen. The film's record-breaking box office take alone is proof that the film's appeal isn't limited to screaming teen girls.

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Ice Cube replaces Vin Diesel for this hard-bangin' sequel which favors fists, cars, and snooping over the original's heavy dose of extreme sports stunts. NSA agent Gibbons (Samuel Jackson, back from the original) finds his group under attack by well-armed, well-informed combatants, forcing him to activate a new XXX, Darius Stone (Cube), an old Navy Seal buddy currently cooling his heels in an army prison. It turns out there's a plan to whack the president (Peter Strauss) and a deranged secretary of defense played by Willem Dafoe is behind it. What's more important is the cool way Darius knows how to land a speeding boat on a bridge, then walk away in slow motion as it blows up behind him. Other great scenes include a tank battle on an aircraft carrier and a race with a bullet train that makes THE FRENCH CONNECTION look like a turtle race. There's some hilarious dialogue, such as when Darius recruits his old D.C. car-jacking buddies to ride into battle against the corrupt militia, leading to the "first tank-jacking in history." Scott Speedman plays a sympathetic Fed; Lola Jackson and Sunny Mabrey are the sexy chicks. There's lots of greal looking cars, cool gadgets, and pumpin' rap-crunk music. Director Lee Tamahori also helmed James Bond's DIE ANOTHER DAY and the 1997 thriller THE EDGE.

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XXX

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XXX
This amped action drama stars Vin Diesel as Xander (aka Triple X), a rebellious extreme sports star with a mission to defy authority and create anarchy. In the dramatic opening scene of the movie, Xander pulls an outrageous serious of stunts with the help of a band of similar-minded jocks, broadcasts the whole event live onto the Internet with a network of strategically placed digital cameras, and then avoids being captured by the squadron of police who pursue him. When Triple X is later taken into custody, Gibbons (Samuel L. Jackson), a representative from a government agency, hires the chiseled athlete and turns him into a secret agent with a mission to travel to Prague and collapse a dangerous terrorist cell operated by Yorgi (Martin Csokas) and the seductive Yelena (Asia Argento). Triple X is quickly drawn into Yorgi's lair, a stunning chateau situated in the mountains that is equipped with every high-tech modern amenity imaginable, along with a sizeable team of extra-large Slav bodyguards, a laboratory staffed by top scientists, and an always-ready gaggle of gorgeous concubines. Non-stop stunts, pounding hard-core music, elaborate sets, and inventive costumes make this Rob Cohen-directed adrenaline overload a visually exciting, aurally engaging, highly entertaining success.

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Featuring spectacular special effects set amidst the backdrop of one of the most tragic events of the 20th century, James Cameron's award-winning TITANIC stands as one of the greatest Hollywood spectaculars of all time. Beginning with an undersea expedition in the 1990s, in which scuba divers are searching the sunken ship for lost relics, a painting of young Rose DeWitt Bukater (Kate Winslet) is found. This triggers a flashback to the young woman's story as it happened on the doomed Titanic. Rose is a daughter of privilege on her way to be married to an arrogant but wealthy young man (Billy Zane). Despairing, Rose finds herself falling in love with Jack Dawson (Leonardo DiCaprio), a carefree and poor young artist who is also aboard. When the great ship strikes an iceberg and begins to sink, Rose and Jack have only each other as their world falls apart around them. Director James Cameron spared no expense in bringing his simple yet powerful love story to life, building a 90% scale model of the ship, fussing over the tiniest details, and ultimately spending some $200 million dollars. A worldwide smash, TITANIC received fourteen Academy Award nominations and 11 wins, including Best Picture. Despite all the lavish sets and special effects, the film would be nothing without the emotional core provided by stars Winslet and DiCaprio, who give star making performances as the tragic young lovers.

