John Carradine, Borders.com in DVDs & Videos

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This 12-DVD set contains 50 horror films--including NIGHT OF THE LIVING DEAD, NOSFERATU, METROPOLIS, PHANTOM OF THE OPERA, LITTLE SHOP OF HORRORS, THE HUNCHBACK OF NOTRE DAME, SWAMP WOMEN, WHITE ZOMBIE, THE HOUSE ON HAUNTED HILL, DOOMED TO DIE, THE LAST MAN ON EARTH, and many more!

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LEGENDS OF HORROR gathers in one convenient collection the best work from the genre's heavyhitters, including Boris Karloff, Bela Lugosi, and Alfred Hitchcock, offering an unparalleled festival of classic terror. The 64-hour set features well-known flicks such as THE 39 STEPS and ALFRED HITCHCOCK PRESENTS: THE SORCERER'S APPRENTICE and the lesser-known but equally chilling FURY OF THE WOLF MAN, THE INCREDIBLE PETRIFIED WORLD, and THE WEREWOLF VS. VAMPIRE WOMEN.

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This program collects five classic films based on the legend of FRANKENSTEIN, taken from the novel by Mary Shelley: FRANKENSTEIN, BRIDE OF FRANKENSTEIN, SON OF FRANKENSTEIN, GHOST OF FRANKENSTEIN, and HOUSE OF FRANKENSTEIN. Please see individual titles for complete information.

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This 2-disc set contains Universal Studios' horror classic, THE MUMMY (1932), and its four sequels: THE MUMMY'S HAND (1940), THE MUMMY'S TOMB (1942), THE MUMMY'S GHOST (1944), and THE MUMMY'S CURSE (1944). See individual titles for details.

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Based on the best-selling novel by Gary Brandner, this horror film makes effective use of the classic werewolf tale. Dee Wallace stars as Karen White, a popular female reporter in Los Angeles who cannot escape the horror of a traumatic experience that she suffered while trying to capture Eddie Quist (Robert Ricardo), a dangerous serial killer. When her psychologist (Patrick Macnee) recommends a retreat to "The Colony," up the Northern California coast, she reluctantly agrees, hoping to recover from her nightmarish visions. Karen and her husband (Christopher Stone) arrive at the remote retreat and are shocked at the bizarre behavior of the motley crew of residents. Lurking in the ominous Northern California woods, blanketed by fog, strange sounds can be heard at night, luring the members of the retreat into the forest. In anguish, Karen stumbles on the deadly secret of the community: when sexually excited, they turn into werewolves! The horrified journalist tries to escape from the retreat, battling the lair of leering lycanthropes in a fight for her life. Superb special effects add to the picture, with several shocking human-to-monster transformation sequences.

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Through nine episodes of this acclaimed mini-series, a young Irish immigrant finds his way up from the gutter. Here is the archetypal rags-to-riches story personified in the character of Joseph Armagh, who slowly builds himself up, through suffering, sorrow and heartbreak, to become one of the leaders of the nation.

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Shortly after moving into a new apartment, a beautiful, young fashion model (Cristina Raines) discovers that it the building actually provides a gateway to hell! When she complains to her rental agent, she is met with stony silence, and soon comes to learn that her moving in was not an accident. Gruesome makeup makes this a memorable, mega-schlock horror film.

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This 2-disc set contains Universal Studios' horror classic, THE INVISIBLE MAN (1933), and its four sequels: THE INVISIBLE MAN RETURNS (1940), THE INVISIBLE WOMAN (1940), THE INVISIBLE AGENT (1942), and THE INVISIBLE MAN'S REVENGE (1944). See individual titles for details.

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John Carradine hosts this entertaining anthology of true-life ghost stories from the world of cinema. Includes a collection of film clips from such spooky films as "Poltergeist," "The Exorcist," "The Omen," "The Legend of hell House," and many more.

