John Wayne, Amazon.com in DVDs & Videos

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Hollywood's most celebrated luminaries--behind the camera as well as in front of it--combined talents to present this epic tale of the development of the American West from the 1830s through the Civil War to the end of the century, as seen through the eyes of one pioneer family. The film, divided into three chapters--"The Civil War" (directed by John Ford), "The Railroad" (directed by George Marshall), and "The River, the Plains, the Outlaws" (directed by Henry Hathaway)--tells the story of the Prescotts, a spirited group of easterners who make a declaration to migrate west. When their parents are lost in a tragic river accident, Eve (Carroll Baker) and Lilith (Debbie Reynolds) go their separate ways. Eve remains on the land that took her parents, settling down with the well-intentioned Linus Rawlings (James Stewart), while Lilith becomes a singer who is courted by the conniving Cleve Van Valen (Gregory Peck) when he learns that she has inherited a fortune in California. As time passes and the Civil War takes the life of Linus, the newest generation of Prescott offspring struggles with even greater danger and loss, in the form of fierce Indians as well as family archrivals. Top-notch production values and an endless string of solid performances have earned HOW THE WEST WAS WON the well-deserved label as one of Hollywood's most revered classics.

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If you love Westerns, this is the ultimate set for you. Eight-four movies are collected on twenty DVD discs, for over one hundred and eleven hours of pure Western entertainment, featuring such class actors as John Wayne, Lee Van Cleef, Roy Rogers, Gene Autry and Randolph Scott.

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This 12-DVD set includes 50 western films. Titles include KENTUCKY RIFLE, VENGEANCE VALLEY, JUDAS PRIEST, THE SUNDOWNERS, THE SOUTHERNERS, ROGUE RIVER, GUNSLINGERS, HELLTOWN, MOHAWK and more.

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A classic Western regarded by many as the best of the genre, John Ford's THE SEARCHERS has been acknowledged by several directors who came into their own in the 1970s, including Martin Scorsese, Steven Spielberg, Paul Schrader, and George Lucas, as a powerful influence on their work. The film stars John Wayne as Ethan Edwards, a case-hardened Civil War veteran returning to his brother Aaron's (Walter Coy) Texas home in 1868. When Rev. Samuel Johnson Clayton (Ward Bond) arrives to raise a posse to run down the Comanche who have stolen the cattle of neighbor Lars Jorgenson (John Qualen), Ethan is among those who join him. They return to find the Edwards family slaughtered and the two girls, Lucy (Pippa Scott) and Debbie (Natalie Wood), missing. The posse continues to search for the girls but turns back as winter settles in. However, Ethan and his reluctantly accepted companion, Martin Pawley (Jeffrey Hunter), the girls' part-Cherokee stepbrother, press on for another seven years, with the Indian-hating veteran becoming ever more fanatical as the hard seasons pass. In his epic meditation on racism, obsession, paranoia, and the myth of the West, Ford explores the ugly underside of a genre that he had imbued with optimism in his early career. Wayne gives perhaps his most powerful performance as the embittered Edwards, but it's the visual poetry of what are possibly Ford's most carefully framed, lit, and composed images that shape this masterwork from beginning to end. As Wayne walks through the doorway at the film's end, he grabs his elbow in a tribute to his and Ford's close friend Harry Carey Sr., a Western film icon who had passed away a few years before.