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The third in the series of National Lampoon's 'Vacation' films, this sequel concerns the Griswold family's holiday get-together. This time they're trying to have a picture book, old-fashioned Christmastime--even though all the in-laws are dropping by, including Clark's (Chevy Chase) redneck cousin, Eddie (Randy Quaid). Looks like it's going to be a real holly-jolly holiday--if they can make it through.

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The word "quirky" has become the quick and easy way to describe films such as LITTLE MISS SUNSHINE and LARS AND THE REAL GIRL that straddle the lines between indie and studio films and comedy and drama. While JUNO fits into that same category, this distinctive dramedy is in a class all its own. Ellen Page (X-MEN: THE LAST STAND) stars as Juno, a witty teenage girl whose boredom doesn't lead her to the mall. Instead, she makes a one-time trip into the arms of her best friend Paulie Bleeker (Michael Cera). When Juno discovers that she's pregnant, she's forced to grow up fast as she tries to find adoptive parents for her quickly growing child. JUNO might have a lot of strengths--Page's award-worthy performance, a pitch-perfect soundtrack, excellent direction from Jason Reitman--but it's the screenwriting debut of writer Cody Diablo that makes this such a winning film. Famous for her blog and her book CANDY GIRL: A YEAR IN THE LIFE OF AN UNLIKELY STRIPPER, Diablo has a unique voice and an incredible ear for dialogue. But even the nearly perfect script wouldn't sound so good if it weren't for the talents of these actors, particularly Page. She won raves for her first major role in HARD CANDY, but this performance proves it wasn't a fluke. The rest of the cast, especially J.K. Simmons as Juno's dad, is just as worthy of attention. JUNO continues Cera's cinematic ascent after his success with the hit comedy SUPERBAD, and his ARRESTED DEVELOPMENT costar Jason Bateman uses his dry delivery to great effect as a potential parent for Juno's baby. Songs from Kimya Dawson perfectly capture the film's tone with the music's sweet, smart, and funny sounds.

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Nora Ephron adapts Julie Powell's autobiographical book "Julie and Julia: 365 Days, 524 Recipes, 1 Tiny Apartment Kitchen" with this Columbia Pictures production starring Amy Adams as an amateur chef who decides to cook every recipe in a cookbook from acclaimed celebrity chef Julia Child (played by Meryl Streep) in order to chronicle it in a blog over the course of a year. Streep's THE DEVIL WEARS PRADA co-star Stanley Tucci re-teams with the actress as Child's husband.

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To say that Christopher Nolan's THE DARK KNIGHT is the best comic book adaptation does the film a bit of a disservice. It may be a Batman film, but this isn't a kid-friendly action movie full of the bams and pows of the original series. This is a pitch-black thriller with enough drama and tragedy to please even William Shakespeare, but it will certainly keep both comics fans and uninitiated audiences equally happy. THE DARK KNIGHT starts in the wake of BATMAN BEGINS: with the appearance of Batman (Christian Bale), Gotham City's criminal underworld is unnerved. They're also plagued by the new D.A., Harvey Dent (Aaron Eckhart), who, in his quest for justice, remains above the city's corruption. Enter a new villain, the Joker (Heath Ledger), who wants to unite the criminals for a common purpose: to kill Batman. THE DARK KNIGHT is one of the most hyped movies to date, and a lesser film would be crushed under the weight of all that expectation. Some of the publicity stems from the early death of Ledger, who turns in an excellent performance. He provides moments of humor, but this Joker is terrifying, sharing more with classic villains such as Hannibal Lechter than with his comic book predecessors. Eckhart is equally good as Dent, and Maggie Gyllenhaal deserves praise for taking over the role of Rachel Dawes from Katie Holmes. Though there's more emphasis on plot and character development than in most comic book adaptations, that doesn't mean Nolan has skimped on any of the action sequences. Each set piece is done perfectly, leaving the audience breathless. THE DARK KNIGHT is filmmaking at its best; its subject matter may be dark and depressing, but it's tough not to feel exhilarated by its artistry when the credits begin to roll.