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In 19th century Paris, someone is murdering young women and dumping their bodies into the Seine. That someone is Gaston (John Carradine), a handsome, brooding painter and puppeteer who strangles his models with a black tie. Jean Parker plays Lucille, a dressmaker who finds herself drawn to Gaston's tortured soul after she attends his puppet opera of FAUST. Gaston's shady art dealer (Ludwig Stossel) knows he kills women, but conceals evidence because his paintings sell. When Gaston's latest victim is recognized in one of his works at an exhibit, inspector LeFevre (George Pembroke) takes steps to trap the mysterious painter. This is an amazing, low-budget work by acclaimed cult director Edgar G. Ulmer. Filled with repertoire costumes and painted backgrounds, the stagey feel nonetheless adds to the claustrophobic air of melancholy that hangs over the film, as if the cast were all puppets themselves in some cheap production. It's not a particularly scary film, but it offers plenty of excitement and has moments of beauty, and Carradine is effective as the quietly tortured, magnetic artist.

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THE BOOGEYMAN: A strange, memorable film from horror dilettante Ulli Lommel, whose long and multifaceted career in the industry is highlighted by this project, which combines the best elements of HALLOWEEN and THE EXORCIST. Susanna Love (BLANK GENERATION)--Lommel's wife--and Nicholas Love (WILD AT HEART) star as Lacey and Willy, young adults haunted by a terrible incident in their past, when as children they killed their mother's abusive lover. The incident took place in front of a mirror, and now Willy, who has become mute, is terrified of them. Lacey, for her part, is occasionally possessed by an evil spirit, despite her efforts in psychotherapy. She decides to revisit her old home, where, looking into the same mirror, she sees the dead man walking toward her. Terrified, she breaks the mirror, apparently releasing the evil spirit, which then goes on a rampage, brutally killing anyone who touches a shard of the mirror. THE RETURN OF THE BOOGEYMAN: The final film in the BOOGEYMAN trilogy is an unconventional indie shocker. Annie (Kelly Galindo) is tormented by dreams of a man with no face, and she soon realizes that she is having premonitions of actual crimes this man will commit. With the help of a few friends, including her psychiatrist, Annie attempts to locate the criminal before he strikes again-but are they simply playing into his hands?

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A collection of five short horror stories, GALLERY OF HORRORS is a sub-B knock-off version of the Hammer Studios series of the same name. Lon Chaney, Jr. stars and John Carradine narrates: "The Witches' Clock," in which a young couple move into a haunted New England castle, "King Vampire," a vampire murder mystery set in London's West End during the 1890s, "Monster Raid," about a scientist who is poisoned with his own immortality drug, "Spark of Life," in which Mr. Chaney is a college professor who raises the dead, and, last but not least, "Count Dracula," a 1960s take on the ubiquitous vampire complete with a groovy soundtrack and some saucy vampire vixens.

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Bobbie Bresee stars as fading movie queen Lynn Roman in this low budget sci-fi/horror film from director Kenneth J. Hall (PUPPETMASTER). Finding herself turned down again and again for roles she could have easily landed just a few years earlier, Lynn is becoming increasingly desperate to return to regain her youthful appearance. So, she jumps at the opportunity when a scientist who is working with Venusian microbes on a "fountain of youth" serum approaches her to test it. Lynn is thrilled when it appears to work but, unfortunately, it also periodically changes her into a hideous bug monster that seems to have a predilection for Hollywood producers who have snubbed Lynn.

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When a rocket scientist is fired from the Space Agency, he loses his stability and uses his knowledge to revive dead bodies. He creates a league of solar-powered astro-zombies with the organs he's stealing, which eventually attracts the attention of a couple of international spy rings, including the CIA and a group of Mexican spies who want to steal the technology to raise an army of super-zombies! Co-written by Wayne Rogers of the M*A*S*H TV series, ASTRO ZOMBIES is an all-time classic of schlock film.

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THE MUMMY'S GHOST: A grim lover's triangle develops between an Egyptian high priest, the mummy he resurrected and a beautiful girl possessed by the princess of an ancient pharaoh. Written by Griffin Jay, Henry Sucher and Brenda Weisberg. Sequel to THE MUMMY'S TOMB. THE MUMMY'S CURSE: Lon Chaney Jr.'s last turn as Kharis the persistent linen-wrapped carcass. Despite warnings from the weary townsfolk, developers disturb the swamp where we last saw him resting in peace -- and the gloomy insomniac rises for a final bow. Written by Bernard Shubert. Sequel to THE MUMMY'S GHOST.

