GameFly - Game Rental in DVDs & Videos

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This amped action drama stars Vin Diesel as Xander (aka Triple X), a rebellious extreme sports star with a mission to defy authority and create anarchy. In the dramatic opening scene of the movie, Xander pulls an outrageous serious of stunts with the help of a band of similar-minded jocks, broadcasts the whole event live onto the Internet with a network of strategically placed digital cameras, and then avoids being captured by the squadron of police who pursue him. When Triple X is later taken into custody, Gibbons (Samuel L. Jackson), a representative from a government agency, hires the chiseled athlete and turns him into a secret agent with a mission to travel to Prague and collapse a dangerous terrorist cell operated by Yorgi (Martin Csokas) and the seductive Yelena (Asia Argento). Triple X is quickly drawn into Yorgi's lair, a stunning chateau situated in the mountains that is equipped with every high-tech modern amenity imaginable, along with a sizeable team of extra-large Slav bodyguards, a laboratory staffed by top scientists, and an always-ready gaggle of gorgeous concubines. Non-stop stunts, pounding hard-core music, elaborate sets, and inventive costumes make this Rob Cohen-directed adrenaline overload a visually exciting, aurally engaging, highly entertaining success.

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Marcus Burnett (Martin Lawrence) and Mike Lowrey (Will Smith) return as partners on the Miami Tactical Narcotics Team in director Michael Bay's (PEARL HARBOR, ARMAGEDDON) sequel to the 1995 blockbuster BAD BOYS. Car chases and shoot outs are daily occurrences as the two try to track down a big time Ecstasy dealer. The trail leads to Johnny Tapia (Jordi Mollá) a Cuban immigrant who runs the biggest drug cartel on the East Coast. The stakes are raised when Marcus discovers that his sister, Syd (Gabrielle Union), an agent for the Drug Enforcement Agency, is working undercover trying to bust Tapia as well. And to further complicate matters, Syd and Mike have become involved romantically and are keeping it a secret from Marcus. Jam-packed with massive explosions, wild chase scenes, and flying bullets, this wild ride is filled with action and violence. Smith is charming as the quick-tempered, fast-talking Mike, and Lawrence is his ideal counterpart as the stressed-out Marcus, who resorts to therapy tricks to keep calm. Joe Pantoliano reprises his role as Captain Howard, who is continually traumatized by the trail of wrecked cars and damage his boys leave behind after a chase.

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After being denied the chance to go to a nearby village to visit a prostitute before starting a a reconnaissance mission, a tough, embittered American sergeant (Sean Penn) involves the four men of his patrol in the kidnapping of a young Vietnamese woman. The impending gang rape and murder of the woman splits the patrol into two factions, those for it, and those against it--with young Eriksson (Michael J. Fox) leading the dissension. But before long, the sergeant has convinced everyone but Eriksson to go along with the plan, making an already difficult mission unbearable for the morally conscious young soldier. Penn gives a powerful performance in this brutal, thoughtful war film from a script by playwright David Rabe (HURLYBURLY).

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Director Roger Kumble transfers the DANGEROUS LIASONS tale to Manhattan, where wealthy prep school student Kathryn (Sarah Michelle Gellar) bets her stepbrother Sebastian (Ryan Phillipe) that he can't deflower the virginal Annette (Reese Witherspoon) before the school year begins. If he fails to accomplish this task, Kathryn gets his Jaguar Roadster; if he succeeds, he gets an evening of pleasure with Kathryn.

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The Marvel comics hero returns for more high-flying fun in this third installment in the series. Peter Parker (Tobey Maguire) is up to his usual Spidey tricks, attending university classes as an awkward geek, then quickly slipping into his red-and-blue suit to save New York City from various villains. And there are villains aplenty. Thomas Hayden Church blows in as the Sandman, an escaped convict whose molecular structure is destroyed in a particle accelerator. The freak accident gives him the ability to form and reform from piles of dust. While the Sandman sifts through the city streets robbing banks, Spidey must also contend with his onetime friend, Harry (James Franco), who has taken up where his father, the Green Goblin, left off. Harry chases Spider-Man down on his goblin glider, hurling pumpkin bombs. But Spider-Man's biggest battle is perhaps within himself, when he is taken over by meteorite ooze--a substance that gives him great power, but also turns him into a vengeful, selfish jerk. Throw into the mix Peter's new competition at the Daily Bugle--the ambitious, sneaky Eddie Brock (Topher Grace)--and Peter's relationship troubles with Mary Jane (Kirsten Dunst), and SPIDER-MAN 3 weaves a tangled web indeed. Director Sam Raimi's playful style and his delightfully campy screenplay hold true to the spirit of the Stan Lee comics, and he does an excellent job of hitting all the right superhero notes. Raimi has created an action film that is a feast for the eyes, but comes with fully rounded characters and a moving moral lesson to boot. The special effects are astounding, but Raimi makes sure the film isn't all action and no talk--he makes Peter's struggle a human one, and one that we can all relate to, regardless of our web-spinning ability.