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HELLFIGHTERS: In one of Wayne's less spectacular later dramas from 1968, he plays real-life character Red Adair, owner of a Texas company that puts out oil-well fires. Katherine Ross, fresh from earning an Academy Award nomination for THE GRADUATE, in '67 plays his feisty daughter. REAP THE WILD WIND: John Wayne, Ray Milland, and Paulette Goddard team up with the legendary producer-director Cecil B. DeMille to create one of the greatest swashbuckling epics of all time. Adventures on the panoramic high seas highlight this tale of two men competing for the same woman. Key West in the 1840s is filled with salvage businesses thriving on the cargo of wrecked ships dashed against the coral reefs. Spunky ship owner Loxi Claiborne (Paulette Goddard) suspects salvager King Cutler (Raymond Massey) of foul play, since he's always first on the scene at a wreck. The independent, kittenish Southern gal is waiting on deck to help rescue the latest survivors of a wreck when she meets courageous Captain Jack Stuart (John Wayne), who instantly falls for the free-spirited Loxi. Loxi and Jack promise themselves to one another and make arrangements to meet up in Charleston. But, once in Charleston, Loxi meets lawyer Stephen Tolliver (Ray Milland). Despite Loxi's refusal to act like a typical blushing Southern belle, she quickly entices the debonair businessman, who decides that he will do anything to make her his wife. The rivals in love become enemies in the courtroom when Jack helms another wreck and Tolliver suspects foul play. Who will be found guilty and how hinges on some amazing developments. Along with the star-studded cast, this glorious sea spectacle stars huge clipper ships, horrifying storms, and a giant squid in a memorable underwater battle. ROOSTER COGBURN: John Wayne reprises his role as Rooster Cogburn, the eye-patched, whiskey-guzzling deputy marshall from TRUE GRIT. While on the trail of a gang of outlaws led by his old partner, Hawk (a truly villainous Richard Jordan), Rooster teams up with bible-thumping missionary Eula Goodnight (Katherine Hepburn) to avenge the murder of her father by the gang. The chemistry between Wayne and Hepburn is palpable as barbs fly between the grumpy gunman and feisty missionary, and Strother Martin delivers a sparkling cameo. THE SPOILERS: Two Yukon adventurers duke it out over a gold claim and a beautiful saloon girl in this remake of the classic Rex Beach novel about life in an Alaskan mining town during the gold rush of early 1900. John Wayne plays miner Roy Glennister, co-owner of a gold mine financed by saloon owner Cherry Malotte (a sultry, double-entendre-spouting Marlene Dietrich). When crooked gold commissioner Alexander McNamara (Randolph Scott) conspires to steal Glennister's claim--along with the affections of Cherry--it's a no-holds-barred showdown between the two rivals in one of the best saloon brawls in cinema history. THE WAR WAGON: Frank Pierce (Bruce Cabot) is a ruthless man bent on manipulating the cattle business for his own wealth and prosperity. When Taw Jackson (John Wayne), an honest rancher, interferes with his plans, Pierce imprisons him and confiscates his gold-filled land. Taw escapes and plans a raid on Pierce's heavily guarded payroll carriage--but not if Pierce has anything to say about it. After assembling a group of misfits and hired guns, Taw runs into serious opposition when he encounters the madcap gunslinger, Lomax (Kirk Douglas). Sent by Pierce to stop the raid, Lomax winds up taking a liking to Taw, and they decide to join forces and stage a raid on Pierce's WAR WAGON.

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PATTON: PATTON is a three-dimensional bronze bust of World War II field general George S. Patton (George C. Scott) who wrote poetry, fired pistols at strafing fighter planes, and loved America with a lofty and historical zeal. Tracing his personal rivalries with such generals as Rommel and Montgomery, his problematic treatment of his own men, and his nearly runaway contempt for diplomacy, the film triumphs as an enduring portrait of a complex and larger-than-life figure. PATTON was recipient of 10 Academy Award Nominations and winner of eight, including Best Picture, Best Director, Best Actor--Scott, Best (Adapted) Screenplay--Francis Ford Coppola/Edmund H. North. THE LONGEST DAY: An all-star cast enlists for this epic recreation of the Allied invasion of Normandy. Academy Award Nominations: five, including Best Picture. Academy Awards: Best (Black-and-White) Cinematography. TORA! TORA! TORA!: Director Richard Fleischer (SOYLENT GREEN) and two Japanese directors put together this ultrarealistic account of the bombing of Pearl Harbor as presented from the perspectives of both nations, as diplomatic tensions rise between the two countries. While the Japanese military plans its attack on American military installations, the American forces nearly stumble into a much greater calamity due to a series of errors and mistakes. As the two sides plunge closer to war, the tension escalates until the final, spectacular air raid, the most realistic ever filmed. This Japanese-American co-production, an ITA award-winner, has a fabulous cast, including Martin Balsam, Joseph Cotten, Jason Robards, James Whitmore, and E.G. Marshall.