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A mad scientist conducts a series of "eternal life" experiments which invariably fail, causing his basement to become increasingly crowded with emotionally disturbed mutants.

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FRANKENSTEIN MEETS THE WOLFMAN: On a moonlit night, graverobbers unwittingly unearth the tomb of Larry Talbot, the Wolf Man, who then begins a desperate search for a cure for his "condition." The search eventually leads him to a climactic confrontation with, of all creatures, Frankenstein's monster. Sequel to both THE GHOST OF FRANKENSTEIN and THE WOLF MAN, followed next by HOUSE OF FRANKENSTEIN. HOUSE OF FRANKENSTEIN: After being found guilty of performing bizarre experiments on dead bodies, Dr. Gustav Niemann (Karloff) escapes from prison and, along with his hunchbacked assistant, resurrects Dracula (Carradine), the Wolfman (Chaney), and the Frankenstein Monster (Glenn Strange) in order to exact revenge on all those who wronged him. This was the studio's first attempt at a horror "all star" picture, bringing everyone together to revel in the mayhem.

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John Ford's memorable screen version of John Steinbeck's epic novel of the Great Depression--often regarded as the director's best film--stars Henry Fonda as Tom Joad. After having served a brief prison sentence for manslaughter, Joad arrives at his family's Oklahoma farm only to find it abandoned. Muley (John Qualen), a neighbor now nearly mad with grief, tells Tom of the drought that has transformed the farmland of Oklahoma into a desert and of the preying land agents who have plowed under the shacks of the sharecroppers. Joined by former hellfire preacher Casy (John Carradine), Tom finds his extended family, including Pa (Charles Grapewin) and his indomitable Ma (Jane Darwell), packing their ramshackle truck to seek work in the fields of California. As the family treks across the country, their dissolution begins with the deaths of Tom's grandparents at close intervals. When they arrive in California, the Joads find only an abundance of poverty-stricken migrants like themselves and little in the way of potential work. Yet, ever resilient, they maintain their dignity, hoping for the best. Among the talented cast, Fonda does perhaps the best work of his career, as does Qualen in the film's most haunting sequence. Director of photography Gregg Toland captures the suffering and the weathered, luminous nobility of the Joads and the other uprooted, drifting families, creating striking images equal to the best work of Dorothea Lange and Walker Evans. In a stirring film that stands as a microcosm of the depression experience of millions, Ford gives poverty a human face in a way that was rare then and even rarer in the decades to follow as Hollywood films with a sense of class consciousness dwindled like a species nearing extinction.

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When the founder of the Mormons, Joseph Smith (Vincent Price), is murdered, Brigham Young (Dean Jagger) takes over and leads his people west to Utah to escape persecution. Henry Hathaway's drama focuses on two of Young's people (Tyrone Power and Linda Darnell) as they endure the hardships of crossing the Rocky Mountains.

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"Paris. May 9, 1940. The ninth night of the ninth month of a war too uneventful to be taken seriously and too far away to worry about," says the opening legend of Jules Dassin's REUNION IN FRANCE. While the indolent French upper class enjoy its nightly entertainment, Michele de la Becque (Joan Crawford) prepares for her vacation in the South of France. However, she is annoyed that her fiancé, government official Robert Cortot (Philip Dorn), won't accompany her: He has defense duties. She goes alone, but her complacency is short-lived. The Germans invade, bypassing the Maginot Line. Michele is caught up in people fleeing their homes. She returns to Paris a changed woman. But Robert has also changed: He's become a Nazi collaborator. So when Michele meets escaping prisoner of war Pat Talbot (John Wayne), it's no surprise that she decides to help him. Twelve months after the U.S. entered WWII, REUNION IN FRANCE was released. It is an intriguing account of occupied France filmed by director Jules Dassin and director of photography Robert Planck in crisp, clear prenoir images. Wayne gives a good-humored performance, Dorn is secretive and intense, and Crawford goes from haughty complacency to anxious concern.

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