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Catherine Zeta Jones captivated audiences and shot to stardom via her role as Elena in the 1998 take on the Zorro legend, MASK OF ZORRO. This sequel, set in 1850, finds her married to Alejandro, aka Zorro (Antonio Banderas, also returning to reprise his character from MASK OF ZORRO), and demanding he stop all the derring-do and spend time with their smart-as-a-whip 10-year-old son, Joaquin (Adrian Alonso). The boy has some serious acrobatic skills, but is unaware of his father's secret identity. He can only look askance as his parents separate and Dad starts spending too much time with his hard-drinking horse, while Mom lets herself be wooed by the odious Count Armand (Rufus Sewell). It's up to little Zorro Joaquin to get to the bottom of things and get his folk-hero parents back into action. Jones is a stunning sight in her elaborate lace-and-linen ensembles, and there's some complex DA VINCI CODE-style secret society skullduggery, but otherwise this sequel has more in common with classic old Walt Disney comedies like THE APPLE DUMPLING GANG or Robert Rodiguez's SPY KIDS than with the 1998 movie. The swordfighting and death-defying action sequences are all totally bloodless, and director Martin Campbell--who also helmed the '98 film--keeps the dialogue very contemporary and child-friendly throughout.

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A visual feast combining ancient mysticism, cyberpunk sensibilities, flamboyant entertainment personalities, and gun-toting alien mercenaries. In the 23rd century, Korben Dallas (Bruce Willis), an ex-special forces agent who now practices as a down-and-out cabbie, finds himself caught in a struggle to defy a prophesied Evil from destroying the Earth when a mysterious woman (Milla Jovovich) falls into the back seat of his cab. Pursued by both the government and a powerful magnate enlisted by the forces of Evil (Gary Oldman), the woman is the key to Earth's salvation, known only as the Fifth Element. This was French auteur Besson's first offering with Hollywood backing. Academy Award Nomination: Best Sound Effects Editing.

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Director and screenwriter Preston A. Whitmore II (THE WALKING DEAD) captures the phenomenon of streetball and brings it to the big screen in this tale about two old friends whose lives seem very different. Tech's (Anthony Mackie) dream is to play basketball, but he isn't quite right for the NBA and he can't play college ball since he served time in his senior year and is studying for the GED. Instead, he plays the occasional game in an abandoned Detroit train station and hustles players all around the city with his friend Up (Lil J.J.) for quick cash. Meanwhile, his best buddy, Cruise (Wesley Jonathan), is a talented player who has been sweet-talked by agents and left with nothing--except the realization that education is everything. He's counting on a basketball scholarship to a California university and a career in medicine--rather than his ball-playing ability--as the key to his future. Life becomes more complicated when Cruise repays a favor to Tech and puts his scholarship at risk by playing streetball on his pal's team in a game arranged by Vaughn (Wayne Brady), a former sports agent. Amazed by what he sees on the court, Vaughn is soon trying to woo Cruise with NBA promises, much to the delight of his new girlfriend, Vanessa (Eva Pigford, winner of AMERICA'S NEXT TOP MODEL), who can only see dollar signs. When the unthinkable happens, Cruise and Tech learn that they are not that different after all, and that their friendship can withstand anything. Real streetball players, including Phillip "Hot Sauce" Champion, who plays the greedy and arrogant local streetball champ, Jewelz, are used throughout the film, which features plenty of riveting action. Alecia Fears also stars as Tech's girlfriend, Eboni.

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Though it is one of America's most popular sporting events, the association of NASCAR with uneducated, backwards rednecks seems cemented into the American consciousness. So the brilliant comedy TALLADEGA NIGHTS: THE BALLAD OF RICKY BOBBY, is not just a sidesplitting series of slapstick pratfalls and over-the-top accents, but a lens into an important part of American culture. Comic sensation Will Ferrell (SATURDAY NIGHT LIVE, ANCHORMAN) plays the title character, Ricky Bobby, a figure who is at once laughably ridiculous, infuriating, and loveable. Ricky Bobby, with his bleached-blond wife, cute sons Walker and Texas Ranger, and dim-bulb sidekick Cal (award-winning actor John C. Reilly, flexing his considerable comedic muscle), has got it made. He is NASCAR's most popular driver, and nearly every aspect of his life is endorsed by a recognizable product. Yet his racetrack kingdom is not unshakeable: two formidable opponents, his unpleasable father, Reese (Gary Cole), and a flashy new opponent, the openly gay French import Jean (played by a hilarious Sasha Baron Cohen, known to millions as Ali G), threaten to hijack his crown and expose his vulnerabilities. Though many of the jokes are easy laughs (having Ferrell run around shirtless is a guaranteed guffaw-fest), the script (co-written by Farrell and Adam McKay) is nuanced and intelligent, lending its characters much more sympathy and complexity than dumber comedies are want to do. And every performer--from Ferrell to Amy Adams (as Susan, Bobby's fawning assistant)--tackles his or her part with joy and relish. A knee-slapper with smarts and savvy, TALLADEGA NIGHTS ensures Ferrell's position as one of comedy's shining talents.