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When Deepa Mehta first began filming WATER in 2000, angry fundamentalist mobs burned her sets and threatened her life. The Indian government claimed it could not protect her, and the project had to wait four years before finally filming in Sri Lanka. Her film has raised the ire of extremists because it challenges the Hindu customs that dictate that widows, considered half-dead after the loss of their husbands, must be closeted in holy ashrams--a practice that still exists today. Set in the 1930s, the film tells the story of eight-year old Chuyia, whose husband dies before she even meets him. Her parents shave her head and whisk her away to a house of widows where the women sleep on the ground and beg in the streets to earn their puny portion of rice. Chuyia, feisty and resilient, comes into this world like a ray of light, and soon the women are rethinking their mute acceptance of their fate. Her closest friend and ally is the lovely Kalyani, and soon a forbidden romance begins to develop between Kalyani and Narayana, a young Brahmin man who, following the teachings of Gandhi, has denounced injustice. The film is sumptuously beautiful, Chuyia is utterly winsome, and despite the harsh social issues at its heart, it often feels light and lively: Chuyia and Kalyani play games and dance, Chuyia steals sweets for a dying old widow, the women dance and paint each other's faces during a color festival, and the Cinderella-story romance between Kalyani and Narayana shimmers with the promise of salvation and happiness. Mehta, however, knows it would be disingenuous to allow such an easy resolution to such a dire situation, and the final chapter of WATER takes a tragic turn.

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For both comic book fans and those who can't tell the Green Lantern from the Green Arrow, IRON MAN is the type of summer blockbuster whose appeal lasts far beyond the season. Robert Downey Jr. stars as Tony Stark, a billionaire playboy and genius who puts as much effort into chasing skirts as he puts into chasing his next big idea. A trip to Afghanistan to sell weapons quickly devolves into chaos, and Stark finds himself at the mercy of a warlord who wants him to build a missile. Instead, Stark creates a powerful suit of armor, turning him into Iron Man and allowing him to escape. When he returns to America, his assistant Pepper Pots (Gwyneth Paltrow), friend Rhodey (Terrence Howard), and right-hand man Obadiah Stane (Jeff Bridges) all marvel at the change in the man they knew. IRON MAN is the first film to be self-financed by Marvel Studios, and they should be proud of their freshman effort. They didn't take any obvious routes with choosing the cast or crew, and it pays off. Director Jon Favreau, who also has a small role in the film, is best known for directing ELF, but his first action-driven effort is nearly flawless. Casting Downey was gutsy but inspired: this is his first big action picture as well, but the wit he displays in films such as the cult hit KISS KISS, BANG BANG works perfectly for the character of Stark. IRON MAN features nods to its beloved source material, as well as to the classic animated series of the 1960s. But even for the uninitiated, this film provides an interesting entry into the Marvel superhero's universe. Audiences who keep watching after the credits have rolled will be rewarded with a bonus scene.

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THE PROPOSAL could have been a strictly script-by-numbers affair, but hilarious performances by Sandra Bullock and Ryan Reynolds improve this romantic comedy. Publishing powerhouse Margaret Tate (Bullock, TWO WEEKS NOTICE) is used to getting her way. She bullies her ambitious assistant, Andrew Paxton (Reynolds, DEFINITELY, MAYBE), earning the ire of all the underlings at Colden Books in New York City. But Margaret, a native Canadian, finds her career in jeopardy when she is denied a visa and learns she will be sent northward. She forces Andrew to become her fiancé, but she?ll have to take a trip home to Alaska with him to prove to U.S. Immigration that their impending union is genuine. What ensues is a combination of GREEN CARD, THE DEVIL WEARS PRADA, and GREEN ACRES, with the hell-in-heels boss trying to fake a romance with her assistant as she struggles to survive as a city girl in the country. However, THE PROPOSAL proves to be more than the sum of its parts; Bullock has been one of Julia Roberts?s successors to the America?s-sweetheart crown since she starred in SPEED, but this comedy has her challenging her image with hilarious ease. Reynolds--who could be just window-dressing with his good looks and easy charm--is an excellent foil who is just as adept with sarcasm as he is with a smile. The two stars are supported by an impressive cast, including Betty White as Andrew?s scheming 90-year-old grandmother, Craig T. Nelson as his disappointed father, and THE OFFICE?s Oscar Nunez as an ubiquitous resident of his hometown. THE PROPOSAL may offer few surprises in the way of plot, but the on-screen talent keeps the film feeling fresh.

