80s videos, Nicolas Cage, Amazon Marketplace in DVDs & Videos

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THE SURE THING: When free-spirited but juvenile Walter "Gib" Gibson (John Cusack) meets studious, uptight Alison Bradbury (Daphne Zuniga) at an unnamed Ivy League college, sparks fly; unfortunately, they are mostly of the disastrous variety as all of Gib's attempts at courtship fall painfully apart. Inevitably, the duo is tossed together when they both answer the same ad for a ride to California. While Alison is traveling to reunite with her tidy law school boyfriend, Gib is on the road to meet a beautiful girl his best friend promises him is "a sure thing." Before too long, Gib and Alison's bickering inflames the driver, who promptly deposits the two with their suitcases on the side of a lonely highway thousands of miles from their destination. As the misadventures pile up, the initially contentious pair begin to take a liking to one another--but do these two dare fall in love? Rob Reiner's initial attempt at romantic comedy pays subtle homage, with gentle lyricism, to the classic screwballs of early Hollywood. The film is buoyed by the stellar performances of the two leads, Cusack (in one of his first significant roles) and Zuniga, who are reminiscent of the great studio pairings of the past. VALLEY GIRL: It's a "totally tubular" scene as a "grody-to-the-max" punk from the wrong side of the Hollywood Hills, Randy (Nicolas Cage), falls for Julie (Deborah Foreman), a mall-dwelling Valley Girl, in this time capsule of 1980s teen vernacular. Julie and Randy become passionately involved; yet, despite her feelings for Randy, Julie succumbs to the peer pressure of her mall-obsessed friends and gets back together with her Valley dude boyfriend, Tommy (Michael Bowen), who whisks Julie off to the Senior Prom. Randy doesn't give up so easily, however, and chases Julie to the prom, with the help of his faithful friend, Fred (Cameron Dye), in an attempt to wrest her back. The sound track features the music of Men at Work, the Clash, and Josie Cotton in this 1980s teen comedy--an era, and topic, that director Coolidge, like her contemporary John Hughes, was fond of chronicling.

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Two young men enjoy the last days of their boyhood before enlisting in the military during the time of the Second World War. A tender, bittersweet tale of lost innocence and the horrible trauma of social violence.

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ONCE BITTEN: A horny vampiress goes on the prowl for young virgin males. Since she has to find them in modern-day Los Angeles, she has quite a problem. VAMPIRE'S KISS: Nicolas Cage plays Peter Loew, a sleazy literary agent who prowls the bars in the evening looking for some action. One night he hooks up with Jennifer Beals, and in the course of their relations, she bites him on the neck. When he wakes up the next morning, Peter doesn't feel quite right. He is irritable, and has a hard time dealing with life at the literary agency, where his secretary takes the brunt of his ire. Suddenly, it dawns on Peter that he was bitten by a vampire, so he goes out and buys a set of real fangs. However, mere plot exposition can't begin to get at what makes this movie so amazing. Well, the film itself isn't really amazing--it's Cage's performance. Here, it seems, he was given free rein to act like a complete madman. There is absolutely no precedent for this performance anywhere in film history, and Cage is a wonder to watch. Though this film is usually mentioned only when people want to talk about how Cage ate a live cockroach once because he insisted on absolute realism, his performance here dwarfs everything else he's ever done. The movie might be rather silly, what with its pretentious device of using Peter's transformation into a vampire as a metaphor for his other life as a parasitic literary agent and lady-killer, but Cage overacts so stunningly that you can't take your eyes off the film for a second.

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