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The director of the classic anime series COWBOY BEBOP, Shinichiro Watanabe, follows up with SAMURAI CHAMPLOO. As in his previous series, Watanabe mixes genres and attitudes into a cohesive whole. SAMURAI CHAMPLOO is set in feudal Japan, but combines that with a hip-hop soundtrack and attitude. Mugen, a wild and animalistic warrior, starts a fight with Jin, a calm and mannered ronin, in the midst of a tea house. When the two men are threatened with execution, flaky waitress Fuu rescues them both. However, their freedom has a price, as Fuu recruits them to help her find the mysterious "samurai who smells of sunflowers." This release contains the third and fourth episodes of the action series.

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Based on a popular manga by Shuichi Shigeno, INITIAL D is a high-octane anime series about the world of downhill mountain racing. Takumi Fujiwara is an average high-school student who has honed his driving skills while making late-night deliveries for his father's tofu restaurant. When he has an inadvertent run-in with one of the area's top racers, Takumi finds himself thrust into the world of mountain racing and is soon duking it out for top honors in a series of daredevil downhill races. Thrilling and adrenaline-fueled, the anime is presented in its entirety with this collection of episodes.

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Based on the comic book of the same name, BLADE (Snipes) is a half-mortal, half-immortal bent on avenging his mother's death and destined to rid the earth of a race of vampires. Meanwhile, the modern-day technologically advanced vamps he's targeted are in pursuit of his special blood type needed to summon an evil god who plays a key role in their plan to execute the human race. A dark action thriller from the director of DEATH MACHINE and the writer of THE CROW: CITY OF ANGELS and DARK CITY with plenty of blood and guts.

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Anyone who grew up in Southern California will talk with both nostalgia and frustration about the periodic summers of drought in which the oppressive heat is exacerbated by a shortage of its antidote--fresh water. In 1975, a clan of scruffy, rebellious teens found a way to turn this dearth to their advantage, using the sloping bowl of empty suburban swimming pools to create a new underground sport--skateboarding. The development, explosion, and corporate co-opting of this now ubiquitous sport was the subject of Stacy Peralta's acclaimed 2002 documentary, DOGTOWN AND Z-BOYS. Peralta, one of the original skaters who came to be known as the "Z-Boys," has penned this dramatized account of his own story, a kinetic and gripping tale with dramatic turns reflective of the extreme crests and falls of those concrete waves. When a shipment of polyurethane wheels arrives at Venice Beach's Zephyr surf shop, the proprietor, Skip (Heath Ledger), puts together a team of roughly a dozen local layabouts to try his new idea. At lightning speed, the three most talented become international stars, infusing sexuality, danger, and punk rock into a sport formerly associated with kneesocks and lite pop. LORDS OF DOGTOWN principally follows these three as they deal with sudden fame and fortune. Stacy (John Robinson) is the elegant, responsible beauty. Tony Alva (Victor Rasuk) is a frizzy-haired heartthrob with an overblown ego and penchant for pugilism. And Jay (Emile Hirsch), arguably the most compelling of the leads, supports his drug-addicted mother and is too cynical to be lured by the temptations of corporate vultures. Director Catherine Hardwicke, who fused gritty documentary techniques and high teen drama to great acclaim in her first feature, THIRTEEN, perfects that style here. The combination of a pulsating punk rock soundtrack, dynamic skateboarding sequences, and a gripping narrative combine in a forceful sweep that keeps viewers glued to the screen.

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Versatile Hong Kong box office giant Chow Yun-Fat makes a Hollywood splash as a John Lee, Chinese hitman beholden to drug kingpin Mr. Wei (Hong Kong stalwart Ken Tsang, in an interesting reversal of his "crusty cop" persona). The good news is that Lee's free after one hit; the bad news is that Wei wants revenge on a cop who killed his son--by killing the cop's son. Lee decides to run rather than kill the boy, and Wei doesn't take kindly to the betrayal. Tough-talking passport forger Meg Coburn (Mira Sorvino) creates a new identity for Lee, but that's of little help when they must face Wei's army of "replacement killers." First-timer Fuqua provides eye-candy visuals and plenty of action set pieces. John Woo executive produced.