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A visual feast combining ancient mysticism, cyberpunk sensibilities, flamboyant entertainment personalities, and gun-toting alien mercenaries. In the 23rd century, Korben Dallas (Bruce Willis), an ex-special forces agent who now practices as a down-and-out cabbie, finds himself caught in a struggle to defy a prophesied Evil from destroying the Earth when a mysterious woman (Milla Jovovich) falls into the back seat of his cab. Pursued by both the government and a powerful magnate enlisted by the forces of Evil (Gary Oldman), the woman is the key to Earth's salvation, known only as the Fifth Element. This was French auteur Besson's first offering with Hollywood backing. Academy Award Nomination: Best Sound Effects Editing.

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THE FUGITIVE: In this near-perfect suspense movie adapted from the popular 1960s television series that starred David Janssen, renowned vascular surgeon Dr. Richard Kimble (Harrison Ford) has been falsely accused and convicted--on circumstantial evidence--of his wife's (Sela Ward) murder. While Kimble is being transported to prison, another convict stabs an inattentive guard, causing a massive wreck. Kimble escapes but is hunted by tough U.S. marshal Sam Gerard (Tommy Lee Jones). The fugitive from injustice attempts to set the record straight: he transforms himself into a jack-of-all-trades and a man of a thousand faces in a desperate attempt to uncover the truth about his wife's murder and track down the real killer. Spectacular special effects and a pulse-pounding performance by Ford turned Andrew Davis's thrilling film into a blockbuster at the box office, leading to a sequel, U.S. MARSHALS. U.S. MARSHALLS: Tommy Lee Jones reprises his Oscar-nominated role as lawman Sam Gerard in THE FUGITIVE. This time, his lamster is a former Secret Service agent accused, perhaps wrongfully, of the cold-blooded murder of two of his unit members. As the chase unfolds, Gerard becomes more and more fascinated by his highly trained and intelligent quarry--and more convinced of his innocence.

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In this period romantic drama, Sanin (Timothy Hutton), an aristocratic young man, fights a duel for the hand of Gemma (Valeria Golino), a young bride-to-be. He plans to sell his family estate to finance the wedding, but his plans go awry when he falls prey to married seductress Maria (Nastassja Kinski). She feigns interest in buying the estate as a way to be nearer Sanin, and he must fight against the possibility of losing both women.

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A semi-vacuous, though well-dressed, Beverly Hills High student struggles with life, love and unlimited charge cards in this classic teen comedy from the director of FAST TIMES AT RIDGEMONT HIGH. Based, believe it or not, on Jane Austen's 1816 matchmaking comedy EMMA.