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RIO BRAVO: No-nonsense Texas border sheriff John T. Chance (John Wayne) fights off ruthless mercenary gunmen in order to keep a murderer in custody. A ragtag band of volunteers, consisting of a singing kid, a toothless old man, a recovering alcoholic, and a spunky woman, assist. THE SEARCHERS: A classic Western regarded by many as the best of the genre, John Ford's THE SEARCHERS has been acknowledged by several directors who came into their own in the 1970s, including Martin Scorsese, Steven Spielberg, Paul Schrader, and George Lucas, as a powerful influence on their work. The film stars John Wayne as Ethan Edwards, a case-hardened Civil War veteran returning to his brother Aaron's (Walter Coy) Texas home in 1868. When Rev. Samuel Johnson Clayton (Ward Bond) arrives to raise a posse to run down the Comanche who have stolen the cattle of neighbor Lars Jorgenson (John Qualen), Ethan is among those who join him. They return to find the Edwards family slaughtered and the two girls, Lucy (Pippa Scott) and Debbie (Natalie Wood), missing. The posse continues to search for the girls but turns back as winter settles in. However, Ethan and his reluctantly accepted companion, Martin Pawley (Jeffrey Hunter), the girls' part-Cherokee stepbrother, press on for another seven years, with the Indian-hating veteran becoming ever more fanatical as the hard seasons pass. In his epic meditation on racism, obsession, paranoia, and the myth of the West, Ford explores the ugly underside of a genre that he had imbued with optimism in his early career. Wayne gives perhaps his most powerful performance as the embittered Edwards, but it's the visual poetry of what are possibly Ford's most carefully framed, lit, and composed images that shape this masterwork from beginning to end. As Wayne walks through the doorway at the film's end, he grabs his elbow in a tribute to his and Ford's close friend Harry Carey Sr., a Western film icon who had passed away a few years before.

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One of the most popular and recognizable screen stars of all time, John Wayne embodied a strength, integrity, and courage that seemed quintessentially American. His movies and his life demonstrated a clear demarcation between right and wrong, and he was the quintessential Western hero: not afraid to take risks, or take justice into his own hands, he was also a tender lover and a good friend. This selection of 20 John Wayne classics shows the enduring spirit of a legend. THE DAWN RIDER sees The Duke approaching a villain, his gun empty in a tension-filled face-off, while in THE DESERT TRAIL he is framed for murder, and sets out to prove his innocence. John goes undercover to catch a bandit in BLUE STEEL, and rides the rodeo in THE MAN FROM UTAH. These and many more indispensable gems can be found in this essential collection.

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After his cowhands desert him for a nearby gold rush, aging, leather-tough rancher Will Anderson (John Wayne) resorts to hiring 11 schoolboys to help him on a 400-mile cattle run. Setting off with the boys and an eloquent but equally tough black cook (Roscoe Lee Browne), Anderson must get his cattle to their destination while contending with the wilderness and a psychotic, vengeful ex-con (Bruce Dern) who is out to get him. With an amazingly natural performance by Wayne, this stylized, action-packed Western is exquisitely filmed, emotionally sensitive, and highly entertaining. Director Mark Rydell gets solid performances out of not just Wayne (in one of his later screen roles) and Browne, but the group of youngsters accompanying them on the journey, as well as actors like Slim Pickens and Colleen Dewhurst who play smaller supporting roles. Close attention is also paid to the natural beauty of the mountains, wild mustangs, and other often overlooked standard Western fare.

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A lament for the passage of time and the second in the director's acclaimed series of cavalry films, John Ford's SHE WORE A YELLOW RIBBON stars John Wayne as Capt. Nathan Brittles, a cavalry officer stationed in the Southwest. While contemplating his retirement, which is only a week away, Brittles is assigned to escort the wife and niece of his commanding officer, Maj. Mac Allshard (George O'Brien), to the stage line at Sudros Wells. Although he would prefer to battle the rampaging Cheyenne Indians as his final action, Brittles obeys orders. En route, two of the men in Brittles's patrol, Lieutenants Cohill and Pennell (John Agar and Harry Carey Jr.), get an eyeful of the major's distracting niece, Olivia (Joanne Dru), and nearly kill each other trying to attract her attention. Brittles then gets word from a scout, Sergeant Tyree (Ben Johnson), that a group of Arapaho Indian warriors is heading straight toward Sudros Wells. Wayne is at his best in his sensitive portrayal of an older man reluctantly stepping away from the only life he's known. Despite the constant skirmishing of Ford and cinematographer Winston Hoch, the cameraman won an Oscar for his work on the film and would go on to shoot the director's THE QUIET MAN and THE SEARCHERS.

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This collection features screen icon John Wayne in 10 classic westerns: ANGEL AND THE BADMAN, THE DAWN RIDER, THE LUCKY TEXAN, THE MAN FROM UTAH, 'NEATH THE ARIZONA SKIES, RIDERS OF DESTINY, SAGEBRUSH TRAIL, TEXAS TERROR, THE TRAIL BEYOND, and WEST OF THE DIVIDE. JOHN WAYNE: AMERICAN HERO also features THE AMERICAN WEST OF JOHN FORD, a documentary about the director who frequently collaborated with the Duke. Please see individual titles for synopsis information.