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Director John Singleton (BOYZ IN THE HOOD, SHAFT) revisits to South Central L.A. with BABY BOY. Former Calvin Klein model Tyrese Gibson stars as Jody, a smooth-talking but immature black male who has children from two different women. One of them, Yvette (Taraji P. Henson), wants him to be faithful and move in with her, but Jody prefers his room at Mom's (A.J. Johnson) house, and his life of aimless womanizing and hanging out with neighborhood pal Sweet Pea (Omar Gooding). However, this childhood paradise seems about to destruct with the arrival of Mom's new ex-con boyfriend, Melvin (Ving Rhames). And when a dangerous former lover of Yvette's (Snoop Doggy Dogg in a nicely unsympathetic performance) gets out of jail and moves back in, the stage is set for Jody to either stand up like a man, or die in the attempt. Singleton tells the story in a series of vibrant vignettes, and though he supplies plenty of crowd-pleasing sex and violence, the focus remains on his characters. A rich score of old and new rap and R&B gives the film a nice boost, and Rhames is superb as the aging former thug trying to find happiness with Jody's mom.

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Director James Gray (THE YARDS) posits two distinctly different brothers--Joseph (Mark Wahlberg) and Bobby Grusinsky (Joaquin Phoenix)--as the central characters in this crime-infested thriller. Joseph and Bobby inhabit two conflicting worlds in late 1980s New York, the former becoming a cop and the latter running a nightclub. Bobby spends his evenings in a den of iniquity, indulging in drugs, alcohol, and gambling, and his model-like girlfriend Amada (Eva Mendes) is never far from his arm. Their two worlds meet when the father of the two men, Burt (Robert Duvall), who is also a cop, gets together with Joseph to ask Bobby for information about a patron of the club named Vadim (Alex Veadov). Vadim is the nephew of the club's owner, and also a dangerous member of the Russian criminal underworld. Bobby sides with Vadim, and the tension in Gray's brother-versus-brother potboiler reaches melting point as Joseph goes after both his sibling and his Russian foe. Wahlberg, Phoenix, and Duvall all deliver high-caliber performances throughout, and Gray suffuses the plot with enough twists and turns to provide a few surprises. New York City is perfectly utilized as a backdrop to the action, and cinematographer Joaquin Baca-Asay manages to get the balance between moody, atmospheric shots and explosive action sequences just right. WE OWN THE NIGHT ultimately resembles an old-fashioned cop film with a little Scorsese-like drama thrown in for good measure, and is likely to gain a following among movie fans seeking retro crime thrills.

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Tamzin Outhwaite (formerly of EASTENDERS) and Wesley Snipes star in this independent action film from director Simon Fellows. When novice thief John Tuliver steals a highly valuable Van Gogh painting by mistake, it is his partner Kelly Anders who takes the heat. As gangsters in search of the artwork kidnap Kelly, John becomes her only hope for survival.

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Don Diego de la Vega (Anthony Hopkins) recruits Alejandro Murieta (Antonio Banderas) to become his replacement as Zorro, the legendary hero. Together, they infiltrate the circle of Don Raphael - the fiercest of the Spanish tyrants. Armed with his mask, sword, whip and jet-black stallion, Tornado, the new Zorro embarks on a mission to stop Don Raphael's plot to buy California, set right 20 years of wrongs, bring justice to the people ensnared by Spanish greed, and win the heart of Don Diego's daughter, Elena (Catherine Zeta-Jones in a star-making performance). THE MASK OF ZORRO is an old-fashioned swashbuckler with plenty of modern sizzle thanks to the casting of Banderas and then-newcomer Zeta-Jones.

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John Singleton emerged from USC film school with his passionate script already written, and at age 23 he made the film that spawned a score of ghetto dramas. From the opening shot--a sign reading "Stop"--to the final message of "Increase the Peace," Singleton's desire to galvanize his audience is clear. The violence destroying South Central Los Angeles is seen through the eyes of Tre Styles (Cuba Gooding Jr.), whose intelligence and common sense would be wasted in the 'hood if not for his father, Furious (Laurence Fishburne), who imparts discipline and responsibility to his son. Tre's friends aren't so lucky, though, especially Doughboy (Ice Cube), who has been in and out of institutions since childhood and now sits on his porch with a forty in his hand and a pistol in his waistband. Singleton is ambitious enough to tackle a host of problems, from African American business practices to the bias of the SAT test, but the real power of the film lies in the performances of its principals. Cuba Gooding, in his first role, doesn't let Tre come off like a goody two-shoes, while Ice Cube gives a tragic nobility to a young man who knows he's doomed.

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