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Based on the Hasbro toy line that initially captivated kids in the 1980s, director Michael Bay's TRANSFORMERS finds two warring bands of shape-shifting alien robots renewing their intergalactic conflict on Earth. While the Decepticons, followers of the malevolent Megatron (voiced by Hugo Weaving), strive to take over the planet, the Autobots, led by the valiant Optimus Prime (voiced by Peter Cullen), are intent on protecting humanity. When young Sam Witwicky (Shia LaBeouf) discovers that his new car is really the Autobot Bumblebee (voiced by Mark Ryan), it sets the stage for a massive giant-robot showdown. A shining example of the Hollywood summer blockbuster at its best, TRANSFORMERS combines stunning CGI effects and thrilling action sequences with drama, humor, and a touch of romance. Featuring a large cast that includes Josh Duhamel, Tyrese Gibson, Jon Voight, John Turturro, Anthony Anderson, and Rachael Taylor, the film is anchored by LaBeouf, who always displays an engaging Everyman charm, whether he's running from colossal robots, interacting with his well-meaning parents (hilariously played by Kevin Dunn and Julie White), or pining for his gorgeous classmate (Megan Fox). While some TRANSFORMERS purists may be dismayed by certain aspects of this bold big-screen adaptation (Bumblebee is a Camaro instead of a Volkswagen), the movie balances its spectacle with an admirable amount of substance, giving it an appeal far beyond pre-teen boys and their nostalgic Autobot-loving elders.

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There's no eye-gouging, no biting, and no crotch shots allowed, but everything else goes in NEVER BACK DOWN, an invigorating high school sports/ultimate backyard fighting hybrid. Sean Faris plays Jake, the new kid (with a troubled past) who butts heads with rich alpha-male bully Ryan (Cam Gigandet, channeling Brad Pitt in FIGHT CLUB) at Miami High. Amber Heard plays Baja, the hot blonde who tricks Jake into attending a combination pool party/fight club held at Ryan's MTV cribs-style mansion. Jake doesn't want to fight at first but gets goaded into a blind rage and then gets his butt kicked. Enter Djimon Hounsou as the local fighting instructor who teaches Jake some self-discipline (and how to throw a cement block at the camera from 30 paces). Director Jeff Wadlow clearly harbors nostalgia for the halcyon days of TOP GUN and FLASHDANCE; the emo-rock-scored training montages flow as free as Baja's blonde hair during her frequent slow-motion walks down the hall. Jake even has a wisecracking slacker cameraman sidekick (Evan Peters) who uploads all the fights to the internet. Concerned parents will be glad to know there's not much drinking or kissing, and no matter how hard the punches and roundhouse kicks may be, everybody gets to keep their teeth. Special acting shout-out to Wyatt Smith as Jake's tennis-prodigy kid brother and Leslie Hope as their stressed-out single mom.

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Director Michael Bay (ARMAGEDDON, THE ROCK) uses a tragic romantic triangle to set the stage for the infamous Japanese attack on Pearl Harbor in this epic tale of love, loss, and patriotism. When Evelyn (Kate Beckinsale), a beautiful Navy nurse, meets dashing ace Army fighter pilot Rafe (Ben Affleck), the two fall madly in love, only to be separated abruptly when he is called upon to help fight the war in Europe. Unforeseen circumstances lead Evelyn into the arms of Danny (Josh Hartnett), another fighter pilot and Rafe's best friend since childhood. In the meantime, the Japanese military is planning the surprise early morning raid on Hawaii that will pull the United States into World War II. Spectacular special effects vividly recreate the attack in devastating detail as bombs explode, torpedoes shoot through the water, and bullets fly, shaking tranquil Pearl Harbor to its core. Bay deftly captures the patriotism and the loss of innocence of the young men and women who were suddenly thrust into the war. Cuba Gooding, Jr., Jon Voight, Alec Baldwin and Mako also star in this tribute to both the fallen and the survivors of one of the most horrific tragedies ever to occur on American soil.