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A tough cattle baron fights con artists, corrupt officials--even Billy the Kid--in order to keep his ranch. Wayne's been here before, as have we. For Duke fans only.

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A no-nonsense federal agent and his war-hero partner are assigned to investigate the activities of a worldwide ring of communist terrorist spies based in Hawaii.

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This collection presents a quartet of suspense films produced by John Wayne's Batjac production company: in RING OF FEAR (1954), a detective duo is called in to investigate sabotage at a travelling circus; in TRACK OF THE CAT (1954), a pioneer family battles nature when one of their sons is killed by a mountain lion; in PLUNDER OF THE SUN (1953), an insurance agent finds himself embroiled in a deadly struggle for Aztec treasure when he is hired to smuggle a priceless artifact; and MAN IN THE VAULT (1956), a locksmith becomes a reluctant criminal after he is seduced by money and a mobster's beautiful girlfriend. See individual titles for further plot details.

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Some of the greatest Hollywood actors in diverse roles are featured in the films collected in STAR POWER 20 MOVIE PACK. Included are THE MAN WITH THE GOLDEN ARM, GOOD AGAINST EVIL, BORDER COP, THE GREAT ST. LOUIS BANK ROBBERY, DEADLY DRIFTER, ALL THE KIND STRANGERS, STUNTS, CATHOLICS, EVEL KNIEVEL, GONE WITH THE WEST, A REAL AMERICAN HERO, PROJECT KILL, KATHERINE, THE LAST OF THE BELLES, THE SWISS CONSPIRACY, THE DISAPPEARANCE OF FLIGHT 412, LOVE IS FOREVER, THE PRIDE OF JESSE HALLUM, HOW AWFUL ABOUT ALAN and finally MCLINTOCK. See individual titles for more details.

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The first film of John Ford's celebrated Cavalry Trilogy, FORT APACHE mirrors the effects of the director's wartime experience on his attitude toward military command. Lt. Col. Owen Thursday (Henry Fonda), a West Point-trained Civil War veteran, is sent to command the remote Arizona outpost of Fort Apache. An arrogant, by-the-book officer, he's annoyed at having drawn such an ignominious assignment. Despite the warnings of veteran Indian-fighter Capt. Kirby York (John Wayne), he dismisses the notion that a group of savages could possibly be of concern to one possessing his military prowess. After Thursday's daughter, Philadelphia (Shirley Temple), and young Lt. Michael O'Rourke (Ward Bond) find the bodies of some mutilated soldiers, it's discovered that Indian agent Silas Meacham (Grant Withers) has been stirring the Apaches up by selling them liquor illegally. York persuades Thursday to withhold all action until he can arrange peace talks with Cochise (Miguel Inclan), but when the Indian chief shows up for the palaver he finds that the blindly willful army commander has called out the entire regiment for an attack on the Apache force. A tragic, absorbingly complex study of the problems of command, FORT APACHE benefits enormously from Fonda's superb performance and the exhaustive research of screenwriter Frank S. Nugent into Apache culture and the army outposts of the era.

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One of the first American films specifically about the Vietnam War was also one of the most hawkish, offering a pro-intervention perspective at the height of the conflict. Filmed along the conventions of a World War II action drama, a gung-ho colonel battles the vicious Viet Cong while protecting innocent civilians, befriending an orphaned boy, and reforming a liberal newspaperman's misguided political views.

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A divorced man trying to maintain custody of his daughter earns back his self-respect by coaching a football team for a small Catholic schools.

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Some of the best-loved titles in film history are collected here in this 10-DVD set of movies for the whole family! From the comic antics of the two lovable scoundrels in ROAD TO BALI (1952) to the sobering WWII drama ESCAPE FROM SOBIBOR, there is truly something here for everyone! The charming bad boys with hearts of gold in ANGEL AND THE BADMAN and THEY CALL ME TRINITY will prove endearing to all, and the all-around bumbling misadventure in THE INSPECTOR GENERAL will be a raucous good time! Some of television's most loved personalities are here as well, with THE ADVENTURES OF OZZIE AND HARRIET and THE LUCY SHOW, and the classic cowboys and Indians film THE LONE RANGER rounds out the bill.

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