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Spiderman fans should be in for a treat with this pack containing the first, second, and third chapters in the comic book saga. SPIDERMAN: Based on the classic Marvel Comics series, Sam Raimi's SPIDER-MAN deftly details the origin of the web-slinging superhero. When awkward New York City teenager Peter Parker (Tobey Maguire) attends a class field trip to a laboratory, he gets bitten by a genetically altered spider while taking photos of his longtime crush, the lovely Mary Jane Watson (Kirsten Dunst). Soon he discovers this bite has given him remarkable powers--heightened strength, dexterity, and awareness, along with the ability to cling to walls and shoot webs from his wrists. Hoping to win Mary Jane's heart using his new talents, Peter becomes distracted from home life with his doting Aunt May (Rosemary Harris) and Uncle Ben (Cliff Robertson), ultimately leading to tragedy--and his new role as the crime-fighting Spider-Man. Meanwhile Harry Osborn (Willem Dafoe), the industrialist father of Peter's friend Norman (James Franco), undergoes a transformation of his own, bringing about the creation of Spider-Man's arch-nemesis: The Green Goblin. In order to save his loved ones--and all of New York City--from the devastating force of the deluded Goblin, Spider-Man must take on the villain in a series of stunning battles. SPIDERMAN 2: Sam Raimi's follow-up to SPIDER-MAN finds Peter Parker (Tobey Maguire) struggling to balance his everyday life with his alter ego as the web-slinging superhero. Still carrying the burden of keeping his crime-fighting identity from those closest to him--including his longtime love Mary Jane Watson (Kirsten Dunst), his best friend Harry Osborn (James Franco), and his doting Aunt May (Rosemary Harris)--Parker must also face off against a dangerous new menace, Dr. Otto Octavius (Alfred Molina), a scientist driven mad by experiments involving powerful mechanical arms. When the deranged Octavius (AKA Doc Ock) forms an alliance with the vengeful Osborn, who blames Spider-Man for the death of his father, the wall-crawling hero is in for his biggest battle yet. SPIDERMAN 3: The Marvel comics hero returns for more high-flying fun in this third installment in the series. Peter Parker (Tobey Maguire) is up to his usual Spidey tricks, attending university classes as an awkward geek, then quickly slipping into his red-and-blue suit to save New York City from various villains. And there are villains aplenty. Thomas Hayden Church blows in as the Sandman, an escaped convict whose molecular structure is destroyed in a particle accelerator. The freak accident gives him the ability to form and reform from piles of dust. While the Sandman sifts through the city streets robbing banks, Spidey must also contend with his onetime friend, Harry (James Franco), who has taken up where his father, the Green Goblin, left off. Harry chases Spider-Man down on his goblin glider, hurling pumpkin bombs. But Spider-Man's biggest battle is perhaps within himself, when he is taken over by meteorite ooze--a substance that gives him great power, but also turns him into a vengeful, selfish jerk. Throw into the mix Peter's new competition at the Daily Bugle--the ambitious, sneaky Eddie Brock (Topher Grace)--and Peter's relationship troubles with Mary Jane (Kirsten Dunst), and SPIDER-MAN 3 weaves a tangled web indeed.

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AUSTIN POWERS: INTERNATIONAL MAN OF MYSTERY is the first in the comic series starring this bodacious 1960s spy played by the hilarious Mike Myers. Decked out in the gaudiest mod attire--ruffled shirts, tight-fitting candy-colored suits, horn-rimmed glasses, and prosthetic teeth--Austin Powers is anything but subtle. His near-constant exclamations of "Groovy, Baby," accompanied an uncandid flash of his flirtatious smile, only add to his wonderfully exaggerated hipster persona. Plotwise, Austin Powers and his enemy Dr. Evil (also played by Myers) awake from 30 years of frozen, cryogenic sleep to find themselves in the year 1997. A conniving Dr. Evil plots a reign of terror and mass destruction, but finds that his ideas and methods are a bit out of date. Our hero encounters a similar dilemma, realizing that he is definitely behind the times. A series of well-meaning though bumbling efforts to thwart the insidious Dr. Evil keep Austin Powers and his devastatingly beautiful partner Vanessa Kensington (Elizabeth Hurley) hard at work as they travel from London to Las Vegas. With this tongue-in-cheek send-up of James Bond spy films and 1960s cliches, director Jay Roach compliments Myers' over-the-top performance with a lighthearted soundtrack, fun photography, and amusingly retro sets.

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